69 books like Hidden Bodies

Nick Albert is British, but for close to 20-years, he has lived in a ramshackle farmhouse in the rural west of Ireland with his wife and several unruly but affectionate dogs. He's the author of the bestselling comedy memoir series, Fresh Eggs and Dog Beds, and the twisty thriller Hunting the Wrecking Crew. Nick is a voracious reader with an eclectic collection of books, and for a good reason. In a recent interview, he gave this advice to aspiring authors, "Before you write, read. Read a lot. Read what you enjoy. Read the kind of books you would like to write, but be sure to observe the author's craft as you read. Take note of how they mix dialogue with narration, how they paint their pictures, and how they guide your mind. Try to look beyond the words to understand how the story was constructed. Do all this and more before you put pen to paper."

I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.   

I’m a contemporary mystery junkie. Realistic tales, set in the modern world always grab my attention. In a creative writing course in college, one professor suggested the old ‘write what you know’ approach. I don’t know everything, but I know what I like. Mysteries! I thrive on distinctive characters, those who are willing to put every effort into getting to the bottom of the situation. Sharp, tight dialogue and descriptions are essential. Give me that, and I’ll be back for more. This is my passion. Come along if you want a thrill and a surprise or two. 

Half a century ago (hard to believe!), as a young newspaper reporter, I began every day at a police station, reading the log and talking to the watch commander. Occasionally, I was able to contact the detectives as well. For me, the way crimes and criminal investigations unfolded, and the personalities of the officers involved, were multi-dimensional and touched with surprising, and often unexpected, moments of humor. In my reading as well as my writing, I seek a balance between authenticity and a sense of the absurd, without which the experience of solving murders—real or fictional—could become emotionally crushing. 

I’m a full-time novelist now, but for twenty-plus years, I was a practicing attorney. I was a business litigator, representing companies that were suing or being sued by other companies. I toiled away in high-rise office buildings, danced around office politics, and got up close and personal views of how people of every stripe navigate their work and lives in the office. I witnessed sexual harassment, bloodless coups, financial scandals, and professional disgrace—but I also enjoyed the support and encouragement and lifelong friendships that can come from collaborative work experiences. I like to think of the office environment as a petri dish to examine the full range of human behavior.

My first books were set in and around San Francisco, an area I knew well and with plenty of opportunities for crime stories. When we moved to Montana twenty years ago, people asked when I’d write one there. I resisted setting dark stories in my own city, where my kids were growing up. Reading about the Bakken Oil Formation in North Dakota, a boom of wealth and expansion and a subsequent bust, offered a perfect storm—the kind that drives desperation, where locals conflict with newcomers, where money—new and old—drives people to make bad decisions. After a visit to the area, the fictional town of Hagen, North Dakota, and the Badlands Thriller Series was born. 

I am an avid reader and devour books of all types, but for pure entertainment I love a good thriller. These are the kind of books I read on planes and at the beach, and these are the kinds of books I shared with my late father. I contributed a piece on Rudyard Kipling’s Kim to the collection Thrillers: 100 Must Reads and am a member of the International Thriller Writers. While I write thrillers professionally, I remain a passionate reader of the genre and love to share the brilliant stories that kept me reading late into the night.

I have always loved crime fiction, especially those where justice is served. I love crime stories where ordinary people doing their jobs triumph over evil. But so many crime stories are riddled with profanity, sex, and gratuitous violence. Over the last few years, I’ve searched for books that satisfy my need to read about justice but do it cleanly and in such a way that the story is not compromised. Oh, by the way, I’m also a writer of crime fiction and try to stay true to both justice over evil and telling stories in a clean but realistic way.

Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment. 

Ever since my high school days, when I encountered the mystery novels of Dick Francis and Robert B. Parker for the first time, I’ve been hooked on this genre. And yet it took me more than twenty years to finally write my first bona fide work of detective fiction. Why? Because I was chicken. Didn’t think I could cut it. After publishing two works of literary fiction, I figured I had enough practice to make an attempt.  Nope. Still wasn’t ready, writing myself into ugly, impossible corners. So I read Sue Grafton, John D. MacDonald, Dennis Lehane, and I kept failing better – until I failed best.