Here are 100 books that The Kirov Murder and Soviet History fans have personally recommended if you like
The Kirov Murder and Soviet History.
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Lynne Viola is a University Professor of Russian history at the University of Toronto. Educated at Barnard and Princeton, she has carried out research in Russian and Ukrainian archives for over 30 years. Among her books, are two dealing with Stalinist repression: Stalinist Perpetrators on Trial: Scenes from the Great Terror in Soviet Ukraine and The Unknown Gulag: The Lost World of Stalin’s Special Settlements. Both are based on work in previously classified archives, including the archives of the political police.
This monograph changed the way historians understand the Great Terror. Shearer focuses on state fears not of foreign invasion, but of domestic social disorder. Based on voluminous archival research, he explores the structural prerequisites to the “mass operations” of the Great Terror by looking at the social purging campaigns of the mid-1930s and the practices of civil and political policing.
Policing Stalin's Socialism is one of the first books to emphasize the importance of social order repression by Stalin's Soviet regime in contrast to the traditional emphasis of historians on political repression. Based on extensive examination of new archival materials, David Shearer finds that most repression during the Stalinist dictatorship of the 1930s was against marginal social groups such as petty criminals, deviant youth, sectarians, and the unemployed and unproductive.
It was because Soviet leaders regarded social disorder as more of a danger to the state than political opposition that they instituted a new form of class war to defend…
Roger Reese has studied, researched, and or taught Soviet history since 1984. He has been on the faculty of Texas A&M University since 1990. He has published five books and numerous articles and book chapters on the military history of Russia and the Soviet Union. He was awarded the Norman B. Tomlinson, Jr. book prize for his most recent book, The Imperial Russian Army in Peace, War, and Revolution, 1856-1917.
This book is very interesting because it puts the reader inside the workings of the great terror at the local level with the words of the perpetrators themselves. The author uses the records of trials of numerous low level secret police interrogators to show how the regime created the conditions under which the policemen rationalized how they understood their work and made it possible for them to persecute innocent people.
Between the summer of 1937 and November 1938, the Stalinist regime arrested over 1.5 million people for "counterrevolutionary" and "anti-Soviet" activity and either summarily executed or exiled them to the Gulag. While we now know a great deal about the experience of victims of the Great Terror, we know almost nothing about the lower- and middle-level Narodnyi Komissariat Vnutrennikh Del (NKVD), or secret police, cadres who carried out Stalin's murderous policies. Unlike the postwar, public trials of Nazi war criminals, NKVD operatives were tried secretly. And what exactly happened in those courtrooms was unknown until now.
A proud native of Stockton, CA, Jennifer Laam resides in California with a temperamental tabby cat named Jonesy. Her other works of historical fiction are The Secret Daughter of the Tsar, The Tsarina’s Legacy, and The Lost Season of Love and Snow. When not reading or writing, she enjoys planning cosplay for the next San Diego Comic-Con, experimenting with vegetarian recipes (to mixed results), cooing at Baby Yoda, or obsessing over House Targaryen.
A harrowing and beautifully told novel of the last days of the Romanovs in imprisonment. The point of view character is a surviving servant, Leonka, a child released from the “House of Special Purpose” shortly before the execution of the royal family.
Soon to be a major motion picture starring Kristin Scott Thomas (The English Patient), directed by Stefan Ruzowitzky (The Counterfeiters)
Drawing from decades of work, travel, and research in Russia, Robert Alexander re-creates the tragic, perennially fascinating story of the final days of Nicholas and Alexandra Romanov as seen through the eyes of their young kitchen boy, Leonka. Now an ancient Russian immigrant, Leonka claims to be the last living witness to the Romanovs' brutal murders and sets down the dark secrets of his past with the imperial family. Does he hold the key to the many questions surrounding the…
I am an Assistant Professor in the Department of Foreign Language Teaching Methodologies at Vyatka State University in Kirov, Russia. My book Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the 1936 Draft Constitution was published in November 2017. Most recently I have published an article-length study entitled Peasant Communal Traditions in the Expulsion of Collective Farm Members in the Vyatka–Kirov Region 1932–1939 in Europe Asia Studies in July 2012. I am currently conducting research for a future book manuscript on daily life on the collective farms and the day-to-day relationships between collective farmers and local officials.
Jonathan Waterlow’s book It’s Only a Joke Comrade looks at humor in the Stalinist period, exploring how average citizens used humor to understand the contradictions of their daily reality and to relieve stress. Looking at the way Soviet leaders were mocked Waterlow investigates how people subversively commented on policies that left them hungry and poorly clothed, joking for example that Stalin rid himself of pubic lice (crabs) by announcing he would create a crab collective farm, causing even the lice to flee in terror. Jokes also touched on policy issues such as five-year plans, repression, and even the Molotov-Ribbentrop pact, showing how people thought about and discussed these issues. Furthermore, Waterlow looks at the social aspects of telling jokes, which could have dire consequences if told to the wrong person. He studies how jokes helped create and reinforce trust circles, challenging old notions of atomization in the USSR. This witty,…
'A stunningly original study of Stalinist society... Essential reading for anyone interested in how human beings navigate a path through times of extraordinary upheaval, privation and danger' – Daniel Beer
In the shadow of the Gulag, Soviet citizens were still cracking jokes. They had to.
Drawing on diaries, interviews, memoirs and hundreds of previously secret documents, It’s Only a Joke, Comrade! uncovers how they joked, coped, and struggled to adapt in Stalin’s brave new world. It asks what it really means to live under a dictatorship: How do people make sense of their lives? How do they talk about it?…
I am an Assistant Professor in the Department of Foreign Language Teaching Methodologies at Vyatka State University in Kirov, Russia. My book Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the 1936 Draft Constitution was published in November 2017. Most recently I have published an article-length study entitled Peasant Communal Traditions in the Expulsion of Collective Farm Members in the Vyatka–Kirov Region 1932–1939 in Europe Asia Studies in July 2012. I am currently conducting research for a future book manuscript on daily life on the collective farms and the day-to-day relationships between collective farmers and local officials.
Soviet satire is often overlooked or dismissed as purely propaganda. John Etty offers a refreshingly updated look at a key Soviet publication and provides the casual reader with an introduction to the colorful and humorous content in the USSR’s premier satirical journal. He explores how content was created, revealing a collaborative process that could involve everyone from the head of the party to everyday readers. While there was oversight and interference from state censors and political authorities, and self-censorship in the 1930s due to repression, Etty reveals that editors and creators had a great deal of creative freedom.
Etty also explores the Krokodil “Extended Universe”. In the 1920s, when there was a severe shortage of paper and many citizens were illiterate, Live Krokodil, a repertory company was organized in theatres, workers’ and Red Army clubs. Additionally, Krokodil published the Krokodil Library (Biblioteka Krokodila) which included cartoon compendiums and…
After the death of Joseph Stalin, Soviet-era Russia experienced a flourishing artistic movement due to relaxed censorship and new economic growth. In this new atmosphere of freedom, Russia's satirical magazine Krokodil (The Crocodile) became rejuvenated. John Etty explores Soviet graphic satire through Krokodil and its political cartoons. He investigates the forms, production, consumption, and functions of Krokodil, focusing on the period from 1954 to 1964.
Krokodil remained the longest-serving and most important satirical journal in the Soviet Union, unique in producing state-sanctioned graphic satirical comment on Soviet and international affairs for over seventy years. Etty's analysis of Krokodil extends and…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
This middle-grade memoir written and illustrated by Eugene Yelchin is hands down one of my favorite books in any category, period.
It is a short but rich story with layers of setting, from the Soviet Union during the Cold War, the courtyard of the narrator’s communal apartment building, to his private world under the family table in their one-room apartment. I laughed out loud, except for when I was crying.
An Association of Jewish Libraries Sydney Taylor Honor Winner
With a masterful mix of comic timing and disarming poignancy, Newbery Honoree Eugene Yelchin offers a memoir of growing up in Cold War Russia.
Drama, family secrets, and a KGB spy in his own kitchen! How will Yevgeny ever fulfill his parents’ dream that he become a national hero when he doesn’t even have his own room? He’s not a star athlete or a legendary ballet dancer. In the tiny apartment he shares with his Baryshnikov-obsessed mother, poetry-loving father, continually outraged grandmother, and safely talented brother, all Yevgeny has is his…
I have always strived to speak out when surrounded by silence, whether in person through my own voice, or through the books I have written and had published. Not because I am heroic or noble, but because I am angered by suppressed truth, and I believe reality should be shown as it is, not as people believe it should be. That is why the books I chose are so important to me, because they fearlessly exposed the truths the respective authors were determined to show, risks be damned. I hope these books inspire you as much as they have inspired me.
This book showed me in a way I’d never seen before what life was like for an imprisoned bureaucrat in Stalin-era Russia. The author proved to me that through undeniable detail and unflinching sincerity, you can show an unsettling reality that powerful authorities have worked tirelessly to conceal.
Found within the book’s pages are poignant anecdotes, lessons, and reflective moments that made me question the very concepts of what a person is capable of doing and enduring under extreme circumstances. I could not get the chapter “The Buddha’s Smile” out of my head, and I don’t think I ever will.
The thrilling Cold War masterwork by the Nobel Prize-winning author of The Gulag Archipelago, published in full for the first time.
"Solzhenitsyn's best novel. . . . A great and important book, whose qualities are finally fully available to English-speaking readers.” —Washington Post
Moscow, Christmas Eve, 1949.The Soviet secret police intercept a call made to the American embassy by a Russian diplomat who promises to deliver secrets about the nascent Soviet Atomic Bomb program. On that same day, a brilliant mathematician is locked away inside a Moscow prison that houses the country's brightest minds. He and his fellow prisoners are…
I have been fascinated by Russian history and American-Soviet relations since high school. Now at American University’s School of International Service, I teach courses on the history of U.S. foreign relations, the Cold War, as well as human rights and U.S. foreign policy. I have written two books on the role of human rights in U.S. foreign policy, including Human Rights Activism and the End of the Cold War: A Transnational History of the Helsinki Network and From Selma to Moscow: How U.S. Human Rights Activists Transformed U.S. Foreign Policy. When I’m not working, I love a good Cold War TV series (Deutschland 83 or The Americans).
In The Struggle to Save the Soviet Economy, Chris Miller compares the political and economic reforms undertaken in the Soviet Union and China in the 1980s. His account portrays Soviet leader Mikhail Gorbachev as weak and unable to make difficult choices, and Miller reveals the dire consequences of Gorbachev's policies for the cohesion of his country. Miller argues effectively that Gorbachev did not have the option to follow the “authoritarian path” of China’s Deng Xiaoping.
For half a century the Soviet economy was 'inefficient' but stable. In the late 1980s, to the surprise of nearly everyone, it suddenly collapsed. Why did this happen? And what role did Soviet leader Mikhail Gorbachev's economic reforms play in the country's dissolution? In this groundbreaking study, Chris Miller shows that Gorbachev and his allies tried to learn from the great success story of transitions from socialism to capitalism, Deng Xiaoping's China. Why, then, were efforts to revitalize Soviet socialism so much less successful than in China?
Making use of never-before-studied documents from the Soviet politburo and other archives, Miller…
I write about Eastern Europe, both past and present, and what it means to have Russia as a neighbor. I write historical fiction and historical thrillers with a soupcon of espionage. I talk about the politics of the day, whether the story is set during WWII or in modern times. While my stories and characters are fictional, I constantly strive to accurately reflect time, place, and, most of all, history. I hope that my novels entertain and inform about a corner of the world folks may not know much about.
This book shows us that not everyone had a devastating experience under the Soviets. I love it because it’s about average people and (somewhat) average events that become extraordinary because of the political circumstances.
What was it like for a teenager to date when the KGB might be watching? How did families manage to cheer at military parades of sophisticated equipment when they couldn’t find toilet paper to buy?
These wonderful stories entertained and informed. They weren’t funny, but a few made me chuckle from the absurdity.
In the 'Workers Paradise' of the Soviet Union what was life like for those on the periphery of the Russian empire? In these short stories, Grazina Pranauskas offers the reader piercing vignettes of everyday existence in Lithuania under a totalitarian regime ...
I’m often asked: “Are you a musician? You mustbe, in order to write so beautifully and convincingly, through the eyes of a musician!” Actually, I’m what’s known as a “serious amateur”—which means that I study the piano “seriously” but not professionally, purely for the love of it. In fact, my understanding of the piano deepened tremendously as I worked on this book, as if my protagonist required that of me, in order to bring her to life the way she needed. The piano has become more and more vital to me, as a writer, because it allows me to explore and express in ways that don’t depend on words.
The Weight of a Pianois about Clara, a young woman desperate to find her own path—freedom, identity, and connection—but it is also the story of an actual piano, as if the piano were a character, and how that piano has shaped the lives of its owners. Clara is haunted by a past she doesn’t understand, and by an unexpected hand injury that changes the course of her life. There are no easy answers in Cander’s book, and an ending you won’t see coming. Truly an original novel that will linger in your heart and mind for a long time.
For fans of Ann Patchett's Bel Canto, Annie Proulx's Accordion Crimes, Amanda Coplin's The Orchardist
A tour-de-force about two women and the piano that inexorably ties their lives together through time and across continents, for better and for worse.
In 1962, in the Soviet Union, eight-year-old Katya is bequeathed what will become the love of her life: a Blüthner piano, built at the turn of the century in Germany, on which she discovers everything that she herself can do with music and what music, in turn, does for her. Yet after marrying, she emigrates with her young family from Russia…
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