Here are 59 books that Queen Camilla fans have personally recommended if you like
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Games and playing have always played a part of my life. I have created games and businesses and been fortunate enough to have worked with both at various levels as a mentor and guide. For me, this is the gift that keeps giving. The tee-shirt wearing creatives and the suit folk with their business acumen we seek to help scale our ideas. I have worked for years at the nexus of these tribes, and still find it a thrill to learn about the visions people have for the wonderful world of games and play and the oblique outcomes we couldn’t have predicted.
This book covers an often-overlooked aspect of finding a market and customers, users, or players for your game.
Tribes are the drivers of the traction you will need on social media and the impact your vision will have on your community. I love the case studies in this book, covering a global stage of BDSM through to the British Royal Family.
This book taught me the value of nurturing and caring for the diverse communities we serve.
Marketing and consumer research has traditionally conceptualized consumers as individuals- who exercise choice in the marketplace as individuals not as a class or a group. However an important new perspective is now emerging that rejects the individualistic view and focuses on the reality that human life is essentially social, and that who we are is an inherently social phenomenon. It is the tribus, the many little groups we belong to, that are fundamental to our experience of life. Tribal Marketing shows that it is not individual consumption of products that defines our lives but rather that this activity actually facilitates…
I write whodunits because I love a good mystery and a good puzzle. I like giving clues out to the reader, sometimes red herrings, sometimes not. Three of my mysteries are set in a fictional little town in the Canadian prairies. I like showing the readers rural life with humour and mystery. Two of my mysteries are set in foreign countries I have visited. One takes place in Egypt. The other takes place on a bus tour of the Nordic countries and ends up in Moscow. I like the challenge of showing the readers the sights and the feel of the country without making the book a travel log.
Move over, Miss Marple. Agatha Raisin is on the job. The story takes place in a quaint English country village. Agatha, the protagonist, is a bull in a tea shop. I like that Agatha is not perfect. Perfect is boring. In this story, she lets her jealousy get in the way and becomes the prime suspect. M.C. Beaton is a master at descriptions; in a few words, you can see the character and the surroundings. ‘If you want to write, you must read.’ A great piece of advice. I learned a lot from M. C. Beaton.
A therapist had moved into the village of Carsely and Agatha Raisin hates her. Not only was this therapist, Jill Davent, romancing Agatha's ex-husband, but she had dug up details of Agatha's slum background. Added to that, Jill was counselling a woman called Gwen Simple from Winter Parva and Agatha firmly believed Gwen to have assisted her son in some grisly murders, although has no proof she had done so. A resentment is different from a dislike and needs to be shared, so as the friendship between James and Jill grows stronger, the more Agatha does to try to find…
All my life, I have had a passion for history and, the moment I came upon Queen Victoria while browsing the history section in the local library, I was hooked! Far from being the dour Widow of Windsor, it was clear that she was a highly-intelligent, forward-thinking, often amusing, and often amused woman, with fascinating relatives and connections across the whole world. Her family life mirrored that of any ordinary family, with its ups and downs, its petty squabbles, and a myriad of contrasting characters, each with a unique and interesting story to tell. With so many avenues yet to explore, this is a passion that could last a lifetime!
This is a charming book, filled with amusing and touching anecdotes by Queen Victoria’s granddaughter, Princess Marie Louise, whose lovely character shines through every page. The simple style and lack of chronological order create the impression that the reader is sitting with the author as she simply recounts her remarkable memories of the people and places of another era. Just beautiful!
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
This gripping psychological thriller centers around a girl who is caught up in a religious cult, her name changed and all her supports ripped away. How will she survive this? Will she be able to escape? Still in print after 20 years, this book won the Storylines Gaelyn Gordon Award for a Much-loved Book 2009.
A classic bestseller that's been in print for over 20 years, this gripping YA thriller follows a teenage girl caught in a religious cult.
Imagine that your mother tells you she's going away. She is going to leave you with relatives you've never heard of - and they are members of a strict religious cult. Your name is changed, and you are forced to follow the severe set of social standards set by the cult. There is no television, no radio, no newspaper. No mirrors. You must wear long, modest clothes. You don't know where your mother is, and you…
As a kid, I loved how words on a page transported me. Later, I was astounded by how the words I wrote myself could help me solve problems, deepen my understanding, and expand my thinking. Over time, that writing offered clarity and built my confidence. And in my most challenging times, writing has saved me over and over again. Learning to observe like a writer or an artist continues to help me be more present in my life. Sharing expressive writing experiences with others, during a 35-year career as a writer and workshop facilitator, allowed me to witness how this creative engagement offers a respite while building resilience and joy in others too.
Susan Wooldridge’s Poemcrazy is a vibrant collage in which she shares her poetry-writing journey in rich detail. From evocative chapter titles, quotes by poets, and poems from a variety of lesser-known voices, each element plays a part in setting up and illustrating an approach or addressing the topic at hand. My favorite part of this book is the “Practice” opportunities Wooldridge crafts for us. Get out your pencil! This book, informed by Wooldridge’s expressive arts practice, is one in which we, the readers, are invited to play. You’ll be surprised and delighted by what Poemcrazywill inspire you to write.
Following the success of several recent inspirational and practical books for would-be writers, Poemcrazy is a perfect guide for everyone who ever wanted to write a poem but was afraid to try. Writing workshop leader Susan Wooldridge shows how to think, use one's senses, and practice exercises that will make poems more likely to happen.
I’ve always adored stories of courageous, sometimes outrageous women who forge aheadinto the unknown, survive in strange lands in troubled times, pursue their career dreams. Like my favourite picks, I’ve relished my own adventures in distant countries (Libya, Czechia, Kyrgystan, Mongolia…), while always earning my crust from writing. From motivational research in Dublin and London, I switched to financial journalism in Holland, where I met and was inspired by ground-breaking journalist Nel Slis whose story I’ve told in my book Hellcat of the Hague. Now I’m settled in London to concentrate on my novels and short stories and be near my family, I hope you love these books too.
Helen Marquard’s search for a piano teacher led her to Hedwig Stein who had fled Berlin in 1933 with her Russian Jewish husband, both concert pianists, to start again from nothing. A large, vivid woman, Hedwig freely shared her ideas on music, art, philosophy, literature. Later, Marquard discovered Hedwig had written a diary, and determined to bring us this story that would otherwise have been lost, enabling Hedwig and her husband to take their rightful place in the roll-call of émigrés who have contributed so much to UK cultural life. Hedwig put her husband’s career and her children first, yet she never gave up on her own career, which continued its own quiet flourishing after her husband’s sudden death.
Hedwig Stein was starting to make her mark as a concert pianist in Germany in the early 1930s when she fell in love with a Russian emigre pianist, Iso Elinson. He was half-Jewish, and quickly the pair knew they had little choice but to flee, despite vehement family opposition to that and to their proposed marriage. They chose England as their destination although neither had visited the country or spoke the language. They arrived with just twelve bags, a very small amount of money, a recommendation about Iso from Albert Einstein, and a few letters of introduction. Bit by bit,…
Mary Hoffman is not exactly an expert on babies but she has had three of her own and five grandbabies. The youngest is two and Mary has made colourful blankets for each one. The four-year-old still takes hers everywhere. Mary is very good at sending babies to sleep, which Mog might have appreciated, but she has never fed any of them avocado. Mary has been making up stories for babies and children for as long as she can remember, long before she had any of her own. She does this because what she liked best herself as a small child was stories and she would have loved to have any of these books read to her when she was little.
“Mog loves babies!” says the poor cat’s owners but this is not strictly true. Mog just wants to snooze undisturbed but a visiting baby soon puts paid to that. Her expressions are brilliantly done as the baby takes more and more liberties. When Mog escapes out the window, the baby follows, with almost catastrophic results in the road outside. But Mog saves the day - and the baby - and is rewarded with a gigantic fish.
My GameLit stories like The Mad Immortal are inspired by the fun I've had playing RPGs such as World of Warcraft and Dungeons & Dragons. It’s that same sense of adventure that I seek out in other stories and that I feel these five books I selected demonstrate. In their own way, each of them inspired my own series as I worked to develop the rules for its magic system and to come up with compelling ways the characters could interact within those established restrictions. I love reading about clever applications of magic to solve problems, especially when it’s not immediately obvious how a given spell would help!
Queen in the Mud is a fun take on an Isekai story that features its protagonist, Naomi, reborn in a game-like world as a salamander.
I appreciated how unique Naomi’s magical abilities felt since they focused around her creature type. She often had to struggle to figure out how to apply her strange powers to best aid her against different threats.
I also liked how her choice of new abilities when she leveled up actually felt like a significant choice, rather than having an obvious option that most people in her situation (as well as readers) would pick. That aspect of choice was something I tried to capture in my own book’s magic system.
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
Carole Levin’s magisterial work has now appeared in its second edition, a testament to its importance. Carole explores the myriad ways the unmarried, childless Elizabeth represented herself and the ways members of her court, foreign ambassadors, and subjects represented and responded to her as a public figure. Like her recently deceased successor, Elizabeth II, Elizabeth Tudor understood that she had to be seen to be believed. She fashioned herself into both the Virgin Queen and the mother of her people. Carole interrogates the gender constructions, role expectations, and beliefs about sexuality that influenced her public persona and the way she was perceived as a female Protestant ruler and points us to paths along which can travel to investigate other female monarchs regardless of time period and on a global scale.
In her famous speech to rouse the English troops staking out Tilbury at the mouth of the Thames during the Spanish Armada's campaign, Queen Elizabeth I is said to have proclaimed, "I may have the body of a weak and feeble woman, but I have the heart and stomach of a king." Whether or not the transcription is accurate, the persistent attribution of this provocative statement to England's most studied and celebrated queen illustrates some of the contradictions and cultural anxieties that dominated the collective consciousness of England during a reign that lasted from 1558 until 1603.
In The Heart…
A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
I discovered the extraordinary artist Rosalba Carriera when I saw an exhibition of her pastel portrait drawings in Venice a decade ago. She has perfected the art of pastel drawing with a technique that is so skillful that the transition in color and tone is undetectable – she virtually paints with pastel. I find her portraits as good as the oils by famous artists. Rosalba Carriera deserves to be better known – I was thrilled when this book on her life and work was published in English in 2020. Studying her work helped me to understand the limitless possibilities with pastel and to improve my own technique.
The Life and Work of Rosalba Carriera (1673-1757): The Queen of Pastel is the first extensive biographical narrative in English of Rosalba Carriera. It is also the first scholarly investigation of the external and internal factors that helped to create this female painter's unique career in eighteenth-century Europe. It documents the difficulties, complications, and consequences that arose then -- and can also arise today -- when a woman decides to become an independent artist. This book contributes a new, in-depth analysis of the interplay between society's expectations, generally accepted codices for gendered behaviour, and one single female painter's astute strategies…
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