100 books like Love Torn Asunder

I absolutely love this book. The message within about finding yourself, despite all that is going on around you, or your current circumstances really resonates with me. Where you start doesn’t have to be where you finish. It’s a book that I could read repeatedly.

This novel is like my novel in the fact that her characters also overcome many obstacles to find their way in life. They had to learn to be strong in the face of adversity. If you are someone who likes a book that shows you women finding their way amid chaos it’s a must read.

This is an anthology that thirty authors submitted stories to. This book dealt with the serious subject of domestic violence. The writers ranged from the tender age of 12, who shared her real-life story dealing with abuse, to authors who submitted poetry, and others peeks into their novels. This book touched my heart and soul on a personal level as domestic violence in all its ugly forms is something that too many people don't want to discuss. It's become a secret that women, men, and children learn to deal with quietly for fear of not being believed or shame.

This book is also about the relationships between family and friends. After not seeing her family for many years, the lead character inherits from the family and must return home. That alone can cause anyone anxiety, returning to your hometown after an exceptionally long absence. Well as she gets reaccustomed to home and deals with all her emotions of loss and inheritance, she ends up falling for two men. Now, amiss everything else going on, she must dig deep and come to grips. This is a decision that is tearing her apart. But she must decide what she really wants. She has to decide between the two men and fast.

Vengeance Unleashed is a book that will keep you on your toes throughout the read. As the title suggests, it’s about vengeance in its truest form. The main character, a woman ex-agent, plays no games, and pulls no punches when it comes to what she wants. What she wants is to know where her sister is. She’s willing to turn the town upside down and take anyone out who gets in her way of those answers

If I asked you whether you fancied reading the entire history of British television from its beginnings on the BBC in the 1930s to its position today, you’d probably tell me to get lost.

But the evocative writing of Lez Cooke makes this a far more pleasurable experience than it otherwise ought to be. I guarantee you will be stimulated yet entertained as you are walked through the key creatives, technologies, dramas, and genres that captured the imaginations of millions of avid British telly addicts each decade. You will put down this book as an immediate expert in the field, guaranteed.

Susan Wooldridge’s Poemcrazy is a vibrant collage in which she shares her poetry-writing journey in rich detail. From evocative chapter titles, quotes by poets, and poems from a variety of lesser-known voices, each element plays a part in setting up and illustrating an approach or addressing the topic at hand. My favorite part of this book is the “Practice” opportunities Wooldridge crafts for us. Get out your pencil! This book, informed by Wooldridge’s expressive arts practice, is one in which we, the readers, are invited to play. You’ll be surprised and delighted by what Poemcrazy will inspire you to write.

Yet more dysfunctional families and tormented sibling relationships, but this book is funny as well as clever, and I loved the fractured relationships between Alice and Hanna, twins who have always been saint and sinner. Now the two women are adults, nothing has turned out as they expected in their lives and they struggle with each other as well as with their domineering mother and critical older brother. Some great family tension and well-written dialogue, and despite the subject matter, this isn’t a book that will leave you down-hearted.

This is a collection of a dozen essays allowing us to feel the fun, the drama, the craziness of travel, and the effect it can have on both our personalities and views after the journey. In other words, this book teaches us to feel these stories, which show us the more you risk the more rewards you will gain from your travel adventures.

It also reminds us to worry or at least be concerned for whom you are traveling with. After reading this, I believe it is not what we accomplish by traveling but what we take away from traveling.

I remember reading Wilson’s play for the first time as a grad student, not long after I’d been a street musician in Harlem working with a brilliant, irascible old bluesman from Mississippi, and thinking “I know these guys.”

Wilson, the greatest American blues playwright (and one of the greatest American dramatists period), has an uncanny ear for the jibing, jiving, wisdom-declaiming back-and-forth that fills the conversational space between four southern-born musicians who find themselves in a Chicago recording studio one day in 1927, getting ready to back up their boss, Ma Rainey.

Toledo, elder and griot, the keeper of ancestral wisdom, butts heads with Levee, the hotheaded young innovator who bears, and brandishes, deep wounds inflicted by white southern violence. The play’s denouement is hurtful, shattering, unforgettable.  

I also love Eliot’s poetry (and his comments on the creative process) because of how different they are from Wordsworth’s—and equally profound. In essays including Tradition and the Individual Talent, Eliot argues that keeping your poetry “personal” artificially limits your material. And I think he’s right: some of my own best poems come from imagining my way into someone else’s mind.

Eliot’s own poetry, including The Love Song of J. Alfred Prufrock, illustrates the value of this approach in how it crafts its titular character. Eliot can also write deeply intellectual poems like The Waste Land that transcend purely “personal” concerns by exploring history and that repay many re-readings. In addition to their thematic richness, Wordsworth’s and Eliot’s poems are also beautifully musical.