Here are 71 books that Lynd Ward fans have personally recommended if you like
Lynd Ward.
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I am a printmaker and book artist and author who is interested in visual narratives. I wrote a book about how to make woodcuts, linocut and engravings titled The Woodcut Artists’ Handbook. My hand-printed limited edition books and art can be found in many collections from the Fisher Rare Book Library, University of Toronto, The Morgan Library & Museum, New York City, and The Museum of Modern Art (MoMa), New York City. I am an Associate Professor of book arts and printmaking at OCAD University in Toronto, Canada.
David Beronä was a friend and fellow collector whose interest in this form of graphic storytelling was our shared passion. In his book Beronä examines the history of and art of pioneers of this form of narrative. The works of Frans Masereel, Lynd Ward, Otto Nückel, William Gropper, Milt Gross, Giacomo Patri Laurence Hyde, and lesser known artists like Helena Bochořáková-Dittrichová and István Szegedi Szüts. The woodcut images in these works are powerful and as relevant today as they were when they were first produced.
"Wordless books" were stories from the early part of the twentieth century told in black and white woodcuts, imaginatively authored without any text. Although woodcut novels have their roots spreading back through the history of graphic arts, including block books and playing cards, it was not until the early part of the twentieth century that they were conceived and published. Despite its short-lived popularity, the woodcut novel had an important impact on the development of comic art, particularly contemporary graphic novels with a focus on adult themes.Scholar David A. Berona examines the history of these books and the art and…
I am a printmaker and book artist and author who is interested in visual narratives. I wrote a book about how to make woodcuts, linocut and engravings titled The Woodcut Artists’ Handbook. My hand-printed limited edition books and art can be found in many collections from the Fisher Rare Book Library, University of Toronto, The Morgan Library & Museum, New York City, and The Museum of Modern Art (MoMa), New York City. I am an Associate Professor of book arts and printmaking at OCAD University in Toronto, Canada.
I think Die Idee is essential reading for anyone interested in understanding the power of the graphic narrative as an extension of the written word. The painter and graphic artist Frans Masereel was born in the Belgian Blankenberghe in 1889. He studied art at the Ecole des Beaux-Arts where he learned to make wood engravings. His first wordless graphic novel was made in 1918 titled Images de la Passion d’un Homme (The Passion of a Man). The success of this book and those that followed influenced three generations of artists, writers, musicians, and filmmakers all over the world.
Text in German. A "book without words" where the illustrations by the author substitute for printed text. Introduction by Hermann Hesse. 83 woodcut illustrations by Masereel. Dust jacket torn at spine and worn at edges. Tanning on boards and endpapers. unpaginated. paper-covered boards, dust jacket. 16mo.
I am a printmaker and book artist and author who is interested in visual narratives. I wrote a book about how to make woodcuts, linocut and engravings titled The Woodcut Artists’ Handbook. My hand-printed limited edition books and art can be found in many collections from the Fisher Rare Book Library, University of Toronto, The Morgan Library & Museum, New York City, and The Museum of Modern Art (MoMa), New York City. I am an Associate Professor of book arts and printmaking at OCAD University in Toronto, Canada.
This is a new edition of Otto Nückel’s wordless novel that was originally published in 1930 with the title Destinyby Farrar & Rinehart. Although this edition is in French with an introduction by Seth Tobocman and an afterword by yours truly, it is a nicely produced hardcover with new information about the life of this mysterious German artist. I would be happy to provide an English translation of my postface for anyone who wishes to email me a request. The book is very readable and demonstrates Nückel’s unique skill of engraving a very poignant visual narrative (on lead blocks).
Aux côtés de Frans Masereel et Lynd Ward, Otto Nückel compte parmi les auteurs classiques du roman graphique sans paroles, un genre créé dans les années 1930 et qui doit tout autant au cinéma muet qu'à l'expressionisme allemand. Dans Destin, un ouvrage époustouflant de maîtrise graphique et narrative, Otto Nückel signe sans aucun doute son chef-d'oeuvre. En 190 gravures sur plomb, l'artiste donne vie à la destinée tragique d'une femme née dans la misère - et ce à quoi aucune tentative ne parviendra de l'en délivrer.
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
This is one of the first graphic novels to truly reinvent the medium, and is absolutely required reading for anyone who wants to experiment with visual storytelling. Instead of a traditionally bound book, you get an oversized box filled with pamphlets, booklets, newspapers, and more. The comics themselves read pretty straightforwardly, but it's the act of rifling through this giant box for the first time, not knowing exactly where it'll lead you, that's truly a unique reading experience.
In Chris Ware's own words, 'Building Stories follows the inhabitants of a three-flat Chicago apartment house: a thirty-year-old woman who has yet to find someone with whom to spend the rest of her life; a couple who wonder if they can bear each other's company for another minute; and finally an elderly woman who never married and is the building's landlady...'
The scope, the ambition, the artistry and emotional heft of this project are beyond anything even Chris Ware has achieved before.
Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.
I absolutely loved King’s novel Writers & Lovers, and her story collection did not disappoint! Here, too, are the struggles of writers—to find the right words and something meaningful from loss.
There’s nothing typical in King’s diverse array of characters, and her intimate portrayal of their desires—their strengths and failings, their glimmers of hope as they brave new starts—drew me in and kept me turning the pages.
"Five Tuesdays in Winter moved me, inspired me, thrilled me. It filled up every chamber of my heart. I loved this book." —Ann Patchett
By the award-winning, New York Times bestselling author of Writers & Lovers and Euphoria comes a masterful new collection of short stories
Lily King, one of the most "brilliant" (New York Times Book Review), "wildly talented" (Chicago Tribune), and treasured authors of contemporary fiction, returns after her recent bestselling novels with Five Tuesdays in Winter, her first book of short fiction.
Told in the intimate voices of complex, endearing characters, Five Tuesdays in Winter intriguingly subverts…
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
Simone de Beauvoir met Nelson Algren in Chicago in 1947.
A couple of years later, his novel The Man with the Golden Arm won the National Book Award, and a few years after that De Beauvoir won the prestigious Prix Goncourt for her novel The Mandarins, which featured a character based on Algren. They became famous literary lovers, involved in a complicated triangle with De Beauvoir’s long-time partner Sartre.
But Cowie’s novel brings to life the ordinary intimacies and misunderstandings of their love affair – the title comes from de Beauvoir’s confusion about the time difference between Paris and Chicago. Caught up in the details of day-to-day life, people, even brilliant writers, don’t always have the time or vision to make real decisions about how they want to live, or who they want to love. It’s a brilliant book.
Sharp and intimate, Douglas Cowie’s reimagining of the turbulent love affair between Simone de Beauvoir and Nelson Algren asks what it means to love and be loved by the right person at the wrong time. Chicago, 1947: on a freezing February night, France’s feminist icon Simone de Beauvoir calls up radical resident novelist Nelson Algren, asking him to show her around. After a whirlwind tour of dive bars, cabarets and the police lockup, the pair return to his apartment on Wabansia Avenue. Here, a passion is sparked that will last for the next two decades. Their relationship intensifies during intoxicating…
Janet and I have traveled extensively and found inspiration and story ideas at every destination. As writers for more than 10 years and as fans of classic detective stories, we feel qualified to tackle this genre.
Not a detective story, but one that will get your heart racing and blood boiling. Set in New York City a rich family hires a babysitter who goes off the deep end. Women authors give a different point of view to crime stories and this one is proof of that.
A child is left in the care of a disturbed babysitter in “surely one of the finest pure terror-suspense stories ever written” (The New York Times).
Bunny’s parents shouldn’t have brought her to New York City, but her father has an important speech to make, and her mother couldn’t bear to be away from their darling nine-year-old daughter. And when her mommy and daddy leave for the speech, Bunny will stay in the hotel with a babysitter, sound asleep and perfectly safe. What could possibly go wrong?
The sitter is Nell, a plain young woman from Indiana. She puts Bunny…
If you told me as a kid, growing up in the suburbs of Long Island, that I would someday spend nearly all my working hours reading and writing about skyscrapers and skylines, I would have thought you were nuts. But somehow, in my twenties, as I spent more time in New York City, I came to feel a deep connection with the metropolis. Its skyscrapers and skyline speak to its history as a city of strivers. I’ve been lucky that I’ve been able to merge my personal passions with my professional life as an economist. My recommended books are ones that excited me in my journey to understand better the city that I love.
A great account of the interaction between economics and architecture in the rise of the New York and Chicago skylines. Willis is the founder and director of the Skyscraper Museum in New York City. This book was one of the first that I read as I started to do research on the economics of skyscrapers. I was fascinated by Willis' account. Arguably, this book, more than any other, helped to define my 15 years of research on the topic.
Although fundamental factors of program, technology, and economics make tall buildings everywhere take similar forms, skyscrapers in New York and Chicago developed very differently in the first half of the twentieth century. In contrast to standard histories that counterpose the design philosophies of the Chicago and New York "schools," Willis shows how market formulas produced characteristic forms in each city"vernaculars of capitalism"that resulted from local land-use patterns, municipal codes, and zoning. Refuting some common clichs of skyscraper history such as the equation of big buildings with big business and the idea of a "corporate skyline," Willis emphasizes the importance of…
Mystery and crime novels have always been my favorite genre. I love the suspense and intrigue, the intricate storylines, and the clever plot twists. In middle school, while my friends were reading more age-appropriate books, I was reading The Godfather and The Spy Who Came In from the Cold. Is it any wonder then that Siena Ricci, the main character of my debut novel Gullible, is a shrewd and cunning female con artist? I had so much fun developing Siena’s story arc and creating the criminal world she inhabits that I decided to continue her narrative in a sequel, with plans for a third novel to round out the trilogy.
Harrison Burns is haunted by the twenty-year-old unsolved murder of teenager Winifred Utley. His firsthand knowledge of what happened the night of Winifred’s death would, if revealed, ruin Constant Bradley, his boarding school friend whose prominent family would do anything to keep their dark secrets hidden. What Burns does with his well-guarded information is the catalyst for a story inspired by a real-life politically powerful family and their close ties to a true 1975 murder.
I judge the richness of a novel by asking two questions: Will I remember this story for years to come, and will I read other books written by this author? A Season in Purgatory gets a thumbs-up on both counts. Thirty years after my first read, this novel still sits on my bookshelf.
They were the family with everything. Money. Influence. Glamour. Power. The power to halt a police investigation in its tracks. The power to spin a story, concoct a lie, and believe it was the truth. The power to murder without guilt, without shame, and without ever paying the price. They were the Bradleys, America's royalty. But an outsider refuses to play his part. And now, the day of reckoning has arrived.
Praise for A Season in Purgatory
“Highly entertaining.”—Entertainment Weekly
“Stunning.”—Liz Smith
“Compelling.”—New York Daily News
“Mesmerizing.”—The New York Times
“Potent characterization and deftly crafted plotting.”—Publishers…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
I was fortunate to cross paths with Curtis when I went to work for what were called the women’s pages” of The New York Times,which she had written for and edited before rising to the exalted op-ed page. When I got that job, my soon-to-be wife gave me a copy of this book—a collection of Curtis dispatches from the front lines of Society—and said, “This is what you can do if you’re good at it.”
