Fans pick 100 books like Terra Incognita

Omenana to Infinity is an anthology of collected works formerly published in Omenana Magazine. The anthology is edited by Mazi Nwonwu and Chinelo Onwualu, like the magazine its stories are culled from. The duo also founded and edited the magazine which is the first African, exclusively speculative fiction magazine. It's important to me because it contains some of the earliest works of speculative short fiction by African writers I would read as an issue of a magazine and did a great lot in platforming speculative fiction writers on the continent. 

It contains work by some of the most brilliant speculative fiction writers on the continent and also expands on the title, Africanfuturism, in its Introduction by Nnedi Okorafor. She also happens to have a story in the book. Another of the stories in it, by Motswana writer Tlotlo Tsamaase won the 2021 Nommo award for short story and a number of works in it, like Egoli by Tendai Huchu also made recommended reading lists and Year's Best anthologies. The anthology itself was a finalist in the Locus award for best anthology.

AfroSF is the first ever anthology of Science Fiction by African writers only open to submissions of original fiction works from Africa and abroad. It was one of the pioneering anthologies of African science fiction and published a number of household names in African speculative fiction in both this and its subsequent volumes. 

It's the first of its kind, the first installment in a line of Year's Best African Speculative Fiction anthologies meant to spotlight the works of African writers and writers of African descent. Year's Best anthologies have been a genre thing for over 5 decades. This is an important installment in the development of African speculative short fiction. It was published by the editor as well in a small press he founded, Jembefola Press. The anthology made him the first African editor to be a Hugo award best editor finalist and a Locus award best editor and best anthology finalist.

I’m in awe of this author’s trilogy of award-winning novels about Zimbabwe’s colonial history. Haunting and hypnotic, they blend magical realism, epic history, and social satire. Although they form a series with some recurring characters, all are standalone reads.

Her first, The Theory of Flight, won South Africa’s biggest literary award. The second, recommended here, is a sustained act of grace in which the author climbs into the skin of an alpha white male Rhodesian, Emil Coetzee, whose ambitions lead to his running the doomed colony’s sinister secret police. It humanizes him without excusing him in an imaginative tour de force that asks a burning question: why do we sometimes choose evil?

If you love this book (you will), Ndlovu’s third novel, The Quality of Mercy, brings the series to a redemptive close.

Whenever I see suddenly this remarkable book on my bookshelves, I wonder how the author, writing in later years of his life, was able of combining his practical experience in Africa with his theoretical engagement of Africa. The author narrates sympathetically how African political elites who embraced Western alien institutions and state ideals failed to reconsider the reconfiguration of the nation-state on their continent.

This travel diary by the Nobel Prize winning French writer was published in 1927 and expertly translated by his lifelong friend Dorothy Bussy. Gide dedicated his book and its sequel, Return from Chad, to Joseph Conrad, whose Congolese itinerary Gide retraced in part. In 1926 and 1927, the Frenchman spent ten months in Equatorial Africa with his lover Marc Alégret, making no secret of his sexual preference for young men and boys. In these travelogues, Gide fiercely criticized French colonialism and especially France’s “concessionary companies,” the large monopolistic firms that cruelly exploited Congolese laborers forced under inhuman conditions to harvest raw rubber. France’s Congo colony reproduced the excesses of its Belgian counterpart, despite the efforts of Gide and other prominent French figures to reform it.

A man bereft of connection to the modern world is used, agreeing to be so, by the spy world with consequences neither he nor his handlers predicted. A wonderful journey undercutting & exposing Western misuse of Africa and African rights. Nobody writes the ordinary man stepping up to a great task in thrillers better than Le Carré. Le Carré uses intellect as demonstration of character, and in so doing, he finds redemption in morals needed to achieve a thriller’s conclusion.

The canon of anti-colonial, anti-racism writing from and about Africa includes many authors whose passion and insights are sometimes muddied by turgid or masculinist prose. For me, Rodney stands out – and stands the test of time – by the way he so masterfully weaves history into a compelling narrative that utterly demolishes the lies and conceits about supposed Western benevolence toward the continent. Scales fell from my eyes the first time (of many) I read this book. And yes, Rodney is almost as androcentric in his language, sources, and arguments as was the norm in those days. But his acknowledgment of the dignity of African women is implicit, and his discussion of the regressive elements of the colonial economy and education for African women and girls presaged a field of scholarly enquiry and activism that still intrigues me.

The “other Naipaul”, the younger brother who died too young to compete with VS, managed to leave behind some extraordinary examples of his talent. North of South discovers what 'liberation', 'revolution,' and 'socialism' meant to the ordinary people of Africa and it is the book of a contrarian who, brutally honest to the point of being dismissive, travels across a continent on a brink of change, but instead of adopting the easy line of praising it explains why he is not impressed. If you like irony that verges into sarcasm, you can’t miss it.