Here are 100 books that River of Smoke fans have personally recommended if you like
River of Smoke.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I became fascinated with geography as a teenager and spent my life studying it. I always wanted to understand how we transform our planet, for better or worse. Part of this is understanding what happens in particular localities, which I have been able to look at closely by visiting places across all continents (except Antarctica). Part of it is understanding how the complex relations between human society and everything else shape global futures. My long-standing passion, however, has been understanding how what happens in one locality is shaped by its evolving connections with the rest of the world. These books pushed me to see the world differently through these connections.
Having long wondered about how our world has been shaped by such commodities as tea, coffee, and sugar, I was fascinated by this carefully researched study of how cotton has shaped our world since the first cotton clothing 5,000 years ago in (what is now called) Pakistan.
The great thing about this book is its global reach, following cotton around the world as folks learned how to use it. While this is serious academic research, the author’s ability to relate local lives and key individuals to the broader forces shaping the globalizing cotton market keeps the story humming along.
I learned how British military power was key to Britain’s ability to relocate the global heart of cotton textile production from India to Manchester, boosting European wealth by deindustrializing India—a reminder that who wins and loses crucially depends on political power, not just market forces.
WINNER OF THE BANCROFT PRIZE • A Pulitzer Prize finalist that's as unsettling as it is enlightening: a book that brilliantly weaves together the story of cotton with how the present global world came to exist.
“Masterly … An astonishing achievement.” —The New York Times
The empire of cotton was, from the beginning, a fulcrum of constant global struggle between slaves and planters, merchants and statesmen, workers and factory owners. Sven Beckert makes clear how these forces ushered in the world of modern capitalism, including the vast wealth and disturbing inequalities that are with us today.
I became fascinated with geography as a teenager and spent my life studying it. I always wanted to understand how we transform our planet, for better or worse. Part of this is understanding what happens in particular localities, which I have been able to look at closely by visiting places across all continents (except Antarctica). Part of it is understanding how the complex relations between human society and everything else shape global futures. My long-standing passion, however, has been understanding how what happens in one locality is shaped by its evolving connections with the rest of the world. These books pushed me to see the world differently through these connections.
I found this to be such a fun read, trying to solve a geographical mystery. I knew that China was a seafaring country before Europe, but this transformed my understanding.
Drawing on his experience as a sailor, Menzies reinterprets Chinese naval documents to narrate how its "treasure ships"—much bigger than Columbus’ boats—visited Asia, Africa, Australia, and possibly North America long before 1492. Before Europeans became colonizers, the Chinese Emperor decided to stop such explorations. Before 1492, China was more prosperous and sophisticated than Europe, but the Chinese emperor’s decision left the global playing field open for Europe to exploit.
On March 8, 1421, the largest fleet the world had ever seen set sail from China to "proceed all the way to the ends of the earth to collect tribute from the barbarians beyond the seas." When the fleet returned home in October 1423, the emperor had fallen, leaving China in political and economic chaos. The great ships were left to rot at their moorings and the records of their journeys were destroyed. Lost in the long, self-imposed isolation that followed was the knowledge that Chinese ships had reached America seventy years before Columbus and had circumnavigated the globe a…
I became fascinated with geography as a teenager and spent my life studying it. I always wanted to understand how we transform our planet, for better or worse. Part of this is understanding what happens in particular localities, which I have been able to look at closely by visiting places across all continents (except Antarctica). Part of it is understanding how the complex relations between human society and everything else shape global futures. My long-standing passion, however, has been understanding how what happens in one locality is shaped by its evolving connections with the rest of the world. These books pushed me to see the world differently through these connections.
I found this book eye-opening; it forced me to rethink what I knew about Europe’s success.
We think of Europe (and the US) as being successful because of its culture, religion, democratic capitalism, and/or climate. Blaut challenges such Eurocentrist presumptions by documenting Europe’s geographical good fortune. It was much easier to reach the Americas from Europe than from its 15th-century Asian competitors (China and India), enabling Europe to overtake these by exploiting the Americas.
I came to realize that Europe’s prosperity, and that of its former white colonies (the US, Canada, Australia, New Zealand), was due to good luck, not simply European initiative.
This influential book challenges one of the most pervasive and powerful beliefs of our time--that Europe rose to modernity and world dominance due to unique qualities of race, environment, culture, mind, or spirit, and that progress for the rest of the world resulted from the diffusion of European civilization. J. M. Blaut persuasively argues that this doctrine is not grounded in the facts of history and geography, but in the ideology of colonialism. Blaut traces the colonizer's model of the world from its 16th-century origins to its present form in theories of economic development, modernization, and new world order.
I became fascinated with geography as a teenager and spent my life studying it. I always wanted to understand how we transform our planet, for better or worse. Part of this is understanding what happens in particular localities, which I have been able to look at closely by visiting places across all continents (except Antarctica). Part of it is understanding how the complex relations between human society and everything else shape global futures. My long-standing passion, however, has been understanding how what happens in one locality is shaped by its evolving connections with the rest of the world. These books pushed me to see the world differently through these connections.
I found this book so interesting because it documents how European prosperity was also shaped by deep historical ties with Asia. Digging through a huge trove of historical archives, the authors document how Genghis Khan and the Mongol Empire brought capitalist practices to Europe in the 13th century.
It’s not an easy read, but I found that careful study pays off because it offers such an original perspective on Europe’s success. I liked how their evidence buttresses Blaut’s more speculative critique of Eurocentrism, also extending it by showing that Asian initiative shaped European success—it was not just colonialism and slavery.
*Winner of International Studies Association (ISA)'s International Political Sociology Best Book Prize for 2017*
*Winner of British International Studies Association (BISA)'s International Political Economy Working Group Book Prize of 2016*
*Shortlisted for the ISA Book Prize*
Mainstream historical accounts of the development of capitalism describe a process which is fundamentally European - a system that was born in the mills and factories of England or under the guillotines of the French Revolution. In this groundbreaking book, a very different story is told.
How the West Came to Rule offers a interdisciplinary and international historical account of the origins of capitalism.…
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I love a good adventure tale, and this one is set on the high seas and spans countries and cultures. I’ll never forget the character of Kalua, an untouchable man of enormous size and strength who saves a woman from horrible abuse at the hands of her own family. It’s just one example of a rich cast of characters who held my rapt attention.
At the heart of this epic saga, set just before the Opium Wars, is an old slaving-ship, The Ibis. Its destiny is a tumultuous voyage across the Indian Ocean, its crew a motley array of sailors and stowaways, coolies and convicts. In a time of colonial upheaval, fate has thrown together a truly diverse cast of Indians and Westerners, from a bankrupt Raja to a widowed villager, from an evangelical English opium trader to a mulatto American freedman. As their old family ties are washed away they, like their historical counterparts, come to view themselves as jahaj-bhais or ship-brothers. An…
As a writer and a professor, I love sharing knowledge of my birth country (India) and the experiences of Indian immigrants in America. My first book, Arranged Marriage, is about the transformed lives of immigrant women and won an American Book Award. Mistress of Spices is about a spice-shop owner who knows magic, was a national bestseller, and became a film. One Amazing Thing is a multicultural novel about nine people trapped by an earthquake, was a Citywide Read in over 25 US cities. Recently, fascinated by the richness of Indian history, I have delved into it in novels like The Last Queen, set in the 1800s, and Independence, set in the 1940s.
Set in the present-day cosmopolitan city of Mumbai, India, the novel follows the lives of two women: Serabai Dubash, a middle-class widow, and her maidservant, Bhima. The pair experience similar situations in their lives: abuse, the death or absence of a husband, and the longing for a better future. They both have pregnant daughters, a fact that becomes significant as the novel progresses.
This book shows us the difficulties faced by women in Indian society but also their courage. Ultimately it is an upbeat book with great spirit. The plot twist at the end, and the resolution, blew me away.
In this beautifully crafted novel about the interlinked lives of two women, Thrity Umrigar explores the complex relationships between the classes in India, rarely addressed in contemporary fiction.
'Bhima is real. She worked in the house I grew up in, year after year, a shadow flitting around our middle-class home, her thin brown hands cleaning furniture she was not allowed to sit on, cooking food she was not allowed to share at the family dining table, dusting the stereo that mainly played American rock and roll, music that was alien and unfamiliar to her, that only reminded her of her…
Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
As a sucker for beautiful writing, this book had me from the first page, and I couldn’t put it down. So many issues that had been part of my childhood culture resonated with me while it also showed me many others from a part of India that I had never even visited.
Though sweeping in its scope, it drills down into a very human story with all its pain and love. It weaves myth, story, real life, love, loss, and the meaning of family. It was one of the first novels by an Indian woman that transcended cultures, gender, and any preconceived notions.
'They all broke the rules. They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved, and how. And how much.'
This is the story of Rahel and Estha, twins growing up among the banana vats and peppercorns of their blind grandmother's factory, and amid scenes of political turbulence in Kerala. Armed only with the innocence of youth, they fashion a childhood in the shade of the wreck that is their family: their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist, bottom-pincher) and their sworn enemy, Baby Kochamma (ex-nun,…
I love historical fiction in all its forms, from the multi-volume family epics to the Dear America middle-grade books I grew up with. And I really, truly don’t understand why historical fiction has a reputation for being dry, dull, or worst of all, like homework. Sure, there are some novels written for history buffs only, but the vast majority aren’t, and neither is mine. When I wrote A Tip for the Hangman, my goal was to write historical fiction that reads like a page-turner, not a textbook. The books on this list all pull off that trick beautifully, and I hope you enjoy them as much as I do.
If you’re not a dyed-in-the-wool historical fiction reader, you might think Jane Austen retellings aren’t for you. That’s only because you haven’t read The Heiress yet. This stunning, dreamy, gothic-infused book takes a minor character from Pride and Prejudice who hardly gets any lines and spins up a story about finding your voice in a world that wants to keep you silent. Anne’s struggle against addiction and desperate desire to embrace the beauty of life feels like it could have taken place yesterday. Also, it’s gotlesbian yearning that’s both sweet and sexy, aka the dream. Give me that queer pining, please and thank you.
'With stunningly lyrical writing, Greeley elevates Austen-inspired fiction onto a whole new plane.' - Natalie Jenner, author of The Jane Austen Society
As a fussy baby, Anne was prescribed laudanum to quiet her and has been given the opium-heavy syrup ever since on account of her continuing ill health. While her mother is outraged when Darcy chooses not to marry Anne, as has been long planned, Anne can barely raise her head to acknowledge the fact.
But little by little, she comes to see that what she has always been told is an affliction of nature might in fact be…
In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
A brilliant blend of narrative and non-fiction, Optic Nerve follows the narrator, an art critic, as she frequents art galleries in Buenos Aires and reflects on the artworks, which act as prisms that refract her own memories and experiences.
This is a book that moves forward by dint of impressions and ekphrastic encounters, eschewing a conventional plot. It explores the interconnections between image and text by incorporating art criticism into the fictional space.
'A highly original, piercingly beautiful work, full of beautiful shocks... I felt like a door had been kicked open in my brain' Johanna Thomas-Corr, Observer
A woman searches Buenos Aires for the paintings that are her inspiration and her refuge. Her life -- she is a young mother with a complicated family -- is sometimes overwhelming. But among the canvases, often little-known works in quiet rooms, she finds clarity and a sense of who she is . . .
'I was reminded of John Berger's Ways of Seeing, enfolded in tender and exuberant personal narratives' Claire-Louise Bennett
None of us had any choice about where or when we were born, nor under what circumstances. Marie Antoinette could have just as easily been born the illegitimate daughter of a scullery maid as the archduchess of Austria that she was. That’s why the whole servant-employer dynamic has always intrigued me. Servants are, in fact, real people, always have been. Though they’re often treated as little more than sticks of furniture, servants have been overhearing, observing, revealing, and plotting a lot of fascinating things throughout all time.
Wellborn Margaret Macy is not used to hard work, so when she falls on hard times and disguises herself as a maid in a gentleman’s palatial home, she’s going to have difficulties. However, it’s not just a matter of getting the silver shiny as she also has to remain undetected by her employer…who tried to court her not so very long ago.
Regency Romance and Mystery from Bestselling Author Julie Klassen
Pampered Margaret Macy flees London in disguise to escape pressure to marry a dishonorable man. With no money and nowhere else to go, she takes a position as a housemaid in the home of Nathaniel Upchurch, a suitor she once rejected in hopes of winning his dashing brother. Praying no one will recognize her, Margaret fumbles through the first real work of her life. If she can last until her next birthday, she will gain an inheritance from a spinster aunt--and sweet independence. But can she remain hidden as a servant…
