Here are 100 books that Learn to Draw Your Favorite Disney/Pixar Characters fans have personally recommended if you like
Learn to Draw Your Favorite Disney/Pixar Characters.
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I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
I enjoy this book because it teaches artists of all ages how to draw various simple facial cartoons in a twelve-step sequential style that is easy to follow. How to draw people with different expressions is essential for any cartoonist. I like how this book takes the artist from drawing happy faces to surprised faces while covering a variety of nationalities. There are many components to drawing faces, such as eyes, a nose, a mouth, ears, and hair, and I like how this book covers it thoroughly in 400 different variations of faces. “Face” the fact that I never take a book at “face” value.
Learn how to draw faces! This book features over 425 easy to follow step-by-step lessons that will capture your imagination and inspire creativity. Happy Drawing!
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
I’m the biggest Peanuts cartoon strip fan and enjoy this book because it teaches artists how to draw each Peanuts character in an easy-to-follow step-by-step manner. Most people that don’t think they can draw become overwhelmed with where to start. This book reminds cartoonists to follow a pattern and to focus on one line at a time that will all come together and form Snoopy, Charlie Brown, or Lucy. My wife and I have even flown into the Charles M. Schulz–Sonoma County Airport and visited the Charles M. Schulz Museum and Research Center in Santa Rosa, California, on two different occasions. I highly recommend visiting! Good grief, buy this book!
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
This book brings back many fond memories of Saturday mornings as a child when I would watch Popeye and Felix cartoons and The Archie Show on TV. I don’t think we can call a cartoon character Jughead anymore, but you can learn how to draw Jughead step by step and his trademark beanie. This crown-shaped cap, also called a whoopee cap or Jughead cap was popular in the 1930s to 1940s. You’ll go down memory lane with this book and, in a Popeye voice, say, “I yam what I yam.”
Even the youngest artists can make famous characters look great. It is aimed at aged 5 and upwards. "Draw 50 Famous Cartoons" teaches aspiring artists how to draw with easy by following simple, step-by-step instructions. Celebrated author Lee J. Ames shows readers how to draw a myriad of beloved cartoon characters, including Felix the Cat, Tin Tin, Flinstones, Yogi bear, Popeye, Scoobie Doo and many more. Ames' illustration style and renowned drawing method has made him a leader in the step-by-step drawing manual - the twenty-seven books in his "Draw 50" series have sold more than three million copies. It's…
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
This book makes me smile because it's filled with a plethora of the cutest cartoons to draw step by step, from rainbows to cupcakes. Sometimes a person will tell me they don't like to draw certain types of cartoons, such as a cat. Still, I remind them that drawing something you are not interested in broadens your horizons and deepens your understanding of the world as you step out of your comfort zone. I like how author Takeshi Sugimori reminds artists to believe in themselves. Plus, he covers the artform of sketch hatching or shading, which is rarely covered in books. When I taught kids how to draw on my It's Curtoon Time TV show, I would remind them to add shading at the end of each cartoon. Sometimes life is about rainbows and unicorns!
Like so many others, I discovered Disney in childhood. When I was five years old my parents took me to see a Disney movie in a theater, and the experience was so overwhelming that I still recall it vividly. It was the beginning of a lifelong passion for classic films, a passion that has led me to a career as a film historian. For me, writing a book about a film is mainly an excuse to do the research, to get inside a film and explore it, and find out what makes it tick. It’s invariably a fascinating journey, and if I can share that fascination with readers, I’m happy.
During the golden age of the Disney studio, the “concept artists” were those who created sketches and paintings to suggest mood, theme, and atmosphere for the inspiration of the production artists. Their works were used internally, during production, and sometimes were outstanding works of art in themselves, but were never seen by the public. Now Didier Ghez singles out four of those top concept artists, documents their careers, and provides a generous gallery of their drawings and paintings, almost all of them previously unpublished. If you enjoy this book—and you surely will—there’s more good news: this volume is the first of six, all retaining the same format and the same high standard of excellence, and following the trail of Disney history well into the 21st century.
As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about…
Although I write in many genres, fantasy was my first love in reading. I fell in love with the possibilities of a boundless world. And as the years went on, I realized that fantasy could be more than just dragons and sorcery. Fantasy was this big umbrella that housed all the impossible dreams. So, I gravitated toward the genre. I also have an affinity for fun things. I don’t like to be sad, so I prefer movies, music, games, and books that revolve around fun and humor.
If there is something I love outside of writing it is Disney. I won’t try and convince anyone these are great works of literature, but they do an amazing job of making the Disney magic come to life.
Ever since I went to Disney World for the first time I imagined what it would be like to work there. To see the park at night with no one in it. To be alone in all that magic. So, when I read Disney After Dark I felt like a little kid having his ideas put to paper.
Five young teens tapped as models for theme park “guides” (using a new hologram technology developed by the Disney Imagineers) find themselves pitted against Disney villains and witches that threaten both the future of Walt Disney World and the stability of the world outside its walls. Featuring a new cover design and additional content!
Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
Steve Huston is one of my heroes. I love his art and I love how he talks about art. Steve walks with his feet firmly on the ground and lavishes the feel of the dirt between his toes. He talks about the lofty goals of being human and creating art in the most down-to-earth, practical ways.
And that's not a side-note to his how-to-draw book, that's the central message of this how-to-draw book. See the world, be in the world, trust and love your own senses, make contributions to the world. This book is filled with gorgeous drawings and a warm invitation to ways of seeing and drawing and conceptualizing the human figure.
Figure Drawing for Artists: Making Every Mark Count is not a typical drawing instruction book; it explains the two-step process behind juggernauts like DreamWorks, WB and Disney.
Though there are many books on drawing the human figure, none teach how to draw a figure from the first few marks of the quick sketch to the last virtuosic stroke of the finished masterpiece, let alone through a convincing, easy-to-understand method.
That changes now!
In Figure Drawing for Artists: Making Every Mark Count, award-winning fine artist Steve Huston shows beginners and pros alike the two foundational concepts behind the greatest masterpieces in…
I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
This two-book volume of notes, drawings, wise sayings, and philosophy are and have been invaluable assets to the learning curve of myself and numerous others. I have these same handouts, in storage boxes, saved over the years. I was there in the lunch-time drawing classes Walt taught at the Disney Studio. Before each drawing session he would hand out these xerox pages. On occasion some of my sketches were included in these handouts. With humor and enthusiasm, Walt encouraged us to push the models pose, see the possibilities and more, all with a goal of making better animation drawings.
Discover the lessons that helped bring about a new golden age of Disney animation!
Published for the first time ever, Drawn to Life is a two volume collection of the legendary lectures from long-time Disney animator Walt Stanchfield. For over twenty years, Walt helped breathe life into the new golden age of animation with these teachings at the Walt Disney Animation Studios and influenced such talented artists as Tim Burton, Brad Bird, Glen Keane, and John Lasseter. These writings represent the quintessential refresher for fine artists and film professionals, and it is a vital tutorial for students who are now…
I grew up living above our family funeral home. My parents were exceptionally compassionate people. I learned through their kind upbringing that heaven was and is, here and now. Death was not only an inevitable part of life but a daily part.As an adult, I became a Yoga Teacher. Yoga means union. It's an exploration into the intimate balance between body and mind. One particular yoga pose essential to every single class – Savasana or Corpse Pose. A coincidence a young girl raised in a funeral home would end up teaching daily classes of corpse pose? I think not. And through it all bloomed Floretta. The story of life and death coming together into a magnificent circular experience. Bilingual yet parallel worlds amidst beautiful chakra colors.
It sure takes a village to turn an award-winning Disney Pixar movie, Up into a Read-Aloud Storybook, and this cast of creative characters does it well! A terrific story about those significant changes in life and about not closing doors to the inevitable new adventures to come. Heart-warming and brilliantly crafted. See the movie! And do certainly read this lovely book version too.
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A Little Golden Book retelling of Disney/Pixar Up! Meet Car and Russell. Carl is old and lonely. Russell is young and looking for a friend. When they’re thrown together on the adventure of a lifetime, they discover that friendships are great at any age! This Little Golden Book retelling of Disney/Pixar Up will appeal to adventurers of all ages.
Ever since my primary school teacher read out my essay about a friendly octopus to the whole class, I’ve known I was a storyteller. I went on to enjoy a long career as a journalist–first, writing stories about rock and pop groups for the music paper Sounds (where I coined the term ‘The New Romantics’), then as editor of the pop magazine Record Mirror, and subsequently as a writer/editor for national newspapers including The Observer and The Sunday Telegraph. After that, I became a coach, a public speaking trainer, and a book editor. However, my most enduring passion is helping people find and tell their most meaningful stories.
I’m blowing a big chef’s kiss to this delicious little book.
Like gourmet cuisine, every ingredient is top quality and carefully chosen. The resulting dish is beautifully presented and full of flavour. You’ll find everything you need to know about how to tell a story well–from the 10 principles of storytelling to the gleaming detail and evoking the senses, delivered with verve and clarity by a seasoned scriptwriter and professor of storytelling.
The universe is made of stories, not atoms.' - Muriel Rukeyser. Today s world wants to know you and the real story behind why you do what you do. Whether you have a product to sell, a company mission to share or an audience to entertain, people are far more likely to engage and connect if you deliver a well-crafted story with an emotional core. Bobette Buster is a story consultant to major studios including Pixar, Disney and Sony Animation. In Do Story she teaches the art of telling powerful and engaging stories. With profiles of activists, leaders and visionaries,…
