100 books like Maria Montessori

I don’t usually care about signed books, but after hearing this author speak, I stood in line for just that! Montessori had many insights about children based on her observations, but not everyone believed them. In the years since her death, scientific studies have been conducted that confirm her conclusions. This book is rich in detail about how calls “the factory model” of education came about, and how following Montessori principles can turn this around for the good of children and of society. Professor Lillard, a skeptic until she began her own research to discover and assess authentic Montessori education, details the impact of the movement in learning, executive function, learning from peers, extrinsic rewards and motivation, the order in the environment and the mind, and much more.

What happens after a child finishes Montessori preschool?

That was the question for my own children. I was able to take the Montessori 6-12 training in order to keep up with them, but parents and teachers can learn a lot about this age here. Dr. Montessori examines the educational concerns of the older child, the adolescence, and even the university student. She considers each level on its own because human beings have different needs at different ages. She explores ways to support the physical, mental, social, and psychological needs of each age. It is in this book that we learn about the Erdkinder, or Farm School, where the need for real work, independence, and related research, and work-based academic study is being provided in several countries today.

These lectures were delivered by Montessori during the first teacher training course given in London after she returned from forced exile in India as an Italian national during WWII. I received lectures based on them during my own Montessori course in London, but not until 2012 were they organized and edited by my good friend Annette Haines, and published as a book. Montessori’s granddaughter Renilde Montessori wrote the foreword. The lectures speak to many aspects of Montessori valuable today such as: education based on psychology rather than a fixed curriculum, education from birth, unlocking intelligence, social development, education for independence, solving social problems through education, when to give children the truth and when fairy tales are appropriate, and the difference between work and play.

A few years ago my granddaughter, who had already attended a Montessori school for two years, asked me, “Who is Montessori.” So my last selection is a book for children!

In just 26 pages, with few words and delightful illustrations, we learn how a young girl in Italy, who wanted to be a doctor when girls were not allowed to study science, had her choices respected by her parents. And how she discovered, from watching children, that learning was more fun when it occurs through toys and games and movement. They learn that her ideas are still helping improve the way children learn in many countries of the world. There is also a 2-page timeline with pictures for the adult to learn more

This is a much-needed antidote to the navel-gazing tendencies of American criminal justice thought.

Reading contemporary treatments, you might almost be fooled into thinking that certain types of police controversies have a specifically American – or at least modern – origin. They don't. In fact, the peculiar challenges of policing and its inevitable discontents might even be universal.

Certainly, they were present at an early stage in medieval Italy, long before the first English "bobbies" ever dawned a uniform. Use-of-force controversies, weapons prohibitions, reluctant witnesses, hostile crowds, simmering beefs among local gangsters: it's all here. Roberts' medieval world so eerily resembles our own when it comes to law enforcement that one ends up surprised to encounter any differences at all.

Here's one, though: medieval town dwellers did not have cell phones with which to film the cops misdeeds. Instead, they hollered for notaries to scribble records on the spot.

Many art historians consider this book sacred and the best first-hand account of the wondrous artists of the Renaissance. I found the stories extremely interesting about the character of these artists. Vasari was the biographer who gave the original account of how Michelangelo and Leonardo da Vinci hated each other. It also told the story of how both Michelangelo and Leonardo were hired to paint significant battle scenes on the same wall inside the Palazzo Vecchio. It was considered the greatest painting competition of all time as both men completed massive cartoons (preliminary drawings) on The Battle of Cascina and the Battle of Anghiari respectively.  

This is a three-volume anthology of Italian American writers recalling family dinners, holidays, funerals, weddings, Italian customs, and Italian relatives. These volumes depict Italians in their everyday life far removed from any mafioso dramas. Reading these stories helps Italians verify the meanings and pronunciations of Italian words and gestures, those things called “Italian” used long ago but since forgotten with the passing of our elders.

I’ve read many thrillers in my genre touted for their mind-blowing twists, but which have left me disappointed. The Boys lives up to its hype. Totally.  

Ethan is a husband who has an extreme fear of parenting. To help him overcome his fears, his wife Barb arranges for them to foster two brothers. Ethan takes to his parenting role so diligently that Barb has to take a breather from the marriage while Ethan takes the boys on a biking trip to Italy.  

It is here—a little more than halfway through the novel—that the reader learns the shocking truth about the boys. Nothing prepared me for this twist. At all. Or, for the revelations and resolution that followed—all of which made the twist totally plausible and comprehensible.  

This is a different story about a different kind of woman. And no, it's not about the Mafia; that's only a peripheral theme.

The typical novels written in English about Sicily by women are built around themes like a foreign girl going to Italy to find love. This one breaks that mould into a thousand pieces, dealing with familial history and tradition in the context of Sicilian and American society. It actually held my interest.

Leigh Esposito's complex story eclipses most of what came before.

It’s not often I’m moved to tears by an academic book, but this book did it for me by putting me in the shoes of a Florentine patrician trying to comfort his friend the night before his execution. The main historical source of the book is an extraordinary ‘how-to’ manual: the one used by the ‘comforting confraternities’ of 16th-century Bologna, men who volunteered to spiritually prepare condemned criminals for their final moments on earth and, in so doing, hopefully increase their chances of salvation. The book explains the various methods and tools that the comforter could use, including prayers, songs, and pictures, and reveals the complex rituals of execution that began long before the prisoner’s arrival at the scaffold. A moving account of the realities of historical capital punishment.