Here are 100 books that Legs fans have personally recommended if you like
Legs.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I have picked these books because I have a passion for good reading material. All the books I have chosen have become reading classics in their own way. They are well written and have plots that go well beyond normal literature in a sense that they unveil the 'human condition' into the realm of the protagonist being up against all odds, where in the end, truth reveals all!
Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.
In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
I’ve always loved a good crime drama/suspense thriller novel–the way they keep you glued to the pages, and you think you’ll just sit down for a quick couple of chapters before dinner, and the next thing you realize, it's 12am, and you’re on the last chapter. The depth of the character studies that you get with this genre is the other reason I enjoy it so much, there’s nothing worse than having main characters that are one dimensional and unreachable as a reader. I have always tried to create this kind of character depth and gripping narrative in my own books.
I really liked the way Puzo really nails the intricate plot with his straightforward writing style. He takes you through intricate events that jump around in time, keeping you hooked and on the edge of your seat.
The progression of the characters is another great bit. As a reader, you watch as Michael turns from a war hero with the potential to be a great guy into a ruthless mafia boss, almost as if it were destiny or repercussions for his father’s mistakes.
_________________________________ The classic novel that inspired 'the greatest crime film of all time'
Tyrant, blackmailer, racketeer, murderer - his influence reaches every level of American society. Meet Don Corleone, a friendly man, a just man, a reasonable man. The deadliest lord of the Cosa Nostra. The Godfather.
But no man can stay on top forever, not when he has enemies on both sides of the law. As the ageing Vito Corleone nears the end of a long life of crime, his sons must step up to manage the family business. Sonny Corleone is an old hand, while World War II…
Growing up on a diet of The Godfather, The Sopranos, thrillers, and gangster novels, and living in New York City with eye-opening trips to Sicily, I became slightly obsessed with the Mafia. I came to see the American Mafia as a quintessentially American fabric, woven of family, power, immigrants, money, history, loyalty, legacy, and, yes, crime.
Few writers inhabit history, distill it, and convey the feeling of an era with the verve or immediacy of E.L. Doctorow.
In Billy Bathgate, he trains his lens on the 1930s and introduces us to Billy Behan, a fatherless Irish-Jewish kid from the Bronx, who has a chance encounter with New York gangster Dutch Schultz and decides “whatever my life was going to be in this world it would have something to do with Mr. Schultz.”
Add a love triangle, a colorful cast of mobsters, murder, blackmail, a special prosecutor, and you have the propulsive plot and rich characters that power this unforgettable novel.
'I was living in even greater circles of gangsterdom than I had dreamed, latitudes and longitudes of gangsterdom'
It's 1930's New York and fifteen-year-old streetkid Billy, who can juggle, somersault and run like the wind, has been taken under the wing of notorious gangster Dutch Schultz. As Billy learns the ways of the mob, he becomes like a son to Schultz - his 'good-luck kid' - and is initiated into a world of glamour, death and danger that will consume him, in this vivid, soaring epic of crime and betrayal.
My father came from Ukraine, and every summer took the family to stay on a farm in an immigrant community in southern New Jersey, Carmel, a community begun by the Baron de Hirsch Foundation, which settled Jews from all over Europe. Italian immigrants also settled there. I lived in a family that spoke to their siblings in three languages, Yiddish, Russian, and Ukrainian. Hence, I was privy to the loves and losses of people who felt estranged from their language and often yearned to return to their country of origin.
Tough Jews is a short history of Jewish-American gangsters and their Italian colleagues with whom they made common cause. It is here for the first time that we understand why Arnold Rothstein was the most important gangster in America. Having introduced "organized" into organized crime, he promised underworld figures the help of the famous attorney William Fallon if they landed in trouble and agreed to look after their families if they got sent up the Hudson (to Sing Sing). I am struck by the fact that Cohen makes his history personal, by means of his own contacts with the people who know the inside story of how the Jewish gangsters thrived—or didn't. He sits down with them; he eats with them; and he gets them to remember how it once was in the days of Dutch Schultz, Legs Diamond, and Arnold Rothstein.
Award-winning writer Rich Cohen excavates the real stories behind the legend of infamous criminal enforcers Murder, Inc. and contemplates the question: Where did the tough Jews go?
In 1930s Brooklyn, there lived a breed of men who now exist only in legend and in the memories of a few old-timers: Jewish gangsters, fearless thugs with nicknames like Kid Twist Reles and Pittsburgh Phil Strauss. Growing up in Brownsville, they made their way from street fights to underworld power, becoming the execution squad for a national crime syndicate. Murder Inc. did for organized crime what Henry Ford did for the automobile,…
I wrote on the mob early in my career as a newspaper reporter, investigating organized crime’s infiltration of politics, unions, and the toxic-waste industry in New Jersey in the late 1970s and early ‘80s, then covering some of the major mob trials in New York during the 1980s (starting with the case depicted in the movie Donnie Brasco). In more recent years, I’ve returned to the subject in two books: The Italian Squad: The True Story of the Immigrant Cops Who Fought the Rise of the Mafia and An Unlikely Union: The Love-Hate Story of New York’s Irish and Italians. I like work that is careful, specific, and presented in a smoothly written narrative.
I usually find the informants more interesting to read about than the diehard gangsters because they’re the people in the middle, squeezed from all sides. This fluid account, by two of New York’s best reporters, is a personal favorite. It’s a smoothly told narrative that avoids romanticizing the mob.
A gripping, novelistic biography of the diminutive man behind the big mouth. Reminiscent of Wiseguy and Ice Man, this compelling biography from two prominent mob experts recounts the life and times of Alfonso Little Al D'Arco, the highest-ranking mobster to ever share Mafia secrets when he changed sides in 1991. Although top boss of the Luchese crime family, D'Arco decided to quit the mob after narrowly escaping an assassination attempt. His testimony sent more than fifty mobsters to prison and prompted others to make the same choice.
I spent 7 years in a commercial cult. I was indoctrinated into, rose to the top of, and finally escaped from a multilevel marketing company. When I started my exit, I wondered how I had become so brainwashed, which led me to do research into coercive control. I started to understand that different types of authoritarian control; behavior, information, thought, and emotional, drove me further into the cult and away from my outside friends and family. I read as many cult books and watched as many documentaries as I could find, and became fascinated with uncovering why people find themselves in the same situation I was in.
Once again I became interested in a book thanks to a documentary!
When I watched the documentary about Sarah Lawrence College, I wanted to know more. Daniel Barban Levin’s story really demonstrates how a fragile young mind can be influenced by someone with sinister intentions.
He vividly describes his time spent with a manipulative cult leader (Larry Ray), and his narrative disturbingly shows us just how easily something like this could've happened to us. Very sadly relatable, for people who lose their voice when they fall victim to gaslighting or abusive friends, mentors, or partners.
An “extraordinary” (Nylon) firsthand account of the creation of a modern cult and the costs paid by its young victims: a group of college roommates
“Intense . . . [a tale] of hard-won survival, and creating a life after the unimaginable.”—Salon
The inspiration for the Hulu docuseries Stolen Youth, directed by Zach Heinzerling and co-produced by Daniel Barban Levin
In September 2010, at the beginning of the academic year at Sarah Lawrence College, a sophomore named Talia Ray asked her roommates if her father could stay with them for a while. No one objected. Her father, Larry Ray, was just…
I’m Professor of History at Colorado State University Pueblo and have published eight books, mostly about the history of food. After encountering Up in the Old Hotel for the first time during the early 1990s, I started reading New York City history in my spare time.The Fulton Fish Market: A History is my way to blend my expertise with my hobby. Each of these books are beautifully written, informative, and fun. If you’re interested in the history of New York City and you’re looking for something else to read, I hope you’ll find my book to be the same.
Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets.
To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.
These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an…
The blue-collar everyman lives on the periphery, coming and going with little fanfare. But what does he think and feel? How does he view the world? I became interested in these questions while working for my father’s rug business. I started as a part-timer in the early 90s, straddling the line between academe and the homes of the rich. He employed me for the next twenty years, supplementing my income as I found my way as a university professor. The books listed led me to a deeper appreciation of my father’s vocation, but only in writing Rug Man did I come to understand the true meaning of work.
Published the same year as John Steinbeck’sThe Grapes of Wrath, di Donato’sChrist in Concrete is another closely drawn portrait of working-class immigrants, this time the Italian-American bricklayers of New York City’s Lower East Side.
On top of its lyricism and spirited narrative pace, what I find most refreshing about di Donato’s tale is its choice of subject matter. So much of what we read and hear about the Italian-American experience tends to focus on the Mafia, perpetuating negative stereotypes that have dogged paisans since the late 19th century.
While I’ll never be the one to turn off Goodfellas, I long for more stories like that of Geremio and his irrepressible son, Paul, “born artists of brick and mortar.”
Giving voice to the hardworking Italian immigrants who worked, lived, and died in New York City shortly before the Great Depression, this American classic ranks with Steinbeck’s The Grapes of Wrath as one of the 20th century’s great works of social protest.
Largely autobiographical, Christ in Concrete opens with the dramatic Good Friday collapse of a building under construction, crucifying in concrete an Italian construction worker, whose death leaves his pregnant wife and eight children impoverished. His oldest son, Paul, at just twelve years old, must take over his father’s role—and his job.
“Write what you know.” Every writer knows this. I have done that; first, in a novella, Losing Addison, which I recently made into a psychological thriller featuring Sherilyn Fenn (release date: June 28, 2022). The story is based on a nightmare I had in 2011. In addition, I have written two novels, By A Thread and The Falls, both of which involve Mormon missionaries caught up in events that test their integrity, forcing them to make difficult choices as said missionaries discover same-sex attractions more deeply rooted than they—and their superiors—would like to admit.
Patrick Dennis’s “hyperbolized” version of his life with his aunt and legal guardian, Mame Dennis, has a history both on Broadway (“Mame” portrayed by Lucille Ball) and on the silver screen (“Auntie Mame” portrayed by Rosalind Russell). It was the film that led me to the book, which Dennis admits is filled with hyperbole and imaginary details. It is, however, based on the sometimes outlandish and often controversial life of his “progressive” aunt, who believed “life is a banquet and most poor suckers are starving.”
It’s hard to tell where reality ends and fiction begins, but in truth you won’t want to. Auntie Mame manages to be both touching and hysterical as it follows Mame’s swinging New York lifestyle through the Great Depression into the workforce (a first for the heretofore wealthy heiress) and beyond into marriage into a “proper” Southern family, whose scrutiny Mame does not always survive intact.…
With a wit as sharp as a vodka stinger and a heart as free as her spirit, Auntie Mame burst onto the literary scene in 1955--and today remains one of the most unforgettable characters in contemporary fiction.
Wildly successful when it was first published in 1955, Patrick Dennis’ Auntie Mame sold over two million copies and stayed put on the New York Times bestseller list for 112 weeks. It was made into a play, a Broadway and a Hollywood musical, and a fabulous movie starring Rosalind Russell. Since then, Mame has taken her rightful place in the pantheon of Great…
Being overweight presents an intriguing paradox: being physically large and hard to miss, but also being essentially invisible and easy to ignore. Having struggled with weight for my entire life, I’m very familiar with this juxtaposition of opposites. I wanted to write a novel with a plus-sized protagonist set in a different time, the late 1970s in this case, before the notions of size positivity and body diversity had come to life in society’s collective imagination. For me, this was a way of making fat people more visible in books, especially as main characters. I put together this list of books for the same reason.
Unlike the other recommendations, the plus-sized protagonist in this book is a man. Arthur Opp is a lonely shut-in who has lost his career, his friend, and his family of origin. His main solace is his correspondence with a former student, who, one day, asks him for help in guiding her son, Kel.
From that point forward, the story is told from the alternating perspectives of Arthur and Kel. Both are plagued by isolation and tragedy. Though Arthur views himself as part of the shared soul of the lonely, he nonetheless begins to welcome people back into his life again and extols the virtues of found family to Kel.
This is a haunting, yet hopeful, book that stays with the reader for a very long time.
Former academic Arthur Opp weighs 550 pounds and hasn't left his rambling Brooklyn home in a decade. Twenty miles away, in Yonkers, seventeen-year-old Kel Keller navigates life as the poor kid in a rich school and pins his hopes on what seems like a promising baseball career-if he can untangle himself from his family drama. The link between this unlikely pair is Kel's mother, Charlene, a former student of Arthur's. After nearly two decades of silence, it is Charlene's unexpected phone call to Arthur-a plea for help-that jostles them into action. Through Arthur and Kel's own quirky and lovable voices,…
