Here are 100 books that The Comforts of Home fans have personally recommended if you like
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I’ve always been drawn to social history, so the chance to learn what people used for toilet paper in the middle ages or how deodorant was invented and popularized in the early 20th century was perfect for me. The three years I spent researching The Dirt on Clean included trips to see the bathing facilities in Pompeii and actually bathing in ancient mineral baths and spas in Hungary, Switzerland, and Germany, and what’s not to like about that?
A coffee table book, but a sublime one. If you want to read one book on this subject (after The Dirt on Clean, of course), The Book of the Bath is it. Not only is the text intelligent, comprehensive, and readable, it is sumptuously illustrated with paintings, photographs, and ads. Covering "The Story of Water", "Private Baths", "Public Bath"s, and "The Modern Bathroom", it concludes (perhaps because the author is French) with "The Sensual Delights of the Bath". Highly recommended.
For over 2000 years, in the Far East as in the West, bathing and showering have been more than practical necessities. Bathing has become a rite and a refuge, and this is the first book to lavish due attention on the history of the bath across the centuries and around the world.
Although the room for bathing as we know it has existed for only a century, public baths wee institution in ancient cultures; and, of course, beginning n the Renaissance, bathing was not just hygienic, but a sensual and sybaritic event. In The Book of the Bath, abundant illustrations-…
I’ve always been drawn to social history, so the chance to learn what people used for toilet paper in the middle ages or how deodorant was invented and popularized in the early 20th century was perfect for me. The three years I spent researching The Dirt on Clean included trips to see the bathing facilities in Pompeii and actually bathing in ancient mineral baths and spas in Hungary, Switzerland, and Germany, and what’s not to like about that?
How did Americans in the 19th century, who were described by one traveller as “filthy, bordering on the beastly,” transform themselves into arguably the cleanest people in the Western world? Hint: unexpected things such as the rise of hotels, the Civil War, and the growth of advertising are important parts of this journey towards obsessive cleanliness. Hoy charts this surprising transformation with wit and skill.
Americans in the early 19th century were, as one foreign traveller bluntly put it, "filthy, bordering on the beastly"-perfectly at home in dirty, bug-infested, malodorous surroundings. Many a home swarmed with flies, barnyard animals, dust, and dirt; clothes were seldom washed; men hardly ever shaved or bathed. Yet gradually all this changed, and today, Americans are known worldwide for their obsession with cleanliness-for their sophisticated plumbing, daily bathing, shiny hair and teeth, and spotless clothes. In Chasing Dirt, Suellen Hoy provides a colorful history of this remarkable transformation from "dreadfully dirty" to "cleaner than clean," ranging from the pre-Civil War…
I’ve always been drawn to social history, so the chance to learn what people used for toilet paper in the middle ages or how deodorant was invented and popularized in the early 20th century was perfect for me. The three years I spent researching The Dirt on Clean included trips to see the bathing facilities in Pompeii and actually bathing in ancient mineral baths and spas in Hungary, Switzerland, and Germany, and what’s not to like about that?
Americans believe advertisements, especially those that promise cleanliness. Europeans, who are much less obsessed with soaps, deodorants, creams, and other cleansing products, find this naive. As described by Sivulka, Americans see ads for personal hygiene products as allies in their quest never to “offend,” to borrow one of advertising’s favorite words. Advertising and toilet soap (as opposed to laundry or housecleaning soap) grew up together, beginning in the late 19th century, and ads made brilliant use of Americans’ worries about finding Mr. Right and getting ahead in business. Sivulka’s enlightening book is copiously illustrated by a fascinating anthology of the ads themselves.
Only a century ago the privilege of washing with soap was mainly a special prerogative of the well to do, and a bath was something most people avoided. But by the end of World War I a revolution in standards of personal hygiene had taken place. Soap was not only more widely used but was suddenly viewed as a powerful symbol of purification, civilization, and progress. What caused this radical shift in attitudes?
In this fascinating cultural history, Juliann Sivulka shows that the transformation of soap from luxury product to everday staple and symbol of success was the result of…
I’ve always been drawn to social history, so the chance to learn what people used for toilet paper in the middle ages or how deodorant was invented and popularized in the early 20th century was perfect for me. The three years I spent researching The Dirt on Clean included trips to see the bathing facilities in Pompeii and actually bathing in ancient mineral baths and spas in Hungary, Switzerland, and Germany, and what’s not to like about that?
Europeans had feared water since the Black Death of 1347 when the doctors of the Sorbonne pronounced that people who took warm baths were more susceptible to the plague. There followed what the French historian Jules Michelet called (with some hyperbole) “five hundred years without a bath.” Goubert’s scholarly but always readable book describes the gradual and tentative death of this longstanding myth. Beginning in the 18th century, the emergence of the idea of water as a benefit and not a danger to public health was complicated and touched many areas of life. Goubert is adept at moving from social to cultural to administrative sectors, with just the right balance of theory and anecdotes.
"The preoccupation with water is, according to Jean-Pierre Goubert, one of the subdivisions of the religion of progress. . . . Goubert's research is entirely interdisciplinary, and his procedure is highly original. The first in his field, the author has at all points built up a study which never departs from its faithfulness to texts, documents and facts."--From the introduction
This book is the first major study of the social and cultural conquest of water during the nineteenth and twentieth centuries. Jean-Pierre Goubert discloses the changing meanings of everyday reality as he explores the transition from water-scarce cultures, in which…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Architecture is always a collaboration between the architect who conceives the project, the builder who must realize it, and the client who starts it—and pays for it The protracted building process, which is often stressful, is always a complicated pas de trois. No one has written about this better than Tracy Kidder, who describes the complex choreography by following (in real-time and in detail) the construction of a family home in New England.
In the New York Times bestseller House, Pulitzer Prize–winning author Tracy Kidder takes readers to the heart of the American Dream: the building of a family's first house with all its day-to-day frustrations, crises, tensions, challenges, and triumphs.
In Kidder's "remarkable piece of craftsmanship in itself" (Chicago Tribune), constructing a staircase or applying a coat of paint becomes a riveting tale of conflicting wills, the strength and strain of relationships, and pride in skills. With drama, sensitivity, and insight, he takes us from blueprints to moving day, shedding light on objects usually taken for granted and creating a vivid cast…
I was raised in a loving but strict Catholic family in the 1970s, when girls like me were still expected to grow up to become traditional wives and mothers, rather than go to college and pursue a career. In a Pre-Cana class intended to prepare me and my fiancé for marriage (it didn’t work so well, as evidenced by our rancorous divorce twelve years later), I learned the concept of “family of origin,” and the profound impact a person’s upbringing has on them as an adult. I became fascinated by the psychic baggage each of us carries around, and how it affects our personal relationships and life choices.
Samantha is the woman I used to be—a devoted and eager-to-please wife who is an expert at turning a blind eye to the cracks in the facade of her marriage. Getting to know Sam in the pages of this novel was a lifeline for me at a very difficult time in my personal life. I was delighted to see how she opens both her home and her heart to unconventional friends and experiences, and in the process, discovers a surprisingly joyous new life for herself.
BONUS: This edition contains an excerpt from Elizabeth Berg's Once Upon a Time, There Was You.
In this superb novel by the beloved author of Talk Before Sleep, The Pull of the Moon, and Until the Real Thing Comes Along, a woman re-creates her life after divorce by opening up her house and her heart.
Samantha's husband has left her, and after a spree of overcharging at Tiffany's, she settles down to reconstruct a life for herself and her eleven-year-old son. Her eccentric mother tries to help by fixing her up with dates, but a more pressing problem is money.…
I love writing books that feature buildings and construction as a backdrop to life. I’ve worked as an interior designer for over 30 years, and now I teach design at a university in Sydney. Our homes offer so much more than four walls and a roof. They provide us with comfort and shelter. They offer security and stability. They help us stay sane and grounded in a sometimes confusing and turbulent world. I don’t think the importance of our homes can be underestimated.
I teach interior design, so the importance of personal spaces is something I could talk about all day. To me, homes reflect our identity. They reveal our inner world and contain our treasures and precious belongings. They protect us and help us to make sense of our crazy lives.
Erica Bauermeister shows the work of renovating a house and building a life. I loved every detailed description.
From New York Times Bestselling Author Erica Bauermeister comes a memoir about the power of home and the transformative act of restoring one house in particular.
"I think anyone who saves an old house has to be a caretaker at heart, a believer in underdogs, someone whose imagination is inspired by limitations, not endless options."
In this mesmerizing memoir-in-essays, Erica Bauermeister renovates a trash-filled house in eccentric Port Townsend, Washington, and in the process takes readers on a journey to discover the ways our spaces subliminally affect us. A personal, accessible, and literary exploration of the psychology of architecture, as…
I am the oldest of four children and was always close to my mom. She was a trailblazer, earning her doctorate in educational psychology in 1963 and teaching at the college level. In her early 70’s her memory started to falter, and she lived with dementia for 10 years before she died. I was a reporter at The New York Times and had published three books by that point. My fourth became All Gone: A Memoir of My Mother’s Dementia. With Refreshments. I spent years in doctors’ and hospital’s waiting rooms and these are some of the books that helped make that time not only tolerable but sometimes, even joyful.
“I saw a little boy on the street today, and he cried so eloquently that I will never forget him.” Maeve Brennan wrote for the New Yorker’s Talk of the Town section as ‘The Long-Winded Lady’ from 1954 to 1968. She roamed the city’s streets, bars, and restaurants, eyes wide open, weaving stories of vivid emotional detail from the most seemingly mundane moments. None of these are too long – in the waiting room concentration can be fleeting – but each sketch engages. Her story of the crying boy ends this way: “He might have been the last bird in the world, except that if he had been the last bird there would have been no one to hear him.”
“Of all the incomparable stable of journalists who wrote for The New Yorker during its glory days in the Fifties and Sixties,” writes The Independent, “the most distinctive was Irish-born Maeve Brennan.” From 1954 to 1981, Maeve Brennan wrote for The New Yorker’s “Talk of the Town” column under the pen name “The Long-Winded Lady.” Her unforgettable sketches—prose snapshots of life in small restaurants, cheap hotels, and crowded streets of Times Square and the Village—together form a timeless, bittersweet tribute to what she called the “most reckless, most ambitious, most confused, most comical, the saddest and coldest and most human…
I opened my first history book in school at 6 and have been fascinated by how people lived since then. I found the evolution of furniture, interiors, decorations, exteriors, and everything that relates to how we live of the utmost importance if we want to know who we are and why. I am the son of antique dealers, growing up in France, so furniture is my principal domain of expertise, but I always put it in relation to the epoch they are from and the people who used them. I became the go-to of Martha Stewart for antiques and furniture restoration and have been featured in TV shows and magazines regularly.
I am fascinated by why things are the way they are, and I love that this book follows the evolution of interiors.
I learned so much about rooms, furniture, and decor; I was surprised, entertained, and educated. I love reference books and the combination of erudition and humor that this book contains makes it a classic about the way we live.
I lived in the former Soviet Union for ten years, primarily in Moscow, the home of many a brutal tyrant. My obsession with dictator literature began after I discovered that Saddam Hussein had written a romance novel, following which I spent many years reading the literary output of all of the 20th century’s most terrible tyrants, from Mussolini to Stalin to the Ayatollah Khomeini. This monumental act of self-torture resulted in my critically acclaimed book The Infernal Library: On Dictators, the Books They Wrote, And Other Catastrophes of Literacy.
Most books about dictators are written by scholars and academics, but Peter York has a different background — he is a style guru and cultural commentator who writes about trends for magazines and newspapers in the UK.His approach, therefore, is very different from the other books on this list and in Dictator Style he casts a witty, acerbic eye over the interior design choices of some of the world’s most evil men. Multiple photographs are provided to document their crimes against taste, and York skewers everything from the leopard skin rug of Romania’s Nicolae Ceacescu to the soft porn sci-fi fantasy paintings collected by Saddam Hussein. Whereas most authors focus on the depths of evil contained in each dictator’s soul, Yorke shines a spotlight on their shallows, revealing in the process that they are also frequently banal and vulgar in their tastes, and easily seduced by shiny baubles.
Welcome to the fabulous lifestyles of the cruel and despotic. Running with the idea that our homes are where we are truly ourselves, Peter York's wildly original and scathingly funny look at the interior decorating tastes of some of history's most alarming dictators proves that absolute power corrupts absolutely, right down to the drapes. Mining rare, jaw-dropping photographs of interiors now mostly (thankfully) destroyed, York's hilarious profiles of 16 inner sanctums of the scary leaves no endangered tiger pelt unturned, from Saddam Hussein's creepy private art collection to General Noriega's Christmas tree to the strange tube and knob contraption in…
