Here are 100 books that Monster fans have personally recommended if you like
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I grew up reading dark fiction, and the only two books I kept from that period were The Wicked Heart and Whisper of Death, both by Christopher Pike. Though both were categorized as horror, the first is a crime mystery that partly follows the murderer, while the latter feels like an episode out of The Twilight Zone. I never cared for pure horror, and a book doesn’t have to scare me for me to find them enjoyable. What I often wanted was a tangible sense of dread paired with insight into the human psyche, which I believe makes for a more potent reading experience.
How do witch hunts start? How do they keep? Who keeps them churning until all parties involved are dizzy, and only the accusers are innocent?
A group of girls in 1692 are caught dancing around a fire in the woods, trying to conjure spirits or cast spells. They discover they can escape retribution by blaming the slave, Tituba, which starts a slew of false accusations. Whenever the so-called prosecution comes close to the truth, whenever evidence is about to expose the girls’ elaborate lie, they scream, fall to hysterics amidst befuddled men, as if some witch is tormenting them, and so point out a fresh victim for the witch hounds to pursue. The biggest lark is that none of them are witches, and the only craft the girls weaved was condemning innocent lives to torture and eventually death. You have to wonder who’s to blame here: Abigail…
Based on historical people and real events, Arthur Miller's play uses the destructive power of socially sanctioned violence unleashed by the rumors of witchcraft as a powerful parable about McCarthyism.
I grew up reading dark fiction, and the only two books I kept from that period were The Wicked Heart and Whisper of Death, both by Christopher Pike. Though both were categorized as horror, the first is a crime mystery that partly follows the murderer, while the latter feels like an episode out of The Twilight Zone. I never cared for pure horror, and a book doesn’t have to scare me for me to find them enjoyable. What I often wanted was a tangible sense of dread paired with insight into the human psyche, which I believe makes for a more potent reading experience.
What a sensible-sounding title to a series that was anything but. David Lynch is famously known for avoiding explaining his work lest he kills the mystery, but not only did Frost deftly provide an explanation while keeping the mystery alive, he aggrandized the lore behind it into mythology.
The Secret History of Twin Peaks enlarges the world of the original series, placing the unexplained phenomena that unfolded there into a vastly layered, wide-ranging history, beginning with the journals of Lewis and Clark and ending with the shocking events that closed the finale. The perfect way to get in the mood for the upcoming Showtime series.
To understand why I write macabre stories, you could ask my therapist if I had one. I’ve had this bent since my mother read me Dr. Seuss’ What Was I Scared Of? (A title that inspired the title of my TV series Are You Afraid of the Dark?) Blame it on her. My reading was dominated by the short stories I mentioned and magazines like Eerie and Creepy. I also consumed a steady diet of Twilight Zone and Saturday matinee horror movies. Why? I believe it’s because these stories offer imaginative conflicts that are far removed from reality yet told through the perspective of common experience. And they’re always wrapped in a compelling mystery.
This is more of a general recommendation for the myriad of terrific horror-themed short stories that I’ve been reading since I was young. The Most Dangerous Game, The Birds, The Upper Berth, anything by Poe, The Legend of Sleepy Hollow, The Specialty of the House, the list goes on. And on.
These types of short stories always have a disturbing premise that makes you shudder; they are paced so that you can’t turn the pages fast enough and often end with a stunning twist. I picked this book since I feel it is a quintessential example of this genre and because I have a personal bias since I used it as the basis for the pilot episode of my TV series.
Outside, the night is cold and wet. Inside, the White family sits and waits. Where is their visitor? There is a knock at the door. A man is standing outside in the dark. Their visitor has arrived. The visitor waits. He has been in India for many years. What has he got? He has brought the hand of a small, dead animal - a monkey's paw. Outside, in the dark, the visitor smiles and waits for the door to open.
I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This novel has so many reasons to recommend it. It incorporates radical experimentation and horrifying surgeries being done in a bizarre hospital. To make it even more mysterious, there is a hurricane threatening the island which complicates the investigation of US Marshall Teddy Daniels searching for a patient who has disappeared.
I loved the creepy island hospital and the use of weather as a character.
The basis for the blockbuster motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Shutter Island by New York Times bestselling author Dennis Lehane is a gripping and atmospheric psychological thriller where nothing is quite what it seems. The New York Times calls Shutter Island, “Startlingly original.” The Washington Post raves, “Brilliantly conceived and executed.” A masterwork of suspense and surprise from the author of Mystic River and Gone, Baby, Gone, Shutter Island carries the reader into a nightmare world of madness, mind control, and CIA Cold War paranoia andis unlike anything you’ve ever read before.
I am an academic historian in the UK, and before that, I was a journalist in Tokyo, where I lived for twenty years. To me, Japan is one of the most intriguing and sensuous places on earth. I never tire of its smells, sounds, signs, and flavours. The language is mesmerizing. The landscapes are stunning. The culture is endlessly surprising. I research and write about Japan’s past – its transformations, upheavals, and traditions – to make sense of the incredible array of experiences I have encountered while living there.
Tokyo Year Zero follows detective Minami on the hunt for a serial killer in the immediate post-war period. It is a haunting and addictive journey inside the underbelly of Japan’s shattered capital city in the glaring light of defeat. There is crime, gang warfare, desolation, corruption, and decay. But Peace is above all a master of language, and his prose – fragmentary, truncated, hallucinatory – produces an idiosyncratic rhythm that mirrors the mental disintegration of a man and the convulsions of an entire city. A novel that will stick to your skin years after reading it.
Part one of David Peace's 'Tokyo Trilogy', and a stunning literary thriller in its own right, from the bestselling author of GB84 and The Damned Utd.
August 1946. One year on from surrender and Tokyo lies broken and bleeding at the feet of its American victors.
Against this extraordinary historical backdrop, Tokyo Year Zero opens with the discovery of the bodies of two young women in Shiba Park. Against his wishes, Detective Minami is assigned to the case; as he gets drawn ever deeper into these complex and horrific murders, he realises that his own past and secrets are indelibly…
As many of my novels are set in Japan, I try to read as many Japanese authors as I can. Firstly, they offer great insight into the Japanese psyche and Japanese culture, and secondly, they are extremely enjoyable reads. My main series is the Reiko Watanabe/Inspector Aizawa novels, crime thrillers set in 1930s Japan, and while only one of these books takes place during that era, I feel they all provide a great springboard into Japanese crime fiction, a genre that hopefully gains more notoriety in the West.
Set in modern-day Tokyo, this is the first entry in the Reiko Himekawa series about a female detective in the Tokyo Police Department. I enjoyed this book mostly for the plot, which involves Himekawa tracking down a serial killer who tortures victims on a snuff website called “Strawberry Night.” It provides great insights into Japanese culture, both personal and workplace, and the inner details of the Tokyo Police Department.
When a mutilated body wrapped in a blue tarpaulin is found in a quiet neighbourhood, Lieutenant Reiko Himekawa and her squad are assigned the case. As the youngest female detective in the Homicide Division, Reiko has a lot to prove, but she has an undeniable ability to solve crimes. When she uncovers more murders with the same signature, she know sthere is a serial killer at work.What is Strawberry Night, the dark web group that links all the victims? And how long will Reiko survive, now the killer knows her name?
I’ve always been a fan of dark stories and unsolved mysteries. As I grew older, this led me to read true crime, historical mysteries, horror stories, and mystery detective fiction. I also have a preference for classic stories from decades gone by, as I have a strong interest in how genre-defining stories that appear at a certain time can have great influence over a generation of writers. So, it’s fitting to say that all my recommendations tend to be great stories from long ago. Much like the Sherlock Holmes stories by Arthur Conan Doyle, people still read these stories today and probably will in the future since great stories are timeless.
I like macabre mysteries with compelling hooks and clever resolutions that blow my mind, and this book does exactly that. Japan has a long tradition of writing “fair play” mysteries, which they call honkaku novels. These borrow from the Golden Age of Detective Fiction in the vein of Agatha Christie but certainly are their own category.
These novels are like puzzles, focusing on the rules of fair play by giving readers all they need to figure out the mystery. This story was my first honkaku story and is only the length of a novella (like many honkaku novels), and it’s also rather dark, which I enjoy since I like horror as much as mystery.
'If you like your crime stories to be bloody and bizarre, then this one may be for you. The winner of several major awards... the solution is one of the most original that I've ever read' Anthony Horowitz
A bestselling and internationally-acclaimed masterpiece of the locked-room mystery genre
Japan, 1936. An old eccentric artist living with seven women has been found dead - in a room locked from the inside. His diaries reveal alchemy, astrology and a complicated plan to kill all seven women. Shortly afterwards, the plan is carried out: the women are found dismembered and buried across rural…
Living in Britain for the past 20 years, I've been able to look at Japan with new eyes and to understand historical events from a global perspective. 'Cherry' Ingram's story isn't just about a man and his love for cherry blossoms. It's also about the cherry ideology and how it was perverted for militaristic purposes before and during World War II. While researching the book, I was amazed how many compelling anecdotes came to light that offered new insights into both British and Japanese society in the early 20th century.
Buruma compares how the Japanese and Germans view their World War II behaviour and actions, with particular attention given to memories of Auschwitz, Hiroshima, and Nanking. While Germany was preoccupied after the war with atoning for its past sins, Japan swept them under the carpet. Buruma explains how, why and what this means for today's younger generation.
In this highly original and now classic text, Ian Buruma explores and compares how Germany and Japan have attempted to come to terms with their violent pasts, and investigates the painful realities of living with guilt, and with its denial.
As Buruma travels through both countries, he encounters people whose honesty in confronting their past is strikingly brave, and others who astonish by the ingenuity of their evasions of responsibility. In Auschwitz, Berlin, Hiroshima and Tokyo he explores the contradictory attitudes of scholars, politicians and survivors towards World War II and visits the contrasting monuments that commemorate the atrocities of…
I’ve worked with business leaders on pay projects all over the world, at companies like Nike and Starbucks, in places like Brazil, Mexico, Vietnam, Singapore, the UAE, and all over Europe. While many business books are written from a theoretical or academic perspective, I bring an operator’s perspective. I get to work out the ideas in my book, Fair Pay, on a daily basis, and so I wrote the book to be a realistic and practical guide for understanding the perspectives of business leaders, human resources, and the typical employee.
Originally published in the late 1950s, “The Crystal Palace” could have easily been the inspiration for any number of modern workplace comedies. Harrington’s story about a sprawling and sterile corporate campus shows the lack of meaning the workplace can provide for the typical worker. Think Office Space + Severance, where “the Crystal Palace serves, among its many functions, as a protective league for small talents.” If you worry about your work having too little meaning, and if you want more from your life than a stable career, this story rightly puts that pursuit back on you to develop as a person and not seek meaning only from your job.
Thousands of men enter the crystal palace yearly. In time they must make a choice: accept the numbing security of big corporation life or revolt against submission. Especially in times of economic upheaval, this book makes the reader question their fear of loosing a job at a large corporation. Will you silently suffer for a paycheck, or will you stand up against the monotony and dullness of cubicle life? Life in the Crystal Palce has been published in England, Germany, and Japan. V.S. Pritchett described the book as "a deeply ironical and polished analysis of the welfare corporations," and its…
I am an academic historian in the UK, and before that, I was a journalist in Tokyo, where I lived for twenty years. To me, Japan is one of the most intriguing and sensuous places on earth. I never tire of its smells, sounds, signs, and flavours. The language is mesmerizing. The landscapes are stunning. The culture is endlessly surprising. I research and write about Japan’s past – its transformations, upheavals, and traditions – to make sense of the incredible array of experiences I have encountered while living there.
Floating Clouds tells the story of a young woman who returns to Tokyo from Japan’s ex-colony in Indochina after the war and resumes the love affair with the man she met there. Their relationship is tormented and ultimately broken, like Japan’s dreams of empire and the promises of youth. The author, who had experienced destitution when she was young, weaves into the story the contrasting luxuriance of the colony’s tropical forests and the grime and spiritual emptiness of post-war Tokyo. This is such an honest and heart-wrenching novel.
In this groundbreaking novel, Fumiko Hayashi tells the powerful story of tormented love and one woman's struggle to navigate the cruel realities of postwar Japan. The novel's characters, particularly its resilient heroine Koda Yukiko, find themselves trapped in their own drifting, unable to break out of the morass of indecisiveness. Set in the years during and after World War II, their lives and damaged psyches reflect the confusion of the times in which they live. Floating Clouds follows Yukiko as she moves from the physically lush and beautiful surroundings of Japanese-occupied French Indochina to the desolation and chaos of postwar…
