100 books like Haunted House

Boy, I have so many “favorite” artists! But if I had to name only one artist to study on that desert island, it just might be Ben Shahn.

An icon of Social Realism, Shahn was the epitome of an individual who kinda did it all, in his own, sweet way. By highlighting both his writings and his art, this book introduced me to Shahn as a person and an artist, and presented a whole picture of this wonderful, complex man.

It introduced me to the idea that you can wear many hats as long as you own the hats and aren’t afraid to wear ‘em. There’s nobody more connected to his world than Ben Shahn.

I guess, if you polled illustrators and designers as to who was the GOAT, it would probably be Milton Glaser. On my list, he’s certainly up there.

A supreme talent, Glaser was (still is, and I think, always will be) incredibly influential; when you read this book, you’ll see why.

While writing my book, I had the honor and pleasure to work with his life-long friends and studio mates, Reynold Ruffins and Simms Taback. All three of these guys demonstrated superlative skills coupled with super smart concepts. I should also mention they were just plain mensches.

In a book that thoroughly examines the world of art and design, it would be remiss to not discuss the business side of things. So, in my book, I do.

Why? I can’t think of a better way to earn a living than to make a living by doing something you love and that replenishes your soul. And no, selling your art does not mean you are selling your soul.

Hear me out: selling shoes is a worthy occupation. I’ve done that; people will always need shoes. But me, I’d rather sell art. This is the bible of how to sell your work cleanly and not get taken to the cleaners. 

There are some artists who are so talented they are, simultaneously, incredibly inspirational and discouraging.

Mike Mignola is one of those guys. Mignola is the commander of figure/ground. His beautiful sense of shape and form and utter control of black and white is just amazing. He builds story beautifully and constructs his pages cinematically.

When I looked for people to grace the pages of my book, I shot for consummate talent like that, and, if I can blow my own horn just a bit, the book succeeds along those lines. When I grow up, I want to be able to draw like that.

Godwin’s psychological mystery Flora takes place in a remote, isolated house, a former mountaintop sanatorium in Tennessee. Adult narrator Helen looks back on her ten-year-old self, and her premature coming of age the summer she lived there with her young adult cousin and temporary guardian, Flora. Helen’s father has gone to do war work, her mother is dead. Flora and Helen cannot leave the mountaintop due to a polio threat in the valley. Both child and caretaker fall under the spell of a charismatic jack of all trades, Quinn. The consequences of their unconscious competition play out in the shadowy rooms of the big house.

This is a tale of psychological possession in a lonely estate; Godwin’s homage to Henry James’s Turn of the Screw. Years ago, I visited my great-aunt in her mountaintop summer home in Tennessee. Reading this book unlocked memories of that mysterious house. Good novels… show more.

This horror novel about a haunted IKEA-like store is playful and fun in every way—from its inventive narrative structure to the book’s mimicry of an IKEA catalogue, complete with a store map and advertisements for furniture that become increasingly deranged.

During daylight, Orsk is a regular furniture store in the suburbs of Cleveland, but when several employees attempt to stay overnight to find out why products keep getting damaged, the building’s dark history begins to bleed into the present. This book perfectly captures the uncanny way nighttime makes familiar landscapes, such as stores and schools, seem entirely unfamiliar, a phenomenon that has always fascinated me. 

It started out with the hoariest of romance novel cliches—the bickering couple I knew would end up in love—but the setting alone was enough to guarantee spookier plot developments.

Barbara Michaels, better known for her mystery novels as Elizabeth Peters, never fails to entertain, and the descriptions of eerie ghostly manifestations here are top-notch.

As the name might suggest, this novel is very much a spiritual descendant of Shirley Jackson’s Hill House, with a very similar setup: ghost hunters visit a haunted house that’s been abandoned for decades. That, however, is where the similarities end. In Matheson’s work, the haunting is more physical, with bodily threats to the ghost hunters at every turn, and the psychological and spiritual terror it inflicts does far more damage to them at each step, turning them against each other in violent and sometimes deadly ways.

Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.

Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.

Adam Nevill is a British horror writer – you may know of him through The Ritual which was made into a successful film a few years ago.

This is an earlier work and tells the story of Stephanie – down on her luck and reduced to taking a cheap, seedy room in an even seedier house where it is soon apparent that there is something horribly wrong. The chilling and menacing atmosphere of the building is overwhelming, while the landlord is certainly not on the level.

As for his ghastly cousin…. Then there are the noises… Something is going on here that transcends the norm. It’s unnatural, maybe supernatural, and things are about to turn a lot worse when Stephanie digs deeper. This is a house like no other. And the truth of it will take her beyond her wildest fears.

Recently filmed, this is one of Adam Nevill’s most… show more.