Here are 100 books that On Mexican Time fans have personally recommended if you like
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A decade ago, we could not have imagined a world where democracy would be in existential crisis. Perhaps it’s overly dramatic to think that way – I hope so – but it does seem realistic at this moment. That is why I am so passionate about wanting to defend democracy and the kind of society it makes possible and why I am so drawn to works that express that passion through artful writing and story-telling. With authoritarian and totalitarian regimes dangerously on the rise, books that demonstrate the profound inhumanity and injustice of such regimes and how they extinguish democracy and human rights are needed now more than ever.
I love every book Barbara Kingsover writes, but this one is special for me because of its deeply personal account of key 20th-century political events.
Leon Trotsky and Frida Kahlo are at the centre of a story that juxtaposes Trotsky’s humanistic vision against the inhumanism of Stalin’s Soviet Union and McCarthyism in the United States. All of this is built around the character-driven narrative of a protagonist unwittingly caught up in the political churn of the times.
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WINNER OF THE WOMEN'S PRIZE FOR FICTION 2010
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'Lush.' Sunday Times 'Superb.' Daily Mail 'Elegantly written.' Sunday Telegraph
From Pulitzer Prize nominee and award winning author of Homeland, The Poisonwood Bible and Flight Behaviour, The Lacuna is the heartbreaking story of a man torn between the warm heart of Mexico and the cold embrace of 1950s America in the shadow of Senator McCarthy.
Born in America and raised in Mexico, Harrison Shepherd is a liability to his social-climbing flapper mother, Salome. When he starts…
I am fascinated by the places where cultures intersect and the means by which they do so. I am an American lucky to live in gorgeous San Miguel de Allende, Mexico, and previously in Hirakata, Japan; Shanghai, China; Suva, Fiji; and Oxford, England. Each move entailed a challenging but rewarding effort to absorb a new set of unwritten societal rules. A great way to grow is to immerse yourself in the unknown and have things you took for granted about how the world works suddenly come into question. Another is to learn from those who have gone before us, so I am delighted to share these wonderful books with you.
Under the Volcano is a difficult book worth the effort. Set in Quauhnahuac, now Cuernavaca, it follows the surreal last day in the life of bleakly alcoholic former British consul Geoffrey Firmin.
We witness interactions with his estranged wife, his half-brother, and a childhood friend—both of whom have probably had an affair with the wife—as well as various other undependable characters real and hallucinatory. For careful readers, Lowry offers a rich buffet of symbolism and allusions to the work of writers from Dante to Shakespeare.
I certainly missed a few of the references but enjoyed the hunt nonetheless. Under the Volcano features the foibles of British rather than American expats, but the lessons apply equally.
One of the twentieth century's great undisputed masterpieces, Malcolm Lowry's Under the Volcano includes an introduction by Michael Schmidt in Penguin Modern Classics.
It is the fiesta 'Day of the Dead' in the small Mexican town of Quauhnahuac. In the shadow of the volcano, ragged children beg coins to buy skulls made of chocolate, ugly pariah dogs roam the streets and Geoffrey Firmin - ex-consul, ex-husband, an alcoholic and a ruined man - is living out the last day of his life. Drowning himself in mescal while his former wife and half-brother look on, powerless to help him, the consul…
I am fascinated by the places where cultures intersect and the means by which they do so. I am an American lucky to live in gorgeous San Miguel de Allende, Mexico, and previously in Hirakata, Japan; Shanghai, China; Suva, Fiji; and Oxford, England. Each move entailed a challenging but rewarding effort to absorb a new set of unwritten societal rules. A great way to grow is to immerse yourself in the unknown and have things you took for granted about how the world works suddenly come into question. Another is to learn from those who have gone before us, so I am delighted to share these wonderful books with you.
I read The Old Gringo in college before I had any inkling that I would one day be a not-too-old gringa making her home in San Miguel de Allende.
Fuentes imagines meaningful final days for Ambrose Bierce, an American journalist who in 1913 headed off into Mexico at the age of 71, never to be heard from again. I love this book for the way Fuentes captures and probes profound differences and lingering mistrust between our cultures as well as the universal human struggles for meaning, opportunity, security, and belonging.
While Fuentes’ old gringo, we are told, came to die a worthy soldier’s death in Mexico, the gringos of my generation are here to live fully and well.
One of Carlos Fuentes's greatest works, The Old Gringo tells the story of Ambrose Bierce, the American writer, soldier, and journalist, and of his last mysterious days in Mexico living among Pancho Villa's soldiers, particularly his encounter with General Tomas Arroyo. In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.
I am fascinated by the places where cultures intersect and the means by which they do so. I am an American lucky to live in gorgeous San Miguel de Allende, Mexico, and previously in Hirakata, Japan; Shanghai, China; Suva, Fiji; and Oxford, England. Each move entailed a challenging but rewarding effort to absorb a new set of unwritten societal rules. A great way to grow is to immerse yourself in the unknown and have things you took for granted about how the world works suddenly come into question. Another is to learn from those who have gone before us, so I am delighted to share these wonderful books with you.
South to Freedom tells the relatively unknown story of Americans who moved to Mexico for the most existential of reasons: to flee slavery in the 1840s-1850s.
Although Mexico has its own history of slavery, it abolished that evil earlier than the United States did, and this book provides accounts of Mexican officials and ordinary citizens risking their lives to protect fugitive slaves from pursuing slaveholders.
Southern states believed that annexing Texas and invading Mexico would ensure slavery's continuation, but as Baumgartner shows, those actions were instead among the proximate causes of the Civil War. Baumgartner’s important book enhances the sanitized version of Civil War history I learned in school and sheds light on this noble aspect of Mexican history.
A "gripping and poignant" (Wall Street Journal) account of the coming of the American Civil War, showing the crucial role of slaves who escaped to Mexico
The Underground Railroad to the North promised salvation to many American slaves before the Civil War. But thousands of people in the south-central United States escaped slavery not by heading north but by crossing the southern border into Mexico, where slavery was abolished in 1837.
In South to Freedom, prize-winning historian Alice L. Baumgartner tells the story of why Mexico abolished slavery and how its increasingly radical antislavery policies fueled the sectional crisis in…
My father introduced me to the world as we paged through his old pre-WWII atlas. We traced borders and rivers with our fingers and he spoke names that were magical incantations and invitations to a world more exciting and mysterious than our midwestern home. As a reader, I was drawn to books about travel and as a budding writer, I was inspired by the adventures of “Brenda Starr, Girl Reporter” featured in the Sunday comics of my youth. I packed my bags early and my passport is never out of date. I continue to read traveloirs, and I write in my journal every day. Oh! The places I will go.
With this “traveloir,” Mary Morris showed me how to do it: How to travel alone as a single woman when you didn’t have a plan or an agenda; how to write about people and places that bring them alive; how to find your own story in your travels and in your writing.
Mary Morris published this book in 1989, the year before I set off on my own—a (much older) single woman traveling without a plan or agenda. As I opened the yellowed pages again, after many years, I read this line: “I settled into loneliness once again.” Next year I’ll be traveling to San Miguel de Allende, one of the settings in Nothing to Declare. I may take this book with me and read it again.
Chronicling her travels throughout Central America, the author offers an unvarnished view of the precarious realitie's of everyday life in a harsh and ruthless land
Although I grew up in the heart of a big city (Pittsburgh, PA), I have always loved animals. I had dogs, I had cats, I had turtles. There was a horse that pulled a wagon through our streets and he always stopped so I could feed him sugar. I still remember the way his breath felt on the palm of my hand. My parents would drive me to a park where I could rent a horse and ride. I’m old now and I’d have to be lowered onto a horse by a crane, but sometimes I think it would be great if that were to happen.
Heads Up - Heels Down is beautifully written by C. W. Anderson and beautifully illustrated with pencil drawings by Paul Brown. I remember some of his lines and I read this book first when I was 13! Buy an old hunter, he says, and if there’s a fence between you and open country, “he will solve the problem nicely.”
As a second-generation immigrant, I knew very little of my family’s migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in common—how our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
I read The Brick People when it was first published in 1988.
At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.
The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.
Morales shows how history from the ground up is manifested in people’s lives. His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.
This engrosing historical novel traces the growth of California from the nineteenth to the twentieth centuries by following in the development of the Simons Brick Factory. With an attention to historical reality blended with myth and legend, the prolific Morales recounts the epic struggle of a people to forge their destiny, along with Califonia's.
I’m a person like you who has lived difficult situations, has had losses, made mistakes, and deals with bad days wondering about my existence and purpose in life. I have a gift, and it's writing; I began sending reflective messages to the people at my office and that’s when I noticed that people loved them. Years later, after reading several books and accumulating more experience, I realized that there are several experiences that are common to all, but few questioned. Therefore, I decided to share my insight and thoughts in my second book, hoping to help people be a better version of themselves and live their lives to their fullest.
This book first caught my attention for the title—it’s a common Mexican phrase we use at the end of a fairytale story.
When I began reading it, I loved that the author used different color fonts so we can identify which character is talking. I found it very entertaining and fun.
When I read it, I was living in pain, longing to have a partner. This book helped me to see that nothing can be rushed; everything happens when it must happen. I learned that I could use fear to my favor and live life as I want, because the rest will come. Life is always on our side. And from time to time, I still read again the key parts that helped me when I was in pain.
Not The End was first released in 2001 and since that first edition has been read and reread, given, lent and recommended by readers of all ages, of all genders, of different religions, preferences and countries. It has passed from hand to hand and from mouth to mouth, changed publisher, cover, color and presentation. Less than two years after its publication, it became a national bestseller in Mexico and has deeply touched the hearts and lives of thousands of people.
Now eleven years later, Not The End celebrates its twenty-ninth edition in Mexico and the first one in it´s translation…
I’ve been deeply struck by the rise in violence occurring in Mexico because I have seen it evolve before my eyes while living in and out of the Mexican countryside, places where the wealth and power of drug cartels and their collusion with the state and its institutions, can be seen first-hand. I have come to realize that literature has been the most accurate means of capturing this phenomenon, which has become the zeitgeist of the country, an issue that has bicultural and cross-border connotations because the main consumer is the United States of America, while the ravages of violence are felt in Mexico daily
This comprehensive nonfiction book takes on a century-long analysis of the root causes of drug distribution in Mexico, ranging from the mass migration of Chinese people and the importation of poppies to the establishment of opium dens along the US-Mexico border, from the medicinal uses of healers and farmers to the rise of kingpins and drug-lords.
This book also maps the issue of drug consumption in the United States of America and the inherent violence it causes south of its border with the rise of cartels that cause the current sadistic state of violence in Mexico. This book is a historical journey that marks the spiraling, out-of-control story of drugs in Mexico.
The Mexican drug trade has inspired prejudiced narratives of a war between north and south, white and brown; between noble cops and vicious kingpins, corrupt politicians and powerful cartels. In this first comprehensive history of the trade, historian Benjamin T. Smith tells the real story of how and why this one-peaceful industry turned violent. He uncovers its origins and explains how this illicit business essentially built modern Mexico, affecting everything from agriculture to medicine to economics-and the country's all-important relationship with the United States.
Drawing on unprecedented archival research; leaked DEA, Mexican law enforcement, and cartel documents; and dozens of…
I once saw a play at the renowned Oregon Shakespeare Theatre. A play about Sor Juana. It was a good play, but it felt like something was missing like jalapenos left out of enchiladas. The play kept nudging me to look further to find Sor Juana, and so for the next five years, I did so. I read and read more. I listened for her voice, and that is where I heard her life come alive. This isn’t the only possibility for Sor Juana’s life; it is just the one I heard.
The colonial period of Mexico was a mystery to me, so I turned to the ultimate source, this book by Paz. Surprisingly, I found that I did not agree with all of Paz’s conclusions about Sor Juana and the time she lived. He wrote from a male perspective, a middle-aged scholarly male perspective. Sor Juana was a young woman, a distinguished scholar in her own right. Had she written such a history, it would be quite different.
Sadly, there is no such book written from a woman’s perspective, so I invite you to join me in discovering what nuggets of wisdom you can in this book, truly the ultimate deep dive into Sor Juana’s life and times. Yes, I relied a great deal on Paz’s research. You will find it fascinating too.
Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Ines de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.
Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protegee. For five…