Here are 100 books that Josephine Baker's Last Dance fans have personally recommended if you like
Josephine Baker's Last Dance.
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Growing up in Los Angeles, I was fascinated from an early age by Mexican cinema, but my interest in Dolores del Río really blossomed when I wrote the novel Frida. Del Río was part of Frida Kahlo’s entourage, but unlike her friend, del Río was elegant and refined. Highly intelligent, she was dissatisfied with the vapidity of Hollywood and longed to make a real contribution to society. At Georgetown University, I taught courses on Latin American culture, and the Mexican Revolution, which influenced painting, literature, and cinema, was central to the classwork. Thus, I was very familiar with Del Río and her historical context long before I began writing.
A novel about Marlene Dietrich held a natural attraction for me, as Dietrich was one of Dolores del Río’s close friends in Hollywood. Gortner paints a vivid picture of decadence in pre-War Berlin, where Dietrich finds work in music halls. There, she meets Joseph von Sternberg, who casts her as the lead of The Blue Angel, the film that launches her career. As antisemitism grows in Germany, von Sternberg, who is Jewish, leaves for Hollywood, and Dietrich follows him. Paramount Pictures finds in her the answer to MGM’s sexy Swedish star, Greta Garbo, and casts her in one hit after the other. When Hitler approaches her to make propaganda films for the Nazis, Dietrich courageously rebuffs him, opting instead to become an American citizen and entertain Allied troops.
A lush, dramatic biographical novel of one of the most glamorous and alluring legends of Hollywood's golden age, Marlene Dietrich-from the gender-bending cabarets of Weimar Berlin to the lush film studios of Hollywood, a sweeping story of passion, glamour, ambition, art, and war from the author of Mademoiselle Chanel. Raised in genteel poverty after the First World War, Maria Magdalena Dietrich dreams of a life on the stage. When a budding career as a violinist is cut short, the willful teenager vows to become a singer, trading her family's proper, middle-class society for the free-spirited, louche world of Weimar Berlin's…
I love a well-written historical fiction novel that immerses me in the time period and introduces a female character I can relate to. We may live in different times, but women in all eras feel love, attempt and fail, find strength, perform heroic deeds, suffer mishaps, and experience life. Escaping into their stories makes me question what I would have done in their shoes as well as think about how my own story is still being written. As a historical fiction author, I seek to create those relationships between my characters and readers.
I finished this novel quickly as the story and writing are engaging.
I knew something of Hedy Lamarr’s wartime efforts and intelligence going in, but this story shed much more light on the woman and highlighted the difficulties she faced.
I recommend it for readers who enjoy historical fiction, WW2 stories, and novels about strong women.
Bestselling author Marie Benedict reveals the story of a brilliant woman scientist only remembered for her beauty.
Her beauty almost certainly saved her from the rising Nazi party and led to marriage with an Austrian arms dealer. Underestimated in everything else, she overheard the Third Reich's plans while at her husband's side and understood more than anyone would guess. She devised a plan to flee in disguise from their castle, and the whirlwind escape landed her in Hollywood. She became Hedy Lamarr, screen star.
The central themes in my own writing have always encompassed those of identity, the nature of reality, and variations on immortality. The lives of ‘celebrities’ touch upon all those themes, albeit through a distorted kaleidoscope where their own lives and the public’s perceptions of their lives intersect and are amplified and a third ‘character’ – that of the composite person, is then brought into existence. I find it fascinating how we can all be myriad people dependent upon who we interact with, and this is heightened when layered over the notion of ‘celebrity’ and fame by association. The books I've chosen act as mirrors to celebrity, but also work as great storytelling.
Blonde is a fictional biography of Marilyn Monroe. I tend not to read thick books – and this is over 600 pages – and I only had a passing interest in Monroe before beginning it, but the book was highly recommended so I gave it a go. I’m glad that I did.
This is a colossus of a book – in size, in scope, in adaptation, in emotion. The mood is tragedy – tragedy on so many levels it hurts to think about them. Oates pitches the 'Monroe' character perfectly. And for me, the book's strength comes from the fact that I'm content with this as a piece of fiction. I don't need to know the 'truth' (however, so much truth can ever be known).
It's also a book that makes me angry. A book that pitches hope against fate, all men against one woman, fame against success. We want…
The National Book Award finalist and national bestseller exploring the life and legend of Marilyn Monroe
Now a Netflix Film starring Ana de Armas, Adrien Brody, Bobby Cannavale and Julianne Nicholson
In one of her most ambitious works, Joyce Carol Oates boldly reimagines the inner, poetic, and spiritual life of Norma Jeane Baker—the child, the woman, the fated celebrity, and idolized blonde the world came to know as Marilyn Monroe. In a voice startlingly intimate and rich, Norma Jeane tells her own story of an emblematic American artist—intensely conflicted and driven—who had lost her way. A powerful portrait of Hollywood’s…
Growing up in Los Angeles, I was fascinated from an early age by Mexican cinema, but my interest in Dolores del Río really blossomed when I wrote the novel Frida. Del Río was part of Frida Kahlo’s entourage, but unlike her friend, del Río was elegant and refined. Highly intelligent, she was dissatisfied with the vapidity of Hollywood and longed to make a real contribution to society. At Georgetown University, I taught courses on Latin American culture, and the Mexican Revolution, which influenced painting, literature, and cinema, was central to the classwork. Thus, I was very familiar with Del Río and her historical context long before I began writing.
I thoroughly enjoyed Elizabeth Letts’s behind-the-scenes look at the making of The Wizard of Oz, one of my favorite films. The story revolves around the efforts of Maud, the widow of Frank Baum, author of the original novel, to ensure that MGM remains true to Frank’s vision. At first, the choice of Judy Garland to play the lead seems totally wrong, as the girl is too old for the part. However, when Maud hears Judy rehearsing “Over the Rainbow,” she recognizes an authentic longing. Furthermore, Judy is receptive to Maud’s suggestions and wants to play the role right. Although Judy seems confident on set, Maud recognizes in her an unhappy, insecure girl who is struggling to cope with the death of her father and is dominated by her overbearing mother.
Behind the most famous movie ever made is a tale of love, magic and one incredible woman
Hollywood, 1938: As soon as she learns that M-G-M is adapting her late husband's masterpiece, The Wonderful Wizard of Oz, for the screen, Maud Gage Baum sets about trying to visit the set. Nineteen years after Frank's passing, Maud is the only person who can help the producers stay true to the spirit of the book - because she's the only one left who knows its secrets...
But the moment she hears Judy Garland rehearsing the first notes of 'Over the Rainbow', Maud…
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Baldwin writes both fiction and non-fiction beautifully and intimately and if you don’t know his non-fiction work then this is a very good place to start. Across a number of essays, he elegantly sets out the deep struggle faced by Black Americans and articulates how a different humanity, in America and beyond, and a different future can be realized.
#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America
In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.
Written during the 1940s and early 1950s, when Baldwin was…
I have spent close to thirty years researching and teaching about questions of inequality and change. Most of my focus has been on the Global South, with a particular focus on India. I've written about intersecting class, gender, and caste inequalities. I've pursued this research agenda through extensive field research on labor politics, democratization, and the politics of economic reform in India. My interest stems from my background. I am originally from India and have lived and travelled extensively in the Middle East and Southeast Asia. I'm an author, public speaker, and consultant and have been a professor for three decades at the University of Michigan, Rutgers University, The University of Washington, and Oberlin College.
This is a brilliant book about race, gender, and politics in the United States. While there is a lot of work on racial inequality this book stands out in its focus on the ways in which culture shapes our politics and responses to inequality. It does so by centering Black women. It is also very timely and analyzes the way in which public figures like Michelle Obama and Condoleeza Rice have shaped the American political imagination.
WINNER OF THE W.E.B. DUBOIS DISTINGUISHED BOOK AWARD, GIVEN BY THE NATIONAL CONFERENCE OF BLACK POLITICAL SCIENTISTS
A wide-ranging Black feminist interrogation, reaching from the #MeToo movement to the legacy of gender-based violence against Black women
From Michelle Obama to Condoleezza Rice, Black women are uniquely scrutinized in the public eye. In Re-Imagining Black Women, Nikol G. Alexander-Floyd explores how Black women-and Blackness more broadly-are understood in our political imagination and often become the subjects of public controversy.
Drawing on politics, popular culture, psychoanalysis, and more, Alexander-Floyd examines our conflicting ideas, opinions, and narratives about Black women, showing how they…
I care about social justice, equality, and history, as well as beauty and art. As an African-American woman who was raised working class and who understands how history informs the present, I have fallen in love with the depiction of history in poetry and prose. Not all of my writing has something to do with race or gender or class, but all of my writing is about justice in some way. I want to get to the good of people.
It’s a beautiful book, from the cover to the notes. It’s a neo-slave narrative that follows various enslaved, then freed people. Through this book, I learned how poetry collections can be explorations of history based on fact.
Like any good collection, reading one poem compels you forward, but each poem can stand on its own. She is a master of form. For instance, her persona poetry is powerful. The first poem in the book, “The Trapper’s Boast,” devoid of empathy, shows the business of slavery from an undesirable point of view.
But what is moving is the ability to fall in love and to care even in the worst conditions, as well as the will to live and strive towards freedom in spite of any threats.
I started writing neo-slave narrative poems about a woman escaping slavery. I imagined that the poems I was writing, like Suck on the Marrow…
Suck on the Marrow is a historical narrative, revolving around six main characters and set in mid-19th century Virginia and Philadelphia. The book traces the experiences of fugitive slaves, kidnapped Northern-born blacks, and free people of color, exploring the interdependence between plantation life and life in Northern and Southern American towns and illuminating the connections between the successes and difficulties of a wide range of Americans, free and slave, black and white, Northern and Southern. This neo-slave narrative treats the truths of lives touched by slavery with…
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book brilliantly tells the story of the guerilla warfare that Black people waged against the purveyors of slavery in the antebellum South. It belies the White establishment’s portrayal of the compliant, intellectually challenged Negro who was content to live under the necessary guidance and protection of his or her master.
In fact, a sprawling network of underground freedom fighters developed secret codes, signs, and escape routes that enabled them to thwart the system that strove to keep them in chains. The book’s protagonist, Liz Spocott, is a “dreamer” who is able to see the future.
This book helped me understand that fiction writers are also dreamers, capable of seeing worlds that do not yet exist, and pushed me to join their ranks.
From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, Five-Carat Soul, and Kill 'Em and Leave
In the days before the Civil War, a runaway slave named Liz Spocott breaks free from her captors and escapes into the labyrinthine swamps of Maryland’s eastern shore, setting loose a drama of violence and hope among slave catchers, plantation owners, watermen, runaway slaves, and free blacks. Liz is near death, wracked by disturbing visions of the future, and armed with “the Code,” a fiercely guarded cryptic means of…
I chose this focus because it fulfills one of my main goals of writing—to empower young readers by showing how what they do matters. Even the simplest actions can have huge consequences, no matter what someone’s age is. Whether someone saves another person’s life, like Allen Jay did, or stand up to a bully, doing what’s right makes a difference. Also, I like to right children into history so they understand that they’ve always played a key role in bettering this world.
Many have studied how in 1963 African Americans marched to gain equality, especially in southern towns, like Birmingham, Alabama. But I never knew that the first main march involved thousands of children and teens who marched so their parents wouldn’t lose their jobs. These brave youth found the courage to face their fears and the hatred of whites who fought to keep them separate and unequal. Their protest march encouraged adults to join them. Hateful efforts to stop the march were broadcast across the country, ultimately changing the direction of the civil rights movement. Bold pictures show everyday children and civil rights leaders finally gaining rights to playgrounds and diners and eventually better schooling. An important story, simply written—and about children who made a difference.
This powerful picture book introduces young readers to a key event in the struggle for Civil Rights. Winner, Coretta Scott King Honor Award.
In 1963 Birmingham, Alabama, thousands of African American children volunteered to march for their rights after hearing Dr. Martin Luther King Jr. speak. They protested the laws that kept black people separate from white people. Facing fear, hate, and danger, these children used their voices to change the world.
Frank Morrison's emotive oil-on-canvas paintings bring this historical event to life, while Monica Clark-Robinson's moving and poetic words document this remarkable time.
Music has always spoken to my innermost being, and coming of age in the late 1960s, I’ve been drawn to the quest for justice and equality in politics. In my undergraduate studies at Berkeley, the late political theorist Michael Rogin, who interpreted Moby Dick as a parable of 19th Century race relations, taught me that my two interests could be combined. As a professor of Political Science I’ve written books and articles that explore music’s ability to express ideas about politics, race, and ethnicity in sometimes unappreciated ways.
Gilroy sees in black music a democratic “ethos” embodied in features like “call and response” and improvisation. This ethical sensibility unites disparate parts of the African diaspora, but Gilroy also insists that the music is irrevocably “hybrid” and “Creole,” connecting African-derived cultures with European and other ones as well. Gilroy argues that black music’s connective ability creates an intersubjective, democratic community which he calls an “alternative public sphere.”
Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism.
Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy…
