Here are 50 books that Semicolon fans have personally recommended if you like
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I am a professor in Urban Mobility Futures and, as such, am fascinated by how we think about our mobility present and past and how this limits us in imagining different futures. The problems in our mobility system are so urgent and overwhelming that I like to actively search for alternative ways of seeing and acting and teach others to do the same. Personally, I love to experience the incredible freedom of mind that I find in doing this. Also, see the Shepherd list of recommendations by my co-author, Thalia Verkade.
Why have so many schemes to improve the human condition not worked or even backfired? In this brilliant work, I learned how we need to simplify the world if we want to govern it.
In any domain for which we aim to develop policies, we are forced to define relevant indicators and create a carbon copy of reality full of arbitrary choices. I loved how Scott makes this visible with examples from forests to cities. And how these choices lead to a variety of unexpected consequences that often render interventions ineffective.
The book makes you see that the problem is not that the chosen simplifications are wrong, but that ANY simplification is wrong. The only meaningful forward is a return to embracing the full complexity of the world around us.
"One of the most profound and illuminating studies of this century to have been published in recent decades."-John Gray, New York Times Book Review
"A powerful, and in many insightful, explanation as to why grandiose programs of social reform, not to mention revolution, so often end in tragedy. . . . An important critique of visionary state planning."-Robert Heilbroner, Lingua Franca
Hailed as "a magisterial critique of top-down social planning" by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail-sometimes catastrophically-in grand efforts to engineer their society or their…
I'm the New York Times' Global Economics Correspondent. Over the course of three decades in journalism, I have reported from more than 40 countries, including a six-year stint in China for the Washington Post and five years in London for the Times. I have ridden with truck drivers from Texas to India, visited factories and warehouses from Argentina to Kenya, and explored ports from Los Angeles to Rotterdam.
Like any student of globalization, I love this book because it focuses like a laser on how a single critical innovation—the development of the shipping container—effectively shrank the oceans, accelerated the pace of sea cargo, and made it possible for consumers to depend on faraway factories.
In April 1956, a refitted oil tanker carried fifty-eight shipping containers from Newark to Houston. From that modest beginning, container shipping developed into a huge industry that made the boom in global trade possible. The Box tells the dramatic story of the container's creation, the decade of struggle before it was widely adopted, and the sweeping economic consequences of the sharp fall in transportation costs that containerization brought about. But the container didn't just happen. Its adoption required huge sums of money, both from private investors and from ports that aspired to be on the leading edge of a new…
In 2020, I published a book about a topic long thought boring: street addresses. But it isn’t, as I found out, boring at all; instead, the rise of street addresses is an immensely important story of identity, race, wealth, and power. I’m not a geographer myself—I’m a lawyer by training—but I am deeply interested in reading fascinating stories about overlooked technologies. The books I've chosen here are just a few that meet this brief.
I thought this book would be a dry, academic chore—it really is all about house numbers, for goodness’ sake—but the Enlightenment story of the rise of house numbers is, in its own way, a brilliant story of the making of modern government.
The author is an Austrian academic, but the book doesn’t read like other academic books—the fact that he found a sometimes thrilling story on this topic felt like a miracle the first time I read it.
House numbers are small things that appear quietly on the walls, gates and porches of our homes and places of work. They seem to have come from nowhere and are now taken for granted in everyday life. But house numbers have their own history - one that is retrieved, assembled and presented here, for the first time, in vivid images from around the world.House numbers started their lives in a grey area between the military, the tax authorities and early police forces. Anton Tantner's engaging, intriguingly quirky book is a chronicle of the house number, from its introduction in European…
In 2020, I published a book about a topic long thought boring: street addresses. But it isn’t, as I found out, boring at all; instead, the rise of street addresses is an immensely important story of identity, race, wealth, and power. I’m not a geographer myself—I’m a lawyer by training—but I am deeply interested in reading fascinating stories about overlooked technologies. The books I've chosen here are just a few that meet this brief.
This is a book for people who love books. It’s a history of the index, but it’s really a history of information and mankind’s love affair with knowledge. I expected this book to be dense, but Duncan, a brilliant writer, proved me wrong.
Filled with fascinating anecdotes from the 13th century to the present day, this book tells the story of yet another overlooked technology in an engaging and witty way.
Most of us give little thought to the back of the book-it's just where you go to look things up. But as Dennis Duncan reveals in this delightful and witty history, hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known…
I love language and its power to inform, inspire, and influence. As I wrote Seven Cs: The Elements of Effective Writing,I researched what others have said about writing well and honed it down to these resources, which I quote. During my decades as a journalist and marketer, I developed and edited scores of publications, books, and websites. I also co-wrote two travel guides—100 Secrets of the Smokiesand 100 Secrets of the Carolina Coast.I’ve written for such publications as National Geographic Travelerand AARP: The Magazine. A father of three women, I live in Springfield, Pennsylvania, outside Philadelphia, with my wife, daughter, son-in-law, and granddaughter.
When Lynne Truss wrote this book around the turn of the new century, she thought it would be just for grammar nerds. It turned out people care about commas and millions of copies were sold. In the book, Truss doesn’t explain her title, but I will. The cover illustration features a panda, which eats shoots and leaves—as in bamboo and its vegetation. The title, though, is mispunctuated to say the bear first eats, shoots (as with a gun), then leaves the crime scene. Truss offers advice on using apostrophes, semi-colons, em dashes—my favorite—and other marks. Like many writers, I struggle with proper placement of possessives and pauses. Truss taught me a lot about how to best employ punctuation and not to use parentheses and periods to type boobs.
Anxious about the apostrophe? Confused by the comma? Stumped by the semicolon? Join Lynne Truss on a hilarious tour through the rules of punctuation that is sure to sort the dashes from the hyphens.
We all had the basic rules of punctuation drilled into us at school, but punctuation pedants have good reason to suspect they never sank in. 'Its Summer!' screams a sign that sets our teeth on edge. 'Pansy's ready', we learn to our considerable interest ('Is she?') as we browse among the bedding plants.
It is not only the rules of punctuation that have come under attack…
I've dedicated my professional life to the creation of a nation of writers. I began my career as a young professor of English, teaching literature and composition at a small campus in Alabama. As a New Yorker, I began writing about my experiences in the South. I began hanging out with journalists and became fascinated by their sense of craft, and their sense of mission and purpose. This led to an invitation as a writing coach at the St. Petersburg Times, one of the best newspapers in the country, now called the Tampa Bay Times. That year led to 40 years as a writing coach and a senior scholar at the Poynter Institute.
This book is now more than a century old and has sold countless millions in numerous editions.
In my book about writing books I argue that this brief volume is not one book at all, but two books. Each part offers a different, some might say a contradictory view of what we mean when we talk about a writer’s “style.”
The original handbook was written by William Strunk Jr., a professor at Cornell, in 1918. E.B. White was one of his students. Strunk preached consistency in grammar, usage, brevity, and rhetorical techniques. If you wanted to be a good writer, you had to adhere to his style book.
White rediscovered the book in the 1950s, and published an additional set of guidelines. For White, style is what sets an individual writer apart from others, the effect of a combination of good writing moves.
The Elements of Style by William Strunk and E. B. White - The Classic Writing Style Guide - This book aims to give in brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. In accordance with this plan it lays down three rules for the use of the comma, instead of a score or more, and one for the use of the semicolon, in the belief that…
I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
This was one of the first books I bought when I started my proofreading career. It has come in handy so many times and still does as a refresher. It not only shares the grammar or punctuation rules for one style, but has actual comparison lists for each style out there. Want a good reminder about the rules that guide the best writing? This is one of the best books to have on your library shelf, period.
This all-in-one reference is a quick and easy way for book, magazine, online, academic, and business writers to look up sticky punctuation questions for all styles including AP (Associated Press), MLA (Modern Language Association), APA (American Psychological Association), and Chicago Manual of Style.
Punctuate with Confidence—No Matter the Style
Confused about punctuation? There’s a reason. Everywhere you turn, publications seem to follow different rules on everything from possessive apostrophes to hyphens to serial commas. Then there are all the gray areas of punctuation—situations the rule books gloss over or never mention at all. At last, help has arrived.
I am passionate about this book list because it helped me get where I am today, a multiple-times bestselling author and an award-winning senior reporter. I began working as an overnight police round reporter before moving into sports, where I became one of Australia's best news-breaking rugby league journalists. I was then appointed News Corp Australia's Chief National Motorsports Writer and traveled the world chasing Formula 1 story, as well as covering Australia's V8 Supercar races. Everyone has to start somewhere, and for me, this list of books helped me begin and continue to grow to reach the level of success that I have.
I stumbled upon this one in a library. Yes, they still have things called Libraries. And this book is a little ripper if you are writing fiction.
If you have ever attempted to write a novel, you would have no doubt found yourself saying things like his heart was racing; he held his breath, a shiver ran up his spine, blah, blah, blah. It’s not until you go back through your manuscript that you realize how many times you have used the same descriptions. Over and over and over again.
This little gem of a book is jam-packed with alternatives. It offers brilliant tips on expressing the same emotions and feelings with originality and without repetition.
The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 55 new entries!
One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much.
If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes:
How could a historian of the USnotfind Lincoln an endlessly fascinating figure? As a young(ish) university teacher, I jumped at the invitation to write a study of the 16th president, but didn’t expect it to win the coveted Lincoln Prize. When it did, in 2004, the community of American Lincoln scholars made me, a Welsh professor from Oxford University, doubly welcome. In several books I’ve examined Lincoln’s political skill, strategic ambition, and moral purposes. But he was more than a gifted pragmatist. His greater goal was to leave his nation stronger and a little closer to realizing the principles of equality laid out in the Declaration of Independence of 1776.
Lincoln was a great communicator, whose greatest speeches deliver emotional power through unfussy language. Harriet Beecher Stowe, the author of the best-selling page-turner Uncle Tom’s Cabin, knew a thing or two about language. She said Lincoln’s compelling words had “the relish and smack of the soil.” Douglas Wilson’s study is an exercise in historical detection. Sleuth-like he uses the successive manuscript drafts of Lincoln’s speeches and public letters to show his care in choosing his words, and how alert he was to sense, sound, imagery, context, and clarity. Lincoln’s Sword is a masterpiece, a showcase of the literary and political sensibilities that made Wilson an acclaimed winner of the Lincoln Prize.
Widely considered in his own time as a genial but provincial lightweight who was out of place in the presidency, Abraham Lincoln astonished his allies and confounded his adversaries by producing a series of speeches and public letters so provocative that they helped revolutionize public opinion on such critical issues as civil liberties, the use of black soldiers, and the emancipation of slaves. This is a brilliant and unprecedented examination of how Lincoln used the power of words to not only build his political career but to keep the country united during the Civil War.
From Lehr’s prize-winning fiction to her viral New York Times Modern Love essay, exploring the challenges facing contemporary women has been Lehr’s life-long passion. A Boob’s Life, her first project since breast cancer treatment, continues this mission, taking all who will join her on a wildly informative, deeply personal, and utterly relatable journey. And that’s exactly the kind of books she likes to read – the ones that make her laugh, nod in recognition, and understand a little more about life. She recommends these five books to everyone who asks.
Ok sure, she had me at the title. But Montell dives deep into the language we use every day that, yes, often demeans women. Many of our body parts were taken from Latin words that dudes used to describe them. And the meanings weren’t always flattering. She also explains the positives of Valley Girl-Speak such as “like” and of vocal fry, and women are so fast to say “sorry.” Did you know that “hussy” used to mean housewife and “slut” meant a messy person that could be a man? Or that “bitch” used to be a gender-neutral name that had nothing to do with dogs? And why are some words considered feminine and others, male? Read this book to find out.
"I get so jazzed about the future of feminism knowing that Amanda Montell's brilliance is rising up and about to explode worldwide."-Jill Soloway
A brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us.
The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean "a female canine," bitch didn't refer to women at all-it originated as a gender-neutral word for "genitalia." A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy,…
