Here are 100 books that Looking at Lovemaking fans have personally recommended if you like
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I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
Ray Laurence begins this wonderful book with the bold view that the passions of first-century Rome were more developed than those of earlier times. Examining the connections between pleasure and power in the imperial household; the role pleasure played in art and landscape; and what really went on in the Roman baths, the resulting account is as wide-ranging as it is surprising.
Immerse yourself in the sensual delights of Rome in all their guises. By the time of the emperors, the Romans had created the world's first global empire, and plundered the provinces for produce to be eaten, planted or displayed as novelties. At the same time the aesthetics of the city of Rome was being transferred to the provinces, establishing towns with public buildings, baths and the Latin language. With these attributes of civilisation came other trappings of Roman culture: lavish entertainments, elaborate dinner parties and vice. The world of pleasure became a defining feature of the Romans, and this book…
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
This volume contains essays on sexuality in all corners of the ancient world, from the Near East to Athens and Israel. But Part III is dedicated to Rome and offers a smorgasbord of discussions on everything from ‘The bisexuality of Orpheus’ to erectile dysfunction. The perfect book for dipping in and out of.
Looking at sex and sexuality from a variety of historical, sociological and theoretical perspectives, as represented in a variety of media, Sex in Antiquity represents a vibrant picture of the discipline of ancient gender and sexuality studies, showcasing the work of leading international scholars as well as that of emerging talents and new voices.
Sexuality and gender in the ancient world is an area of research that has grown quickly with often sudden shifts in focus and theoretical standpoints. This volume contextualizes these shifts while putting in place new ideas and avenues of exploration that further develop this lively field.…
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
This is my ancient choice. The most notorious of Ovid’s poetry books, the Ars Amatoria, as it was known in Latin, provides an eye-popping view of what was considered permissible by certain individuals in Rome. The poet provides plenty of tips for the would-be lover, from how to get a date at the races, to how to communicate privately with someone across the dinner table. It’s a useful and readable source – even if the modern reader can find little to praise in Ovid’s outlook.
" . . . Humphries has rendered (Ovid's) love poetry with conspicuous success into English which is neither obtrusively colloquial nor awkwardly antique." -Virginia Quarterly Review
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
We often assume that the Romans were in love with love but, actually, they could be very divided over it. Love, for some, was not only destructive, it was practically criminal. The author of this academic book looks at the ethics of love and sex in Rome and considers the surprising appeal of ‘sexual virtue’, abstention, and chastity in ancient society.
Traditionally, scholars have approached Roman sexuality using categories of sexual ethics drawn from contemporary, Western society. In this 2006 book Dr Langlands seeks to move away from these towards a deeper understanding of the issues that mattered to the Romans themselves, and the ways in which they negotiated them, by focusing on the untranslatable concept of pudicitia (broadly meaning 'sexual virtue'). She offers a series of nuanced close readings of texts from a wide spectrum of Latin literature, including history, oratory, love poetry and Valerius Maximus' work Memorable Deeds and Sayings. Pudicitia emerges as a controversial and unsettled topic, at…
I have spent 50 years studying, teaching, and writing about Roman history, participating in and leading many archaeological expeditions to the Roman world, particularly in Greece, Italy, Turkey, and the Levant. I have written a dozen books on the ancient world, including the best-selling Cleopatra: A Biography. Ancient Rome is both my expertise and passion.
This is a lavishly illustrated work showing the major pieces of Roman art, an important component of their ideology and self image. It explains how the Romans built on the Greek tradition of art and architecture and created their own artistic world, much of which is still with us today.
I'm a hybrid author from Bulgaria, and my work mostly focuses on historical fiction and fantasy. History has always been mainly centered around the male point of view. But many female heroes would also like to tell us their stories. My fascination started with the women Haiduks of Bulgaria, which gave birth to my first book Sirma. And the more I researched, the more I realized countless historical female figures worldwide deserve just as much attention. I hope this list is enriching to all readers and helps them see their captivating point of view.
Brides of Rome offers a unique look into the life of the Vestal Virgins of Rome. The story is told through the viewpoints of several fascinating women, one of which is a vestal virgin, and another one is Cleopatra. Each one has a battle of her own and although some find a bitter end, others survive and thrive. The Roman Empire is notorious for its mistreatment of women, but this book shows a refreshing look at some that received the respect they deserved.
When passion is punishable by death, can one priestess keep her emotions concealed and help steer the course of history?
Ancient Rome is a world of power and privilege, secrets and sacred duty. The esteemed priestesses of Vesta - the Vestal Virgins - are charged with ensuring the Eternal Flame in their temple never goes out. While it burns, Rome cannot fall. They are known as the Brides of Rome.
Dedicated to a thirty-year vow of chaste service, Priestess Pomponia finds herself swept up in the intrigue, violence, wars and bedroom politics of Rome's elite - Julius Caesar, Marc Antony…
I grew up playing with toy Roman legionaries, marveling at Roman coins, and poring over diagrams of Roman military equipment and their astonishing feats of engineering, went back and forth between wanting to be a medievalist or a Classicist and ended up settling into the study of the late Roman empire and the way it completely transformed its Classical heritage. Along with writing books on that period, I love writing on much wider ancient and medieval themes in the London Review of Books and the TLS.
Very few books put the history in art history with as much success as this one does. Instead of telling a linear story, in which the third century is a precipice over which Classical art falls into decline, Elsner picks out the many different strands and streams of artistic production that run in parallel with one another, and gets you to think about how they interact with contemporary social developments.
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periods of internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as…
I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
This lavishly illustrated book offers a visually stunning and information-packed tour of ancient Rome’s most popular forms of entertainment: chariot racing, gladiatorial combats, and theater performances. I was astonished by the sheer range and creativity of Roman spectacles and their material commemorations, from action figures of gladiators with removable helmets, piggy banks with pictures of lucky winning charioteers, and mosaic puzzles that challenged viewers to guess the names of famous racehorses based on visual clues. As an art historian, I particularly love the beautiful color illustrations; my own copy of this book is dog-eared because I am constantly returning to look at the fascinating objects she discusses. For me, this book about spectacles is spectacular in its own right.
Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events.Images of spectacle appear in…
A yearning for a happy and meaningful life, as well as struggles with fear, guilt, and unfulfilled wishes, are common to mankind of all ages. My books combine historical and fictional characters to address such timeless spiritual issues from a Christian perspective. During a hiking tour of the Isle of Elba, I discovered the cave where the saintly 6th-century hermit San Cerbone lived in exile. Researching his life inspired me to write a work of historical fiction about that colourful character’s interactions with Silvanus, an unhappy local lad who longs to escape but finds new priorities.
This book is set in Italy at the end of the 6th century. It is a vivid account of an engineer who struggles to survive in a largely devastated country and longs to revive the former advanced Roman technology. It depicts a cruel world: old Romans attacked by Lombards, and merciless clashes between Pagans, Arian, and Catholic Christians. Of great interest to me were the personal interactions of both leaders and ordinary people.
Although, for my taste, it included an unnecessary preoccupation with violence and sex, the vivid cultural and factual detail provided me with much background information and food for thought. The characters are well developed and the story exciting.
AD 589. Italy moans, scarcely breathing. Industry, agriculture and city life have stopped, all of it erased by decades of war and the plague. The Romans are hangdog, defeated, and Titus moves among them. ~ But what can he do under such brutal overlords? An educated man, he publishes books in his scriptorium for sale to the Eastern Empire. He observes what has been lost and laments it. ~ The German King, having given him the responsibility for his Roman subjects, reserves to himself any authority to act. Titus reports abuses, the King takes no action and the people taunt…
We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
The fact that this trilogy was turned into a stage show is a measure of
its fantastic popularity! On the face of it, a set of novels about the machinations of late Republican politics might not hold broad appeal, but it is the genius of Robert Harris to bring the crime and corruption-riddled streets of 1st century BC Rome bursting to life.
Apparently, he spent several years immersing himself in contemporary
literature before putting pen to paper, and it really shows. I admired
how his research paints vivid background colour without ever stepping
upon the toes of the brilliantly drawn characters. I loved his Cicero
(and Caesar and Pompey and Antony) and, despite some tough competition,
cannot think of any historical figures so authentically portrayed in any
other Roman historical fiction.
And yet, for me, it's Cicero's humble secretary, Tiro, who steals the show. I think it was a masterstroke…
When Tiro, the confidential secretary of a Roman senator, opens the door to a terrified stranger on a cold November morning, he sets in motion a chain of events which will eventually propel his master into one of the most famous courtroom dramas in history.
The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Cicero, a brilliant young lawyer and spellbinding orator, determined to attain imperium - supreme power in the state.
This is the starting-point of Robert Harris's most accomplished novel to date. Compellingly written in Tiro's voice, it takes us…
