100 books like Passing on

This book is a classic for a reason. It’s a sobering (and deeply entertaining) look at the industry of death.

With so few universal truths, one would imagine that humanity’s shared capacity to understand our own mortality would be a source of connection. Instead, it feels like the mechanics of death and everything surrounding it, get shoved under the carpet in our desperation to avoid the topic.

As Mitford lifts the veil on the funeral industry, it becomes apparent how important it is to shine a light on the things we’re most afraid of.

This is a brilliant, thoughtful analysis of how sudden death is managed and can be read as a response to Sudnow — and I do assign it for that reason. But what I really love is leaving it out in my office and seeing people’s reactions. “The myth of CPR? What?!” People are horrified. Timmermans clearly shows, and it has been well documented, that CPR works way better on television than it does in real life. But its use has become so standardized that EMTs, as well as family members, were horrified when CPR wasn’t attempted on every dead body picked up during the pandemic.

If your beloved 93-year-old great grandma was just finishing the last bites of her favorite food that you spent all day making when she slumped over – should you hold her tight, whisper that you love her, or quickly put her on her back, break… show more.

There was a death in my family years back, and somehow after a long and wrenching day at the hospital, we were sitting around my dining room table at a late-night long-delayed dinner – and we were laughing. My brother came into the kitchen, worried about the children present: what were they learning? I answered: They’re learning how to bury us. Death, even death – and I am heavily grieving a loss right now – can be a moment for laughter, the sheer absurdity of life, the grief and sorrow expressed in crying and in laughing. There are other good books that do this, that take a more intellectual approach – but honestly, I admire the chutzpah of Greenberg editing a book of cartoons on death. 

The range is from the silly, the grim reaper at the door introducing the fat lady, ‘here to sing for you,' to ones that… show more.

Sometimes I think people just don’t get smarter, or write smarter books, than Ehrenreich, so of course, in a 5 best list, I’m going to put one of hers up. The title of her book comes from obituaries – at a certain point, not entirely clear just when, a death does not have to be explained. When a 93-year-old dies, we don’t have to ask ‘of what?’ the way we do when a 47-year-old does. And yet – what about 73? We ask, and we blame: did they smoke? Not exercise?  Eat poorly? Not get screened early enough?  

While others have focused on the over-medicalization of dying, the repeated hospitalizations, the tubes, and wires, Ehrenreich is looking at the medicalization of living to be old – living from one wellness activity to the next, interspersed with medical testing.  In a world in which ‘health’ means medicine, health care means insurance… show more.

Veronica is a professor of psychiatry with a special interest in psychosis such as schizophrenia and especially those that are seen in women after childbirth. These states of altered consciousness and the memories they produce give us insights into the nature of mental illness and the making of memories. The book develops as a series of case studies that are gently described in relation to the different brain regions that are involved in the experiences with a simple-to-understand diagram. Bringing together her clinical insights with beautiful perspectives from prose and poetry as well as from philosophers especially Henri Bergson, she makes a compelling case for memories being the core of what we as humans are.

Lawrence J Henderson was one of the first Americans to take Pareto’s writings seriously. He was a professor at Harvard during the 1930s, and this 1935 book was an outgrowth of his interest in understanding Pareto’s thought.

The subtitle "A Physiologist’s Interpretation" indicates that his approach to Pareto’s work differed from most because he was a natural scientist rather than a social scientist. As a physiologist, H. was able to recognize Pareto's engineering background with the recognition of universally valid laws, yet he was also able to see how Pareto was influenced as an economist where there are high degrees of regularity.

That makes him one of the best authorities on Pareto's "General sociology". Henderson could see generalities that most social scientists could neither understand nor appreciate. 

This book assesses the value of liberal education, and the importance of (re) reading the so-called ‘classics,’ rather than resorting to short snippets of articles, YouTube videos, or chapters which make short and pointed arguments about specific issues. The great classics have changed Roosevelt Montás’s life in ways that are to me familiar, since I’ve enjoyed watching the fruits of liberal education as they transformed his life of my own students over the years.

This collection of essays offers a broad set of different examples of history and ideas about the past have been pressed into the service of nationalism – often resulting, as the title has it, in the invention of tradition.

I also love the quality of the writing in this book. Hobsbawm has such elegant prose, and as an editor he seems to have influenced the style of the other authors in the volume. 

This anthology spans a remarkable and surprising range of topics including first-hand accounts by pageant winners—and losers—along with rich historical context. Historian Kimberly Hamlin documents the first Miss America Pageant (launched a year after women won the vote), showing how it both appropriated the format of suffrage pageants and defined itself in opposition to them. Feminist scholar Donelle Ruwe explains why becoming Miss Meridian [Miss.] in 1985 had an unexpectedly positive impact on her life, even though she considers beauty pageants to be “oppressive” and “degrading.” And the African-American scholar Gerald Early’s riveting “Waiting for Miss America” weighs the racial implications of Vanessa Williams’ 1983 crowning as the first Black Miss America. “[S]he was the most loved and most suspect woman in America,” he writes. Suspect, because “some blacks don’t trust her motives and some whites don’t trust her abilities.”  

One of the most influential thinkers and writers on feminist film theory, Mulvey’s groundbreaking essay “Visual Pleasure and Narrative Cinema” is one of many that tackle the representation of women in art and culture and how these mediums might impede or aid the women’s movement.

Mulvey was a great resource for my own book in analysing the overt sexualisation of female characters on screen to cater to the so-called Male Gaze and misogynistic pleasures.