Fans pick 95 books like Little Bo Peep and More...

Forget Clifford and Snoopy. When it comes to fictional dogs, the most famous of all in New Zealand is Hairy Maclary from Donaldson’s Dairy. (“Dairies” are what New Zealanders call corner stores.)

Hairy Maclary—a black, shaggy dog with a spring in his step—goes off for a walk with some of his cleverly named friends, like Bottomly Potts covered in spots, and Schnitzel vom Krumm with a very low tum. With a fun, sing-songy rhythm, cute dogs, and one very scary cat (the notorious Scarface Claw!), it’s no wonder this book’s been delighting “wee ones” for forty years.

With all the gorgeous scenery in New Zealand, my family and I have thoroughly enjoyed getting out into nature by hiking on weekends.

In sparse but skillful rhyme, this book follows a group of families that go exploring together. A gentle story with soft illustrations, this contemporary picture book feels like a cozy classic.

There’s no way to talk about Kiwi KidLit without acknowledging Margaret Mahy, New Zealand’s most celebrated children’s writer and the author of more than 120 books.

The Boy with Two Shadows is a classic from 1971 about a witch who entrusts a boy with her shadow for two weeks.

I love how the playful story and language have some bite—there’s a deliciously sharp edge here that you won’t find in picture books today. Add wonderfully retro illustrations by Jenny Williams, and you feel instantly transported to 1970s New Zealand.

Matariki, the Māori new year, comes in late June, winter in New Zealand. It begins when the star cluster known as Matariki first appears in the sky. It’s a time of honoring ancestors, being with family, reflecting on the past, and dreaming for the future.

This moving story by Brianne Te Paa is about a boy who takes the lead in honoring his koro (grandfather), who dies shortly before Matariki. The sadness and warmth come through the night-sky color palette and the grown-up-feeling illustrations. To an American still learning about Matariki and Māori culture, this story feels unique, yet the way it captures the bonds between whānau (family) makes it feel universal.

What I love most about this book is the focus on women. That sounds really obvious, given the title, but it’s unusual. Male migrants are so easy to find in historical sources. On shipping lists, women and children were often only recorded as ‘wife and 5 children’ of a named man.

Due to this bias in the primary sources, men are usually at the center of 19th-century migration literature. Their experience is taken as the norm. Their motivations are assumed to be the ones guiding the migration. So I really love that this spotlight on women highlights the experiences and importance of these migrants to New Zealand and also that it has forced historians who have come after this publication to try harder to include women in their migration stories, too. 

After graduating, the narrator's family set him up with a job on Wall Street but it just isn't for him despite his upbringing preparing him for this kind of route. A few months later, he sets off on a round-the-world trip. The book features the first eighteen months of this journey spent in Australasia scraping a living in any way he can with occasionally outlandish casual jobs including beekeeping, running a youth hostel, and working on a production line in a cardboard box factory. He comes across a young woman, another traveller, sleeping beneath a table of honey pots and they begin a passionate yet fraught love affair.

Not only is this a great story, it is also punctuated with Bloom's vivid descriptions of landscapes and people he encounters along the way. There are meditations on the quirky details of life and reminiscing on an unusual childhood.

Just a few years after New Zealand became a British crown colony, armed conflict broke out in 1845 between representatives of the crown and local Māori. These frontier wars continued to be fought, particularly across New Zealand’s North Island, up until 1872. Understanding New Zealand in the present requires gaining an understanding of the New Zealand Wars. Vincent O’Malley’s book provides an insightful introduction to these complex conflicts. He explores in some detail what caused these conflicts, where and how the various battles that make up the wars were fought, and who might rightfully claim the various victories involved. O’Malley also usefully examines the consequences flowing from the New Zealand Wars. His book is richly illustrated with many evocative full color and black and white images depicting key participants, places, and moments in the New Zealand Wars.

For me, Catherine Lacey’s debut novel Nobody Is Ever Missing is a kind of reverse exploration of foreignness.

Elyria escapes from a comfortable New York life to New Zealand, where she backpacks down to the South Island towards a half-hearted invitation to stay from a poet she once met. Interesting to see your own country through the eyes of another writer as she observes “a boring little mountain, a plain blue lake, a gas station, the same as ours only slightly not” while she searches for a “small and manageable life”.

As she outwardly drifts through the landscape she also takes us on a very inward journey, interrogating her own thoughts about her adopted sister’s suicide, the mutual grief that drew her to her husband, and her mother’s drinking.

I *adore* Katherine Mansfield’s work. She wrote short stories, not novels.

She was still rather young when she died of tuberculosis. Her portrayals of love, family, and especially of children, are for me gloriously wonderful with insight and perceptiveness about relationships. From the New Zealand settings of many of her stories (where she was born and grew up), she emigrated to London, then to France (where she received medical treatment for TB), and Switzerland (also for treatment for TB—unsuccessful).

She seems to me a lonely genius—perceiving deeply not only other persons (of many sorts) on whom she modeled her short stories but also herself. Her seemingly idyllic childhood in NZ is perhaps the core source of her accomplishment—especially the novellas At the Bay and Prelude. But her adult life was difficult and she seems to have been uncertain about her writing, even though to me she seems a genius… show more.

I’ve never been to New Zealand, and this book makes me feel like I’m there with forensic odontologist Alexa Glock, who identifies bodies via dental records.

She navigates men, murder, and the ocean in this tightly woven murder mystery that’s as much about her personal life as her professional one. I learned quite a bit about sharks and whales, and bonus, this mystery includes quicksand!