Here are 100 books that The Breathing Burren fans have personally recommended if you like
The Breathing Burren.
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Home food production & self-sufficiency was Joann Grohman’s lifelong enthusiasm. With a young, hungry family of eight children, she started milking cows by hand and did so until she was almost 90 years old. She simply could not imagine life without a family cow, a remarkable animal that makes grass into nutritious milk and cream that can feed people, pigs, and chickens, as well as provide manure to grow vegetables. When asked if having a cow means feeling stuck on the farm, she countered that a cow supports a beautiful life that can be found in no other way.
This book has had a huge impact in the UK, kickstarting a revolution in land management. Ms. Tree's husband inherited a very large estate in southern England, and they tried hard to continue farming in the usual way, raising grain. After a series of failures, economic and otherwise, they finally decided that something radically different would have to be tried and took on the challenge of allowing their land to revert to nature.
The book has been described as 'thrilling, inspiring, and deeply moving,' and it's all of that and a real page-turner.
'A poignant, practical and moving story of how to fix our broken land, this should be conservation's salvation; this should be its future; this is a new hope' - Chris Packham
In Wilding, Isabella Tree tells the story of the 'Knepp experiment', a pioneering rewilding project in West Sussex, using free-roaming grazing animals to create new habitats for wildlife. Part gripping memoir, part fascinating account of the ecology of our countryside, Wilding is, above all, an inspiring story of hope.
Winner of the Richard Jefferies Society and White Horse Book Shop Literary Prize.
I started off studying tropical rainforest creatures and saw the catastrophic impacts of modern humanity on nature and indigenous peoples. My work then focused on how to resolve conflicts between people and nature, at first in and around national parks and then more widely. I became quite good at dissecting environmental aid portfolios, and writing up what I had found in a series of books. I was also drawn into the great climate protests of 2019 and 2020, and now I'm working on pulling it all together into a book on Restoring Peace with Nature.
This book hurledme into a compassionate and respectful understanding of puffins, gannets, fulmars, cormorants, and other seabirds, and their varied and extraordinary relationships with the world ocean and its winds and sea cliffs. It left me aware of huge gaps in my perception of these different worlds, of the otherness and perfection of seabirds, and of my own species' abuse of such wonders. It re-set my standard for beautiful writing, and for appreciating the feeling of standing against a gale above the sea while surrounded by creatures who are truly at home there.
Enter ancient lands of wind and waves where the planet’s greatest flyers battle for survival.
As the only creatures at home on land, at sea, and in the air, seabirds have evolved to thrive in the most demanding environment on Earth.
In The Seabird’s Cry, Adam Nicolson travels ocean paths, fusing traditional knowledge with astonishing facts science has recently learned about these creatures: the way their bodies actually work, their dazzling navigational skills, their ability to smell their way to fish or home and to understand the discipline of the winds upon which they depend.
I’ve always loved how science deepens my appreciation of nature and fills me with awe and wonder. I’ve been a science teacher, a documentary producer for National Geographic and Discovery, and the author of What's Gotten Into You: The Story of Your Body's Atoms, from the Big Bang Through Last Night's Dinner. I’m astounded by how much scientists have been able to learn about how our world works and how they have revealed surprising and strange beauty. Their stories of wrestling with the unknown, marked by unexpected twists and great perseverance, captivate and inspire me.
Any book that makes me think about the radical differences between the experiences of an elephant, robin, owl, spider, rattlesnake, and a bat is a surefire win for me. At times, I felt a shiver in my spine as I realized how other creatures see and feel the world so differently.
Yong spent time with researchers and came back with stories that I savored. Really, how any animals, including us, sense the world is a marvel. The book opened my eyes to how “alien” senses like ultrasound, electric fields, magnetism, and vibrations create other creatures’ versions of reality.
'Wonderful, mind-broadening... a journey to alternative realities as extraordinary as any you'll find in science fiction' The Times, Book of the Week
'Magnificent' Guardian
Enter a new dimension - the world as it is truly perceived by other animals.
The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. But every animal is enclosed within its own unique sensory bubble, perceiving only a tiny sliver of an immense world. This book welcomes us into previously unfathomable dimensions - the world as it is truly perceived by other animals.
I have been interested in natural history since my early childhood. A bit later I discovered photography and much later writing. Eventually I was lucky enough to combine the three and make a living from it. Over the past 20 years I have been working with conservation groups in Ireland, have published over 20 books, and more recently started developing and managing conservation projects.
This is the book that kindled my interest in natural history and ecology. It was published in the early 1960s and probably the first widely read book on nature conservation. The work of Bernhard Grizmek and his son Michael (who died during the project in a plane crash) was vital in getting the plains of the Serengeti and their inhabitants the protection status they deserve and even over half a century later the book is a thrilling and interesting read.
Wir müssen fliegen lernen. Diese Worte des 23-jährigen Wildtierenthusiasten Michael Grzimek, Sohn von Bernhard Grzimek, stehen am Anfang eines der ganz großen Abenteuer des internationalen Naturschutzes. Im Jahre 1957 fliegen Vater und Sohn mit ihrer Dornier-27 in Zebrastreifen-Lackierung nach Afrika, um das Wanderverhalten der großen Herden der Serengeti zu studieren, ihre Tierbestände zu erfassen und so die willkürliche Festlegung von Wildparkgrenzen zu verhindern. Eine legendäre Pioniertat. Während ihres Aufenthalts nähern sie sich nicht nur den Wildtieren, sondern suchen das Gespräch mit den Bewohnern der Steppe, und dies, anders als die Kolonialherren, von Gleich zu Gleich. Serengeti darf nicht sterben hat…
As a kid growing up in the northeast of England I became fascinated by the insects, flowers, birds, geology, and seashore life around me. That fascination with natural history never left me and I had the fortune to turn my childhood interests into a professional career as a research scientist, teacher, and writer. My work on pollinators and plants has taken me around the world, from the grasslands of Oxfordshire to the deserts of Namibia and the mountains of Nepal, from the rainforests of Brazil and Australia to the thorny shrublands of Tenerife. The result has been more than 135 articles plus a couple of books. I must get back to writing the next one…
This ground-breaking book was the first illustrated field guide to cover all of the more than 270 species of bees that occur in Great Britain and Ireland. It provides a detailed account of the natural history of these fascinating insects, plus photographs and taxonomic keys to help you to determine what they are. Be warned, however, as the author acknowledges, many bees are challenging to identify! Nonetheless, Falk and Lewington’s book is invaluable for anyone interested in the natural history of bees.
This is a brand new field guide to Britain's bees that for the first time makes this fascinating and important group of insects accessible to the general naturalist. The guide covers over 270 species, and is fully illustrated with stunning photographs and Richard Lewington's beautiful colour artwork.
I have been immersed in nature since I was able to walk, my love for nature initially inspired by a chance encounter as a toddler with a buzzard amid South Devon’s leafy lanes. Upon fledging into adult plumage, I eventually became an award-winning wildlife and travel writer. After returning to Britain after several years leading wildlife tours in South America and Antarctica, I had an irrepressible desire to renew my relationship with British nature. My books 52 Wildlife Weekends, A Summer of British Wildlife (winner, Travel Guidebook of the Year, 2016) and Much Ado About Mothing (a travel narrative longlisted for the 2022 James Cropper Wainwright Prize) are the result.
Now on its second edition, this is a remarkable, unique book. It helped me greatly understand Britain’s landscapes and environments – how our country fits together.
Written accessibly by experienced ecologists, it also started me thinking about wildlife and plantlife assemblages – different animals and plants that might co-exist at a single site – which was critical when I was researching my book. An absolute must on your library shelf.
A comprehensive and lavishly illustrated photographic guide-now in a handy field-guide format
This lavishly illustrated photographic guide provides a comprehensive overview of the natural history of wildlife habitats in Britain and Ireland. Now completely redesigned in a handy field-guide format, and featuring revised and updated text throughout, this new edition of Britain's Habitats guides readers through all the main habitat types, presenting information on their characteristics, extent, geographical variation, key species, cultural importance, origins and conservation. It aims to help visitors to the countryside recognize the habitats around them, understand how they have evolved and what makes them special, and…
In Nature’s Realm is my third book on the theme of exploration of Vancouver Island, my home for the past thirty years, and my first focussed on the history of natural history. In it, I call upon decades of experience in mapping hitherto scarcely known parts of the world, combined with a keen fascination with the fauna and flora of the many places where I have lived and worked. I have marvelled at the work of the exploring naturalists and am fascinated with their personal histories. I find it enthralling how they each added to the sum of human knowledge of the wonders of the natural world, now so sadly threatened.
This fine book was another discovery of mine as I studied the literature on aspects of the history of natural history for my own book in this genre. Although written by two academics, this book is easy to read by a generally educated public. It covers what is to me, the engrossing topic of the early botanical collectors and illustrators, both men and women. The authors recount the lives of eleven subjects from Linnaeus through Banks, Douglas, Spruce, and Hooker, and how they, together, founded the science of botany by roaming the world in search of new species. There are 32 well-chosen illustrations, in colour and monochrome.
The flower hunters were intrepid explorers - remarkable, eccentric men and women who scoured the world in search of extraordinary plants from the middle of the seventeenth to the end of the nineteenth century, and helped establish the new science of botany. For these adventurers, the search for new, undiscovered plant specimens was something worth risking - and often losing - their lives for. From the Douglas-fir and the monkey puzzle tree, to exotic orchids and azaleas, many of the plants that are now so familiar to us were found in distant regions of the globe, often in wild and…
I was first a biologist, working with endangered species. Then I switched and spent fifteen years making nature documentaries with people like Greta Thunberg and David Attenborough. Then a humpback whale breached onto me when I was kayaking, this led to a life-changing adventure culminating in my becoming involved in efforts to use AI to translate the communications of whales! I wrote about this for my first book. My great passion was always reading and in becoming a writer I get to go deeper and more playfully into my favorite parts of filmmaking – following heroic and fascinating people on their adventures, reading hundreds of complicated scientific papers, and finding ways to connect these.
I read this book thinking I'd learn about a speedy little 40g bird that never stops flying and that people used to think flew to the moon in winter.
But the book is a non-fiction love song to all life on earth that spins outward weaving together everything it has taken to make a world that could have swifts in it. It is literally wonder-ful and a masterpiece.
It takes a whole universe to make one small black bird
The bestselling author of Crow Country and writer of The Guardian's Country Diary tells the story of all life on Earth through a single day spent in the company of swifts.
'A jewel of a book' Caroline Lucas MP
Swifts are among the most extraordinary of all birds. Their migrations span continents and their twelve-week stopover, when they pause to breed in European rooftops, is the very definition of summer. They may nest in our homes but much about their lives passes over our heads. No birds are more…
I have been a lover of all things outdoors since I was a boy. After my father was killed at a young age, my brothers and I took his love for outdoor adventure and made it our own. Fully aware of all that can go wrong, my brothers and I went into our ventures with a keen sense of humor. Camping, fishing, and kayaking all come with their own challenges and requisite hilarious moments. It is these moments of adversity, and personal risk, that are sometimes lightened by a good dose of laughter and levity.
This book minces no words about the difficulties of hiking the Appalachian Trail. Bryson does a brilliant job laying out the reality that despite extensive planning and, in the case of his hiking partner, Steven Katz, differing motives, things can go wrong.
Bryson does an amazing job keeping the story light with side-splitting humor. The blend of humor and adventure play roles as some of the primary inspirations behind my own writing.
From the author of "Notes from a Small Island" and "The Lost Continent" comes this humorous report on his walk along the Appalachian Trail. The Trail covers 14 states and over 2000 miles, and stretches along the east coast of America from Maine in the north to Georgia in the south. It is famous for being the longest continuous footpath in the world. It snakes through some of the wildest and most specactular landscapes in America, as well as through some of its most poverty-stricken and primitive backwoods areas.
I teach medieval and early modern European history at Dublin City University, with a particular interest in 16th-18th century Italian history. My own research focuses on the religious, legal, and popular culture of northern Italy, particularly Venice and the Veneto region. I became fascinated with Renaissance Italian history as an undergraduate at the College of William and Mary, and then went on to do a masters and a PhD at Northwestern University. I have taught at Northwestern, the College of William and Mary, the University of Warwick/Warwick in Venice, and the State University of New York at Cortland.
This is an excellent and fascinating book on the scientific culture of Renaissance Italy, where intellectuals and the wealthy elite began collecting and cataloging curiosities long before their northern European counterparts. Findlen demonstrates a key way in which Renaissance intellectuals could look back to an idealized ancient past while also creating new knowledge and institutions – namely the museum. This book is beautifully written, full of engaging stories, and shows a side of early modern science often ignored.
In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural…
