Here are 100 books that The Fervor fans have personally recommended if you like
The Fervor.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My journey into Asian story began with Black Cranes, edited by Lee Murray and Geneve Flynn. I have two stories in that book, but it is more than another anthology. The stories were specifically about women of horror and Asian descent- black cranes. I’ve gone on to write and publish my own stand-alone works from the Asian perspective, and our sisterhood gets stronger with every new book. We aren’t alone in appreciating representation. The books we’ve written since Black Cranes have an impressive collection of Bram Stoker, Shirley Jackson, and all sorts of other awards.
Another essayist from my book, Ai Jiang, writes a heartbreaking story. I think a lot of us trapped in debt can feel in our core. Ai’s book captures the essence of human connection in a world increasingly dominated by technological advancement and capitalist pursuits.
Despite the sci-fi story, Ai focuses on the human, everyday interactions that truly define our collective experience. She emphasizes the value of the moments we share with those closest to us—our families, friends, and neighbors. Often overlooked in the hustle of getting ahead, these interactions keep a community alive.
A wonderful author and person, her story digs deep into all the feels.
"Moving, brilliant, and certified 100% human." -Samit Basu, author of Turbulence
If you have the opportunity to give up humanity for efficiency, mechanical invincibility, and to surpass human limitations. . . would you?
Ai is a cyborg, under the guise of an AI writing program, who struggles to keep up with the never-blinking city of Emit as it threatens to leave all those like her behind.
My journey into Asian story began with Black Cranes, edited by Lee Murray and Geneve Flynn. I have two stories in that book, but it is more than another anthology. The stories were specifically about women of horror and Asian descent- black cranes. I’ve gone on to write and publish my own stand-alone works from the Asian perspective, and our sisterhood gets stronger with every new book. We aren’t alone in appreciating representation. The books we’ve written since Black Cranes have an impressive collection of Bram Stoker, Shirley Jackson, and all sorts of other awards.
Few books from the Asian perspective are from the Ryukyuan (Okinawan, Shimanchu) pov, but this book accomplishes this with an intricate blend of fantastical storytelling. I wish I’d known Darcy when we were looking for essayists for my book!
A profound exploration of grief and cultural identity, the collection is a tapestry of stories that intertwine language, culture, and the deep impacts of loss. Each narrative—ranging from a scholar in the Ryukyu Islands to a spirit observing the aftermath of her death—left me unable to put the book down.
Including an immigrant who sprouts wings and a journalist witnessing the event, which adds a layer of magical realism that is tender and dear. Representation really does matter, and I am grateful to Darcy Tamayose for taking up her pen.
Award-winning author Darcy Tamayose returns with Ezra's Ghosts, a collection of fantastical stories linked by a complex mingling of language and culture, as well as a deep understanding of grief and what it makes of us. Within these pages a scholar writes home from the Ryukyu islands, not knowing that his hometown will soon face a deadly calamity of its own. Another seeker of truth is trapped in Ezra after her violent death, and must watch how her family--and her killer--alter in her absence. The oldest man in town, an immigrant who came to Canada to escape imperial hardships, sprouts…
My journey into Asian story began with Black Cranes, edited by Lee Murray and Geneve Flynn. I have two stories in that book, but it is more than another anthology. The stories were specifically about women of horror and Asian descent- black cranes. I’ve gone on to write and publish my own stand-alone works from the Asian perspective, and our sisterhood gets stronger with every new book. We aren’t alone in appreciating representation. The books we’ve written since Black Cranes have an impressive collection of Bram Stoker, Shirley Jackson, and all sorts of other awards.
K.P. Kulski is one of the essayists in my book and an enthusiastic supporter of Asian women’s voices, and she brings it all out in this powerful novel. Set in a mysterious Joseon-era palace and told from the pov of three generations of women, the story's strength is its blend of cultural heritage and feminist themes.
Kristi draws inspiration for this book from the Korean folk tale A Tiger’s Whisker. I greatly respect KP Kulski for daring to use menstruation as an integral part of the plot. This book is compelling for those interested in a unique blend of historical setting, folklore, and a poignant examination of female identity—all three are a win for me.
"As sharp as broken pottery and as delicate as a peony petal, House of Pungsu is the story my spirit hungered for. K.P. Kulski shifts rice paper doors to reveal the darkest truth."-Lee Murray, USA Today bestselling author and four-time Bram Stoker Award(R) winner.
No one knows what's beyond the walls of the Joseon-era palace that never seems to decay, a sprawling complex where daughter, mother, and grandmother are the only inhabitants. Why is her bed-bound grandmother locked in her room each night, and what exactly is behind the locked doors of the palace pavilions and halls? When daughter unexpectedly…
My journey into Asian story began with Black Cranes, edited by Lee Murray and Geneve Flynn. I have two stories in that book, but it is more than another anthology. The stories were specifically about women of horror and Asian descent- black cranes. I’ve gone on to write and publish my own stand-alone works from the Asian perspective, and our sisterhood gets stronger with every new book. We aren’t alone in appreciating representation. The books we’ve written since Black Cranes have an impressive collection of Bram Stoker, Shirley Jackson, and all sorts of other awards.
Don’t let the title put you off! It’s a play on the pronunciation of an island in the Philipines called Siquijor (sounds like “seek ye whore”), but the titular story is still pretty titillating.
Yvette Tan is another of the essayists in my book. Her writing vividly portrays Filipino culture, replete with its myths and legends and drenched in the complexities of human emotion. I appreciate that Tan didn’t just make another horror collection; it's a lens through which the rich tapestry of Filipino life, with its blend of the mundane and the magical, is explored.
The collection is a good pick for those who enjoy horror with a cultural twist. This book gives a panoramic and multifaceted experience of Filipino life with which I was unfamiliar.
Growing up in central Pennsylvania, I learned little about Japanese American incarceration beyond the brief mention in textbooks. It wasn’t until I came across documents about incarceration camps in Arkansas that I wanted to learn more and spent the next five years exploring this subject. What I took away from my research is that even though confinement in camps only directly affected Japanese Americans, understanding how this tragedy happened is important for all Americans who value democracy. I’m a Senior Historian at the National WWII Museum and work hard to make sure that Japanese American incarceration is included in the larger history of the American home front during the war.
The title says it all: This is a book if you want to dig a little deeper into what incarceration meant and means for allAmericans. Featuring different, shorter essays by leading scholars on the Japanese American experience during the war, I love this book for its collection of insights from different historians who approach the topic in their own, distinct ways. If you’re short on time and want a quick read on the many angles on incarceration from motivations to experiences to the movement for a formal apology from the US government, this is one to check out.
During World War II, over 120,000 Japanese Americans were removed and confined for four years in 16 camps located throughout the western half of the United States. Yet the internment of Japanese Americans in concentration camps remains a largely unknown episode of World War II history. In these selections, students are invited to investigate this event, and to review and challenge the conventional interpretations of its significance. They explore the US government's role in planning and carrying out the removal and internment of thousands of citizens, resident aliens and foreign nationals, and the ways in which Japanese Americans coped with…
I used to get in trouble (nightly) for eating with my book propped against my plate. Yet with all the books I devoured, there was never one about a kid that looked like me with a family like mine. The single anomaly was Blubber, which absolutely thrilled me to see a supporting character named Tracy Wu. And while the YA world has thankfully become more diverse, BIPOC authors and protagonists are still the exception in adult literature. I’m excited to share this list of badass female AAPI authors who write equally strong protagonists because, though we’ve come a long way since Tracy Wu, we still have further to go.
Shockingly, it wasn’t until taking an Asian-American History class in college that I learned about the US internment of Japanese-Americans during World War II. My husband is Japanese-American, and so I now also have family who experienced this shameful time in our history firsthand.
Evergreen is the second book in Naomi Hirahara’s Japantown Mystery series, the first being Clark and Division. It takes place during post-WWII and centers around Aki (a nurse’s aide) and her family's struggles after being released from Manzanar in 1946. This backdrop and its inherent social injustices are adeptly interwoven with a murder mystery happening in Little Tokyo.
In itself, this is a compelling combination of mystery and historical fiction. But it's also a morally significant book, and I'm so glad that Naomi Hirahara was the one to write it.
A Japanese American nurse's aide navigates the dangers of post-WWII and post-Manzanar life as she attempts to find justice for a broken family in this follow-up to the Mary Higgins Clark Award–winning Clark and Division.
It’s been two years since Aki Ito and her family were released from Manzanar detention center and resettled in Chicago with other Japanese Americans. Now the Itos have finally been allowed to return home to California—but nothing is as they left it. The entire Japanese American community is starting from scratch, with thousands of people living in dismal refugee camps while they struggle to find…
Growing up in central Pennsylvania, I learned little about Japanese American incarceration beyond the brief mention in textbooks. It wasn’t until I came across documents about incarceration camps in Arkansas that I wanted to learn more and spent the next five years exploring this subject. What I took away from my research is that even though confinement in camps only directly affected Japanese Americans, understanding how this tragedy happened is important for all Americans who value democracy. I’m a Senior Historian at the National WWII Museum and work hard to make sure that Japanese American incarceration is included in the larger history of the American home front during the war.
This book is a classic and of the first that I read on the subject. It’s a concise introduction to this shameful moment in America’s WWII era history that carefully explains how decades of anti-Japanese sentiment along the West Coast reached a peak following the Japanese attack on Pearl Harbor in 1941. But Daniels also provides in-depth detail on what life was like for Japanese Americans who spent some of if not most of their time during the war behind barbed wire and how they struggled to return to “normal” when released from the camps. Most importantly, the book has a compelling concluding chapter that asks its readers, “Could this happen again?” Daniels doesn’t give an answer but encourages us to read more and think about the legacy of incarceration.
Well established on college reading lists, Prisoners Without Trial presents a concise introduction to a shameful chapter in American history: the incarceration of nearly 120,000 Japanese Americans during World War II. With a new preface, a new epilogue, and expanded recommended readings, Roger Daniels’s updated edition examines a tragic event in our nation’s past and thoughtfully asks if it could happen again.
“[A] concise, deft introduction to a shameful chapter in American history: the incarceration of nearly 120,000 Japanese-Americans during World War II.” — Publishers Weekly
“More proof that good things can come in small packages... [Daniels] tackle[s] historical issues…
Growing up, I often told neighborhood kids about my father’s internment, what he remembered of Camp Crystal City, Texas, where he spent three years, age seven to ten, going to school, swimming, playing in nearby orchards, and other normal experiences—except for the barbed wire, guard towers, and lack of freedom. Later, I wanted to know more and learned that what happened to my family can happen to anybody else if they are feared. More recently, families have been ripped apart, children put in cages, and countless people treated as less than human. My book reminds us of what can happen when fear leads to calling those among us enemies or worse.
As part of the American History Series, I thoroughly enjoyed Winkler’s book because it provides solid general coverage of America’s “arsenal of democracy”—the mobilization for war, along with an examination of our society at war including mood and morale along with shortages and controls; the book also has a chapter dealing with outsiders and ethnic groups and finally the last chapter is dedicated to politics and war.
I find the book provides excellent coverage of major home front issued during the war. I would highly recommend to any reader who wants to know more about the United States home front during the war.
New scholarship on World War II continues to broaden our understanding. With each passing year we know more about the triumphs and the tragedies of America's involvement in the momentous conflict. Tapping into this greater awareness of the accomplishments of both soldiers and civilians and a better recognition of the consequences of decisions made, Allan Winkler presents the third edition of his highly popular series volume.
Informed by the latest historical literature and featuring many new thoughtfully chosen photographs, the third edition of Home Front U.S.A. continues to ponder the question of "the good war," the moral implications of the…
Although I was born in Seattle after the World War II years, my parents, grandparents, and aunts spent time confined at the Minidoka site, and they very rarely talked about “camp.” During the ‘80s and ‘90s, I worked as a newspaper journalist during the time of the movement to obtain redress, and I heard survivors of the camps talk about it for the first time. My acquired knowledge of the subject led to my first book in 1993,Baseball Saved Us. Since then, the camp experience has become like a longtime acquaintance with whom I remain in constant contact.
But the memoirs didn’t delve into the emotional and psychological impact of the forced removal and incarceration──until this unflinching one from 2005, and it’s another among the best.
Removed along with her family from their farm on Vashon Island, Washington and incarcerated at the Minidoka camp in Idaho, Matsuda Gruenewald, like most of those who underwent this experience, remained silent about what happened to them until she refused to be further confined by “the self-imposed barbed-wire fences built around my experiences in the camps.”
During a 2004 return to the Minidoka site, she wrote about her pilgrimage: “I had been saddled by feelings of paralyzing helplessness for so long. I wondered, Once I open up and start talking, will I also cry? And if I do so, will I be able to stop?”
Mary Matsuda is a typical 16-year-old girl living on Vashon Island, Washington with her family. On December 7, 1942, the Japanese bomb Pearl Harbor, and Mary's life changes forever. Mary and her brother, Yoneichi, are U.S. citizens, but they are imprisoned, along with their parents, in a Japanese-American internment camp. Mary endures an indefinite sentence behind barbed wire in crowded, primitive camps, struggling for survival and dignity. Mary wonders if they will be killed, or if they will one day return to their beloved home and berry farm. The author tells her story with the passion and spirit of a…
E. L. Shen is a writer and editor living in New York City. Her debut middle-grade novel, The Comeback (Farrar Straus Giroux Books for Young Readers) is a Junior Library Guild Selection, received two starred reviews, and was praised for its “fast-paced prose, big emotions, and authentic dialogue” in The New York Times. Her forthcoming young adult novel, The Queens of New York (Quill Tree Books) was won in a six-figure preempt and is scheduled to publish in Summer 2023.
Told from
multiple points of view, this story details the horrific internment of fourteen
Japanese American teenagers and their families during the height of World War
II. The history of Japanese internment camps is often glazed over in Social
Studies classes in favor of celebrating America’s successes in the war, but I
was taken by Traci’s unflinching portrait of the teenagers’ lives and choices
as they grapple with how to be Asian American in a world that refuses to
acknowledge their citizenship and identities.
Fourteen teens who have grown up together in Japantown, San Francisco. Fourteen teens who form a community and a family, as interconnected as they are conflicted. Fourteen teens whose lives are turned upside down when over 100,000 people of Japanese ancestry are removed from their homes and forced into desolate incarceration camps. In a world that seems determined to hate them, these young Nisei must rally together as racism and injustice threaten to pull them apart.
