100 books like The Last Thing You Surrender

Another pioneering work, this 1977 book was written during the late “Blaxploitation” film movement, but rather than focus on that era, it looks back at the first half of the 20th century, during the foundation of Hollywood as a filmmaking industry, to detail the harrowing trials and tribulations that Black performers had to endure.

With a scholarly yet accessible approach, this book drums home the fact that cinema—and American society as a whole—is not that far removed from slavery, as evidenced by Black portrayals in popular films like Uncle Tom’s Cabin and The Birth of a Nation. Like Bogle, Cripps is a legend in the field of Black film studies.

Baldwin first opened my eyes to the possibilities of memoir. When English teachers held up fiction as the literary ideal, I was drawn to Baldwin’s essays instead. I was a New Yorker, living not far from the author’s Harlem, and growing up at the time of the civil rights movement. Baldwin was writing autobiographical non-fiction that, knitted together individual temperament and social history. “I left America because I doubted my ability to survive the fury of the color problem here,” he wrote in Nobody Knows My Name. I read that paragraph as the daughter of Czech Jewish immigrants, white people who had survived both Nazism and Stalinism. Baldwin’s voice was like the voices I heard at home telling stories of the Second World War. It was both compelling and trustworthy. Fifty years later, I still think so.

I loved this was a historical fiction novel that featured the Six Triple Eight unit from the Women’s Army Corps. The Midwest was heavily featured including Iowa and the way race played in the way women were allowed to serve. This reminded me that I stand on the shoulders of the women who came before me in the Women’s Army Corps and the treatment of women has come a long way. I struggled with some of the scenarios the two main characters, Grace Steele and Eliza Jones were put into but they rang true for a fictional novel. 

This book takes you back to living in World War II America, from watching movies and listening to radio to enduring rationing and blackouts to changes in the family as (mostly) men went off to war and more women were working outside the home.

It’s well-researched and well-written, with a good sense of how popular culture helped shaped American society.

Lingeman really recreates what it was like for the average person, from silly fads and rumors to the sadness of telegrams and the seriousness of labor shortages and internment camps.

This book represents another facet of military women, those with a double whammy: Black women. This was especially a problem during WWII, when the army still practiced segregation and initially prohibited Black women from serving overseas, unlike their white counterparts.

After pressure from groups such as the NAACP and intervention by President Roosevelt, the army formed the 6888th Central Postal Directory Battalion as an all-Black Women’s Army Corps unit. About 850 women served in the 6888th, which was stationed in the UK and France from January 1945 until March 1946. The unit was responsible for routing mail to about 7 million U.S. personnel who served in the European Theater of Operations.

This “double whammy” is a topic that I hope is explored more in future books!

Woodson and Lewis weave a rich tapestry of lyrical text and lush watercolors to give readers a glimpse into the life of Ada Ruth, a girl growing up in the Midwest during World War II. Her mama has to leave home to find work. Ada Ruth and Grandma wait for word while caring for a stray kitten. This story overflows with longing, loneliness, empathy, worry, and, above all, love.

Walker’s Jubilee extends the slave narrative, a popular weapon used by abolitionists to fight slavery. Instead of ending when the main character escapes their cruel master, Walker tells the story of a woman’s journey from emancipation to reconstruction and beyond.

I included this book not only because of a great beginning, but also because I wanted to give an example of how important story is to the success of a book, and in some cases more important than the language.

Besides, how can you not read on after a first chapter with the title, “Death is a mystery that only the squinch owl knows”? 

Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.

I believe that historical nonfiction is best told as a rich narrative with compelling characters and a page-turning plot structure. No one accomplishes that ideal better than Steve Sheinkin. 

Sheinkin’s power is on full display in this book about the Port Chicago 50, a group of Black sailors during World War II. Living in a world of rampant racism, the men are relegated to the dangerous task of loading ammunition onto ships. When the danger and racism become untenable, many refuse to work. Fifty of the men are charged with mutiny, convicted, and sentenced to fifteen years of hard labor. 

I love to include the actual words of historical actors in my writing and so does Sheinkin. His book draws from oral histories of the sailors. What power their voices bring to the story!!!!

Delmont’s sweeping story about the complex wartime outlooks and experiences of Black Americans necessarily includes the travails and triumphs of combat fighters; the battlefield contributions of Black GIs have been too often dismissed or ignored. 

But here they appear alongside a fascinating, broader cast of war workers battling racism while doing their bit to defeat the Axis across the world’s continents. From the engineers carving roads out of impenetrable Asian jungle or Alaskan tundra to the women of the all-Black 6888th Central Postal Directory Battalion who sorted mail in an unheated English warehouse while under bombardment, Delmont’s subjects offer a reminder of the awesome scope of this war.