100 books like Once Upon a Time in France

This book is from the Asterix series and in general when you read Goscinny's books, you will not regret it, as it will inspire you with many ideas.

He was able to create humor from humans, animals, inanimate objects, and all elements of the story.

As for this book, I chose it because of the events taking place in Egypt, also because of the coherent plot, fast-flowing events, sense of humor, and new ideas. As usual in this type of book, there are some historical facts, but the general structure of the story is fictional.

The historical facts here are Queen Cleopatra VII, Julius Caesar, and the relationship between them, while the rest of the events are fictional and comic.

This book, from Black and Mortimer series, is characterized by wide imagination and attention to details, it may be flawed by some verbosity in the narration, but this was appropriate for that period.

Perhaps the modern generation gets bored of the abundance of descriptions, but if you begin reading this story you will not leave it before the final scene. The events take place in Egypt in the forties of the 20th century, and as an Egyptian I realize how faithful Jacobs was in conveying the image of Cairo in the forties with the utmost honesty and accuracy.

The historical background here is the fact that there was a historian named Manethon, and that Pharaoh Akhenaton existed, and his tomb had not been found yet.

This comic book is one of Hergé's masterpieces, and in the three previous books Hergé was still experimenting.

In the book (Tintin in the Land of the Soviets) the graphics were weak and the scenario were naive, and the book (Tintin in the Congo) was not successful, and the book (Cigars of the Pharoah) made a great development, but the scenario did not reach the degree of maturity.

But in this book, Hergé reached the mixture that he would become famous for later. The clever combination of adventure and political events of that period, in a distinctive style, and drawings that are imprinted in memory.

It is one of the classic books that you will definitely not regret reading.

This comic book is one of the difficult books for the author, unless he is a lover of the work and immersed in its details.

The story is romantic, and takes place in almost one place. Nevertheless, the writer succeeds in not leaving us an opportunity to get bored, especially with the charming Gibrat drawings, which resemble a group of artistic paintings.

The historical background here is the Second World War, and the period of the Nazi occupation of France, which is of the type of war romance, the story of Julien who survived a train accident, to spend a year waiting for a deferred death, in which he recalls his love story with Cecile, and in this year the fates change many persons.

I liked this comic so much when I first read it that I translated it into Arabic, and I recommend you to read this comic.

An expert in French fascism, Kaplan meticulously documents the career and the fate of the anti-Semitic, collaborationist novelist and journalist, Robert Brasillach. He was one of the few prominent intellectuals executed after the Liberation in France. His trial in late 1944 and execution in February 1945 put on the public stage the drama the country had just experienced: the Occupation, collaboration with the Nazis, the Resistance. As Kaplan presents it, Brasillach’s eloquent defense lawyer, the equally eloquent prosecutor, and Brasillach himself articulated the collision of visions of what it meant to be French and what it meant to be a patriot (or a traitor), arguments that still agitate France today. 

Making Cojot, a documentary about a Parisian business consultant who hunted down former Gestapo commander Klaus Barbie, prompted me to closely examine Vichy. This French national administration went out of its way to appease its Nazi occupiers during World War II. But the more answers I dug up, the more questions I had. Verdict on Vichy filled in many of the gaps. For instance, it provided a possible explanation as to why the judges presiding over Barbie’s 1987 trial in Lyon granted his request to sit out the proceedings, thus depriving his victims’ families the opportunity to look him in the eyes as they recounted some of his crimes against humanity. The judges might have pounced at the chance to hide Barbie, who was reportedly ready to spill the beans about French leaders such as then-President François Mitterrand who collaborated with the Nazis. Michael Curtis went to great lengths… show more.

Whereas historians and others in postwar France focused on French resistance to Nazi Germany during their Second World War occupation (1940-1944) relatively few in wartime France did in fact actively resist the Germans. Instead, while some in France either collaborated with the Germans after France’s defeat in 1940, many and arguably the majority chose a more passive accommodation to German supremacy. Especially in the early years of the occupation, French civilians often found the German soldiers more polite and seemingly respectful of the country they had just conquered than had been France’s British allies. Many in France, artists, intellectuals, business, and labor leaders, as well as military and clergy, were quite willing to accept German rule. Some hoped that German occupation would lead toward a more authoritarian French state, more in line with those of Germany and Italy at the time. Anti-Semitism was prevalent in France, where local people often… show more.

I have always wondered whether John Law, the creator of the ill-fated Mississippi System that brought the financial system of France to its knees in 1720, a genius who understood money better than anyone before him, or a deluded fantasist who had learnt just enough to create a monetary weapon of mass destruction?

In his careful and well-researched account, Antoin Murphy leans towards the first interpretation, but he offers enough information to allow the reader to form their own conclusions.

An iconic Resistance novel today, The Silence of the Sea was written at a time when the French Resistance was yet to be invented, and was published clandestinely in 1942. The first work of fiction ever written about the Resistance, and one of the most beautiful, without a doubt. The story of a forbidden love between a German officer and a French woman who was forced to house him, Vercors’ story was meant to entice his fellow citizens to refuse a situation deemed unacceptable. There is no sabotage, explosions, or as traditionally understood acts of heroism, only an invitation to save whatever could be saved. A story of honor and dignity, universal and timeless. 

What I loved about this book is that it is the true story of an American woman living in Nazi-occupied France, where she organised and ran resistance groups and led them in action.

The book, though factual, reads like a fictional novel, and her exploits and shear "daring do" almost beggar belief. She only had one leg, a fact that many who met her were completely unaware of, yet she crossed the Pyrenees on foot in winter!

It didn’t surprise me to find out that the men who "ran" the operations from London and Washington denigrated her achievements and consigned her to obscurity, describing her in the words of the book’s title. But she was a truly amazing heroine, and I would have loved to have met her.