100 books like Tangled Hair

Sappho was an Archaic Greek poet from the island of Lesbos. Best known for her lyric poetry, which was initially written to be sung while accompanied by a lyre. In ancient times, Sappho was widely regarded as one of the greatest poets and referred to as the "Tenth Muse" and "The Poetess". She also was among the canon of Nine Lyric Poets most highly esteemed by scholars of Hellenistic Alexandria.

Though most of her work has been lost, there are still new discoveries being found, giving us an incredible taste of her feelings, tenderness, simplicity, and her interpretation of life as we resonate with it presently, in this day and age. Way ahead of their time, her poems through their versatility give us a sense of her transcendental and emotional views on love in an unassuming yet impactful way. An artist whose themes extend beyond romance and myth, delving into… show more.

Sarojini, a Bengali born in Hyderabad, was an Indian political activist and poet. She was a poignant figure in India's struggle for independence from colonial rule. Naidu's work as a poetess earned her the sobriquet 'the Nightingale of India', or 'Bharat Kokila' by Mahatma Gandhi because of the colour, imagery, and lyrical quality of her poetry.

With these poems Sarojini captures the imagery of her everyday surroundings and gives it a life of its own. One can already picture her sitting in a shaded veranda, glimpsing out into the bustling street, where she sees people working on their chores/livelihood, yet she takes each character and builds on their story albeit her own interpretation of it. Her poetry ignites an aesthetic sense with its rich sensory images and allows the reader to partake in her cherished moments of joy, pain, and sadness.

One of the most significant Russian poets of the 20th century, Anna was shortlisted for the Nobel Prize in 1965. Her distinctive work ranging from short lyric poems to intricately structured pieces set her apart from her contemporaries. Her work deals heavily with the struggles of living and writing under the Stalinist era.

In this elegy, written over three decades, between 1935 and 1961, Anna relates details of her personal struggles together with the reflection of other voices during the "Great Purge". In an emotional call to help, she offers empathy to others faced with the same, dire predicament. Feel the gravity of suffering, pain, and mourning, ultimately teaching you one of the most important lessons in healing, which is acceptance and letting go. 

Gabriela was a Chilean poet-diplomat, educator, and humanist, who became the first Latin American author to receive a Nobel Prize in Literature. Her poetry often focuses on dark, humane themes that undoubtedly reflect on traumatic episodes that she had personally endured. 

Gabriela has the knack of scratching the surface, which is potent enough to get all your senses actively experiencing the emotions and character she puts forth. The poems resonate on a deep level, offering a compelling clarity of life with its tragedy and complications. The women depicted here are anything but mad; some would say entirely strong-willed and intense, with a collected control and a modernistic sense of independence.

Saigyo (1118-1190) was one of the most influential Japanese poets. His name means "Westward Journey" which implies moving toward the Pure Land of Amitabha Buddha. The poems bring out the bitter-sweet quality of life, beauty and loneliness, blooming spring and frosty winter, cherry petals and tears that fall, echoing the deep emotionality and mystery of the spirit of Japanese Buddhism.

Bashō’s poetic narrative of a journey he made in 1689 to northeastern Honshū is the most famous travelogue in Japanese literature. As a college student in 1970, I read a translation and imagined someday following the path of his journey to see what he saw. Over three decades later, I had the time, resources, and knowledge to make several road trips to do just that. After reading various translations, I found Sato’s the most helpful in understanding why Bashō visited the places he did and what his narrative and poems were about. As we drove along Bashō’s roads, Sato’s annotated text provided insights into the history and culture of Japan and its Tōhoku region. 

Matsuo Bashō is considered the most influential figure in the history of hokku (or haiku) poems and this book brings them to life with excellent English translations and commentary. I particularly enjoy Bashō because he was a traveller. He didn’t just sit and write poems in comfy surroundings. He hit the road and wrote about his experiences, be they good or bad. In many ways, they are the humorous, spontaneous, gritty writings of a fatigued experiencer of life. One of my favourites - “My summer robe, there are still some lice, I have not caught”. Ueda’s book is brilliant and allows English speakers to glimpse Bashō’s true thoughts as he rambled about the countryside in 17th century Japan.

The original, and still unsurpassed! First published in Japan in 1906, this gleeful skewering of the foibles of Japan’s upper-middle-class during the Meiji era—told in first-person narration from the perspective of an eminently observant and sardonic housecat—manages to feel fresh and modern more than 100 years later and reads like something that could have been published last week. When I first set about writing my own novel from a cat’s perspective, Love Saves the Day, this was the first book I turned to for inspiration. It was so good, it almost left me too intimidated to write mine. Almost.

This is an extremely well-researched book which provides an in-depth look at how the design fields developed and have evolved in Japan.

Though airing on the academic, I find it very readable, and I consult it when I wish to know more about a particular period of Japanese design history. Having scoured the landscape myself, I have great admiration for the author’s ability to ferret out information – there is no central design museum or archive in Japan – and present it cogently.

Wilson describes his walking journey along the ancient Kiso Road through the Kiso Valley and the stops he made in the eleven post towns along the road. Today, some of the towns, like Narai, Tsumago, and Magome, are popular tourist destinations because they have maintained something of the look and character of the Edo Period, but in Wilson’s narrative, even the lesser known towns have something interesting to offer. Walker describes personal experiences with local people he met in the inns where he stayed and provides historical and literary backgrounds that add depth to his journey. The Kiso Road was the most scenic segment of the Kisokaidō (aka Nakasendō), the inland road between Kyōto and Edo during the nineteenth century.