Here are 100 books that I Don't Want to Read This Book fans have personally recommended if you like
I Don't Want to Read This Book.
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I always felt like books were mysterious and elusive works of art. When creating them occurred to me, I started to think, “What is a book, really, and what does it mean to publish one?” This over-analysis of books makes me appreciate authors who are able to step back and see books for what they really are–pages and ink. Distilling it down to that makes writing and publishing a book feel more accessible to me.
This innovative and wildly funny read-aloud will be the Must Have book of the season. You might think a book with no pictures seems boring and serious. Except...here's how books work. Everything written on the page has to be said by the person reading it aloud. Even if the words say...BLORK. Or BLUURF. Even if the words are a preposterous song about eating ants for breakfast, or just a list of astonishingly goofy sounds like BLAGGITY BLAGGITY and GLIBBITY GLOBBITY.
I always felt like books were mysterious and elusive works of art. When creating them occurred to me, I started to think, “What is a book, really, and what does it mean to publish one?” This over-analysis of books makes me appreciate authors who are able to step back and see books for what they really are–pages and ink. Distilling it down to that makes writing and publishing a book feel more accessible to me.
This book does such a good job of engaging the reader. I love how Grover communicates with the reader and actively tries to stop them from moving forward.
It doesn’t hurt that Grover is my favorite Sesame Street character, and his energetic voice came through in the text.
The Monster at the End of This Book is a classic, adored by toddlers and adults alike. This collectible kit includes a mini book version of The Monster at the End of this Book, featuring the full text and illustrations from the original classic story, and a plush Grover backpack clip. Journey with lovable, furry old Grover to the end of the book to discover who the monster really is!
Lovable, furry old Grover is distressed to learn that there's a monster at the end of this book! He begs readers not to turn the pages, but of course kids…
I always felt like books were mysterious and elusive works of art. When creating them occurred to me, I started to think, “What is a book, really, and what does it mean to publish one?” This over-analysis of books makes me appreciate authors who are able to step back and see books for what they really are–pages and ink. Distilling it down to that makes writing and publishing a book feel more accessible to me.
This book made such a clever use of the “gutter” in the middle of the book.
I have an irrational fear of picture book gutters and margins after formatting my first self-published book and making sure all the important stuff (including the text) stays in the frame.
This book gave me the feeling of ownership over the gutter that I never knew I needed.
In this wonderfully inventive book, Bella is taking her dog for a stroll across the page but halfway across, he disappears! Unable to quite believe what's just happened Bella watches, transfixed, with changing emotions of surprise, indignation, moments of renewed hope (as the authorities arrive to take control) followed by shock (as they too succumb to the book's inexplicable behaviour) and finally action when Bella marches toward the dangerous middle of the book . . . only to disappear herself! At this point, the book has consumed its characters and it's down to the reader to step in to help.…
After high school, I traveled, exploring cultures beyond North America. I worked on kibbutzim in Israel for nearly two years. During the Yom Kippur War, exploding bombs drove us into underground shelters until the ceasefire. That experience made me consider the impact of war in new ways. Decades later, I wrote about the issue of "conflict" in my country: the Acadian deportation and World War Two. As a school librarian meeting Palestinian families in 2002, I decided to research and visit families in the West Bank through Christian Peacemaker Teams for my novel The Shepherd’s Granddaughter. A story children told me there inspired my picture book What the Kite Saw.
I love the hilarious, creative approach of this book.
In a conflict like war, one side usually believes something about the other side that is inaccurate for one reason or another. In this story, we don’t know why the little person on the left side believes the wall in the middle protects him from dangerous creatures on the right side. The wall is so tall he can’t see them. But he also doesn’t see the danger behind him on his side.
The ogre on the right side, whom he believes will eat him, actually saves him from danger and plucks him to safety. In the end, we love that he will now explore and enjoy playing with the creatures on the right side.
Sunday Times Culture Magazine Book of the Week;There's a wall in the middle of the book, and our hero-a young knight-is sure that the wall protects his side of the book from the dangers of the other side-like an angry tiger and giant rhino, and worst of all, an ogre who would gobble him up in a second! But our knight doesn't seem to notice the crocodile and growing sea of water that are emerging on his side. When he's almost over his head and calling for help, who will come to his rescue? An individual who isn't as dangerous…
I’ve been the dorky bookworm, the party girl who laughs too loud, the gamer-tomboy, and the doting mother of two kids who is now in a happy, loving marriage. Through all my shifts and changes, the one constant thread in my life was love. But not the rough, I-have-to-hurt-someone-to-get-it kind of love you might find in dark romance novels (although I enjoy those too sometimes). My kind of experience with love is that it’s at its best when it’s fun and when it’s easy. If you can find your most authentic you in the pages of a rom-com, you’re guaranteed an escape from reality that’ll pull you deeper into yourself.
One common theme with the books I love is that the characters are amazing. They’re funny, endearing, thoughtful, and fiery. When my fave writing duo came out with this stunning novel, I was hard-pressed to put it down. I loved Fizzy, and I have absolutely no doubt you’ll love her too.
Add in a hot British producer, a romance-based reality show, so much angst you could light a match against it, and the sweetest will-I-make-a-good-step-mom subplot, and you have a comfort read that’ll leave you wishing the show they aired was real.
Sparks fly when a romance writer and a documentary filmmaker join forces to craft the ultimate Hollywood love story—but only if they can keep the chemistry between them from taking the whole thing off script—from the “divine” (Jodi Picoult) New York Times bestselling authors of The Soulmate Equation and The Unhoneymooners.
Felicity “Fizzy” Chen is lost. Sure, she’s got an incredible career as a beloved romance novelist with a slew of bestsellers under her belt, but when she’s asked to give a commencement address, it hits her: she hasn’t been practicing what she’s preached.
I am a queer author of over thirty novels, most recently The House in the Cerulean Sea, Under the Whispering Door, In the Lives of Puppets, and my upcoming novel, Wolfsong. Though I’ve written across many genres, science fiction, and fantasy are where I feel most at home, and my writing reflects that. I love exploring worlds where good people fight for what’s right even when they make mistakes along the way. Humanity is always at the forefront of what I do, and though we can be disappointing, there is nothing quite like us in all the universe—as far as we know.
I was able to be on a couple of panels with Mr. Greer where he discussed this novel and its sequel, Less is Lost. The first book, Less, is a queer novel that won the Pulitzer Prize, a well-deserved accolade for this story about second chances in life—or third or fourth chances, depending upon the situation.
It’s remarkable to see a novel like this win such a major literary prize. Mr. Greer deserves it for his dynamic work.
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
This novel follows a famous Hollywood director called Boris Adrian but known as "King B" who is shooting a big-budget arthouse porn film.
The auteur was allegedly based on Kubrick, with whom Southern collaborated on Dr. Strangelove, and the book is dedicated to "the great Stanley K" whom Southern alleges wanted to make such a film. As Southern also had screenwriting credits for Easy Rider and Casino Royale, it offers a first-hand account, albeit fictionalized, of someone who worked with the director but also with others in Hollywood.
“Terry Southern writes a mean, coolly deliberate, and murderous prose.” ―Norman Mailer
King B., an Oscar-winning director, is now determined to shoot the dirtiest and most expensive X-rated movie ever made. Displaced to Liechtenstein (which, in order to boost tourism, has negotiated the exclusive rights to show the film for ten years) and fueled by suspiciously rejuvenating vitamin B-12 injections, the set of The Faces of Love is fraught with monstrous egos and enormous libidos ― the kind of situation that could only come from the imagination of the irrepressible Terry Southern.
I wholeheartedly believe that embracing your geeky side is an important part of life and self-discovery. When romance novels incorporate nerdiness, it gives characters (and therefore readers) the ability to understand themselves and what they want on another level, and to gain the courage to pursue what they want. I know that my own forays into TTRPGs, LARPing, Ren Faires, and other such interests have helped shape me as a person. I’m more confident and embodied because I embrace my inner geek, and I want that for my characters and my readers, too. That’s why I want to read and write as many of these stories as possible!
Olivia Dade is the queen of romcoms with twists, and this may be her best work, IMO! Marcus is so sexy and such a golden retriever MMC, and I loved April just as much. This is a perfect example of two main characters who are both great but somehow even better together.
And Olivia Dade is truly hilarious–I especially loved the interlude chapters with the awful scripts Marcus had encountered over the years. This is one of the easiest romances for me to recommend to people because there’s something for everybody!
Olivia Dade bursts onto the scene in this delightfully fun romantic comedy set in the world of fanfiction, in which a devoted fan goes on an unexpected date with her celebrity crush, who's secretly posting fanfiction of his own.
Marcus Caster-Rupp has a secret. While the world knows him as Aeneas, the star of the biggest show on TV, Gods of the Gates, he's known to fanfiction readers as Book!AeneasWouldNever, an anonymous and popular poster. Marcus is able to get out his own frustrations with his character through his stories, especially the ones that feature the internet's favorite couple to…
As a lifetime Midwesterner, I've found that, just as the richness and beauty of our beloved "flyover states" can be overlooked by the rest of the country, there is a powerful collection of Midwestern novels that don't get the attention they deserve. I once read a passage by a New York writer that described a character as being from “some non-descript Midwestern town.” The Midwest is only non-descript if you’re too lazy to describe it. I kind of like that I can keep the Midwest like a secret. But I’ll share these novels with you. Best enjoyed on the coast of a freshwater lake or in your favorite worn-out easy chair.
Tom Drury has been called “the greatest writer you’ve never heard of” and when you discover his work, you’ll feel a thrill similar to the joy of knowing the gems hiding in plain sight throughout the Midwest (Get it? Plainsight?). The End of Vandalism, Drury’s first novel (you could read any of them- they’re all great, but start with this one as the same characters reappear in future books), takes place in a fictional Iowa town and follows the lives of three of its residents, who are involved in a love triangle. Drury writes real, beautiful, complicated, and thoroughly Midwestern characters. Although Grouse County is fictional, it could just as easily be a real place. And if you find you need more Iowa, read Shoeless Joe by W.P. Kinsella (this is my sneaky way of recommending more than 5 books).
Set in rural Iowa, this “breathtaking . . . remarkable achievement” of a debut novel by the author of Pacific is “at once funny, sad, and touching” (New York Newsday).
A New York Magazine and Publishers Weekly Best Book of the Year
With extensive excerpts appearing in the New Yorker before its release, Tom Drury’s groundbreaking debut, The End of Vandalism, drew widespread acclaim and comparison to the works of Sherwood Anderson and William Faulkner.
With his fictional Grouse County, Tom Drury conjures a Midwest that is at once familiar and amusingly eccentric—where a thief vacuums the church before stealing…
I've always been fascinated with how people overcome terrible circumstances ever since my childhood when my parents took me through the Tower of London and told me people survived the horrible torture devices on display. I got into reading biographies of war heroes, concentration camp survivors, and athletes who survived torture, betrayal, illness, and cruelty only to become people I admire. I became a clinical psychologist because I love inspiring others to discover their own greatness during life’s worst moments. I’ve had to learn how to find love, hope, and meaning when trauma, disability, death, and broken promises have ground me down to a bloody pulp.
This book tells the story of a teenage girl with terminal cancer who befriends a hospital chaplain and an elderly woman during her last year of life.
She asks the big questions of life and finds friendship and meaning during existential and physical struggle. You cannot help but fall in love with the characters and share their efforts to find self, meaning, and hope during great struggle.
**LONGLISTED FOR THE AUTHOR'S CLUB FIRST NOVEL AWARD**
'Emotional, involving, witty and sad. Everyone is going to love Lenni and Margot' JILL MANSELL
'Lenni and Margot are two of the most wonderful, warm, witty and wise heroines I've ever met. Beautiful and glorious' CLARE POOLEY, author of The Authenticity Project
Fiercely alive, disarmingly funny and brimming with tenderness, THE ONE HUNDRED YEARS OF LENNI AND MARGOT unwraps the extraordinary gift of life, and revels in our infinite capacity for friendship and love when we need them most. _______________________________________
Life is short.
No-one knows that better than seventeen-year-old Lenni. But as…
