100 books like The Flatmate

This book (and its two sequels) presents a place where all sorts of monsters and unwanted creepy-crawlies can find shelter and a home—Julia’s house.

It’s a book about inclusion and acceptance and maybe even some bad manners. All of Ben Hatke’s books are smartly told and beautifully drawn (Zita te Space Girl, Mighty Jack, Nobody Likes a Goblin)—but even with a simple story, the magic on every page is evident, and one can linger on the pictures well past the time it takes to read the words. 

How are women supposed to behave, discreetly? Are their friendships always a saccharine Hallmark card? Not in this novel. Living loudly, louchely, in chaos, with hedonistic nights out and all-day hangovers, Laura and Tyler are a tight, whip-funny twosome… except one has a wedding on the horizon to a teetotal stable man, and she’s wrestling with whether marriage is a legitimate life milestone anymore. The friendship portrayal here is a messy, clever, and foul-mouthed foray into the moment when inseparable friends face the prospect of their familiar relationship disappearing through the unstoppable forces of adult life. And we’ve all had impossible choices when we haven’t known which loyalties to put first – one’s duty to oneself or to one’s best friend?

There is so much to love about this book. Not only will it heat you up hotter than the summer sun, but it will make you laugh-out-loud! What I liked about this book besides the humor, steam, and compelling story was the sex-positive writing, the intimacy, and the sex-worker storyline. I love the message of women seeking, finding, and expecting pleasure from their lovers. This needs to be in more books! It is one that is overlooked and detrimental to relationships. Last, I adored the characters, especially Josh. He was so damn sweet and sexy but flawed enough to feel real. Another aspect I enjoyed was the opposites attract theme (it's another one of my favorites), and it doesn't get more opposite than an adult entertainer and blue blood under her parent's thumb.

Skippy Dies is nearly 700 pages long, but I wished it had been longer, it was that fun to read. It’s both tragically sad and laugh-out-loud funny—a difficult feat for any writer to pull off, and Irish novelist Paul Murray does so brilliantly. I’m not giving away anything by saying that the protagonist dies—after all, he dies in the book’s title—but I won’t reveal how or the circumstances. Let’s just say that if you are a diminutive, shy, buck-toothed 14-year-old at an all-boys boarding school in Dublin and somehow manage to develop a crush on the girlfriend of an older, drug-dealing, violent bully…well, things can’t turn out good. The cast of characters—the teenagers, the teachers, the school principal—are wonderfully drawn. Murray’s dialogue captures the boasting machismo as well as the angsty insecurities of teenage boyhood. A real gem.

Flatshare is one of the only romantic comedies on the market to include a hospice setting, which is one of the reasons I love it. The story features two characters forced to share a one-bedroom flat due to financial constraints. Tiffy gets the flat overnight while Leon works in the hospice, and when he comes home from his night shift the flat is his until Tiffy returns.

The premise (they share a bed, but they’ve never met) is often cited by those in the publishing world as ‘the perfect hook’ – grabbing your attention and making you want to read on. But Flatshare is about much more than a good hook - O’Leary delivers a perfectly executed, smart, sassy novel that’s guaranteed to bring a smile to your face.

In He Started It a group of siblings embarks on a road trip from hell in a warped trek down memory lane. The thought of being trapped in a car with unlikeable people or with those keeping dark secrets feels claustrophobic and full of tension. To me, travelling is supposed to be fun or an adventure. Not in this case! I raced through this tightly plotted thriller, unable to put it down.

The first thing that drew me into this book is the feeling of “I could see that happening… what would I do if it were me?” The second really enticing element comes when McAllister introduces a future timeline where the three siblings have had a falling out and their cover-up plan seems to have not worked. There is then a constant question of how did they get from here to there? The book is further enriched by the interesting relationships between the two sisters and brother. They each have their role in the family dynamic, largely set by a traumatic event in their childhood, and these have a significant impact on how they respond – individually and collectively – to this new highly stressful event.

The Grip of It is among the best-haunted house novels out there. A young couple flees their city life—as well as some potentially life-ruining gambling habits. Julie and James are hopeful, as new homeowners often are, until things begin to go wrong. Odd sounds. Inexplicable spots of decay. Hidden rooms. The novel has all the best markers of a haunted house story while also piling on a sense of unique and unending claustrophobia and suspense that I don’t think I’ve read at quite this level before. It is a brilliant journey into the interior of the human mind. I loved every page.

Shalini Boland is one of the authors who got me hooked on psychological thrillers and when she releases a new book, it’s an automatic buy for me. The Couple Upstairs is set in Bournemouth (on the south coast) and features Nina and Zac who move into a new apartment. They quickly befriend their neighbours and soon all sorts of things start to go wrong. There’s a wonderfully claustrophobic feel to this book, plenty of twists and turns and a shocker twist at the end.

One of the first novels set in COVID times, The Fell, by British author Sarah Moss, is presented from the perspective of four neighbours living in an English village over the timespan of a single night in the winter of 2020. The narrative charts their experiences and reflections on life as they struggle with boredom, loss of employment, having to work and learn from home, and feelings of isolation and claustrophobia. One of the characters simply can’t take it anymore and leaves her home during a period of mandated quarantine. These people care about and watch over each other as best they can, but the feelings of being under surveillance are strong. A dark but compelling read, masterfully written.