Here are 100 books that Orange fans have personally recommended if you like
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My name is Stephen McCranie and I'm currently working on Space Boy, a slow-burning high school romance that asks the question, "How do we bridge the gap between us?" I love working in this particular genre because high school is such a formative period for all of us. Also, when a romance burns slowly, the audience gets time to explore the world of the story, which can often be dynamic and lush with detail. And then, when our lovers find each other at long last, it is all the more sweet for having waited.
I love Mitsuru Adachi for his masterful storytelling and playful touch. Comics are all about choosing the right moments to string into sequences, and Adachi has a knack for choosing surprising moments without losing the clarity of the story. He's had a huge influence on my work. A story about two friends: an ace pitcher and an ace batter, and their rivalry for love and victory on the baseball field. Behind this epic baseball drama is a wonderful story about the couple that could never be.
Cross Game is a moving drama that is heartfelt and true, yet in the brilliant hands of manga artist Mitsuru Adachi, delightfully flows with a light and amusing touch. The series centers around a boy named Ko, the family of four sisters who live down the street and the game of baseball. This poignant coming-of-age story will change your perception of what shonen manga can be.
My name is Stephen McCranie and I'm currently working on Space Boy, a slow-burning high school romance that asks the question, "How do we bridge the gap between us?" I love working in this particular genre because high school is such a formative period for all of us. Also, when a romance burns slowly, the audience gets time to explore the world of the story, which can often be dynamic and lush with detail. And then, when our lovers find each other at long last, it is all the more sweet for having waited.
As a cartoonist, the convention scene has always been nostalgic to me, and serves as the perfect backdrop for this slow-burning romance about a guy who cosplays and a girl who writes comics. Manga and anime, love and heartbreak, pocky and ramune, this love story hits all the nerdy notes in just the right way.
Relive Christie's three-year adventure at the Yatta Anime Convention with this 15th-anniversary edition of Svetlana Chmakova's debut series: Dramacon. All three volumes are compacted into one pocket-sized edition.
Vol 1 Summary: When amateur writer Christie settles in the artist alley of her first-ever anime convention, she sees it as an opportunity to promote the manga she had started with her artist boyfriend. But when she unexpectedly falls for a mysterious cosplayer, things become complicated. What do you do when you love someone who is going miles away from you in just a couple of days?! Web-comic vet Svetlana Chmakova gives…
My name is Stephen McCranie and I'm currently working on Space Boy, a slow-burning high school romance that asks the question, "How do we bridge the gap between us?" I love working in this particular genre because high school is such a formative period for all of us. Also, when a romance burns slowly, the audience gets time to explore the world of the story, which can often be dynamic and lush with detail. And then, when our lovers find each other at long last, it is all the more sweet for having waited.
A story about two high school friends trying to make it in the manga industry. The twist: our hero can't be with the girl he loves until he makes his dreams as an artist come true. A series that helped me understand the inner workings of Japan's comic industry.
Average student Moritaka Mashiro enjoys drawing for fun. When his classmate and aspiring writer Akito Takagi discovers his talent, he begs Moritaka to team up with him as a manga-creating duo. But what exactly does it take to make it in the manga-publishing world? Moritaka is hesitant to seriously consider Akito's proposal because he knows how difficult reaching the professional level can be. Still, encouragement from persistent Akito and motivation from his crush push Moritaka to test his limits!
Robin dreamed of attending Yale and using her brain. Kory lived on the streets of Seattle and relied on his brawn. Without the asteroid, they never would have met.
For three years, Robin and her grandfather have been hiding, trusting no one. When a biker gang moves into town, Robin…
My name is Stephen McCranie and I'm currently working on Space Boy, a slow-burning high school romance that asks the question, "How do we bridge the gap between us?" I love working in this particular genre because high school is such a formative period for all of us. Also, when a romance burns slowly, the audience gets time to explore the world of the story, which can often be dynamic and lush with detail. And then, when our lovers find each other at long last, it is all the more sweet for having waited.
A homeless high school girl is taken in by a mysterious family, whose members are possessed by the 13 animals of the Zodiac. As she lives with the family, she slowly uncovers hidden wounds, which she heals with her generous spirit. Eventually, she falls in love with one of the two brothers her age, but which one will it be? Usually, with love triangles like this, I can figure out almost immediately who will end up together, but this one took me a while, which made the story all the more interesting.
After a family tragedy turns her life upside down, plucky high schooler Tohru Honda takes matters into her own hands and moves out...into a tent! Unfortunately for her, she pitches her new home on private land belonging to the mysterious Sohma clan, and it isn't long before the owners discover her secret. But, as Tohru quickly finds out when the family offers to take her in, the Sohmas have a secret of their own--when touched by the opposite sex, they turn into the animals of the Chinese Zodiac!A perennial favorite of fans and librarians alike, Natsuki Takaya's beloved bestselling Fruits…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
While it feels a little slow to start, this novel is the kind of thing that takes typical fantasy tropes, puts them in a bucket, and dumps it upside down. The story is fantastical and doesn't shy away from that fact, but it is also deeply influenced by Japan's folklore, mythology, and spiritual traditions.
The forces of the God of Light and the Goddess of Darkness have waged a ruthless war across the land of Toyoashihara for generations. But for 15-year-old Saya, the war is far away and unimportant--until the day she discovers that she is the reincarnation of the Water Maiden and a princess of the Children of the Dark. Raised to love the Light and detest the Dark, Saya must come to terms with her heritage even as she tumbles into the very heart of the conflict that is destroying her country. The armies of the Light and Dark both seek to…
I’m only a writer because I was a musician first. I worshiped music—as a performer, listener, and later a critic—for its ability to enshrine me in a purely emotional world. My favorite lyrics were poetry in motion; my favorite melodies escaped description. And through sharing my feverish acclamations of particular albums and songs, I found community with others who also pledged themselves to art that’d definitively split their lives into “before” and “after.” My writing career was born from cathartic devotion and remains devoted to recounting the rapture of self-formation, of being reflected in the mirror of something that saw you before you even knew to see yourself.
This Japanese manga series about a disillusioned high schooler who finds purpose through painting speaks so pointedly to my reality as a creative professional that sometimes, after reading a chapter, I will lie down on the ground, struck through by dread, electric possibility, or some combination thereof.
Beyond the fact that I’d be remiss if I didn’t somehow represent anime and manga, which have played outsized roles in my creative formation, this book is refreshingly blunt about the realities of making a living from art. But it’s also so generous with its characters, who represent every stripe of a budding artist with startling specificity. Including its protagonist, Yatora, who upends his life because of a single painting. Who can’t relate?
Winner of the 2020 Manga Taisho Grand Prize! A manga about the struggles and rewards of a life dedicated to art. The studious Yatora leaves a dry life of study and good manners behind for a new passion: painting. But untethering yourself from all your past expectations is dangerous as well as thrilling... Yatora is the perfect high school student, with good grades and lots of friends. It's an effortless performance, and, ultimately...a dull one. But he wanders into the art room one day, and a lone painting captures his eye, awakening him to a kind of beauty he never…
Captain Heron finds himself embroiled in a conflict that threatens to bring down the world order he is sworn to defend when a secretive Consortium seeks to undermine the World Treaty Organisation and the democracies it represents as he oversees the building and commissioning of a new starship.
My parents were both born and raised in Japan but met in New York and eventually settled in Los Angeles, where I grew up. My first language was Japanese and as a nisei (second generation), I am deeply steeped in my Asian heritage. I am continually inspired by the art and storytelling that originates from Japanese culture and love to incorporate them into my own work.
All the books I’m drawn to have striking and beautiful illustrations and this one is no exception. I love the joyful and varied way that friendship is expressed in this board book. I purchased the book when my daughter was still in preschool (she’s in high school now), and the message of finding camaraderie in as many places as possible still resonates deeply.
I have lived on a small island in Japan for over 25 years. I moved into my aging and empty Japanese abode before akiya—empty houses—became a phenomenon, and I described my experiences in a regular column for The Japan Times from 1997 to 2020. I love Japan’s countryside and wish more tourists would visit places outside Japan’s major cities. The living is simple, the Japanese people are charming and Japan itself is one of the most unique places in the world. These books are written by people who have taken the leap and chosen the tranquil existence of the pastoral Japanese countryside.
This is a diverse collection of stories told by ex-pats living in “inaka," the Japanese word for the countryside. An array of ex-pat authors describe their experiences: Some came to Japan as English teachers, journalists, or spouses, one cycled through Japan, another walked in the footsteps of haiku poet Basho, and another became a Buddhist priest.
The collection starts in Okinawa and moves up the archipelago to Hokkaido. For me, it’s the most diverse collection of voices on the topic of countryside living.
Inaka: Portraits of Life in Rural Japan is an affectionate but unsentimental immersion into the Japanese countryside ("inaka"). In eighteen chapters we undertake an epic journey the length of Japan, from subtropical Okinawa, through the Japanese heartland, all the way to the wilds of Hokkaido. We visit gorgeous islands, walk an ancient Buddhist pilgrimage route, share a snow-lover's delight in the depths of record snowfall, solve the mystery of an abandoned Shinto shrine, and travel in the footsteps of a seventeenth-century haiku master. But above everything, Inaka answers the question of what it's like to be a foreigner living in…
Environmental storytelling in comics is something that I’ve always admired and want to be better at. As a cartoonist I’m always thinking of better ways to tell visual stories, because it’s fun.
I first heard of Kouno’s work through the animated adaptation of In This Corner of the World. Town of Evening Calm and Country of Cherry Blossoms are a short story and short series (respectively) about Hiroshima. Like many other shojo/josei artists, Kouno uses the natural world to impart tone and mood, but is particularly good at it.
What impact did World War II and the dropping of the atomic bomb have on the common people of Japan? Through the eyes of an average woman living in 1955, Japanese artist Fumiyo Kouno answers these questions. This award-winning manga appears in an English translation for the first time. Fumiyo Kounos light, free style of drawing evokes a tender reflection of this difficult period in Hiroshimas postwar past. As the characters continue with everyday life, the shadow of the war and the atomic bombing linger ghostlike in the background. Kounos beautiful storytelling touches the readers heart but is never overly…
Stewart Binns is a former academic, soldier, and documentary filmmaker, who became a writer quite late in life. He has since written a wide range of books in both fiction and non-fiction. His passions are history and sport. He has completed a medieval quartet called the Making of England Series, two books about the Great War and a novel set during Northern Ireland’s Troubles. His latest work of non-fiction, Barbarossa, tells the story of the Eastern Front (1945 to 1944) from the perspective of the peoples of Eastern Europe. He is now working on a history of modern Japan.
Oral history sources have always been central to my work, both as an author and a documentary-maker. Cook’s account of the experiences of ordinary Japanese people during the Second World War is one of the best. It is both powerful and a lesson about the utter tragedy of war.
A "deeply moving book" (Studs Terkel) and the first ever oral history to document the experience of ordinary Japanese people during World War II
"Hereafter no one will be able to think, write, or teach about the Pacific War without reference to [the Cooks'] work." -Marius B. Jansen, Emeritus Professor of Japanese History, Princeton University
This pathbreaking work of oral history by Haruko Taya Cook and Theodore F. Cook was the first book ever to capture the experience of ordinary Japanese people during the war and remains the classic work on the subject.
