93 books like Negotiations with God 2

I loved all of McCaffrey’s The Claire Trilogy books and recommend reading them first, but Finding Jimmy Moran will always occupy a special place in my heart.

McCaffrey is a born storyteller – he pulls you into his world and makes it feel like your own. The book is gritty, hilarious, sometimes gut-wrenching and (while allegedly fiction) it is also one of the most accurate representations of the wild west reckless abandon enjoyed by New York kids growing up in the 1970s and ’80s.

It’s the type of book that makes you want to break out a bottle of good Irish whiskey and read in a single sitting.

I’ve probably read Apathy and Other Small Victories a dozen times.

The first time was on an international flight, and I was laughing so hard that I was legitimately concerned that the seat next to me was going to call for an air marshal to lock me down. Like a modern-day, more introspective cousin of JP Donleavy’s The Ginger Man, this book will either offend the hell out of you or have you laughing out loud on just about every page. It will always be one of my all-time favorites.

The Other Hotel was my first Jack Stroke book and after the first few pages I was hooked.

The writing is easy, authentic, and unpretentious – reading it quickly made me feel like I was hanging out with an old friend. The plot is twisted, the characters are off-the-hook, and Stroke has the unique capacity to inject a sense of apathetic calm into situations where all hell is breaking loose – making the book a tremendous amount of fun.

I highly recommend the whole series.

I recommend starting with Volume One of the series, which is fantastic. But I’m calling out Volume Two in this particular list because it’s where Jerry, one of my favorite characters ever, really hits his stride.

Not to take anything away from Jack (the first-person protagonist who exhibits a dry, laid-back sense of humor in the face of all kinds of outrageous paranormal absurdities) but for me Jerry is a perfect example of a character that doesn’t take himself, or anything else in the world, seriously at all.

Without a doubt the best dark humor series set in a gas station that I’ve read in years.

I was fascinated and appalled to learn of the CIA’s Project MK-Ultra, a long-running program in which the CIA dosed unwitting victims with LSD to study its effects and potential as a mind-control weapon. The subject has been covered in other books, but this graphic novel, illustrated by Stewart Kenneth Moore, brings this alarming tale to life visually.

His garish colors and mind-warping graphics depict the hallucinatory experiences in a sometimes appealing but more often terrifying manner. Moore’s art also gives the straight narrative elements of the story a warped, dreamy quality, imbuing even mundane reality with the disturbing quality of an acid flashback.

I love the look of late-1960s psychedelic art, which I associate with Peter Max and the animated movie Yellow Submarine. The style is one of simple linework filled with intense colors, to which are added decorative elements and optical effects.

A French cartoonist, Caza, brings this style to Kris Kool, his 1970 erotic science-fiction graphic novel. Like a male version of Barbarella, space traveler Kris Kool experiences bizarre and surreal adventures, many of them sexual. The plot is well constructed and carried me along with its surprising turns. There is no depiction of drug use, but the fantasies and imagery make reading it as trippy an experience as one can find between the covers of a book.

If all my choices so far have been, in some way, about the psychedelic experience, this is a practical hands-on guide about how to occasion one yourself. Psychedelics can be consumed safely, but there are attendant risks, not least from their continued illegality in many parts of the world. Vayne, who has decades of experience as a psychedelic user and ritual technician, talks the reader through recommended ways to prepare for a psychedelic experience, how to navigate what subsequently unfolds, and how to integrate it afterwards. This is the indispensable guide for the psy-curious, and even better it comes with a cover designed by legendary British psychedelic comic artist, Pete Loveday. 

My mind was blown when I encountered the work of Philippe Druillet in the mid-1970s. This French cartoonist is considered one of the greatest of them all, creating alien worlds of startling originality and stupefying grandeur. Fifty years later, his work is as startling and original as it appeared back then.

No one has surpassed his ability to depict scenes of such mind-boggling scale and otherworldliness, as if he had a unique glimpse of some higher realm. As a young cartoonist, I was strongly influenced by Druillet, who inspired me with his demonstration of what it was possible to achieve in the comic book form. His work is not drug-oriented but depicts the sort of visions those who take hallucinogens would hope to experience.

There are plenty of academic tomes about psychedelics—their chemistry, their medical applications, their cultural impact, and so on. I was hunting for something more personal: stories of people’s experiences while zonked out of their gourds. What I found was this aptly named collection of tripping stories, with chapters submitted by writers from all walks of life.

It's a sipping book—at over 500 pages, it’s one you take a chapter at a time, not devour cover to cover. What makes the book special is its remarkable curation: the stories are diverse, covering the full gamut of psychedelic experiences from spiritual nirvana to hellish ordeals. Some stories struck me as stronger than others, but thanks to the editor’s deft hand, the prose always sparkles.

Like a good acid trip, the overall effect is stimulating and emotionally satisfying. But unlike a real trip, this vicarious ride is one you can pause and resume… show more.

I treasure this book for the artwork. The rather simple story tells of Albert Hofmann’s creation of LSD 25 on April 19, 1943, in a Sandoz laboratory in Switzerland. That day is known as Bicycle Day because after accidentally ingesting the chemical, Hofmann had a powerful psychedelic experience as he rode his bicycle home.

This trip is vividly depicted in a lengthy series of full- and double-page spreads, which become increasingly bizarre and hallucinatory as they go along. Blomerth’s cartoony but precise style is warm and whimsical, and he adds striking graphic effects to it. The art is presented to its best advantage on matte ivory stock that sets off the intense colors, which include Day-Glo colors.