Here are 100 books that The Enemy fans have personally recommended if you like
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I lived in Paris for six months when I researched and wrote my first Paris book, One Thousand Buildings of Paris, walking every quarter of Paris including some rather dicey areas. I discovered most Parisians don’t wander very far from their own neighborhoods, and casual tourists tend to stay in the center. The first time my boyfriend and I went to Paris together, I planned daily excursions to all the neighborhoods where he had never been. We became flaneurs (wanderers) at outdoor markets, small museums, parks, and we ventured into unknown spaces. There is always something fascinating to discover in Paris and new ways to gain a sense of history.
One of the photographs in my book, One Thousand Buildings of Paris, was the first apartment that Hemingway and his wife, Hadley, shared when they moved to Paris.
Hemingway’s description of the apartment and the period is illuminating and introduces the reader to the famous and infamous and the life they led after the end of WWI and during the Roaring 20s when Paris was the center of artistic life.
Hemingway also reveals his likes and dislikes and his writing life there, and, notwithstanding their friendship, his jealousy of F. Scott Fitzgerald. I’m not a great fan of Hemingway’s writing. I actually prefer Fitzgerald and especially The Great Gatsby, but I digress.
A Moveable Feast reveals Paris as indeed a moveable feast to savor.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Sean Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and…
I am an award-winning author and illustrator who works in a variety of genres, including Historical Fiction. When historical fiction is well done it conveys times and events as they were lived and breathed by real people. Historical fiction by diverse women tells the stories of those consistently left out of the “historical record.” Human life is rich and diverse, and the stories belong to all of us, not just those who have historically had the power to control the cultural narratives. As a writer and student of history, it has been my pleasure to explore characters that are not often represented, characters that are ordinary for their times, and extraordinary as well.
Each of the five books in my list either stars or co-stars a young woman, and The Complete Claudine, as the title would suggest, is not an exception. Colette’s Claudine is a mesmerizing character—sensual, passionate, fierce, and tender by turns. The ordinary twists and turns of Claudine’s turn-of-the-century life in the French countryside and Paris are made extraordinary by her uncommon self-possession and power of observance. Claudine fairly blisters off the page.
The stories that inspired the film Colette, directed by Wash Westmoreland and starring Keira Knightley.
Colette, prodded by her first husband, Willy, began her writing career with Claudine at School, which catapulted the young author into instant, sensational success. Among the most autobiographical of Colette's works, these four novels are dominated by the child-woman Claudine, whose strength, humor, and zest for living make her seem almost a symbol for the life force.
Janet Flanner described these books as "amazing writing on the almost girlish search for the absolute of happiness in physical love . . . recorded by a literary…
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
I first read 1919by Dos Passos when I was a teenager in the Navy. Having a yen for history since the age of eight, I was transported to an era where hopes and dreams have shattered or vanished. The author created the gritty and tawdry ambiance of characters as far out of their depth as was the reader.
We meet many limned characters with engaging flaws and hopes. The point-of-view shifts constantly and the narrative is spaced with advertising jingles from period radio programs and magazines to promote visualization.
The USAtrilogy never left me. After pursuing art and making my living as a commercial artist for 15 years I turned to writing. I realized I wanted to create an immersive portrait of Juneau using similar tactics. I believe I succeeded.
“A Depression-era novel about American tumult has—perhaps unsurprisingly—aged quite well.”—The New Yorker
In 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his “vigorous and sweeping panorama of twentieth-century America” (Forum).
Employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of the era with a cinematic touch and unparalleled nerve.1919 opens to find America and the world at war, and Dos Passos’s characters, many of whom we met in the first volume, are thrown into the snarl. We follow…
Dana Thomas is the author of Fashionopolis: The Price of Fast Fashion and the Future of Clothes, Gods and Kings: The Rise and Fall of Alexander McQueen and John Galliano and the New York Times bestseller Deluxe: How Luxury Lost Its Luster. Thomas began her career writing for the Style section of The Washington Post, and for fifteen years she served as a cultural and fashion correspondent for Newsweek in Paris. She is currently a contributing editor for British Vogue, and a regular contributor to The New York Times Style section and Architectural Digest. She wrote the screenplay for Salvatore: Shoemaker of Dreams, a feature documentary directed by Luca Guadagnino. In 2016, the French Minister of Culture named Thomas a Chevalier of the Order of Arts and Letters. She lives in Paris.
Vreeland begins by telling readers:“The first thing to do is to arrange to be born in Paris. After that, everything follows quite naturally.” And that declaration sets the tone for this delightful, witty monologue, as told to Paris Review editor George Plimpton and originally published in 1984. D.V. makes you laugh out loud, and long for Paris, beauty, and really, really good lingerie.
“An evening with D.V. is almost as marvelous as an evening with D.V. herself—same magic, same spontaneity and, above all, never a boring moment. —Bill Blass
Brilliant, funny, charming, imperious, Diana Vreeland—the fashion editor of Harper's Bazaar and editor-in-chief of Vogue—was a woman whose passion and genius for style helped define the world of high fashion for fifty years. Among her eclectic circle of friends were some of the most renowned and famous figures of the twentieth century—artists and princes, movie stars and international legends, including Chanel, the Duke and Duchess of Windsor, Isak Dinesen, Clark Gable, and Swifty Lazar.…
I've always been a writer. Most recently, though, I have completed a PhD in philosophy and I decided to write a book that deals with the issues that I wrestled with over the course of my studies in a way that can be appreciated by a popular audience. This Enchanted Realm is my first book—though I'm the author of a dissertation on Charles S. Peirce and two academic papers on Peirce and Arthur Schopenhauer. Like Franz Kafka before me, I was employed in a job unrelated to creative writing which is where I realized that good poetry is only the right words in the right order—I decided to move from writing technical protocols to writing—technically—stories.
Whether you love him or hate him (as he was a tortured and unpleasant soul), Céline innovated the philosophical novel in the modern context and brought the genre to its pinnacle with Journey to the End of the Night.Reflecting on the horrors, absurdity, and stupidity of World War I, returning soldier Ferdinand Bardamu (a stand-in for Céline) finds himself equally miserable in “peacetime” serving as a doctor for the poor in Paris (Céline was trained as a doctor). Céline is occasionally compared to another French writer of philosophical novels: Jean-Paul Sartre. Journeyis not heavily allegorical like some of Sartre’s fiction works are (such as No Exit); Céline simply “shouts” at you, and sometimes you’re benefited in hearing the shouting. In Journey’s portrayal of inter-war urban decay, one gets the sense that Céline agrees…
Celine's masterpiece-colloquial, polemic, hyper realistic-boils over with bitter humor and revulsion at society's idiocy and hypocrisy: Journey to the End of the Night is a literary symphony of cruelty and violence that hurtles through the improbable travels of the petit bourgeois (and largely autobiographical) antihero, Bardamu: from the trenches of WWI, to the African jungle, to New York, to the Ford Factory in Detroit, and finally to life in Paris as a failed doctor. Ralph Manheim's pitch-perfect translation captures Celine's savage energy, and a dynamic afterword by William T. Vollmann presents a fresh, furiously alive take on this astonishing novel.
I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.
“I want a long, calm book about people with large incomes – a book like a flat green meadow and the sheep feeding in it… I read most of the time and I am happy.” First published in1939, this novel is a portrait of a woman who struggles in Paris. She is on her own and has no job or money.
The last of the four novels Jean Rhys wrote in interwar Paris, Good Morning, Midnight is the culmination of a searing literary arc, which established Rhys as an astute observer of human tragedy. Her everywoman heroine, Sasha, must confront the loves- and losses- of her past in this mesmerizing and formally daring psychological portrait.
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
A fascinatingly evocative study of one small quarter of Paris in the Twenties.
Elliot Paul, an American journalist, an intimate of the ‘Lost Generation' first walked into rue de la Huchette in the summer of 1923. "There," he wrote, "I found Paris." This atmospheric study of the life in a cramped street brings to life a cast of characters so vividly that you feel you are living among them.
Elliot Paul first went to France during the first World War where he served as a sergeant in the AEF. It was at the end of the war that he began the long residence in Paris in which he tells in A Narrow Street.
Currently a full professor at Loyola University, he entered college at 16, studying chemistry, economics, and literature. He did graduate work in German, Russian, and Philosophy, held a double fellowship in music and literature, and wrote his dissertation on the relationship between historiography and epic poetry. In 2001, his 10th book, The Myth of the Great War was nominated for a Pulitzer Prize in history.
Not only does Stone demolish the many false ideas held about this part of the war, but he provides us with insights that allow us to understand the important connections among the three fronts of the war that impacted decisions in Paris and London—and vice versa.
I was born and raised in Leeds and moved back here in 2013. My ancestors first came here a couple of hundred years ago. The place is my passion, but it’s also in my DNA. I write historical crime novels, many of them set in Leeds between 1730 and 1957. I know this place through the soles of my feet. My work means constantly researching its history, trying to understand this city, how it shifts and changes, and the people who call it home. The longer I continue, the greater my fascination, and the deeper I dive to keep learning more. These books all beat with the heart of Leeds.
Riboud was already famous when he first arrived in Leeds to document the city in 1954. What his black and white images startlingly portray, though, is a place that could easily still be in the 19th century. He doesn’t go for the great and the good, but searches out ordinary people and children playing in the streets. It’s life among emotional and physical rubble, a contrast to the shiny, bright colours 50 years later (and now also a part of history as time speeds by). It’s searing, starkly beautiful, and the essay by Leeds-born playwright Caryl Phillips adds another dimension. Through the right eye, an image can be worth a thousand words in seeking the soul of a town and its people.
I am a historian of France, seduced since I did an exchange with a French family aged fourteen and was a student in Paris in my gap year, aged eighteen, in the aftermath of 1968. Since then I have been fascinated by the tension between la France profonde and revolutionary France. France in the Second World War is a wonderful place to study both, shattered by defeat, foreign occupation and division, and generating huge amounts of literature and film, myth-making, historical research and controversy.
A funny and moving account of life in occupied Paris by two young sisters, one sensible and studious, the other fun-loving. Written in diary form by each sister in turn, hence the ‘four hands’. Some signs of touching up with hindsight before publication in 1962. There is an English translation, ‘Diary in duo’ (1965) but currently out of print.
