Here are 100 books that Minna Needs Rehearsal Space fans have personally recommended if you like
Minna Needs Rehearsal Space.
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I’ve been researching treatment harms for 3 decades and founded RxISK.org in 2012, now an important site for people to report these harms. They’ve been reporting in their thousands often in personal accounts that feature health service gaslighting. During these years, our treatments have become a leading cause of mortality and morbidity, the time it takes to recognize harms has been getting longer, and our medication burdens heavier. We have a health crisis that parallels the climate crisis. Both Green parties and Greta Thunberg’s generation are turning a blind eye to the health chemicals central to this. We need to understand what is going wrong and turn it around.
In focusing on her daughter, Luise, a mother, Dorrit Cato, in this extraordinary book captures all that is going wrong and getting worse in medical care today. Very early on you know what is going to happen and feel powerless to stop it. Maybe I feel this way so much because I see it happening every day. I’ve bought lots of copies and given Dear Luise to many working in healthcare, who have found it equally raw. If you only have minimal encounters with healthcare or encounters where things have gone well, you may find this story sad but think it a rare exception. Trust me, in mental healthcare today Dear Luise is the norm, and tomorrow it will be the norm for all of health.
‘An unintended event.’ This was the bland phrase used to describe Luise’s sudden death in the psychiatric ward at Amager Hospital in Copenhagen, Denmark. She was 32.
Dear Luise is a mother’s deeply personal account of her struggle to ensure her daughter’s survival through 20 years of treatment in the Danish mental health system. It is an alarming – and thoroughly documented – exposé of the abject failure of the medication-based treatment regimen routinely imposed on vulnerable psychiatric patients. This book is also a poignant tale of love and hope, brimming with tender memories of the creativity, originality and wry…
In 2009, I opted out of a career in consulting to pursue a PhD in Sociology and to research women who opt out of successful careers to live and work on their own terms. I was convinced that it wasn’t a women’s issue but a contemporary one and I later went on to research men opting out. As I collect stories of people who opt out and in, it becomes clear that opting out is a symptom of contemporary organizational cultures and the way we are expected to work. I’m on a mission to change working life as we know it and these books have been enormously helpful to me.
I was impressed by this book because it so clearly explains why the way we think about business, work, and organizations has to change and it shows us how everything is connected.
The system we have known for as long as we can remember is no longer working. On the contrary, it’s harming us, our health, our wellbeing, our planet, and our future. Only by rethinking the way we lead and organize can we secure a future for ourselves and our planet.
The book is visually beautiful, it is life-affirming and full of examples of organizations that are already doing things differently, and it also works as a handbook for becoming a regenerative leader.
This book by leadership and sustainability experts Giles Hutchins and Laura Storm provides an exciting and comprehensive framework for building regenerative life-affirming businesses. It offers a multitude of business cases, fascinating examples from nature’s living systems, insights from the front-line pioneers and tools and techniques for leaders to succeed and thrive in the 21st century.
Regenerative Leadership draws inspiration from pioneering thinking within biomimicry, circular economy, adult developmental psychology, anthropology, biophilia, sociology, complexity theory and next-stage leadership development. It connects the dots between these fields through a powerful framework that enables leadership to become regenerative: in harmony with life, building…
I am an accidental emigrant now living in Auckland, New Zealand. I arrived with my then husband and our three sons in 1990 for a three-year spell. And here I am with two sons now settled in New Zealand and one in Sweden and me in a very awkward split position between the two. I am also an accidental author as my first career was in law and finance. I am presently working on my seventh novel. My novels are what my publishers call literary fiction and they often involve characters who, like me, have no fixed abode.
This is an unusual crime story set in Copenhagen, Denmark. It caused a sensation when it was published in 1992. The main character Smilla Jaspersen is a half Inuit scientist from Greenland, lonely and homesick in the big city. The death of an Inuit boy pulls her into a complex web of crime exposing Denmark’s complicated relationship with its protectorate Greenland. The title refers to the Inuit people’s understanding of their wintry habitat, and is a reminder of the threat to traditional lifestyles of many indigenous people. A thriller, but so much more.
One snowy day in Copenhagen, six-year-old Isaiah falls to his death from a city rooftop.The police pronounce it an accident. But Isaiah's neighbour, Smilla, an expert in the ways of snow and ice, suspects murder. She embarks on a dangerous quest to find the truth, following a path of clues as clear to her as footsteps in the snow.
After years dedicated to the hard facts of a newspaper reporter’s life, including a sting covering the police beat, Carmen Radtke has changed her focus to fiction. She’s been fascinated by both history and mystery as long as she can remember and stays dedicated to the truth behind the lie, and the joys of in-depth research. As a repeated emigrant, she is enthralled by voyages into the unknown and the courage (or madness) that takes.
Carolyn Hart is one of those cozy mystery writers who effortlessly reel me into their world. Set Sail for Murder satisfies my longing for travel with its itinerary and the lush vivid descriptions, as well as having an enjoyable mystery at its core. As a former journalist, I’m also a sucker for retired reporters turned sleuth. I read this first on a train, and it made the hours fly by. As soothing as the sound of waves gently lapping a boat.
Though retired newspaper reporter Henrietta O'Dwyer Collins, Henrie O to her friends, once turned down a marriage proposal from Jimmy Lennox, he's still one of her most cherished friends. So when he asks for her help on behalf of his wife, world-famous documentary filmmaker Sophia Montgomery, Henrie O reluctantly agrees to join them on a Baltic cruise. Sophia is the stepmother to the now-grown heirs of a great fortune, who are none too happy that she controls their inheritance. But do they really want her dead? Jimmy thinks so, and he wants Henrie O to prove it.
I’ve written fourteen novels about family, friendship, food, and love; stories that I hope transport people so completely and utterly, that they almost forget they are reading and instead find themselves walking in the shoes of the characters. That’s what I’m aiming for anyway. As a reader it’s what I want also – to laugh and cry, and feel the characters are people that I know and feel sorry to leave them behind when I turn the last page.
This gently-paced and richly atmospheric story is a real experience to read.
It is filled with myths and wonders, raw sadness, and exquisite beauty. The main character Esther is not always easy to like. She can be self-centred and destructive. But her journey over the course of this novel is deeply moving.
Esther is grieving for her elder sister Aura who is missing presumed drowned. The story begins a year after her disappearance as Esther returns to her childhood home in coastal Tasmania for Aura’s memorial. There her parents ask her to do something she isn’t sure she can manage.
They want her to travel to Denmark, where Aura spent time before she died, to find out what happened there and why she returned home such a different person.
From international bestselling author of The Lost Flowers of Alice Hart, Holly Ringland, comes a haunting and magical novel about joy, grief, courage, and transformation.
'On the afternoon that Esther Wilding drove homeward along the coast, a year after her sister had walked into the sea and disappeared, the light was painfully golden.'
The last time Esther Wilding's beloved older sister Aura was seen, she was walking along the shore towards the sea. In the wake of Aura's disappearance, Esther's family struggles to live with their loss. To seek the truth about her sister's death, Esther reluctantly travels from Lutruwita,…
As a retired psychotherapist, I love a good book with complex characters that stand up to analysis. As a moody introvert, I especially enjoy untangling a set of clues in an atmosphere of suspense. Given that I live in a remote, wild area with plenty of snow and extreme weather, I am a good judge of stories about people being pitted against the elements. Finally, I am always curious to learn more about indigenous cultures since I live near more tribal land than anywhere in the US except Alaska. And, of course, I’m a mystery writer!
A Time Best Book of the Year · An Entertainment Weekly Best Book of the Year · A People Best Book of the Year · Winner of the CWA Silver Dagger Award · A Finalist for the Edgar Award for Best Mystery Novel
First published in 1992, Peter Høeg's Smilla's Sense of Snow instantly became an international sensation. When caustic Smilla Jaspersen discovers that her neighbor--a neglected six-year-old boy, and possibly her only friend--has died in a tragic accident, a peculiar intuition tells her it was murder. Unpredictable to the last page, Smilla's Sense of Snow is one of the…
I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael.
This is the most fun you’ll ever have reading about music history, guaranteed. Gioia focuses on outsiders, renegades, and people at the margins of society who launched musical innovations that were later adopted – and legitimized – by leaders of mainstream culture.
“So don’t be surprised,” he warns early on, “if a woman’s erotic love song gets turned into a scriptural utterance by a king. That’s how the history of music unfolds, especially for anything innovative or transgressive.”
I especially appreciated how, in examining music’s 4,000-year history, Gioia never fails to highlight contributions by women, which sets his book apart.
The phrase "music history" likely summons up images of long-dead composers, smug men in wigs and waistcoats, and people dancing without touching. In Music: A Subversive History, Gioia responds to the false notions that undergird this tedium. Traditional histories of music, Gioia contents, downplay those elements of music that are considered disreputable or irrational-its deep connections to sexuality, magic, trance and alternative mind states, healing, social control, generational conflict, political unrest, even violence and murder. They suppress the stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact,…
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I think music is magic. Sometimes, it feels like reading about music deflates its inherent mystery. When I finished Dilla Time, it was like I had taken mushrooms and could see beat patterns with my mind’s eye. Although a good portion of Dilla Time is biographical, the parts I love are the chapters explaining how rhythm works, and Charnas dives deep into this topic.
The biography portion strengthens those sections because Dilla fundamentally changed the rhythm of pop music. I read this book, and my understanding of rhythm completely changed—and I am a drummer! Plus, the mixed-media, multi-formatted content is such a delight. He even includes graphs. Who doesn’t enjoy a nice graph?
It's Dilla Time. Finally. Dilla Time is the story of the invention of a new kind of time, a new kind of sound, by the most influential music producer of the last twenty-five years, someone you may never have heard of: J. Dilla. He's revered by rappers and producers from Kanye West to Kendrick Lamar, and he worked with the likes of Michael Jackson and Janet Jackson-but Dilla himself never rose to mainstream fame, despite revolutionizing the way music sounds before his untimely death at the age of thirty-two.
In Dilla Time, Dan Charnas chronicles the life of J. Dilla,…
I am a science journalist and broadcaster with a degree in Psychology and a deep passion and fascination for people, their behavior, and the workings of the human mind. For nine years, I produced and presented the popular Australian ABC radio program and podcast, All in the Mind, in which I explored a range of topics, including neuroscience, psychiatry, psychology, cognitive science, mental health, and human behavior. I’ve received numerous media awards and contributed to media award judging panels. All in the Mind - fascinating, inspiring, and transformative stories from the forefront of brain science is my first book. I continue to write and communicate about the topics I am inspired by.
I love this book because it explores the brain science behind how and why we perceive music and the role it often plays in our lives. I enjoy how he not only explains neuroscience in a clear and engaging way but also connects science with our unique human experience of emotions, memory, and individual taste.
As a neuroscientist and a musician, the author draws me in with his deep understanding and enthusiasm about music. His passion and curiosity shine through in a highly accessible and readable way.
In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music-its performance, its composition, how we listen to it, why we enjoy it-and the human brain.
Taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin poses that music is fundamental to our species, perhaps even more so than language. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, he reveals:
* How composers produce some of the most pleasurable effects of listening to music by exploiting the way…
Paul Harris is one of the UK’s most influential music educationalists. He studied the clarinet at the Royal Academy of Music, where he won the August Manns Prize for outstanding performance in clarinet playing and where he now teaches. He is in great demand as a teacher, composer, and writer (he has written over 600 books); and his inspirational masterclasses and workshops continue to influence thousands of young musicians and teachers all over the world in both the principles and practice of musical performance and education.
For anyone who is performing at any level really, this book will help them enhance their performance and manage the stress that sometimes seems to appear in the performance situation. The book looks at ways to approach the music that we have decided to perform a variety of practice strategies and some particularly interesting techniques for all-around improvement taking in both the physical side of playing and the musical side. It’s a serious and quite academic book but well worth the effort.
Musical Excellence offers performers, teachers, and researchers, new perspectives and practical guidance for enhancing performance and managing the stress that typically accompanies performance situations. It draws together, for the first time in a single collection, the findings of pioneering initiatives from across the arts and sciences. Specific recommendations are provided alongside comprehensive reviews of existing theory and research, enabling the practitioner to place the strategies and techniques within the broader context of human performance and encouraging novel ways of conceptualizing music making and teaching.
Part I, Prospects and Limits, sets out ground rules for achieving musical excellence. What roles do…
