Here are 100 books that The Faroe Islanders’ Saga fans have personally recommended if you like
The Faroe Islanders’ Saga.
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In 2009, when I decided to set a crime series in Iceland, I embarked on a decade of research into the country, its people, its literature, its culture, and its elves. I visited the country, I spoke to its inhabitants and I read books, lots of books – I couldn’t find an elf, but I was told where they live. I needed to understand its criminals, its victims, its police, and most of all my detective Magnus Jonson. These are the best books that helped me get to grips with Iceland.
I love the sagas. They are stories first told a thousand years ago about the Norse settlers in Iceland. They are crisp, subtle, exciting with some excellent characters, especially the women. My favourites are the two Vinland Sagas, which describe the discovery of Greenland and then North America (Vinland) by Erik the Red and his family. This includes the wonderful Gudrid, who was born in Iceland, got married in Greenland, gave birth to a child called Snorri in Vinland, and then went on a pilgrimage to Rome. All in about 1000 AD!
The Saga of the Greenlanders and Eirik the Red's Saga contain the first ever descriptions of North America, a bountiful land of grapes and vines, discovered by Vikings five centuries before Christopher Columbus. Written down in the early thirteenth century, they recount the Icelandic settlement of Greenland by Eirik the Red, the chance discovery by seafaring adventurers of a mysterious new land, and Eirik's son Leif the Lucky's perilous voyages to explore it. Wrecked by storms, stricken by disease and plagued by navigational mishaps, some survived the North Atlantic to pass down this compelling tale of the first Europeans to…
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogy’s final book—and final battle—would have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
I’m a sucker for pretty much any saga, those pieces of literature where legend and myth and history mingle into a perfect mixture of inspiration for the creative mind. This saga gives us a who’s who of historical figures, as well as poetic stories about journeys, battles, and political maneuverings. My favorite bits are the smaller, easier to overlook details though, such as the cause of Sigurd the Powerful’s death. The Orkneyinga is a consuming read about the history of Orkney through medieval eyes.
Written around AD 1200 by an unnamed Icelandic author, the Orkneyinga Saga is an intriguing fusion of myth, legend and history. The only medieval chronicle to have Orkney as the central place of action, it tells of an era when the islands were still part of the Viking world, beginning with their conquest by the kings of Norway in the ninth century. The saga describes the subsequent history of the Earldom of Orkney and the adventures of great Norsemen such as Sigurd the Powerful, St Magnus the Martyr and Hrolf, the conqueror of Normandy. Savagely powerful and poetic, this is…
I am a Professor of Viking Studies at the University of Nottingham and have been teaching, researching, and writing about all aspects of the Viking Age and its aftermath for many years. My particular expertise is in the poetry, sagas, and runic writings of medieval Scandinavia. To understand these, it has been important to me to follow in the footsteps of the Vikings from the Baltic to North America, to see the places they were familiar with, and to experience the traces of their culture in those places. These books tell the stories which will guide the armchair traveller on the same voyages.
What other nation can boast that it has a written account of the first people to inhabit it? Iceland was an uninhabited, volcanic island until the arrival of Vikings from Scandinavia and elsewhere in the 870s. This book, written in the 13th century, is a catalogue of some 3000 individuals who link the settlement period to the time of writing. Of these around 400 (including 13 women) are remembered as the landnámsmenn or original ‘land-takers’ who settled, distributed, named, and cultivated this empty land. In amongst the lists and genealogies are wonderful short anecdotes about their families, feuds, and adventures in their new-found land.
The laws of Mediaeval Iceland provide detailed and fascinating insight into the society that produced the Icelandic sagas. Known collectively as Gragas (Greygoose), this great legal code offers a wealth of information about early European legal systems and the society of the Middles Ages. This first translation of Gragas is in two volumes.
I am a Professor of Viking Studies at the University of Nottingham and have been teaching, researching, and writing about all aspects of the Viking Age and its aftermath for many years. My particular expertise is in the poetry, sagas, and runic writings of medieval Scandinavia. To understand these, it has been important to me to follow in the footsteps of the Vikings from the Baltic to North America, to see the places they were familiar with, and to experience the traces of their culture in those places. These books tell the stories which will guide the armchair traveller on the same voyages.
According to this medieval tale, the Baltic island of Gotland was once so enchanted that it sank into the sea during the day and rose up again at night. From these mythical origins, this short saga, written in the special dialect of the island, tells how Gotland became populated, how some of them went east to Russia and Byzantium, how they exchanged their heathen idols for the Christian religion, and their relationship with the King of Sweden. It’s a rare literary insight into the Vikings’ eastern settlements and adventures.
I'm the granddaughter of a Finno-Swedish immigrant and I grew up on his stories and insights. Because he came from the melting-pot generations of immigrants, he kept very little of the traditions of his origins, but his culture and sense of his ancestral home informed my interests. For as long as I can recall, I've been trying to fill in the gaps in that cultural experience, which led me to researching and writing about Viking and Nordic history and culture, and visiting the Nordic countries whenever I've been able to manage it.
It's probably not by accident that three of the five books on this list are by Icelandic authors, as so much of the history and mythology of that nation is tied up with its Viking heritage. This novel, while somewhat unevenly paced, is a vivid depiction of life in Medieval Iceland, where kinship and honor were the basis by which human society clung to an unforgiving landscape. Its thematic emphasis falls on entrapment and isolation, and it offers a gorgeous sense of a premodern Nordic landscape.
'For Vikings done right, come to Snorri Kristjansson' - Mark Lawrence
'Truly entertaining' - Yrsa Sigurdardottir
'A dark mystery in a dark age brought vividly to life' - Robert Fabbri
Everyone loves a family reunion.
970: For the first time since Helga was adopted, her family will be gathered in one place. But her siblings are coming with darkness in their hearts.
Everyone knows their father, the Viking warlord Unnthor Reginsson, has a great chest of gold hidden somewhere on his land - and each of his heirs is determined to find it.
Nancy Marie Brown is the author of seven books about Iceland and the Viking Age, including The Real Valkyrie: The Hidden History of Viking Warrior Women, The Far Traveler: Voyages of a Viking Woman, and the award-winning Song of the Vikings: Snorri and the Making of Norse Myths. Her books combine extremes: medieval literature and modern archaeology, myths and facts. They ask, What have we overlooked? What have we forgotten? Whose story must not be lost? A former science writer and editor at a university magazine, she lives on a farm in northern Vermont and spends part of each summer in Iceland.
Almost everything we know about the Vikings—their gods and heroes, their history and myths, their values and fears—comes from texts written down on parchment in medieval Iceland. Yet the Icelandic sagas and Eddas are biased. They explain very little about the Vikings in the east (and get wrong much of what they do describe). Their world is not the Viking World, which stretched from Constantinople to North America, but Viking Iceland.
Jesse Byock brings all this material together in Viking Age Iceland. First published in 2001, this immensely readable book is a classic that has not yet been bettered. It should be on every Viking enthusiast’s shelf.
Medieval Iceland was unique amongst Western Europe, with no foreign policy, no defence forces, no king, no lords, no peasants and few battles. It should have been a utopia yet its literature is dominated by brutality and killing. The reasons for this, argues Jesse Byock, lie in the underlying structures and cultural codes of the islands' social order. 'Viking Age Iceland' is an engaging, multi-disciplinary work bringing together findings in anthropology and ethnography interwoven with historical fact and masterful insights into the popular Icelandic sagas, this is a brilliant reconstruction of the inner workings of a unique and intriguing society.
Nancy Marie Brown is the author of seven books about Iceland and the Viking Age, including The Real Valkyrie: The Hidden History of Viking Warrior Women, The Far Traveler: Voyages of a Viking Woman, and the award-winning Song of the Vikings: Snorri and the Making of Norse Myths. Her books combine extremes: medieval literature and modern archaeology, myths and facts. They ask, What have we overlooked? What have we forgotten? Whose story must not be lost? A former science writer and editor at a university magazine, she lives on a farm in northern Vermont and spends part of each summer in Iceland.
In the “traders vs. raiders” approach to Viking history, women stay home and look after the farm while the men go off on adventures. Three books published in the 1990s by Judith Jesch and Jenny Jochens brought the lives of these women out of the shadows, showing how vital their role was.
In Valkyrie: The Women of the Viking World, Jóhanna Kristín Friðriksdóttir brings these early studies up to date. With her mastery of detail from the Icelandic sagas, Friðriksdóttir follows an ordinary Viking woman from birth to death. She tells stories of women who are bold and successful, others who are battered and victimized.
She hopes to introduce us, she says, “to the diverse and fascinating texts recorded in medieval Iceland, a culture able to imagine women in all kinds of roles carrying power.” Like the mythical valkyries of her title, these are “women who decided.” To learn…
LONGLISTED FOR THE 2020 CUNDILL HISTORY PRIZE
Valkyries: the female supernatural beings that choose who dies and who lives on the battlefield. They protect some, but guide spears, arrows and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war - to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings. The women in these stories take full part in the power struggles…
I was in my thirties when I finally visited Cornwall, though I’d long lost my heart to Cornwall through reading. A city girl, I ached to climb the cliff paths and breathe the salt-laden air. My head was full of folklore and history, rugged cliffs, secret coves, and desolate moors. For the last twenty-five years, we’ve been lucky enough to sail our boat along the south coast, anchoring in the timeless harbours and rowing up the creeks. My stories come while we watch the birds scuttle across the riverbanks. A product of my early reading, I’m a romantic dreamer and invite you to join me in my fictional world.
I was at a strict boarding school and read this book long into the night by torch under the bedclothes. It is 973 and King Edgar is on the throne. The story takes us from Cornwall, but it starts in Cornwall and has a Cornish heroine at its heart. I felt her pride in tracing her family back to King Arthur and followed her adventure with bated breath. All of Anya Seton’s books captivate me, but this one drew me completely. It’s in the placenames, the descriptions, the myths, and folklore. Celtic Cornwall is more than a setting; the desolate moors and wonderfully described scenery weave a mystical power of their own.
Princes, Vikings, and the history of tenth-century England come together in this saga of exploration and unrequited love.
Prince Rumon of France, descendant of Charlemagne and King Alfred, is a searcher. He has visions of the Islands of the Blessed, perhaps King Arthur’s Avalon, “where falls not hail, or rain, or any snow.” Merewyn grows up in savage Cornwall—a lonely girl, sustained by her stubborn courage and belief that she is descended from the great King Arthur. Chance—or fate—in the form of a shipwreck off the Cornish coast brings Rumon and Merewyn together, and from that hour their lives are…
Have you ever done something on a whim and fallen in love with it? That was how I found Old Norse literature. I was taught the Norse language by reading the prose and poetry of medieval Iceland. In reading their literature, I discovered a rich, vibrant society filled with complex, passionate people. Here were doomed romantics, poets, and philosophers–along with chieftains and priests facing complex political and religious change. I undertook a PhD to study their literary craft. I hope, if nothing else, that my novel might encourage readers to go off and read the sagas themselves. And, if I am really lucky, they may just enjoy my stories too.
Romantic in style, taste, and theme, this is a saga that culminates in that most human of narratives: the love triangle. Heavily inspired by the European romance genre, this saga has key themes of chivalry, history, and poetry. With its unusual focus on women and their desires, it has been suggested that this saga might even have been written by a woman, and for this reason alone, it is worth a read.
I believe there is no greater character in Icelandic literature than the tragic Guðrún. For those who wish to learn more about women in medieval Iceland beyond stereotypical accounts of shield maidens and queens, this is the book for you.
Written around 1245 by an unknown author, the Laxdaela Saga is an extraordinary tale of conflicting kinships and passionate love, and one of the most compelling works of Icelandic literature. Covering 150 years in the lives of the inhabitants of the community of Laxriverdale, the saga focuses primarily upon the story of Gudrun Osvif's-daughter: a proud, beautiful, vain and desirable figure, who is forced into an unhappy marriage and destroys the only man she has truly loved - her husband's best friend. A moving tale of murder and sacrifice, romance and regret, the Laxdaela Saga is also a fascinating insight…
I’ve been exploring Scandinavian authors for several years after working my way through the American masters of the genre (Chandler, McDonald, Parker, Burke, Stout, and others). For some reason, Scandinavians seem a lot more vicious in their writing, crafting murder scenes that are beyond gruesome. After reading the works of several Icelandic authors, I was inspired to go there and see firsthand what I was reading about, then to create my own mystery in that setting.
Reykjavik Police Inspector Erlendur and his associate, Sigurdur Oli, are sent to investigate the murder of an old man bashed with an ashtray. They soon uncover his sordid past, in which he was accused of rape. Traipsing from clue to clue, interviewing tangential witnesses, they learn more about why he was killed and eventually discover the perpetrator, whose life was tragically altered by the actions of the murdered man. Erlendur and Oli are like the Odd Couple but complement each other in their work. The title refers to the practice of keeping organs in jars for medical research, which figures into the investigation. The journey to the solution of the case is very satisfying.
An old man is found murdered in his Reykjavik flat.
A cryptic note and a photograph of a young girl's grave are left behind.
DID THE DEAD MAN'S PAST COME BACK TO HAUNT HIM?
Inspector Erlendur discovers that several decades ago the victim was accused, but not convicted, of an unsolved crime. As he follows a fascinating trail of strange forensic evidence, Inspector Erlendur uncovers secrets that are much larger than the murder of one man - dark secrets that have been carefully guarded for many, many years... 'A fascinating window on an unfamiliar world as well as an original…
