Fans pick 69 books like Shadowdays

I have always been interested in the history of medicine, particularly the ways in which historical methods are portrayed to be inferior to modern medicine. As a historian, I am alternately amused and horrified at the way we go overboard in discarding historical methods of healthcare, ridding ourselves of perfectly useful techniques, drugs, and therapies. The more I learn about older curative methods, the more I’ve become sensitive to the knowledge and technologies that have been lost. At the same time, I am fascinated by new technologies, and find anesthesia particularly captivating as a technique that improved survival and recovery from what had previously been deadly conditions.

Juggling roles as a professor, nurse practitioner, author, mother, and grandmother would seem to limit my reading time but instead, I always have a book in my car, on my phone, or in my hands. I read broadly and enjoy all genres, from fiction to nonfiction, poetry to medical comics, as well as the creative essay columns nursing journals are beginning to embrace. In particular, I gravitate toward resources that help nurses create a positive relational workplace where their best efforts can be even more effective. Whether it’s ending the RN-RA (relational aggression) Rut, using poetry to express feelings about caregiving, or writing creatively about the many aspects of nursing, I am ready to read! And of course, the best part of reading is having a discussion with colleagues or friends about what exactly that book was about…

I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.

Juggling roles as a professor, nurse practitioner, author, mother, and grandmother would seem to limit my reading time but instead, I always have a book in my car, on my phone, or in my hands. I read broadly and enjoy all genres, from fiction to nonfiction, poetry to medical comics, as well as the creative essay columns nursing journals are beginning to embrace. In particular, I gravitate toward resources that help nurses create a positive relational workplace where their best efforts can be even more effective. Whether it’s ending the RN-RA (relational aggression) Rut, using poetry to express feelings about caregiving, or writing creatively about the many aspects of nursing, I am ready to read! And of course, the best part of reading is having a discussion with colleagues or friends about what exactly that book was about…

My mother went back to school for her PhD in Anatomy when I was a pre-teen. During the summers of my high school years I worked with her in her lab, and let me tell you, you see your mother in a new light when you see her dissect a rat. Though I didn’t go into medicine, anyone raised in our household learned an impressive amount of biology just sitting around the dinner table. Consequently, I’ve always loved fiction with a medical bent. My mother was also the one to introduce me to historical fiction, so perhaps I was fated to write a historical novel with a nurse protagonist.

I love historical settings and detail – I love coming away from a novel feeling like I’ve also learned something about the world. But I also like lots and lots of plot and intensity. Historical fiction slash mystery novels hit the spot just right. Though my own work thus far is more on the historical fiction side, I do try to plot it like a mystery, with lots of questions, revelations, and discoveries to be made as you go along.  

As a novelist, I focus on the characters in my books, and the plot is woven around them. I'm a people-watcher, and I remember bits and pieces of the folks I observe—many of which find their way into my novels. As a reader, plot pulls me in, but it is the characters that I remember. As a novelist, I always begin with a cast of characters: I start with a physical quirk, a personality flaw, an offbeat way of seeing things. Then I add a plot. For me, plot is the hardest. There are hundreds of characters swimming around in my imagination (see my first book, Characters in Search of a Novel).

I’m the author of ten books, including fiction, memoir, collected journalism, and criticism. My novels are historical fiction, hence my decision to make my recommendations within that genre, mostly. My own historical novels comprise a tetralogy beginning with The Strange Death of Mistress Coffin and ending with The Turner Erotica, so the series takes the reader roughly from 1648 to 1900. The second book chronologically in the series, Rebecca Wentworth’s Distraction, won the 2003 Langum Prize for historical fiction. Retired now, I was the founding director of the MFA in Fiction and Nonfiction at Southern New Hampshire University.

In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaret’s sister’s barn. Since then, Gary has catalogued, edited, and researched all of Margaret’s writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.

Amy’s work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.

She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Sam’s Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.

I have been an investigative journalist for four decades and the author of eight books. From covering the wars in Iraq and Afghanistan to biker gangs or online child predators, I have always tried to encourage people to question their assumptions and popular beliefs. When I was a history student at McGill University in Montreal, I came across a plaque to Jefferson Davis, the leader of the slave South, on the walls of one of our major department stores. Why were we honoring the Confederates more than a century after the Civil War? That quest led me to dig into the myths about the Civil War and the fight against slavery.