Here are 100 books that Playing in the Dark fans have personally recommended if you like
Playing in the Dark.
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I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
This is the Granddaddy of earthshattering, perspective-changing books: philosopher Michel Foucault’s nimble dissection of the rise and the role of sexuality in the Western world. Written, and surely meant to be read, more like a Homeric epic poem than an academic treatise, every single sentence in this book quivers with energy and perception. From pithy aphorisms like “The sodomite had been a temporary aberration; the homosexual was now a species”, to heady pronouncements such as ‘”Power relations are both intentional and nonsubjective”, this book is a gift that perpetually keeps on giving. Guaranteed to blow your mind.
Why we are so fascinated with sex and sexuality—from the preeminent philosopher of the 20th century.
Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is.
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
Sigmund Freud tends to be lampooned these days as a cartoonish patriarch, but psychoanalysis is one of the few genuinely insightful theories that tries to understand why people frequently do things they can’t explain, don’t understand, or don’t even want to do. Social psychologist Michael Billig’s book starts out by noting that Freud considered his greatest discovery to be not the unconscious (as most people think), but repression – the series of activities that produce the unconscious. The book is a clearly-written, practical exploration of how repression is accomplished in day-to-day life. An example: “Each time adults tell a child how to speak politely, they are indicating how to speak rudely”. Think about that.
In Freudian Repression, Michael Billig presents an original reformulation of Freud's concept of repression, showing that in his theory of the unconscious he fails to examine how people actually repress shameful thoughts. Drawing on recent insights from discursive psychology, Billig suggests that in learning to speak we also learn what not to say: language is thus both expressive and repressive. He applies this perspective to some of Freud's classic case histories such as 'Dora' and the 'Rat Man' and the great psychologist's own life to show the importance of small words in speech. By focusing on previously overlooked exchanges, even…
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
This recently published excavation of Simone de Beauvoir’sThe Second Sex is almost as thick as Beauvoir’s massive tract, but don’t let that put you off. The photo of Beauvoir on the cover conveys an insouciant “Yeah, sure” attitude, and Meryl Atman uncannily channels that sentiment into a dazzlingly authoritative and entertaining discussion of why the overwhelming majority of the criticism of Beauvoir’s famous tome happens to be misguided and wrong. The book is about gender, race, sexuality, class, and privilege, but it isn’t a polemic. It is an exercise in critical reading at its most invigorating.
Beauvoir in Time situates Simone de Beauvoir's The Second Sex in the historical context of its writing and in later contexts of its international reception, from then till now. The book takes up three aspects of Beauvoir's work more recent feminists find embarrassing: "bad sex," "dated" views about lesbians, and intersections with race and class. Through close reading of Beauvoir's writing in many genres, alongside contemporaneous discourses (good and bad novels in French and English, outmoded psychoanalytic and sexological authorities, ethnographic surrealism, the writing of Richard Wright and Franz Fanon), and in light of her travels to the U.S. and…
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
As befitting the cheeky title, this book – about what it means to be, and to become, a gay man – is incisive, erudite, and a lot of fun to read. A pioneer of queer theory (and with this intervention, I suspect, a renegade from it), David Halperin is an unapologetic camp. He challenges received wisdom about how gay sensibility supposedly is misogynist, passé, irrelevant or dead, and his reflections on everything from Joan Crawford’s pizazz,to the current state of gay marriage, vacillate between being capacious and withering. “Sometimes I think homosexuality is wasted on gay people” he sniffs at one point, dispensing a delightful, and typically barbed, aperçu.
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as…
I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. I work to understand how sound and media work because they structure our reality in important ways. Listening as a way of approaching relationships in work and play is key to our survival. So is understanding how media works, where we get our information from, and how to tell what’s relevant, significant, and true, and what is not.
The author points to the ways American media designated sound as “black” or “white” even as “colorblindness” became the dominant paradigm for liberal attitudes towards race. While Americans claimed that they didn’t “see race”, they were exposed to an increasingly segregated soundscape and media environment. Stoever opens up new ways for us to listen to familiar voices, such as those of WEB du Bois, Lena Horne, Lead Belly, Richard Wright, and many more.
The unheard history of how race and racism are constructed from sound and maintained through the listening ear.
Race is a visual phenomenon, the ability to see "difference." At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear-voices, musical taste, volume-as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
As I was writing my book, I delved more into the professional singing career of Harry Belafonte. I knew him as the singer of familiar, toe-tapping, globally-inspired hits (i.e. “The Banana Boat Song,” “Jump In the Line,” “Matilda”). I didn’t know about the depth and breadth of his commitment to racial justice. Nor did I realize, more importantly, how his Civil Rights activism informed and shaped his artistic career as an actor and a musician. An eye-opening read about a cultural icon.
A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II-from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael-Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.
In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study…
I have spent 20+ years working on the question of how social and environmental change happens, from my long-time career in progressive politics to my current work writing about the most pressing issues of our time through an economic lens, and occasionally talking about them on my podcast, also called Wallet Activism. So I know well how intimidating it can feel to get involved, whether it’s worrying your voice isn’t needed (trust me, it is!) or not knowing the nuts and bolts of where to start. But we have so much power when we act collectively, and I want you to feel personally invited to take action.
There are a bunch of great anti-racism books out there, but few are all about taking action, as Sophie’s book is. Because I’m guessing if you’ve made it this far into my recommendation list, you are already familiar with anti-racism and many of the systemic problems we must address, and just want someone to point you in the right direction to do the work. This is a great book for that! It’s short but packed with practical tips.
'Gives you the information you need to begin, or continue, your understanding of what it means to be a true anti-racist ally' Pippa Vosper
Do you want to be an anti-racist ally?
This punchy, pocket-sized guide shows you how, whether you're using your voice for the first time, or are looking for ways to keep the momentum and make long lasting change.
Sophie Williams' no-holds-barred posts about racism and Black Lives Matter on @officialmillennialblack have taken the online world by storm. Sharp, simple and insightful, they get to the heart of anti-racist principles and show us all how to truly…
Henry Louis Gates Jr. is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. He is an award-winning filmmaker, literary scholar, journalist, cultural critic, and institution builder, and has authored or co-authored twenty-two books; he's also the host of PBS’s Finding Your Roots. Andrew Curran is a writer and the William Armstrong Professor of the Humanities at Wesleyan University. His writing on the Enlightenment and race has appeared in The New York Times, The Guardian, Newsweek, and more. Curran is also the author of the award-winning Diderot and the Art of Thinking Freely and The Anatomy of Blackness.
Roxanne Wheeler’s The Complexion of Raceoccupies an important place in both our libraries. Rare are the books that deal with the complexities of human complexionswith such subtlety. Wheeler does not start off by assuming the existence of a monological or commonly shared understanding of race; she charts the numerous causal flows that produced the early-modern discussion of the human, including the “empire of climate,” natural history (physiology and anatomy), and the fact that the British (Protestant) way of life became the benchmark for measuring all things foreign.
In the 1723 Journal of a Voyage up the Gambia, an English narrator describes the native translators vital to the expedition's success as being "Black as Coal." Such a description of dark skin color was not unusual for eighteenth-century Britons-but neither was the statement that followed: "here, thro' Custom, (being Christians) they account themselves White Men." The Complexion of Race asks how such categories would have been possible, when and how such statements came to seem illogical, and how our understanding of the eighteenth century has been distorted by the imposition of nineteenth and twentieth century notions of race on…
I grew up in a racially diverse setting on the west side of Cleveland, OH, and have been thinking, speaking, and writing at the intersection of race and the church as a side ministry for the last three decades. After starting a PhD in American Culture Studies in 2008, I focused attention on the concepts of Critical Race Theory, thinking especially about their relationship to the Christian faith. I try to resource white Christians who recognize a deficit in their own thinking about race but aren’t sure what to do about it or who to trust with their story, and these books offer a great place to start.
I find it difficult to locate white pastors in the Evangelical tradition who are both aware of and candid about their own racial history. It’s even more difficult to get them to admit they’ve never thought about “White” as a race and why that might be significant in a world that prioritizes skin color.
He helped me understand both the personal and social realities of living at the intersection of race, culture, and identity and how they merge into one another in my life. I appreciated how Hill puts texture on the idea of racial privilege and the advantages inherent in not having to think about race at all. I found his seven stages to expect on the path to cross-cultural “awakening” disrupting, putting on a very different spin on what it means to be “woke” in our cultural moment.
Daniel Hill will never forget the day he heard these words:"Daniel, you may be white, but don't let that lull you into thinking you have no culture. White culture is very real. In fact, when white culture comes in contact with other cultures, it almost always wins. So it would be a really good idea for you to learn about your culture."Confused and unsettled by this encounter, Hill began a journey of understanding his own white identity. Today he is an active participant in addressing and confronting racial and systemic injustices. And in this compelling and timely book, he shows…
I grew up in Chicago and at a very young age worked in retail. While my mom was building her own brand, lumbar support called the “back machine”, I watched the process and got to shadow her to understand what the customers’ needs were. I went to the University of Wisconsin in Madison and triple majored in Design, Retail, and Business. I then moved to NYC and launched my brand BOY MEET GIRL® in 2001. When I couldn’t find a book on a woman building a brand who was also a mother I knew I had to write my book to show others how you can do it.
I have recommended We Are Not Like Them to friends and recently my 20-year-old niece for several reasons. The novel addresses important themes of race, friendship, and community, providing a thought-provoking and timely exploration of contemporary societal issues.
By following the story of two lifelong friends, one Black and one White, navigating a racially charged incident, the book prompts meaningful conversations about empathy, understanding, and bridging divides. I appreciate the book's powerful storytelling, engaging characters, and its ability to foster empathy and promote dialogue about race relations.
Overall, it's a compelling and relevant read with valuable lessons for personal growth and social awareness.
'Harrowing and heartening in equal measure, this book is a breathtaking tale of racial fissures, fury and friendship' David Lammy, MP and author of Tribes
'A powerful story about friendship, race, love, forgiveness, and justice - and the stunning ways they intersect...Empathetic, riveting, and authentic' Laura Dave, bestselling author of The Last Thing He Told Me
'A painfully amazing read teaching us that sometimes, when it comes to race, the real enemy is ignorance' Rhys Stephenson, actor and TV presenter
'Provides a starting point for conversations which are crucial, at times uncomfortable,…
