Here are 100 books that Little Bee fans have personally recommended if you like
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As a psychologist, I've worked with countless emigrants and international expatriates. People relocate to various parts of the world for different reasons. However, each person’s life struggles, cultural background, experiences, and knowledge help make the world more colorful and richer in so many ways. I encourage people to open themselves to see the world and be receptive and tolerant to those who are different from them. It teaches us to be humbler and more respectful, and to enrich our life in general. My choices are about preparing your mind and your heart for life in another culture. Sometimes a well-crafted novel can offer insights that other media can’t express.
This book, the story of a Syrian refugee beekeeper, speaks volumes about what I believe in: the resiliency of human beings and the power of the mind.
The beekeeper’s journey reminds me of why I love working with people as a psychologist after 30+ years. I witnessed many times that hopes and dreams can carry people through the most difficult, dire situations. The title of the book also attracted me.
Being an amateur beekeeper, I have some understanding of beekeeper mentality. One has to be observant, patient, and persistent in order to befriend bees. This includes a willingness to learn, follow instinct, and trust what life can bring. These characteristics are reflected in the protagonist of this book.
His emotional journey is about surrendering to the unknown, working with what is in front of him, and trusting what the universe will bring him in the end. Warmth, kindness, and torments…
Shortlisted for Audiobook of the Year - The British Book Awards 2020
A BBC RADIO 2 BOOK CLUB CHOICE 2019
Narrated by Art Malik, The Beekeeper of Aleppo is a moving, powerful, compassionate and beautifully written testament to the triumph of the human spirit. Told with deceptive simplicity, it is the kind of book that reminds us of the power of storytelling.
In the midst of war, he found love In the midst of darkness, he found courage In the midst of tragedy, he found hope
Nuri is a beekeeper; his wife, Afra, an artist. They live a simple life,…
I’m a debut novelist who loves a good family drama. I’m a fiction professor at the University of Memphis, where I teach a course on the dysfunctional family novel featuring books on this list. I’m also an atheist, a bisexual, and a father to a one-year-old—all of which influenced my book. In addition to the novel, I’ve written a story collection called Quantum Convention. My stories have aired on Public Radio International’s Selected Shorts and appeared in American Short Fiction, Gulf Coast, and Electric Literature, among other journals. I also have a new essay up at Lit Hub about channeling my bisexuality through queer characters.
When it comes to family sagas turned myth, it’s hard to top Calliope Stephanides tracing the passage of the hermaphroditic gene—transforming Callie into Cal—through three generations of the Greek-American Stephanides family.
An epic origin story that moves from Asia Minor to Detroit, Michigan, complete with incest and a nuanced exploration of gender identity. It also has one of my all-time favorite novel openings ever. “Sing now, O Muse, of the recessive mutation on my fifth chromosome!”
'I was born twice: first, as a baby girl, on a remarkably smogless Detroit day of January 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of l974.'
So begins the breathtaking story of Calliope Stephanides and her truly unique family secret, born on the slopes of Mount Olympus and passed on through three generations.
Growing up in 70s Michigan, Calliope's special inheritance will turn her into Cal, the narrator of this intersex, inter-generational epic of immigrant life in 20th century America.
Middlesex won the 2003 Pulitzer Prize for Fiction.
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
When One Book, One Philadelphia called me in my office at Drexel University and asked me to select 10 students to interview 10 South Sudanese refugees for a One Book project, I read Dave Egger’s epic tale of Valentino Achak Deng’s survival as a so-called “Lost Boy" of Sudan. Valentino along with thousands of other “Lost Boys” was forced to separate from his parents at a young age and trek thousands of miles across Sudan, Ethiopia, and Kenya without resources to food or water to arrive at several refugee camps. This is Valentino’s story yet it resonates with fleeing people worldwide. Anyone who lives in freedom will stop and listen to the plight of others after reading this astonishing book.
NEW YORK TIMES BESTSELLER • The epic novel based on the life of Valentino Achak Deng who, along with thousands of other children —the so-called Lost Boys—was forced to leave his village in Sudan at the age of seven and trek hundreds of miles by foot, pursued by militias, government bombers, and wild animals, crossing the deserts of three countries to find freedom.
When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that…
James Malloy is a ferry captain--or used to be, until he was unceremoniously fired and replaced by a "girl" named Courtney Farris. Now, instead of piloting Brenton Island’s daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
When he discovers a plan for a private golf course on wilderness sacred to his dying best friend, James is determined to stop such "improvements." But despite Brenton's nickname as "Cooperation Island," he's used to working solo. To keep historic trees and ocean shoreline open to all, he'll have to learn to cooperate with other islanders--including Captain Courtney, who might just morph from irritant to irresistible once James learns a secret that's been kept from him for years.
Loner James Malloy is a ferry captain-or used to be, until he was unceremoniously fired and replaced by a girl named Courtney Farris. Now, instead of piloting Brenton Island's daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
When he discovers a private golf course staked out across wilderness sacred to his dying best friend, a Narragansett Indian, James is determined to stop such "improvements." But despite Brenton's nickname as "Cooperation Island," he's used to working solo. To keep rocky bluffs, historic trees, and ocean shoreline open to all, he'll have…
Like many of you, my ancestors were immigrants. Mine were Eastern European, some from villages now in Ukraine. Growing up, I heard stories of relatives fleeing the Cossacks, the pogroms, and basically getting out while the getting was good, all for the promise of a better life. Some didn’t make it—they died in gas chambers and work camps. Some didn’t survive the hardships of their new worlds. The ones who thrived were tough, worked hard…yes, some were bitter, but they all had hope. This hope, despite everything, is universal, yet very personal, which is why I’m so drawn to these refugee and immigrant stories from all over the world.
I had the distinct pleasure of meeting Richard Crasta when he lived in New York, and his novel was a welcome surprise at a time when I needed it. Not all fictional immigrant journeys about hope are harrowing life-and-death tales. Some are funny, like Crasta’s coming-of-age American-dream novel. It’s been called the Indian Portnoy’s Complaint. I get that some might have a problem with that. But I felt for Vijay Prabhu, our young protagonist. He yearns to be a writer and sleep with American women—a dream that American TV and movies have promised him, a dream that’s taboo in his native Mangalore and in his Catholic family, where writing is not an acceptable profession for a man and sex is definitely not discussed. Witty and honest and devastatingly human.
A comic coming-of-age novel, of an Indian boy with an American Dream, "The Revised Kama Sutra" is also an honest and uninhibited account of how difficult it was for many an Indian male, in the Seventies (and to a smaller extent, even today), to lose his virginity. Inflamed by Western movies and erotic novels and how-to books on seducing women, the protagonist, Vijay Prabhu, dreams of going to America to become a writer and fulfill his sexual fantiasies. Described as an insight into the Indian male mind, this novel has been published in multiple editions and was praised by Kurt…
When I decided to familiarize myself with eighteenth-century authors of African descent by editing their writings, I didn’t anticipate becoming their biographer. In annotating their writings, I quickly became intrigued and challenged by trying to complete the biographical equivalent of jigsaw puzzles, ones which often lack borders, as well as many pieces. How does one recover, or at least credibly speculate about, what’s missing? Even the pieces one has may be from unreliable sources. But the thrill of the hunt for, and the joy of discovering, as many pieces as possible make the challenge rewarding. My recommendations demonstrate ways others have also met the biographical challenge.
English enslavers called Ancona Robin Robin John and Little Ephraim Robin John “princes” because they were literate English-speaking members of one of two ruling African slave-trading families in present-day southeastern Nigeria.
The lives of the Johns illuminate the surprisingly complex relationships among the participants in the transatlantic slave trade, when African suppliers of enslaved Africans often had as much economic and political power as their European customers.
The English allies of the rival family captured the two men during a trade war between the families in 1767.
They were taken to the Caribbean and North America, with several escapes and recaptures, before being brought to England, where they successfully sued for their freedom. They returned to the family business in Africa.
In 1767, two "princes" of a ruling family in the port of Old Calabar, on the slave coast of Africa, were ambushed and captured by English slavers. The princes, Little Ephraim Robin John and Ancona Robin Robin John, were themselves slave traders who were betrayed by African competitors-and so began their own extraordinary odyssey of enslavement. Their story, written in their own hand, survives as a rare firsthand account of the Atlantic slave experience.
Randy J. Sparks made the remarkable discovery of the princes' correspondence and has managed to reconstruct their adventures from it. They were transported from the coast…
I am a political economist committed to building a better world for all. In my academic work, I explore the obstacles to human flourishing and the best policies to promote more equitable development. The growing concentration of wealth among a small elite have become one of our most significant challenges to create better societies. In a growing number of countries, the wealthy control more than a third of all the income generated every year, contributing to social discontent and reducing the opportunities for the majority. I want to convince everyone out there about the urgency of understanding why inequality takes place, why it is costly and how we can fight against it is.
Great fiction books can teach us how inequality operates in everyday life better than any scientific research.
Americanah is the love story of Ifemelu and Obinze, whose lives diverge when one moves to the US and the other to the UK to converge fifteen years later back in Nigeria.
Through their life stories, we understand what intersectionality really means: class, gender, and race interact to make inequality and discrimination particularly problematic.
Adichie is a fantastic writer who combines humor and kindness to reflect the complexities of contemporary inequality within and across borders.
Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come.
How easy it was to lie to strangers, to create with strangers the versions of our lives we imagined.
Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria. Self-assured Ifemelu heads for America. But quiet, thoughtful Obinze finds post-9/11 America closed to him, and plunges into a dangerous undocumented life in London.
Fifteen years later, they reunite in a newly democratic Nigeria,…
After losing my dad to suicide, I jumped into the only thing I could think to do: writing. After spending a full 365 days writing about my grief, it only felt right to share it with other people for the sake of feeling less alone through the isolating journey of parent loss. Through that process, I have learned so much about myself, societal ways of grieving, and the un-comfiest parts of grief. I know how hard it can be to talk about someone you miss and are also mad at simultaneously, so my suggestions are truly from the heart to help process those difficult and big emotions.
This book dives in head-first to the concepts of sudden loss.
When you lose someone, it can never be explained as easy – but losing someone when you had no idea they would be gone so soon is the least easy way to watch them go. This book shows how many of us are connected by grief and loss, and how important conversation and connection are for the sake of getting better.
Plus, the book is in relation to loss during the COVID-19 pandemic, adding another layer of relatability to thousands of people.
A personal and powerful essay on loss from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun.
'Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language'
On 10 June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria.
In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy's girl, remembers her beloved father.…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
Writing about a Nigerian family’s migration from Nigeria to the US, I appreciated Atta’s ability to masterly cover a wide range of issues without losing focus.
I was totally charmed by the remarkable way in which this novel managed to take me along on a journey that ultimately raises deep appreciation of each character’s point of view in the course of touching on issues such as interracial as well as intra-racial tensions and familial strains exacerbated in a new geographic and cultural environment.
An account of an immigrant family's struggle and the lessons learned about diversity
Writing at the height of her powers, The Bad Immigrant cements Sefi Atta’s place as one of the best storytellers of our time. Through the voice of her first male protagonist, Lukmon, Atta peels away nuanced layers to expose the realities of migration from Nigeria to the USA, such as the strains of adjustment and the stifling pressure to conform without loss of identity.
Covering a wide range of issues, including interracial and intra-racial tensions, and familial strains exacerbated in a new geographic and cultural environment, this…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
I am in love with Lesley’s writing, and everyone should be. Period. I will recommend this book a thousand times. The first time I read it, I was left feeling hopeful–hopeful that stories are soft, intentional, deliberate, magical things that can shift people and places enough to make a difference or change minds. With each story in this collection, Lesley peels away the layers (sometimes softly, sometimes jarring) of lives, relationships, and women.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE LEONARD PRIZE
SHORTLISTED FOR THE ASPEN WORDS LITERARY PRIZE
A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home.
In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out…
As a teenager in the 80s, I witnessed the evils of dictatorship up to the 90s. And it was at that time that I became fascinated with the late iconic Afrobeat musician Fela Kuti, who used his music as a weapon against tyranny. I read books such as The Man Died by Wole Soyinka, Animal Farm by George Orwell and Cry, The Beloved Country by Alan Paton, and my love for protest literature was formed. Growing up, Fela Kuti’s philosophy shaped me and I found myself identifying with the downtrodden. And then I began to explore universal themes such as love, courage, and sacrifice through my writing.
I think this book is very important because Soyinka shows that the right of the people to protest cannot be restricted by walls or chains. That the oppressor is totally helpless against the will of the people, as also shown in Taduno’s Song by the protagonist Taduno and Kongi, a character modelled on Soyinka. Imprisoned without trial by the authorities at the start of the Nigerian civil war, Wole Soyinka’s prison notes provide records of the twenty 27 months he spent in solitary confinement, the very basis of the words that would cement his place as a prisoner of conscience and give rise to a body of work that would illuminate the world.
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