Here are 60 books that Hairy Maclary from Donaldson's Dairy fans have personally recommended if you like
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My family and I moved from America to Aotearoa New Zealand in 2019. As a children’s author, one of the best parts has been discovering a new world of literature. New Zealand is a very small country, so bookstores, libraries, and schools are filled with books from the U.S., the UK, Australia, and more. As one New Zealander so eloquently put it, “Kiwi kids read the world.” On the flip side, it’s extremely rare for books from New Zealand publishers to make it to other parts of the world, no matter how great they are. I hope this introduction to Kiwi KidLit makes you eager to seek out even more!
With all the gorgeous scenery in New Zealand, my family and I have thoroughly enjoyed getting out into nature by hiking on weekends.
In sparse but skillful rhyme, this book follows a group of families that go exploring together. A gentle story with soft illustrations, this contemporary picture book feels like a cozy classic.
Come exploring with our campers as they spot treasures along the track to their campsite. Don't forget to keep an eye out for the cheeky kea along the way! But what happens when the curious campers take a wrong turn?Praise for A Stick and a Stone:'It inspired us to go outside and do a nature treasure hunt. Something in this gorgeous book for everyone!' - Gleebooks'Reminiscent of We're Going on a Bear Hunt and A Summery Saturday Morning, this beautifully illustrated story will delight parents and children alike. 3+'…
My family and I moved from America to Aotearoa New Zealand in 2019. As a children’s author, one of the best parts has been discovering a new world of literature. New Zealand is a very small country, so bookstores, libraries, and schools are filled with books from the U.S., the UK, Australia, and more. As one New Zealander so eloquently put it, “Kiwi kids read the world.” On the flip side, it’s extremely rare for books from New Zealand publishers to make it to other parts of the world, no matter how great they are. I hope this introduction to Kiwi KidLit makes you eager to seek out even more!
There’s no way to talk about Kiwi KidLit without acknowledging Margaret Mahy, New Zealand’s most celebrated children’s writer and the author of more than 120 books.
The Boy with Two Shadows is a classic from 1971 about a witch who entrusts a boy with her shadow for two weeks.
I love how the playful story and language have some bite—there’s a deliciously sharp edge here that you won’t find in picture books today. Add wonderfully retro illustrations by Jenny Williams, and you feel instantly transported to 1970s New Zealand.
There once was a little boy who took great care of his shadow...
One day a witch notices the care he has for his shadow and asks him to look after her shadow while she goes away on holiday. But minding a witch's shadow turns out to be more complicated than the boy ever imagined!Discover a magical and mischievous story about a boy, a witch and one cheeky shadow.From the celebrated children's writer Margaret Mahy and award-winning illustrator Sarah Greig.
My family and I moved from America to Aotearoa New Zealand in 2019. As a children’s author, one of the best parts has been discovering a new world of literature. New Zealand is a very small country, so bookstores, libraries, and schools are filled with books from the U.S., the UK, Australia, and more. As one New Zealander so eloquently put it, “Kiwi kids read the world.” On the flip side, it’s extremely rare for books from New Zealand publishers to make it to other parts of the world, no matter how great they are. I hope this introduction to Kiwi KidLit makes you eager to seek out even more!
New Zealand is known for its sheep—there are five times more sheep than people!
In this book, popular author and illustrator Donovan Bixley takes four classic nursery rhymes about sheep and gives them a thoroughly modern treatment, full of energy and humor.
A (baa-baa) black sheep sees its wool knitted into an All Blacks rugby jersey, and Mary takes her little lamb on a dirt bike and to school, in uniform. From the farm to the dairy to the beach, these clever, boisterous illustrations celebrate the Aotearoa I’ve come to know and love with true Kiwi ingenuity.
My family and I moved from America to Aotearoa New Zealand in 2019. As a children’s author, one of the best parts has been discovering a new world of literature. New Zealand is a very small country, so bookstores, libraries, and schools are filled with books from the U.S., the UK, Australia, and more. As one New Zealander so eloquently put it, “Kiwi kids read the world.” On the flip side, it’s extremely rare for books from New Zealand publishers to make it to other parts of the world, no matter how great they are. I hope this introduction to Kiwi KidLit makes you eager to seek out even more!
Matariki, the Māori new year, comes in late June, winter in New Zealand. It begins when the star cluster known as Matariki first appears in the sky. It’s a time of honoring ancestors, being with family, reflecting on the past, and dreaming for the future.
This moving story by Brianne Te Paa is about a boy who takes the lead in honoring his koro (grandfather), who dies shortly before Matariki. The sadness and warmth come through the night-sky color palette and the grown-up-feeling illustrations. To an American still learning about Matariki and Māori culture, this story feels unique, yet the way it captures the bonds between whānau (family) makes it feel universal.
A young boy learns about the customs around celebrating Matariki from his grandfather. They watch the stars from the top of a mountain, prepare their offering of food for the gods, and the boy learns about Te Waka o Rangi and the tradition of calling out the names of loved ones who have passed away so that they can become stars. Just before Matariki the following year, the boy's Koro suddenly dies. He gathers and prepares the food offering and asks each family member to come with him up the mountain when Matariki is due to rise, but they all…
With our 2.5-year-old we read all the time. She is a great critic, letting us know if the book is to be read ‘again’ or to be put ‘away!’ As well as a PhD in Education, I am also a trained teacher, having worked with preschoolers running Steiner Waldorf inspired parent and child groups and playgroups, so I am fascinated by the power of story. I try and choose books that are inclusive and age-appropriate, keeping the child in a magical space, as well as allowing for lots of laughs! I also love to share books that I am happy to read three times in a row!
We first found this book in our local library, and we loved it so much we had to buy a copy ourselves. Our toddler loves ‘purr purrs’ and in this book, Scarface Claw, a ferocious tomcat, is asleep on the roof of the car when its owner sets off for a drive. Such adventures ensue, delighting us all. The illustrations and witty rhymes are fun to read and recite (yes, it is another that you end up knowing off by heart!).
Another rollicking picture book featuring the mighty Scarface Claw in the much-loved Hairy Maclary and Friends series.
It is a peaceful morning and Scarface Claw is happily snoozing in a spot in the sun, tail curled around and feet tucked in.
Suddenly, there was a shudder and sway, the whirr of an engine, then off and away.
And then off goes the truck down the drive - with Scarface ON TOP! Clinging on to the roof of the truck, Scarface zips along streets with his owner, Tom, oblivious to his rooftop passenger and everyone trying to get his attention as…
Kristyn Harman is an award-winning researcher who successfully completed doctoral research investigating the circumstances in which at least ninety Australian Aboriginal men were transported as convicts within the Australian colonies following their involvement in Australia’s frontier wars. She has published extensively on historical topics, and currently lectures in History at the University of Tasmania in Hobart, Australia. Having lived in both countries, Kristyn is fascinated by the different understandings that New Zealanders and Australians have of their nation’s respective pasts. She is particularly intrigued, if not perturbed, by the way in which most New Zealanders acknowledge their nation’s frontier wars, while many Australians choose to deny the wars fought on their country’s soil.
Just a few years after New Zealand became a British crown colony, armed conflict broke out in 1845 between representatives of the crown and local Māori. These frontier wars continued to be fought, particularly across New Zealand’s North Island, up until 1872. Understanding New Zealand in the present requires gaining an understanding of the New Zealand Wars. Vincent O’Malley’s book provides an insightful introduction to these complex conflicts. He explores in some detail what caused these conflicts, where and how the various battles that make up the wars were fought, and who might rightfully claim the various victories involved. O’Malley also usefully examines the consequences flowing from the New Zealand Wars. His book is richly illustrated with many evocative full color and black and white images depicting key participants, places, and moments in the New Zealand Wars.
The New Zealand Wars were a series of conflicts that profoundly shaped the course and direction of New Zealand history.Fought between the Crown and various groups of Māori between 1845 and 1872, the wars touched many aspects of life in nineteenth-century New Zealand, even in those regions spared actual fighting. Physical remnants or reminders from these conflicts and their aftermath can be found all over the country, whether in central Auckland, Wellington, Dunedin, or in more rural locations such as Te Pōrere or Te Awamutu.Following on from the best-selling The Great War for New Zealand, Vincent O'Malley's new book provides…
Nothing about the art of writing is more interesting to me—as both reader and writer—than the power of language to open, or to enhance, or to teach, our perceptions about life and about living in the richest emotional and thoughtful ways possible. My own Sweetbitter is my major effort at imagining in language or with language as a kind of perception. Our intuitions are immensely valuable, when we can catch hold of them; for the writer, the process of imagining and articulating is a kind of method of deepening our perceptiveness and our intuitions. My books of poems, also, are a necessary—for me—practice of the art of writing.
I *adore* Katherine Mansfield’s work. She wrote short stories, not novels.
She was still rather young when she died of tuberculosis. Her portrayals of love, family, and especially of children, are for me gloriously wonderful with insight and perceptiveness about relationships. From the New Zealand settings of many of her stories (where she was born and grew up), she emigrated to London, then to France (where she received medical treatment for TB), and Switzerland (also for treatment for TB—unsuccessful).
She seems to me a lonely genius—perceiving deeply not only other persons (of many sorts) on whom she modeled her short stories but also herself. Her seemingly idyllic childhood in NZ is perhaps the core source of her accomplishment—especially the novellas At the Bay and Prelude. But her adult life was difficult and she seems to have been uncertain about her writing, even though to me she seems a genius…
With an Introduction and Notes by Professor Stephen Arkin, San Francisco State University.
Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, In a German Pension, appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923.
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
Described as an ‘alternate history coming-of-age YA’, Ursa packs a real punch. Set in a world deeply divided into those who can live freely and those denied all human rights, it shows what happens when the desire for freedom in those oppressed ignites into a revolution. Brutal and unflinching, with important things to say about fascism and xenophobia, you won’t be able to stop reading!
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
The first in a trilogy, it takes a little while to adjust your reading ‘ear’ to the strange new language used, but then you’re rewarded by another great speculative cli-fi novel, with complex, layered characters, lots of tension, and a plot that will challenge you to think harder about how climate change may affect the future.
Truth died in the fires. Only through courage can it be born again. Under the iron rule of the Revelayshun, one boy discovers the truth… ‘Ty promised my ma he’d bring me up right. Bring him up to hear the rhythm beat, she said, and to feel the heartsblood warm. Not Strong – not in their way – but strong in the ways of the heart.’ When the Revelayshun murders his pa, Wil discovers through savage inquisition that he’s marked as a Heater, one of the old-time heretics who burned up the world. But Wil holds the key to a…
As a mystery writer, I’ve always got my eye out for a great place to hide a body. I can’t help it, it’s a hazard of the job. I also love to travel, and a mix of the two has always been irresistible to me, whether I’m reading or writing. I’d say I’m not the only one who enjoys a little sightseeing with my whodunits, because my first book, Death in the Aegean, was nominated for an Agatha Best First Novel Award by the Malice Domestic community. I hope you enjoy these picks that combine some of my ideal vacation spots with entertaining whodunits.
I’ve never been to New Zealand, and this book makes me feel like I’m there with forensic odontologist Alexa Glock, who identifies bodies via dental records.
She navigates men, murder, and the ocean in this tightly woven murder mystery that’s as much about her personal life as her professional one. I learned quite a bit about sharks and whales, and bonus, this mystery includes quicksand!
A new title in the Alexa Glock Forensics Mysteries. When bodies wash up on the beach, is man or animal the culprit? It'll take everything forensic specialist Alexa Glock has to seek out the truth. Because lips may lie, but teeth never do... These thrilling New Zealand mysteries are:Perfect for Fans of Kathy Reichs and Candice FoxFor readers of forensic mysteries and international mysteriesFor lovers of police procedurals and marine scienceAt first, Alexa Glock's initial case as a traveling forensic investigator seems straightforward-her expertise in teeth helps her identify the skeletal remains of a hunter found on the remote Stewart…
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