Here are 100 books that The Art of Rome fans have personally recommended if you like
The Art of Rome.
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I have spent 50 years studying, teaching, and writing about Roman history, participating in and leading many archaeological expeditions to the Roman world, particularly in Greece, Italy, Turkey, and the Levant. I have written a dozen books on the ancient world, including the best-selling Cleopatra: A Biography. Ancient Rome is both my expertise and passion.
This is probably the best recent one-volume history of Rome, which covers the entire scope of the Roman world from its beginnings to its collapse. It is nicely illustrated, and gives a solid summary of the Roman environment that is easily understood by non-specialists. It is an exciting story: from a village on the Tiber River to ruling the world, an unexpected process that is well laid out.
How did a single village community in the Italian peninsula eventually become one of the most powerful imperial powers the world has ever known? In A Brief History of the Romans, Second Edition, Mary T. Boatwright, Daniel J. Gargola, Richard J.A. Talbert, and new coauthor Noel Lenski explore this question as they guide students through a comprehensive sweep of Roman history, ranging from the prehistoric settlements to the fall of the empire in 476. Addressing issues that still confront modern states worldwide--including warfare, empire building, consensus forging, and political fragmentation--the authors also provide glimpses into everyday Roman life and perspective,…
I have spent 50 years studying, teaching, and writing about Roman history, participating in and leading many archaeological expeditions to the Roman world, particularly in Greece, Italy, Turkey, and the Levant. I have written a dozen books on the ancient world, including the best-selling Cleopatra: A Biography. Ancient Rome is both my expertise and passion.
This is a focused survey of the most fascinating period in Rome's history, when the ancient Republic evolved into an empire: the era of Julius Caesar, Mark Antony, and the emperors Augustus, Nero, and others. During this period Rome's expansion meant major internal changes and a century of instability, and I know of no better book that explains why and how this happened.
From the Gracchi to Nero is an outstanding history of the Roman world from 133 BC to 68 AD. Fifty years since publication it is widely hailed as the classic survey of the period, going through many revised and updated editions until H.H. Scullard's death. It explores the decline and fall of the Roman Republic and the establishment of the Pax Romana under the early Principate. In superbly clear style, Scullard brings vividly to life the Gracchi's attempts at reform, the rise and fall of Marius and Sulla, Pompey and Caesar, society and culture in the late Roman Republic, the…
Like any writer, I’m fascinated with what makes people tick and why they act the way they do. Naturally, this means I read a lot of history. I love reference reading; I love researching arcane questions for a tiny detail that will bring a character or their world to life. Creating epic fantasy is an extension of both my drives as a reader and a writer. Pouring myself into characters who inhabit different settings is a deeply satisfying exercise in both craft and empathy, and each history book has some small bit I can use to make my settings more compelling, more enjoyable for readers, and more real.
I was in love the moment I opened an abridged version of Gibbon’s magnum opus as a young history buff, and was even more delighted when I sought out the multivolume full experience.
Gibbon’s view of the Roman Empire is magisterial and his footnotes are a cranky delight; he’s up-front when his sources have axes to grind and sourly suspicious of his own motivations.
Sure, he’s an 18th-century British colonialist with all that entails. He’s also deliciously ironic, hilariously sardonic, and does his mightiest justice when he’s skewering folly and tyranny of any stripe.
Spanning thirteen centuries from the age of Trajan to the taking of Constantinople by the Turks, DECLINE & FALL is one of the greatest narratives in European Literature. David Womersley's masterly selection and bridging commentary enables the readerto acquire a general sense of the progress and argument of the whole work and displays the full variety of Gibbon's achievement.
Ever since I stumbled through the “Early Roman Empire” paper in Finals using I, Claudius by Robert Graves, I have held a deep admiration of those authors who can portray the complex world of Rome with such authority. I went on to teach the Greeks and Romans for 25 years, so I have grown to love these characters—Caesar is a philandering schemer, Augustus has ice for blood, Livia is a skilled practitioner of poisons… How can one resist such entertaining people who operate in a system where the upper classes must compete through bribery, intrigue and occasional revolutions?
This is the masterclass in the portrayal of the first hundred years or so of the Roman Empire. Graves was a considerable scholar in his own right, providing the translation for the Penguin edition of Suetonius’ “Twelve Caesars”. He was also a poet and novelist, and his picture of the naïve Claudius making his unwitting way to power is probably on most people’s list of all-time great historical novels. What I particularly found striking was just how much work went into running the Roman empire, and one almost has sympathy for Augustus as he tries to mould Roman rule into something that is efficient and fair. The BBC adaptation, in my opinion, did a good job: Sian Phillips as Livia is a complete joy.
A work of historical fiction which recreates the life and times of Emperor Claudius, who lived from 10 BC to AD 41, a time when poisoning, blasphemy, treachery, incest and unnatural vice were commonplace. From the author of CLAUDIUS THE GOD AND HIS WIFE MESSALINA.
I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.
In two volumes, this is quite simply one of the most beautiful books I own. Much more than an atlas of maps, it includes illustrations of archaeological evidence from across the city and is full of reconstruction drawings. It is a book to simply lose yourself in and spend time browsing through the pages that set out the city of Rome. The overlaying of the ancient buildings from Rome onto the modern street grid, also allows for the reader to see how those ancient buildings, such as the Theatre of Pompey, continue to shape the streetscape of the city of Rome.
The Atlas of Ancient Rome provides a comprehensive archaeological survey of the city of Rome from prehistory to the early medieval period. Lavishly illustrated throughout with full-color maps, drawings, photos, and 3D reconstructions, this magnificent two-volume slipcased edition features the latest discoveries and scholarship, with new descriptions of more than 500 monuments, including the Sanctuary of Vesta, the domus Augusti, and the Mausoleum of Augustus. It is destined to become the standard reference for scholars, students, and anyone interested in the history of the city of Rome. The Atlas of Ancient Rome is monumental in scope. It examines the city's…
I am an historian and archaeologist of the Roman world, who has lectured on the subject around the world. This summer I am moving from a position in London to one in Los Angeles. One of the attractions of Roman history is that it is a vast subject spanning three continents and more than a thousand years. There is always something new to discover and a great international community of researchers working together to do just that. It is a huge privilege to be part of that community and to try and communicate some its work to the widest audience possible.
Already when I was writing the first edition of Rome. An Empire’s Story it was clear that the subject was being transformed by scientific discoveries. Over the last decade, science-led projects have changed our notions of ancient Roman nutrition and health, of Romans’ impact on the environment, on the animals and plants they farmed, and also of their own vulnerability to plague and climate change. Scheidel, who is a world leader in this field, has gathered together historians using everything from human DNA and skeletal material to the remains of ancient seeds and animals to explain how the life sciences can unlock whole new areas of ancient history. This is a fast-moving field, and this short book gives a crash course on what has been done to date, and what might come next.
How the latest cutting-edge science offers a fuller picture of life in Rome and antiquity
This groundbreaking book provides the first comprehensive look at how the latest advances in the sciences are transforming our understanding of ancient Roman history. Walter Scheidel brings together leading historians, anthropologists, and geneticists at the cutting edge of their fields, who explore novel types of evidence that enable us to reconstruct the realities of life in the Roman world.
Contributors discuss climate change and its impact on Roman history, and then cover botanical and animal remains, which cast new light on agricultural and dietary practices.…
I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
Although we often dismiss souvenirs as kitsch, they can be deeply meaningful to people, both today and in antiquity. Taking a phenomenological approach to ancient Roman souvenirs of places, Kimberly Cassibry shows how people would have held, used, and interacted with small objects showing seaside resort towns on the Bay of Naples, the Circus Maximus in Rome, Hadrian’s Wall in Britain, and the western empire’s network of imperial roads. Her book taught me just how large makers and materials loom in how places came to be represented and conceptualized in Roman antiquity. I love that Cassibry forces me to think anew about my own travel souvenirs and how I interact with them to make meaning of places my loved ones or I have visited.
In Destinations in Mind, Kimberly Cassibry asks how objects depicting different sites helped Romans understand their vast empire. At a time when many cities were written about but only a few were represented in art, four distinct sets of artifacts circulated new information. Engraved silver cups list all the stops from Spanish Cadiz to Rome, while resembling the milestones that helped travelers track their progress. Vivid glass cups represent famous charioteers and gladiators competing in circuses and amphitheaters, and offered virtual experiences of spectacles that were new to many regions. Bronze bowls commemorate forts along Hadrian's Wall with colorful enameling…
As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
The late Amanda Claridge, a professor at the University of London, introduces us to the ancient city in the book she co-authored: Rome: An Oxford Archaeological Guide, now on offer asRome, An archaeological guide. Over time, archaeology itself changes, and today's critics say that her presentation of up-to-date archaeology in Rome equally entrances both tourists and her fellow scholars. She taught at both Oxford and the University of London, as well as at Princeton University in the U.S.
The city of Rome is the largest archaeological site in the world, capital and showcase of the Roman Empire and the centre of Christian Europe.
This guide provides:
* Coverage of all the important sites in the city from 800 BC to AD 600 and the start of the early middle ages, drawing on the latest discoveries and the best of recent scholarship
* Over 220 high-quality maps, site plans, diagrams and photographs
* Sites divided into fourteen main areas, with star ratings to help you plan and prioritize your visit: Roman Forum; Upper Via Sacra; Palatine; Imperial Forums; Campus…
I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.
This book has everything in it across 37 chapters: technology, landscapes, material culture, identity, and empire. It is one of the few volumes in this series of Companions and Handbooks from various publishers that takes an explicitly archaeological focus. It includes developments in the city of Rome over time, but broadens out to include Italy and Rome’s empire. The book benefits from drawing on the research of 37 leading experts, who present in concise sections key findings based on archaeological research – often from archaeological projects that they have led in the field.
A Companion to the Archaeology of the Roman Republic offers a diversity of perspectives to explore how differing approaches and methodologies can contribute to a greater understanding of the formation of the Roman Republic. * Brings together the experiences and ideas of archaeologists from around the world, with multiple backgrounds and areas of interest * Offers a vibrant exploration of the ways in which archaeological methods can be used to explore different elements of the Roman Republican period * Demonstrates that the Republic was not formed in a vacuum, but was influenced by non-Latin-speaking cultures from throughout the Mediterranean region…
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
This book is truly a staple for the study of Roman sex through Roman art. Clarke, a professor at the University of Texas, draws attention to the kind of details in ancient paintings and everyday objects we may miss when viewing them from behind museum glass, and interprets them to cast new light upon how the Romans viewed themselves as sexual beings. The pictures are also great.
What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question--and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works--many newly discovered and previously unpublished--in their ancient…
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