99 books like If I Could

This book grabbed my attention from the beginning and had me locked in. It was written with so much detail that I felt there was no way the characters were made up. The main characters, Nate and Monica Kenny go through the toughest times after they marry. They quickly face challenges centered around miscarriages and premature menopause that make Nate’s long-time dream of becoming a father impossible.

I love how the story takes many twists and turns and introduces new characters like bad boy, low-income earning barber, Lewis, and adds him into the world of the rich and happy Nate and Monica. 

This book will remain on my list of favorite books of all time. I love how the author begins the story of the promiscuous doctor by jumping straight into the drama. Immediately, you are made aware of the well-respected cardiac surgeon’s character and how he loves women and plenty of them! Dr. Makkai Worthy is referred to by his many sex partners as Dr. Feelgood.

I became wrapped in the four women’s stories as they were introduced throughout this book. I found each character interesting, and there was never a dull moment as their disdain grew for the once-beloved doctor. I also found it interesting how the story takes you back to the place where it all began to explain the doctor’s love for sex and his inability to commit to just one woman. This page-turner is one that I plan to read again and again.

I grew more and more anxious to read this book each day. The drama in this page-turner was a great escape from the stresses of a long day at the office. I couldn’t get enough of Dominic Jones, a married man who spends his free time in the arms of his mistress, Tera Larou.

He’s consumed by greed and more concerned with his next fix than tending to the needs of his wife, Donna Jones. No amount of money is enough, and neither is the traditional life of having one woman. I enjoyed getting to know Donna and witnessing how she dealt with discovering her husband’s cheating ways, insecurities about her weight, and accepting that her dreams of becoming a famous choreographer may never come true. 

This is one of those books that you never want to end. I was hooked from the very beginning when I was introduced to Regina and Larry. They had what outsiders would call the perfect marriage until Larry started getting his needs satisfied elsewhere.

I loved how Regina ultimately pulled herself together, took control of her life, and accepted her new normal. I thought the author’s way of describing Regina’s best friend Karen’s character and her husband John was one that left no room for confusion regarding their struggles of dealing with addiction and the demands of a spouse who just wasn't having it.

I finished this book in record-breaking time because it left me wanting more each time I closed it. My bookmark never stayed tucked in the creases of this book for too long! 

Megan has been transparent about the fact that Behind the Red Door is not the most popular of her books, but it’s my personal favorite!

Fern Douglas is out of the loop: a missing woman shows up on the news whose famous kidnapping two decades ago—and subsequent return—everyone seems to have heard about. But Fern has no memory of that story; she only knows that she has seen the woman’s face before, and she comes to fear that she might have somehow been involved in what happened to her.

This book has one of the best portrayals of chronic anxiety I’ve read, and one of the most twisted and f-ed up stories, which I absolutely tore through. Read it, and prepare to be chilled to the bone.

Let’s imagine the English people have decided to abolish the monarchy. We are back in the eighties, and the Windsor family, expelled from Westminster, is relocated to a poor neighborhood of London and is required to work. The ex-Queen tries to cook, Philip is depressed, Diana wonders about her wardrobe and Charles discovers gardening talents...The Queen and I is a book that plays wonderfully on the human and linguistic gap between high society and common people. Funny situations and the satirical tone made me laugh on each page. I recommend it to all the people who are struggling to make a living—they’ll think it could be worse. 

Susan Wooldridge’s Poemcrazy is a vibrant collage in which she shares her poetry-writing journey in rich detail. From evocative chapter titles, quotes by poets, and poems from a variety of lesser-known voices, each element plays a part in setting up and illustrating an approach or addressing the topic at hand. My favorite part of this book is the “Practice” opportunities Wooldridge crafts for us. Get out your pencil! This book, informed by Wooldridge’s expressive arts practice, is one in which we, the readers, are invited to play. You’ll be surprised and delighted by what Poemcrazy will inspire you to write.

This translation of four of Euripides’ plays features his three best female avengers.

Electra is the loyal daughter who conspires with her brother Orestes, to avenge the killing of their father by slaughtering their mother, Clytemnestra. Hecabe is the fierce maternal figure who exacts revenge for her dead son Polydorus on the man who killed him for his riches. Medea is the murderous mother who avenges herself on her faithless husband, Jason, by killing her own children to destroy his family line.

The power of these plays is in the way their plots build as the women move from grief to anger, culminating in their fatal acts of revenge and leaving the audience to ponder on the nature of justice.

If I asked you whether you fancied reading the entire history of British television from its beginnings on the BBC in the 1930s to its position today, you’d probably tell me to get lost.

But the evocative writing of Lez Cooke makes this a far more pleasurable experience than it otherwise ought to be. I guarantee you will be stimulated yet entertained as you are walked through the key creatives, technologies, dramas, and genres that captured the imaginations of millions of avid British telly addicts each decade. You will put down this book as an immediate expert in the field, guaranteed.

I remember reading Wilson’s play for the first time as a grad student, not long after I’d been a street musician in Harlem working with a brilliant, irascible old bluesman from Mississippi, and thinking “I know these guys.”

Wilson, the greatest American blues playwright (and one of the greatest American dramatists period), has an uncanny ear for the jibing, jiving, wisdom-declaiming back-and-forth that fills the conversational space between four southern-born musicians who find themselves in a Chicago recording studio one day in 1927, getting ready to back up their boss, Ma Rainey.

Toledo, elder and griot, the keeper of ancestral wisdom, butts heads with Levee, the hotheaded young innovator who bears, and brandishes, deep wounds inflicted by white southern violence. The play’s denouement is hurtful, shattering, unforgettable.