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I’ve been fascinated by the link between golf and the Eastern arts since I heard the great Jack Nicklaus say that golf is played with the feet. This immediately struck a chord with me as my background spans over thirty years of Tai Chi training and I have understood from this art that all movement comes from the ground upwards. The early training of Nicklaus in fact echoes that of the ancient warriors who understood the link between intention and action, which is a very different approach to the modern way of over-thinking technique. The simplicity of flow cancels out the need to separate the golf swing into individual positions.
This book is an absolute classic and should be in the library of every golfer who has ever touched those extraordinary moments we call the zone or flow. Murphy’s encounter with the enigmatic teacher Shivas Irons, has him questioning reality as he understands it with his logical mind. As their encounter unfolds, Murphy begins experiencing an opening of his perception to a deeper and more profound awareness of the forces and energies that can align to help create the perfect shot. This book shows how important it is to ‘get out of your own way’ and find your inner swing.
"...for golf's soul surfers, Golf in the Kingdom is holy scripture." -- Golf
A spiritual journey, a lush travelogue, a parable of sports and philosophy-John Updike called this unique novel "a golf classic if any exists in our day."
Paired with a mysterious teacher named Shivas Irons, Michael Murphy is led through a round of phenomenal golf, swept into a world where extraordinary powers are unleashed in a backswing governed by "true gravity." A night of adventure and revelation follows, and leads to a glimpse of Seamus MacDuff, the holy man who haunts a ravine off Burningbush's thirteenth fairway-the one…
I’ve been fascinated by the link between golf and the Eastern arts since I heard the great Jack Nicklaus say that golf is played with the feet. This immediately struck a chord with me as my background spans over thirty years of Tai Chi training and I have understood from this art that all movement comes from the ground upwards. The early training of Nicklaus in fact echoes that of the ancient warriors who understood the link between intention and action, which is a very different approach to the modern way of over-thinking technique. The simplicity of flow cancels out the need to separate the golf swing into individual positions.
This book is very close to my heart as it is written by a fellow Tai Chi practitioner who has used his insights gained from personal experience of this ancient art to help golfers develop a natural and flowing swing. The wisdom in this book also draws upon many other so-called alternative practices such as Pilates, the Alexander Technique, the Feldenkrais Method, Eastern philosophy, and Yoga to help demystify and simplify all the technical jargon that hinders a player’s ability to swing the club smoothly. It is the antidote to ‘checklist golf’ which has become the norm for so many players who have seen their game deteriorate as a result.
Peter Lightbown is a golf instructor with a difference - a professional who, out of complete frustration with his own game, has developed a revolutionary approach to golf. The endless quest for technical perfection is familiar to both professional and amateur golfers; an obsession which threatens to kill the simple pleasure of the game. As a professional, Peter realised that technical instruction only served to make his style tense and awkward. He no longer enjoyed playing and the quality of his game deteriorated - until it occurred to him that he had to look at things in a different light,…
I’ve been fascinated by the link between golf and the Eastern arts since I heard the great Jack Nicklaus say that golf is played with the feet. This immediately struck a chord with me as my background spans over thirty years of Tai Chi training and I have understood from this art that all movement comes from the ground upwards. The early training of Nicklaus in fact echoes that of the ancient warriors who understood the link between intention and action, which is a very different approach to the modern way of over-thinking technique. The simplicity of flow cancels out the need to separate the golf swing into individual positions.
I have always been interested in Vedic philosophy and have greatly enjoyed the film The Legend of Bagger Vance. While there has been much watering down of ancient truths to fit with our 21st Century lifestyle (the plethora of mindfulness apps being one example) the author of this book has a depth of literary and spiritual knowledge that helps unlock the mysteries of golf and allies them with the epic tale, The Bhagavad Gita. Rosen explains that Rannulph Junuh, (played by Matt Damon in the film) is really Arjuna, the charioteer who is instructed by the Supreme Being, Bhagavan (Bagger Vance, the caddie played by Will Smith). It is an approach to the game that brings us face to face with the eternal battles within and how to overcome them.
In 1995, Steven Pressfield decided to introduce the Bhagavad-Gita to a contemporary audience, so he restructured the Gita in terms of a golf novel, The Legend of Bagger Vance. Now a major motion picture directed by Robert Redford and starring Matt Damon and Will Smith, The Legend of Bagger Vance is loosely based on the ancient Hindu epic, The Bhagavad-gita. Steven Rosen, in Gita on the Green: The Mystical Tradition Behind Bagger Vance, draws the story out further using some thirty years of Gita scholarship and a writing style that is both eloquent and thorough.
I’ve been fascinated by the link between golf and the Eastern arts since I heard the great Jack Nicklaus say that golf is played with the feet. This immediately struck a chord with me as my background spans over thirty years of Tai Chi training and I have understood from this art that all movement comes from the ground upwards. The early training of Nicklaus in fact echoes that of the ancient warriors who understood the link between intention and action, which is a very different approach to the modern way of over-thinking technique. The simplicity of flow cancels out the need to separate the golf swing into individual positions.
This is a breakthrough book that allows golfers the opportunity to step away from all the mental and technical thinking and into something simpler that can help release a golfer’s inner talents and abilities. The now-famous ‘club-throwing exercise’ is Shoemaker’s answer to Tim Gallwey’s ‘bounce-hit’ exercise in tennis which helps take the emphasis off trying to get technique right and instead allows the body to move in a way that is natural and therefore repeatable, even under pressure. So many of my students have benefited from the drills and exercises and the whole mindset of this book which details the possibilities inherent every time you set up to the ball.
Most golfers approach the tee with a complex mental package: worries and judgments about their swing, the other person's swing, the course, the weather, looking good, looking bad. They think about what's wrong instead of what's possible, and this is what Extraordinary Golf teaches: the art of the possible. Drawing on his experience teaching both amateurs and professionals for more than fifteen years, in his clinics around the country, in his Golf in the Kingdom seminars at the Esalen Institute, and at his own School for Extraordinary Golf in California, Shoemaker shows how extraordinary golf can be coached, learned, and…
My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.
My first somewhat clear understanding of what Zen is, and perhaps isn’t, came from the reading of this book.
I have seen in my own life when I’m doing photography or playing golf that I can enter a state of Zen. Nothing else exists while I’m depressing the shutter or hitting that little white ball. The concept of mindfulness is something that is much easier to read about than put into practice, but reading this book has helped me take strides toward living in the present.
A classic work on Eastern philosophy, and a charming, deeply illuminating story of one man’s experience with Zen.
Eugen Herrigel, a German professor of Philosophy in Tokyo, took up the study of archery as a step toward an understanding of Zen Buddhism. This book is the account of the six years he spent as a student of one of Japan’s great kyudo (archery) masters, and of how he gradually overcame his initial inhibitions and began to feel his way toward new truths and ways of seeing.
A boyhood fascination with knights and castles, plus the inevitable influence of Tolkien’s world, drew me into medieval history, especially its warring side. An MA and a PhD in medieval warfare consolidated my enthusiasm, with my first three books being on that topic (what I call my Blood and Guts trilogy). I remain fascinated by the all-encompassing influence of medieval warfare on society and its unforgiving impact on warriors and non-combatants alike. Writing, lecturing, and public talks on these have led me into other interesting fields, including two TV documentaries.
The controversial topic of the English longbow continues to haunt medieval warfare studies today. I was delighted to read this robust book which convinced me with its clear argument that the “long” bow was not itself a revolutionary new weapon of the later Middle Ages, but a bow that had evolved over time and which had always been significant in medieval warfare. Throughout there are lots of absorbing accounts of battles.
It is a delight to read a book which recognises the importance of warfare in medieval times...also...discusses the changing role of the archer in medieval society. SIR STEVEN RUNCIMAN
This book traces the historyof the archer in the medieval period, from the Norman Conquest to the Wars of the Roses. From a close study of early evidence, the author shows that the archer's role before the time of Edward I was an important but rarely documented one, and that his new prominence in the fourteenth century was the result of changes in development of military tactics rather than the introduction…
I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.
The legend of Robin Hood always fascinated me as a young girl, and this paranormal fantasy adaptation offers a smoldering romance set in medieval England in the enchanted Sherwood Forest. Based upon the legend of Robin Hood, this novel blends history, magic, passion, politics, and sacrifice in a compelling, captivating tale of the fabled archer reborn.
Curlew Champion, master archer, has always known his destiny. With his cousin, Heron Scarlet, he will become a guardian of Sherwood Forest and further his people's fight against Norman tyranny. But the third member of the triad is still to be revealed, the woman who will complete the magical circle and, perhaps, answer the longing in Curlew's heart.
Anwyn Montfort has fled disgrace in Shrewsbury and come to Nottingham at her father's bidding. He wishes her to make a good marriage and settle down. But the wildness that possesses her refuses to quiet. She knows she's been searching for something…
I’m the author of three novels, several short stories and quite a few articles about writing and literature. While I’ve haven’t aimed to write for a specific genre—all three of my novels are different in this respect—my plots usually focus on a mystery. I enjoy novels with strong, credible characters, which are based in a recognisable, everyday reality, but where bizarre events can turn the world upside down.
The memory of a primary school-teacher reading this book to the class has remained with me for decades, and was partly responsible for me wanting to write stories of my own.
Living in a historic village myself, the idea of Peter, the young protagonist, finding a rusty, medieval gauntlet and, after slipping his hand into it, being transported back to a life in that era, appealed so much to me that I spent a lot of time digging the vegetable garden afterwards in the hope of unearthing something similar.
That Peter then buries a different object in 1326, which he digs up in the twentieth century to prove the truth of his experience, really fired my imagination and left me fascinated by time-bending stories ever since.
Young Peter is visiting uncle in the Welsh countryside. When he finds an old knight's gauntlet, he put it on and is transported back in time to the fourteenth century. There he is the supposed son of a great Norman knight, his ancestor. He learns all about the Medieval life, and enjoys every part of his adventure (archery, hawking, jousting), even when danger arrives in the form of attack from the Welsh tribes. He helps his family lift the seige of their castle, but must finally return to his time. Will anyone believe his story? How can he convince them?
I write fiction set in the Bronze Age world of the Trojan War and the Hittite Empire. I love to combine history and archaeology with magic and fantasy arising from the ancient beliefs of this period. My novels bring women to the fore—whether the captive Briseis or a remarkable Hittite queen lost to human memory until recently. Armed with degrees in Classics, I have spent too much time exploring the remains of the ancient Greeks and Hittites through travel and research. From the beginning, the Trojan War tradition has left room for many variations. Here are five entirely different “takes” on this iconic war—all masterfully written.
If a racially diverse, gender-bending, often raunchy, always nuanced, new take on an old tale sounds like a good read to you, then pick up this “novel-in-parts.” Both the racial and sexual fullness reflect historical reality, although they’ve ordinarily been left out. Retelling the Trojan War from its early causes to its tragic but still hope-infused end, the authors gave this rendition a compelling depth that will make you savor the old tradition with some new spice on your tongue.
Troy: city of gold, gatekeeper of the east, haven of the god-born and the lucky, a city destined to last a thousand years. But the Fates have other plans—the Fates, and a woman named Helen. In the shadow of Troy's gates, all must be reborn in the greatest war of the ancient world: slaves and queens, heroes and cowards, seers and kings . . . and these are their stories.
A young princess and an embittered prince join forces to prevent a fatal elopement.
A tormented seeress challenges the gods themselves to save her city from the impending disaster.
I’ve been passionate about horses and adventure since I was a little girl. I’ve owned many horses over the years, and they all forever live on in the pages of my books. I wrote my book in 2001 while recovering from major surgery. The story was inspired by a young lady I met while volunteering with Nanaimo Therapeutic Riding and a frostbitten Mustang that arrived at Thunderbird Show Park en route from Wyoming to northern British Columbia. I lost my father to cancer a year before the book’s release. In many ways, Hannah Storey’s learning to cope with loss is based on my own. Life is like that, though, isn’t it?
I can sympathize with Astrid, the fat kid who just couldn’t fit in because I was the opposite of Astrid growing up; I was the skinny kid that everyone made jokes about. I isolated myself in my room, doodling pictures of horses and dreaming of owning my own horse one day.
Like Astrid, I found my way to a local barn via a connection to my mother, learned how to care for horses, and finally found my dream horse. I competed at horse shows as well, not getting many ribbons but finding absolute joy in bonding spirit to spirit with my horse and making new friends who had the same dreams as I did. Every cloud does have a silver lining.
Astrid never breaks the rules; she’s much too terrified of her overbearing father to step out of line. He controls her weight, her friends, and even her career path. And he doesn’t approve of anyone in their family thinking for themselves.
When one impulsive decision ends in disaster, Astrid is grounded for the summer, forced to put her archery career on hold and take a menial job cleaning horse stalls at a posh dressage barn. It takes a little horse named Quarry and a quirky cast of characters to banish Astrid's unhappiness and show her that she is worth something.…
