100 books like In the Shadow of the Past

As most fans of Sarah Waters will already know, this book has a clever plot device that doubles the magic–it's told backward. It has a wide cast of characters which slowly narrows down to a doomed sapphic love affair that struggled to blossom amid the terror of the London Blitz. 

From both a reader's and a writer's perspective, this story has lodged itself firmly in my heart. It examines the why and how–what events brought these two lovers to this point when everything had otherwise seemed perfect? It's not necessarily happy, but it's intricate and untidy, and in that way, it is a realistic reflection of life and love in a time of war and its aftermath.

A book with disturbing lessons for our time. This book charts the lives of three women during the 1930s and 40s as the Nazis rise to power and use book burning as a tool to destroy culture and freedom of expression. I adored and was completely captivated by the clever way the author wove a complicated story between three women in three different cities and times. 

Almost a character in itself is the spectre of book censorship and the damage it can inflict on society. This book has some very moving scenes–a burgeoning lesbian love affair, a children's game amid the horror of war, a finale that had me reaching for the tissues, and more. The amount of research in this book is incredible!

This was an automatic read for me. E.V. Bancroft always writes a great slow burn, but the fact that this was set amongst the women pilots of the ATA in WW2 was the cherry on top.

The bravery of those women–and all despite the prejudices of the day–makes an extraordinary background to a moving love story. For me, Odette's character is beautifully crafted. This was a tale that stuck with me for a long time.

As a well-established writer of steamy but compelling sapphic romances, Emma Nichols is another auto-read on my list. This book is set in Berlin and rural France during the early 1940s, and its two main characters are studies of resilience in the face of overwhelming darkness. In the character of Johanna, Nichols examines the agony of how to be, how to love, and what to do when a good-hearted person finds themselves on the wrong side of a war simply because of their country's politics.

In the role of the oppressed and downtrodden, we meet an absolute savior–a woman who is prepared to risk everything for love and the women she holds dear. This is a difficult read at times, but ultimately a beautiful one, as love and goodness triumph at the end. 

This is the first book I’ve ever read written by a Japanese sub commander that describes submarine warfare from the Japanese point of view. Few Japanese sub commanders survived the war, so how Orita lived to tell the tale is just one of the many remarkable stories he recounts in his book. Not only does it read like a suspense thriller, you’ll have newfound respect for the suffering he and his crews went through. Bottom line: The Japanese version of Das Boot!

James Jones's brilliant debut novel must have had a great effect on me because I admit, in many ways, my book covers the same ground – how does a man maintain honor and dignity when constrained to live his life by the choices of other, and much more powerful men? I suppose the difference between our two themes is that the question in my book is about those same choices but wrapped in the question of race. Jones’s characters, while in the military, were dealing with personal issues. My Corporal Buck is dealing with an issue about which all of America is on fire.

From Here to Eternity is 70 years old. I read it in 1969, an eternity ago and it has lasted with me from there to here.  When I was in the Marine Corps I knew everything that was happening to me. But I didn’t know what… show more.

This book takes the lives of very ordinary Canadians and throws them into the maelstrom of war. I love that it carefully sets up a world few know about—Toronto in the 1930s—and shows the ambiguity of the times, how anti-Semitism was at home as well as across the water in Europe.

I so enjoyed the Romeo and Juliet love affair at the novel's heart, and I was moved by the trials love is subjected to—as well as shocked by excellent descriptions of war's brutality.

I read this book as a boy, and I couldn’t put it down. It’s the story of American PT boats in the South Pacific during World War II, and the story behind the title captivated me. Every soldier knows that he or she might be sacrificed by a commander to gain time for a retreat or as part of a super-dangerous mission.

The sailors on the boats in White’s story were living examples of how they could be expendable. Even as a boy, this book made me grateful for what I had and grateful to the members of the uniformed services who protected us. That they would make such a commitment makes me love America even more. 

I love reading true stories of WWII told by people who lived through it. I find it difficult to understand how ordinary men could live, fight, and die in a foreign land without questioning in order to protect the United States; they were certainly true patriots. In the fall of 1944, two hundred true patriots of K Company, 333rd Infantry, 84th Division landed in Europe. For the next one hundred days, they were on the edge of the Allied spearhead into Nazi territory. If you ever wanted to be in the infantry, you need to read this book. 

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing.