Here are 55 books that Snowspelled fans have personally recommended if you like
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I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
I fell in love with the world-building in this series. Perhaps because the main setting itself is a character. Having an estate with a mind of its own (or at least a consciousness that doesn’t understand human propriety) makes for extra fun.
The slow-burn romance in the series kept me addicted because of how it highlighted the deliciousness of mixing magic and manners—in this case, the conflict between the fae making their presence known and human society trying to cope. Oh, and did I mention how many times I laughed while reading?
The Lord of Stariel is dead. Long live the Lord of Stariel. Whoever that is.
Everyone knows who the magical estate will choose for its next ruler. Or do they?
Will it be the lord’s eldest son, who he despised?
His favourite nephew, with the strongest magical land-sense?
His scandalous daughter, who ran away from home years ago to study illusion?
Hetta knows it won’t be her, and she’s glad of it. Returning home for her father’s funeral, all Hetta has to do is survive the family drama and avoid entanglements with irritatingly attractive local men until the Choosing. Then…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
This book is the reason I write fantasy. It shaped me in integral ways by showing me a Black woman who was both magic and loved, who altered the course of an entire kingdom—an entire world.
The writing is incredible, the story has so many layers to it, and from start to finish it’s an incredible story. It’s one of the few books I wish could read for the first time again.
Orphaned and alone, Jasminda lives in a land where cold whispers of invasion and war linger on the wind. Jasminda herself is an outcast in her homeland of Elsira, where her gift of Earthsong is feared. When ruthless soldiers seek refuge in her isolated cabin, they bring with them a captive - an injured spy who threatens to steal her heart.
Jack's mission behind enemy lines to prove that the Mantle between Elsira and Lagamiri is about to fall nearly cost him his life, but he is saved by the healing Song of a mysterious young woman. Now he must…
I write romantic fantasy set in twisted versions of the United States because half of me wishes magic were real. (The wiser half thinks that would be a disaster.) Typical contents of my books: banter, antagonist love interests, dramatically billowing coats, twisty plots, and oppressive systems in need of taking down... by bantering antagonists in magnificent coats. I consume books like they’re as necessary as food—and aren’t they, really?
What if a society blessed one form of magic use while all but criminalizing the other? Marnie Becker was born a witch in this world, which puts her forever at the margins. She tries to stay (mostly) out of trouble—until it finds her in a big way.
I absolutely love that magic here has a scent, from a hint of maple syrup to a reek of burnt meat. And that her love interest, Bran, declares, “You are never more beautiful to me than when you fix my math.” And that Marnie starts to believe she could help change her country for the better.
A Recipe for Disaster: Malicious Magic, Shifting Political Powers, and a Forbidden Love
Marnie is a gifted witch—but magic has a mind of its own. Left unrestrained, it will always misbehave. When a demonic curse threatens Lord Bran, a man she’s loved since childhood, Marnie uses her abilities to save him.
After years of suppressing their feelings—knowing the relationship is prohibited by the Church of the Cloth—the two succumb to their passion. Her growing power triggers a dangerous political war—and their relationship is doomed before it begins.
Now the couple must decide whether to keep their love a secret or…
I love reading and writing and I have always loved science fiction and myths and legends. I read my first fantasy when I was around 23, Stephen Donaldson’s Lord Foul’s Bane. I know some people hate that series, but to me, the world he created was so real, so full of interesting things. At that time, I had not read Lord of the Rings so I didn’t realise how closely the world building was to Tolkien. I need to bond with my characters and feel their journey, cry at the end if it is sad, and think about them well after I have finished the story.
A great voice, an interesting take on fantasy, a non-white hero and heroine, rich mix of traditional fable and myth, and lots of Austeneque language. This story also takes on colonialism. I loved this book so much. It was a delight from start to finish and I’ve gone on to read other books by this author and I went to a coffee talk at the World SF Convention in Dublin. I was so thrilled to meet her.
One of NPR's 50 Favorite Sci-Fi and Fantasy Books of the Past Decade
Magic and mayhem clash with the British elite in this whimsical and sparkling debut.
The Royal Society of Unnatural Philosophers maintains the magic within His Majesty’s lands. But lately, the once proper institute has fallen into disgrace, naming an altogether unsuitable gentleman as their Sorcerer Royal and allowing England’s stores of magic to bleed dry. At least they haven’t stooped so low as to allow women to practice what is obviously a man’s profession…
At his wit’s end, Zacharias Wythe, Sorcerer Royal of the Unnatural Philosophers, ventures…
Kathleen Woodiwiss introduced me to the world of historical romance long ago. I also love action and adventure, so why not combine the two? I’ve done extensive historical research on both pirates and the regency period, most specifically the War of 1812, as well as actual historical accounts of brave women who dressed as men. Some were raised that way for various reasons, others did so to go to war with their husbands, still others because as women, they had little value in those days. I love writing thrilling stories about smart, independent women, and charming rogues. My books are full of adventure, humor, fun, and frolic.
For those Regency romance purists and Georgette Heyer fans out there, it would be criminal to leave this tale off the list. Known as the Queen of Regency, Heyer weaves an interesting tale about two masters of disguise. Both brother and sister dress and conduct themselves as the opposite sex in this adventure! Do you enjoy witty banter? Me too! I love lighthearted, humorous moments, and I was not disappointed.
This book is very true to regency form in terms of language, vocabulary, and sentence structure. That being said, you’ll enjoy this book more if you already have a solid understanding of Regency societal rules and peerage, codes of conduct, etc.
If you love Bridgerton, you'll love Georgette Heyer!
'The greatest writer who ever lived' Antonia Fraser 'One of the wittiest, most insightful and rewarding prose writers imaginable' Stephen Fry 'All hail Georgette Heyer ... devilish good fun' Guardian ___________
1745: Robin and Prudence Merriot have been adventurers and dissemblers since they were children.
And as escaped Jacobites, they need to be.
Forced to go on the run, they disguise themselves and make their way to London where they witness the abduction of a beautiful heiress.
They rescue her, but in so doing Robin's real identity is revealed, and both he…
I grew up an avid reader of children’s and YA fantasy, which is how I discovered the subgenre of Regency fantasy. When I stumbled across Wrede and Stevermer’s work in libraries and used bookstores, I absolutely loved it. As an adult, I enjoyed exploring the Regency romances of older authors like Georgette Heyer and Marion Chesney as well as more recent Regency writers. But when I began writing romance myself, I went back to the fantasies that were my first introduction to the Regency era. My Regency novels are primarily romance, with just a pinch of magic, but I hope both romantasy fans and historical romance readers can enjoy them.
Alexis Hall is the most well-known author on this list, and this sapphic Regency fantasy will not disappoint readers who like a Byronic love interest.
I loved the way the novel is narrated by the very opinionated Robin Goodfellow (aka “Puck”), who has been kicked out of the fairy court. Robin describes how Maelys Mitchelmore’s social life becomes complicated when an unknown ill-wisher curses her.
A chance encounter introduces her to the dark, brooding, and attractive Lady Georgianna Landrake, who helps Maelys discover and defeat her adversary. But Lady Georgianna suffers from her own family curse, and magical forces nearly tear the two lovers apart.
It takes courage, wisdom, and the help of Maelys’ friends to free Lady Georgianna and allow love to triumph.
'A lovely, pitch-perfect romance, with an alternate Regency setting that is well developed and has tremendous charm... Part historical, part fantasy, all top-notch queer romance' KIRKUS REVIEWS (starred review)
'A fresh and delightful addition to the queer romance canon... All the interpersonal drama of Jane Austen meets all the complex treachery of Greek mythology' PUBLISHERS WEEKLY (starred review)
'Whimsically wonderful, witty writing that evokes Jane Austen and Oscar Wilde... An effervescent, genre-blurring romantic confection' BOOKLIST
It is the year 1814 and Miss Maelys Mitchelmore finds her entry into the highest society of Bath hindered by an irritating curse. It begins…
Though I live in the foothills of the Ozarks, I’m an Anglophile at heart, loving all things Jane Eyre and Jane Austen. I spent much of my angsty adolescence tucked away in Regency and Victorian England with my nose stuck in a book. As a result, I now jump at every chance I get to skip across the pond and roam the English countryside, listening hard to hear all the voices from the past—which is why my stories are always tied to British history. So whether you love ballrooms or shadowy tales set in gothic manors, here’s a great list for you.
Gothic stories are some of my favorite, especially when paired with the English countryside. This one entangles relationships that are sometimes tricky to navigate—much like real life, which I really appreciated. Truth is timeless, and I find that I often learn lessons from historical fiction that help me in my contemporary life. Such is the case for The Vanishing at Loxby Manor. I love how misunderstandings are cleared up between the characters for a very satisfying ending.
A story of second chances and secrets, this mysterious Regency romance will transport you to 19th-century England as one young lady reunites with her childhood love to find his missing sister.
Her friend is missing.
After five years abroad, Charity Halliwell finally returns to Loxby Manor, the home of dear friends-and her lost love. No longer a young girl, she is now haunted by a painful secret and the demise of her dreams. Instead of the healing and happiness she hopes to find, she encounters a darkness lurking in the shadows of the once-familiar house. When her friend, Seline, disappears…
I’m a former high school teacher and college professor of French who discovered a passion for medieval history while earning my MA in French Literature. When I spent a summer studying in Normandy, I was fascinated by the Viking influences and vestiges in that region of France. I researched tales of Valkyrie and Nordic shield maiden warriors who fought alongside their fearsome men, finding inspiration for my own medieval novel. Winter Solstice in the Crystal Castle features a fire-hearted French princess descended from Viking Valkyrie who wields a sword to defend her Breton kingdom and forge her own destiny.
Helena of Rivenloch is a feisty, sword-wielding wench who refuses to be tamed by any man.
When an unsuitable suitor wishes to wed her younger sister, Helena attempts to slay the bridegroom, abducts his right-hand man, and demands her sister’s freedom. But her plans go awry when her captive captures her fiery, rebellious heart.
I loved how Helena was as fierce a fighter as any knight, capable of capturing Sir Colin du Lac. I loved her independent, fierce spirit, as she forged her own destiny. And I especially loved the passionate romance that bloomed between Helena and Colin, who respected her as his equal as she won his heart.
Helena of Rivenloch refuses to allow a Norman, Pagan Cameliard, to force her little sister into marriage. But when she tries to slay the bridegroom, she's apprehended by his right-hnd man, Colin du Lac. Clever Helena manages to turn the tables, taking Colin hostage and spirits him away to a secluded cottage while she waits for a reply to her ransom demand. But Colin knows there will be no reply. Indeed, his abduction - by a woman - will likely amuse Pagan. So Colin passes the days with Helena, growing curiously beguiled by his beautiful, brazer captor. Despite the growing…
I’m an Australian USA Today bestselling romance author who writes contemporary romance and uses the pen name Alyssa James to write medieval romance. I think the makeover trope resonates with me because although I’m no beauty queen now, I was definitely an ugly duckling in my teens. For reasons best known to him, my father insisted on close-cropped hair, and financial circumstances dictated out-of-style hand-me-down clothing. After university, I found my own style, but it wasn’t until I was accepted as an international flight attendant that I believed that I couldn’t be all that ugly if Qantas employed me!
Eloisa James has long been one of my favourite authors, and I love her witty stories in the Regency romance genre, as well as her friends-to-lovers and second-chance tropes in this story.
The hero, James, had always cared about the heroine, Theodora, who is known in London society as The Ugly Duchess. She wasn’t ugly–just “mannish” and dressed by her mother in a way that didn’t capitalize on her looks.
I liked the fact that she grew in herself and that her transition wasn’t instant. I also loved that James didn’t fall in love with her simply because of her looks but because of her capabilities and her growth in personal confidence.
'Nothing gets me to a bookstore faster than Eloisa James' - Julia Quinn
How can she dare to imagine he loves her... when all London calls her The Ugly Duchess?
Theodora Saxby is the last woman anyone expects the gorgeous James Ryburn, heir to the Duchy of Ashbrook, to marry. But after a romantic proposal before the prince himself, even practical Theo finds herself convinced of her soon-to-be duke's passion. Still, the tabloids give the marriage six months.
Theo would have given it a lifetime . . . until she discovers that James desires not her heart, and certainly not…
Two weeks before qualifying for his 30-year pension benefits, my father lost his job. This corporate reduction in labor force introduced a debilitating shame to the displaced breadwinner and a new level of precarity to a family with 3 of 4 kids in college. It also shattered the myth that capitalism rewarded individual initiative and hard work. Understanding inequities and the manifold structural forces that can determine an individual’s life prospects became a focal point of my graduate studies and my four decades of university teaching. Using race, gender, and sexuality as analytical tools, my research enriched traditional approaches to political economy.
In my youth, the “Age of Discovery” launched by Columbus’s 1492 arrival in the “New World” and perpetuated by European imperialism through the mid-20th century, was characterized as a “civilizing mission.”
McClintock’s superb interdisciplinary scholarship provides a markedly different assessment of settler colonialism, a global order that legitimates white, male control of colonized women and men. Attained by violence, these stratified systems are sustained through capitalist economic relations secured by “voluntary” contract.
The book illuminates how the invention of race not only enabled European men to own and manage 85% of the earth’s surface by the end of the 19th century but also police the “dangerous classes,” the working class, the Irish, Jews, prostitutes, feminists, gays and lesbians, criminals, and anti-imperialists within their own nations.
Imperial Leather chronicles the dangerous liaisons between gender, race and class that shaped British imperialism and its bloody dismantling. Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.
