Here are 61 books that Protective Instinct fans have personally recommended if you like
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I’ve always been fascinated by books since a young age. Not just reading the stories but also how they’re written, the cover design, literary agents, and the publishing industry in general. I’ve written five novels (four of which are USA Today bestsellers) and my work has been translated into twenty-five languages worldwide. My second novel, Rise & Shine, Benedict Stone, was made into a Hallmark movie in 2021. I still get excited about generating ideas for characters to take on unusual and joyous journeys of discovery. I’m a huge fan of reading books about the craft of writing, and I especially love novels about bookshops and libraries.
Story Trumps Fiction is a non-fiction book that encourages you to tear up the rule book when it comes to plotting and planning a novel. I’m a plotter at heart, but this book offers some thought-provoking arguments for writing organically, to craft exciting and surprising plots. It’s written by an award-winning novelist, so he’s ideally placed to offer great advice on how to make a story more powerful, emotional, and gripping. I recommend it for both novice writers and more experienced ones, too.
All too often, following the "rules" of writing can constrict rather than inspire you. With Story Trumps Structure, you can shed those rules - about three-act structure, rising action, outlining, and more - to craft your most powerful, emotional, and gripping stories.
Award-winning novelist Steven James explains how to trust the narrative process to make your story believable, compelling, and engaging, and debunks the common myths that hold writers back from creating their best work.
• Ditch your outline and learn to write organically. • Set up promises for readers - and deliver…
I am an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird West stories. Dozens of my short stories have appeared in podcasts, magazines, games, and Stoker-nominated anthologies, and I’ve authored several books. I am the co-chair and founder of the Horror Writers Association San Diego chapter, a short story instructor, co-creator of the Monster Gunslingers game, and member of writing organizations, including the Science Fiction and Fantasy Writers Association. I find speculative horror a fascinating lens by which to view challenges faced by underrepresented groups and women. I hope you enjoy these tales.
This was a true page-turner—I could not put it down. From the first few pages, I was immediately pulled into the mystery and characters’ plights. I loved how the author kept a fast pace, keeping the action and tension high throughout.
Technically, this book is not comprised of short stories; it features segments of shorter narratives that gradually weave together to reveal a larger picture. The author skillfully played with tropes in the mystery and horror genres, presenting a thoughtful commentary on issues women face.
Imaginative and deftly told, this clever and satisfying book had me nodding along in grim recognition.
A sharp-edged, supremely twisty thriller about three women who find themselves trapped inside stories they know aren’t their own, from the author of Alice and Near the Bone.
Celia wakes up in a house that’s supposed to be hers. There’s a little girl who claims to be her daughter and a man who claims to be her husband, but Celia knows this family—and this life—is not hers…
Allie is supposed to be on a fun weekend trip—but then her friend’s boyfriend unexpectedly invites the group to a remote cabin in the woods. No one else believes Allie, but she is…
I have been a Broadway fan since I discovered the 60’s vinyl cast albums my parents collected. Seeing them in person added another level to the magic, and after every show, while still basking in the creative spark, I’m already planning my next visit! Sharing a list of books instead of a playlist is my way of sharing a deeper view of the world we Broadway fans love so much. It’s also the list I used as the basis for my research, while writing my new series (which follows the journey of a fictional Broadway musical from script to opening night)!
Woolford describes his book as a prenatal guide for musicals and it is indeed just that. He breaks down the process from idea to opening night for a thorough examination of what goes into each part of writing a musical. From the tickle of inspiration—and everything that went into its construction after that point, including the steps back and sideways, trying to find the right formula for success—there isn’t much left out. Warning: You might be inspired to try your hand at writing once you finish this book!
I felt as if I’d taken a college-level theatre course at the end of How Musicals Work, with an instructor who revels in the complicated chaos that is musicals! It opens up a whole extra level to watching/experiencing a musical.
Musicals are the most popular form of stage entertainment today, with the West End and Broadway dominated by numerous long-running hits. But for every Wicked or Phantom of the Opera, there are dozens of casualties that didn't fare quite so well. In this book, Julian Woolford explores the musical-theatre canon to explain why and how some musicals work, why some don't, and what you should (and shouldn't) do if you're thinking of writing your own. Drawing on his experience as a successful writer and director of musicals, and as a lecturer in writing musicals at the University of London, Woolford…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
Everything that can wrong in live theatre happened to Spiderman: Turn Off the Dark—and on the biggest scale possible. How Glen Berger, the only non-rich and famous person on the creative team ofThe Lion Kingdirector Julie Taymor and U2 rockers Bono and The Edge, managed to tell all without being sued is a mystery. Maybe it’s because the fights, failures, and firings are all just another day at work on Broadway—as are the accidents. Every outrageous incident Berger relates I have personally experienced in the musicals I’ve written—from on Broadway to Off-Off-Broadway and around the globe. ReadingSong of Spider-Man prepared me for the worst, from producers applying Mafia-style pressure to witnessing an actor plummet to the stage like a dead weight.
As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can't begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theatre history. Renowned director Julie Taymor picked playwright Glen Berger to co-write the book for a $25 million Spider-Man musical. Together-along with U2's Bono and Edge-they would shape a work that was technically daring and emotionally profound, with a story fuelled by the hero's quest for love...and the villains' quest for revenge. Or at least, that's what they'd hoped…
True confession: I’m not a baker, but I love it when other people bake. It’s riveting to watch how they transform the humblest of ingredients into desserts that are beautiful and delicious. I get super excited to see this creative process unfold, which is why I adore The Great British Baking Show and other competitive reality baking programs. They inspired me to write Marvelous Jackson because my main character desperately wants to snag a coveted audition spot on The Marvelous Midwest Kids Baking Championship. He relishes the frenetic energy and noise of a kitchen packed with ambitious and talented people—just like I do!
Thirteen-year-old Hudson stars on Broadway, but baking is his true passion. He’s ecstatic when he receives an invitation to participate in the Great American Baking competition—until he finds out what his assignment will be. He must make a cupcake with flavors that reflect his family’s ethnic background, and he knows nothing about Indian spices. (Cue the theatrics!)
Hudson’s multi-talented grandmother comes to the rescue, introducing him to the delights of cardamom, saffron, mango, and pistachio extract while his actor friends cheer him on. I love that one of the co-authors of Fearless: In the Mix is a Broadway star herself. (Did someone say Hamilton?) Her experiences certainly lend dramatic flair to this novel, perfect for older middle-grade readers.
Better Nate than Ever meets Love Sugar Magic in this “delectable” (Kirkus Reviews) third novel in the Fearless middle grade series from Hamilton and Broadway star Mandy Gonzalez about a young thespian who feels caught between his love of baking and theatre.
Twelve-year-old Hudson Patel has two great loves: Broadway and baking! In addition to giving his all to his role in the hit show Our Time, Hudson takes pride in keeping his castmates and fellow Fearless Squad members well-fed with all the delicious treats he creates.
When the call comes in for a big baking show—with the winner receiving…
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
While the prose style of Act One is a little fussy, florid, and overly eager to impress, this is still a moving, funny, and emotional biography of a talented, ambitious young man who is determined to make his mark as a Broadway playwright. And, at the end, when he single-handedly turns his out-of-town failure (co-written with George S. Kaufman) into a hit, you want to stand up and cheer.
Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the great American memoirs, a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early twentieth century. Hart's story inspired a generation of theatergoers, dramatists, and readers everywhere as he eloquently chronicled his impoverished childhood and his long, determined struggle to reach the opening night of his first Broadway hit. Act One is the quintessential American success story.
As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions.
Set in the seventies, a sexy female celebrity journalist sets out to find the reason for the break-up of a singing/comedy duo alá Lewis and Martin and uncovers a gruesome murder. Full of sex, drugs, and behind-the-scenes entertainment business debauchery, this story is told in a masterful way that is funny, frightful, suspenseful, and disturbing. A truly unique noir tale where no one comes away clean. Just how I like it. And written by my good friend and former employer, Rupert Holmes. The same guy that gave us “Escape, The Pina Colada Song” and the Broadway hit The Mystery of Edwin Drood.
O’Connor, a vivacious, free-spirited young journalist known for her penetrating celebrity interviews, is bent on unearthing secrets long ago buried by the handsome showbiz team of singer Vince Collins and comic Lanny Morris. These two highly desirable men, once inseparable (and insatiable, where women were concerned), were driven apart by a bizarre and unexplained death in which one of them may have played the part of murderer. As the tart-tongued, eye-catching O’Connor ventures deeper into this unsolved mystery, she finds herself compromisingly coiled around both men, knowing more about them than they realize and less…
I have always loved history, from ancient Egyptian times up to recent history (the 1950s and 1960s). Put history in the context of a crime and the history becomes even more fascinating. A book where the history of that time comes vividly alive for the reader is the greatest pleasure a reader can experience.
Agatha Christie is deservedly the world’s best-selling crime writer, and most of her readers are familiar with Miss Marple and Hercules Poirot, but with this book we have the undiscovered gems of the mysterious Harley Quin and his partner Mr. Satterthwaite. The book is evocative of England in the 1930s. It makes for addictive reading and shows Christie at her very best.
A unique offering from the Queen of Crime. This Agatha Christie Signature Edition features the hero the world-famous author was most fond of - Mr Harley Quin, the enigmatic friend and counterpart of the rational Mr Satterthwaite.
So far, it had been a typical New Year's Eve house party. But Mr Satterthwaite - a keen observer of human nature - sensed that the real drama of the evening was yet to unfold.
So it proved when a mysterious stranger arrived after midnight. Who was this Mr Quin? And why did his presence have such a pronounced effect on Eleanor Portal,…
I’ve always had a passion for wounded heroes and strong heroines. My earliest memories are reading books where the heroine saves the day. I’ve never wanted the heroine to need the hero in order to make her life complete. Even as a child, when my dad read me books at night—one of my favorite memories—I preferred stories where the heroine saved the day. As an adult, I’ve loved to read stories where the hero is brave enough to show his vulnerable side, and when I decided to become a writer, those were the books I wanted to write.
Another wounded hero book, but I’m choosing this one because not only is it one of my favorites from the series, but Lynn Kurland packs so much emotion into every page that I cry and laugh and live the book while I’m reading it and long after.
It’s time travel (but they always seem to bring chocolate with them ☺ ) and the love is so strong. Her stories are like catnip.
From Lynn Kurland, the New York Times bestselling author of the Nine Kingdom series.
Set near the Scottish border at a rugged castle on the edge of the sea, this is the story of a courageous lord who lost everything he held dear. Of a strong young woman willing to sacrifice everything for happiness. Two lost souls who find in each other a reason to live again, to laugh again, and to love for the first time...
I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?
Gone Girl started the domestic suspense trend and showed us that suspense can be driven by family/household dynamics. Louise Candlish takes this to another level in Our House when the main character comes home to find another family moving into her house. She soon discovers that her husband has sold the house from under her feet and disappeared. This is a fantastic, slow-burn literary thriller with a great ending.
On a bright morning in the London suburbs, a family moves into the house they've just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn't sell it. 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible' Clare Mackintosh, author of I See You
'Property-porn looks set to become a staple of crime fiction and Our House is an excellent example of this burgeoning subgenre. Husband and wife pass the narrative baton between them in this masterfully plotted, compulsive page-turner' Laura Wilson, Guardian…
