Here are 100 books that Minna Needs Rehearsal Space fans have personally recommended if you like
Minna Needs Rehearsal Space.
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I’ve been researching treatment harms for 3 decades and founded RxISK.org in 2012, now an important site for people to report these harms. They’ve been reporting in their thousands often in personal accounts that feature health service gaslighting. During these years, our treatments have become a leading cause of mortality and morbidity, the time it takes to recognize harms has been getting longer, and our medication burdens heavier. We have a health crisis that parallels the climate crisis. Both Green parties and Greta Thunberg’s generation are turning a blind eye to the health chemicals central to this. We need to understand what is going wrong and turn it around.
In focusing on her daughter, Luise, a mother, Dorrit Cato, in this extraordinary book captures all that is going wrong and getting worse in medical care today. Very early on you know what is going to happen and feel powerless to stop it. Maybe I feel this way so much because I see it happening every day. I’ve bought lots of copies and given Dear Luise to many working in healthcare, who have found it equally raw. If you only have minimal encounters with healthcare or encounters where things have gone well, you may find this story sad but think it a rare exception. Trust me, in mental healthcare today Dear Luise is the norm, and tomorrow it will be the norm for all of health.
‘An unintended event.’ This was the bland phrase used to describe Luise’s sudden death in the psychiatric ward at Amager Hospital in Copenhagen, Denmark. She was 32.
Dear Luise is a mother’s deeply personal account of her struggle to ensure her daughter’s survival through 20 years of treatment in the Danish mental health system. It is an alarming – and thoroughly documented – exposé of the abject failure of the medication-based treatment regimen routinely imposed on vulnerable psychiatric patients. This book is also a poignant tale of love and hope, brimming with tender memories of the creativity, originality and wry…
In 2009, I opted out of a career in consulting to pursue a PhD in Sociology and to research women who opt out of successful careers to live and work on their own terms. I was convinced that it wasn’t a women’s issue but a contemporary one and I later went on to research men opting out. As I collect stories of people who opt out and in, it becomes clear that opting out is a symptom of contemporary organizational cultures and the way we are expected to work. I’m on a mission to change working life as we know it and these books have been enormously helpful to me.
I was impressed by this book because it so clearly explains why the way we think about business, work, and organizations has to change and it shows us how everything is connected.
The system we have known for as long as we can remember is no longer working. On the contrary, it’s harming us, our health, our wellbeing, our planet, and our future. Only by rethinking the way we lead and organize can we secure a future for ourselves and our planet.
The book is visually beautiful, it is life-affirming and full of examples of organizations that are already doing things differently, and it also works as a handbook for becoming a regenerative leader.
This book by leadership and sustainability experts Giles Hutchins and Laura Storm provides an exciting and comprehensive framework for building regenerative life-affirming businesses. It offers a multitude of business cases, fascinating examples from nature’s living systems, insights from the front-line pioneers and tools and techniques for leaders to succeed and thrive in the 21st century.
Regenerative Leadership draws inspiration from pioneering thinking within biomimicry, circular economy, adult developmental psychology, anthropology, biophilia, sociology, complexity theory and next-stage leadership development. It connects the dots between these fields through a powerful framework that enables leadership to become regenerative: in harmony with life, building…
I am an accidental emigrant now living in Auckland, New Zealand. I arrived with my then husband and our three sons in 1990 for a three-year spell. And here I am with two sons now settled in New Zealand and one in Sweden and me in a very awkward split position between the two. I am also an accidental author as my first career was in law and finance. I am presently working on my seventh novel. My novels are what my publishers call literary fiction and they often involve characters who, like me, have no fixed abode.
This is an unusual crime story set in Copenhagen, Denmark. It caused a sensation when it was published in 1992. The main character Smilla Jaspersen is a half Inuit scientist from Greenland, lonely and homesick in the big city. The death of an Inuit boy pulls her into a complex web of crime exposing Denmark’s complicated relationship with its protectorate Greenland. The title refers to the Inuit people’s understanding of their wintry habitat, and is a reminder of the threat to traditional lifestyles of many indigenous people. A thriller, but so much more.
One snowy day in Copenhagen, six-year-old Isaiah falls to his death from a city rooftop.The police pronounce it an accident. But Isaiah's neighbour, Smilla, an expert in the ways of snow and ice, suspects murder. She embarks on a dangerous quest to find the truth, following a path of clues as clear to her as footsteps in the snow.
After years dedicated to the hard facts of a newspaper reporter’s life, including a sting covering the police beat, Carmen Radtke has changed her focus to fiction. She’s been fascinated by both history and mystery as long as she can remember and stays dedicated to the truth behind the lie, and the joys of in-depth research. As a repeated emigrant, she is enthralled by voyages into the unknown and the courage (or madness) that takes.
Carolyn Hart is one of those cozy mystery writers who effortlessly reel me into their world. Set Sail for Murder satisfies my longing for travel with its itinerary and the lush vivid descriptions, as well as having an enjoyable mystery at its core. As a former journalist, I’m also a sucker for retired reporters turned sleuth. I read this first on a train, and it made the hours fly by. As soothing as the sound of waves gently lapping a boat.
Though retired newspaper reporter Henrietta O'Dwyer Collins, Henrie O to her friends, once turned down a marriage proposal from Jimmy Lennox, he's still one of her most cherished friends. So when he asks for her help on behalf of his wife, world-famous documentary filmmaker Sophia Montgomery, Henrie O reluctantly agrees to join them on a Baltic cruise. Sophia is the stepmother to the now-grown heirs of a great fortune, who are none too happy that she controls their inheritance. But do they really want her dead? Jimmy thinks so, and he wants Henrie O to prove it.
I’ve written fourteen novels about family, friendship, food, and love; stories that I hope transport people so completely and utterly, that they almost forget they are reading and instead find themselves walking in the shoes of the characters. That’s what I’m aiming for anyway. As a reader it’s what I want also – to laugh and cry, and feel the characters are people that I know and feel sorry to leave them behind when I turn the last page.
This gently-paced and richly atmospheric story is a real experience to read.
It is filled with myths and wonders, raw sadness, and exquisite beauty. The main character Esther is not always easy to like. She can be self-centred and destructive. But her journey over the course of this novel is deeply moving.
Esther is grieving for her elder sister Aura who is missing presumed drowned. The story begins a year after her disappearance as Esther returns to her childhood home in coastal Tasmania for Aura’s memorial. There her parents ask her to do something she isn’t sure she can manage.
They want her to travel to Denmark, where Aura spent time before she died, to find out what happened there and why she returned home such a different person.
From international bestselling author of The Lost Flowers of Alice Hart, Holly Ringland, comes a haunting and magical novel about joy, grief, courage, and transformation.
'On the afternoon that Esther Wilding drove homeward along the coast, a year after her sister had walked into the sea and disappeared, the light was painfully golden.'
The last time Esther Wilding's beloved older sister Aura was seen, she was walking along the shore towards the sea. In the wake of Aura's disappearance, Esther's family struggles to live with their loss. To seek the truth about her sister's death, Esther reluctantly travels from Lutruwita,…
As a retired psychotherapist, I love a good book with complex characters that stand up to analysis. As a moody introvert, I especially enjoy untangling a set of clues in an atmosphere of suspense. Given that I live in a remote, wild area with plenty of snow and extreme weather, I am a good judge of stories about people being pitted against the elements. Finally, I am always curious to learn more about indigenous cultures since I live near more tribal land than anywhere in the US except Alaska. And, of course, I’m a mystery writer!
A Time Best Book of the Year · An Entertainment Weekly Best Book of the Year · A People Best Book of the Year · Winner of the CWA Silver Dagger Award · A Finalist for the Edgar Award for Best Mystery Novel
First published in 1992, Peter Høeg's Smilla's Sense of Snow instantly became an international sensation. When caustic Smilla Jaspersen discovers that her neighbor--a neglected six-year-old boy, and possibly her only friend--has died in a tragic accident, a peculiar intuition tells her it was murder. Unpredictable to the last page, Smilla's Sense of Snow is one of the…
I spent 34 years writing for daily papers, most of them at the News & Observer in Raleigh, North Carolina. I’ve also freelanced for numerous magazines, primarily about music, while hosting a podcast and writing the occasional book. Through it all I’ve had a particular fascination for the music business and its peculiar ways, especially record companies. The industry’s darker side was the subject of my first book way back in 2000, the novel Off The Record, which was a notebook dump of thinly fictionalized war stories I’d accumulated over the years. The record business is the subject of my latest book, too, although it’s a much more positive story.
A century ago, the record industry sent representatives all over the country to do field recordings of vernacular artists playing folk, blues, and early country for “hillbilly” and “race” records (the sort that Rounder would start putting out in the 1970s).
One of these scouts was Ralph Peer from the Victor Talking Machine Company, for which he oversaw 1927’s legendary “Bristol Sessions.” It was the first time that Hall of Fame titans the Carter Family and Jimmie Rodgers recorded, generally cited as the beginning of the country music industry.
As explained in Barry Mazor’s excellent biography, Peer went on to become one of the giants of the recording and publishing industry, laying the groundwork that pretty much every record label including Rounder has followed since.
This is the first biography of Ralph Peer, the revolutionary A&R man and music publisher who pioneered the recording, marketing, and publishing of blues, jazz, country, gospel, and Latin music, and this book book tracks his role in such breakthrough events as the recording of Mamie Smith’s “Crazy Blues,” the first country recording sessions with Fiddlin’ John Carson, his discovery of Jimmie Rodgers and the Carter Family, the popularizing of Latin American music during World War II, and the postwar transformation of music on the airwaves that set the stage for the dominance of R&B,…
I am an academic researcher and an avid non-fiction reader. There are many popular books on science or music, but it’s much harder to find texts that manage to occupy the space between popular and professional writing. I’ve always been looking for this kind of book, whether on physics, music, AI, or math – even when I knew that as a non-pro, I wouldn’t be able to understand everything. In my new book I’ve been trying to accomplish something similar: A book that can intrigue readers who are not professional economic theorists, that they will find interesting even if they can’t follow everything.
This is actually not one book but a five-volume (!) series of books which contains some of the best writing on classical music I’ve ever come across.
Taruskin, who passed away recently, was a legendary musicologist. In his writings, he managed to combine analytic writing that addresses his colleagues with unbelievably sharp and insightful writing that I, as a classical music fan who is not a pro, enjoy tremendously.
Taruskin loved picking intellectual fights, and this sort of combative energy is gripping. In this series, there are major story arcs like the interplay between “oral” and “literate” traditions or the role of nationalism in 19th-century music. I liked how Tarsukin switches smoothly between a close analysis of a piece and a discussion of how it relates to the wider culture.
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age.
Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical…
Having spent seven years researching and writing about Prince (and another year updating the book), I spoke to as many people who worked and lived with him as I could. While my book is rich with information gleaned from interviews, alongside my own analysis, there were a few people who didn’t talk to me. Of the above, I did talk to Dez Dickerson, but the others were holding off (presumably because their own books were in the works). All the books below work as perfect compliments to mine and are all must-haves for any Prince fan’s purple library.
It was one of the great strokes of good fortune in Prince’s career that one of his earliest engineers was a brilliant musicologist.
Of course, the reverse is true too, and Rogers’ extraordinary knowledge of music is brought to life (at least in part) by the time she spent alone in the studio with Prince, in the middle of the night, at Christmas, whenever he called.
This Is What It Sounds Like is a journey into the science and soul of music that reveals the secrets of why your favorite songs move you. But it's also a story of a musical trailblazer who began as a humble audio tech in Los Angeles, rose to become Prince's chief engineer for Purple Rain, and then created other No. 1 hits ,including Barenaked Ladies' "One Week," as one of the most successful female record producers of all time.
Now an award-winning professor of cognitive neuroscience, Susan Rogers leads readers to musical self-awareness. She explains that we each possess a…
Laurie grew up in a rural community and had the good fortune of working with kind and dedicated teachers who were both skillful pedagogues and encouraging mentors. Their passion for quality teaching and high-level musicianship instilled in Laurie the powerful relationship between teaching and artistic performance. Cornelia dreamed of playing the cello beautifully but didn’t have a real teacher until she was twenty. While the work required relearning almost everything she thought she knew, she was old enough to observe her own transformation, guided by a thoughtful and dedicated teacher, and teaching and performing became the inseparable “two sides of the same coin.”They've worked together ever since, writing, teaching, presenting, and sharing great ideas.
Neurologist Frank Wilson wrote this smart, funny, insightful book to connect his understanding of neuroscience to his own experience learning to play the piano as an adult.
While sharing his expertise about neural pathways and auditory perception, he pokes fun at himself, offers amusing anecdotes about other “experts” in various fields, writes lymmerics, and makes jokes when you least expect it: “We all know about biceps, triceps, deltoids, and ‘pecs’ but who ever heard of somebody having a knockout set of abductor digiti quinti minimi, or a breathtaking flexor pollicis brevis?”
His light touch creates an engaging and enlightening balance of science and music, and one can’t help but be encouraged by his enthusiasm and love of learning.
A neurologist and amateur musician explores the connections between neurology and music and provides an informative look into how and why people make music, how human beings hear music, and how musicians remember what they're playing
