Here are 100 books that Good Zap, Little Grog! fans have personally recommended if you like
Good Zap, Little Grog!.
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I am the Illustrator of 45 books for kids, 9 of which I authored as well. I have always been attracted to joyful nonsense. I am drawn to books and writings that turn norms on their heads. From the time I was super young, my favorite poem has been Lewis Carroll’s “Jabberwocky” with its delightful slithy toves gyring and gimbling in the wabe. In fact, of the books I’ve written to date, every one has had some kind of nonsensical element to it.
This gorgeous book is set like a stage and populated with a variety of bugs who speak a language invented by the author. Within the short space between the covers, our cast experiences the full gamut of life, death, villainy, victory, nature, building, community, beauty, growth, decay, loss, hope, and transformation – an amazing feat! While the invented language is full of delightfully silly words, every sentence can be accurately decoded by tracking how individual words and phrases are reused and by looking for context clues. A sampling of the nonsense you’ll find: “Du kimma plonk?” “Iz unk gladenboot.” “Booby voobeck!”
The creator of Home explores the astonishing changes in a garden, where insects talk their own mysterious language.
In her follow-up to the internationally acclaimed Home, Carson Ellis invites readers to imagine the dramatic possibilities to be found in the natural world ... even the humblest back garden! With gorgeous, exquisitely-detailed illustration that will appear to children and art-lovers alike, and a wonderfully playful invented language, we soon find ourselves speaking "Bug" ... Du iz tak? What is that?
I’m someone who has had a lot of pets in my life––dogs, fish, birds, turtles, tortoises––which means I’m also someone who has had a lot of pets in my life die, because the worst thing about pets is they don’t live as long as we do. I spent ten years writing Good Grief, but really, I’ve been researching Good Grief my whole life, ever since my first pet died. This list includes some classics I loved when I was a kid, and some newer titles that I learned about while researching Good Grief. All are wonderful and will be a balm during a hard time.
This book is absolutely breathtaking and I cry every time I read it.
The illustrations are gorgeous, and I find it so soothing to think about my dead dogs being in a version of heaven as beautiful as the one that Catia Chien has illustrated. My favorite part of this book is how it is narrated by the old and dying dog himself, and when he finally dies and becomes part of the sky––his sweet face continues to look down on his beloved small human (“Little”) and her new puppy.
All the pets we love are always part of us forever, and I like to think they’re looking out for us. I’m tearing up just writing this!
Homeward Bound: The Incredible Journey meets Dog Heaven in this profoundly beautiful book about the special relationship between kids and dogs, the importance of language, and finding the meaning of life even in its final days.
Poignant, hopeful, and lovingly told, this dog's journey-told by the dog himself in his own unique words-proves that love abides beyond a lifetime, out of sight but never far away.
As a dog and his little girl go on their final walk together, he experiences the sights, smells, and wonders of this world one last time before peacefully passing on. But for such a…
I am the Illustrator of 45 books for kids, 9 of which I authored as well. I have always been attracted to joyful nonsense. I am drawn to books and writings that turn norms on their heads. From the time I was super young, my favorite poem has been Lewis Carroll’s “Jabberwocky” with its delightful slithy toves gyring and gimbling in the wabe. In fact, of the books I’ve written to date, every one has had some kind of nonsensical element to it.
The works of Dr. Seuss are known for their imaginative creatures, landscapes, and language. Why, his name has even led to the creation of the adjective “Seussian” to describe something playful, inventive, fantastical, or whimsical. Possibly the most purely Seussian Seuss is “There’s a Wocket in my Pocket” which consists solely of imaginary creatures, rhyming nonsense, and nothing else getting in the way. Some of the great words you’ll encounter: Wasket, Woset, Bofa, Yottle, and Nooth Grush
Join Dr. Seuss on the road to reading with a host of crazy creatures, from wockets in pockets to waskets in baskets!
Is there a woset in your closet, or a nink in the sink? As that would be rather nice, I think! Learn all about rhymes and fun with words in this classic Dr. Seuss title.
With his unique combination of hilarious stories, zany pictures and riotous rhymes, Dr. Seuss has been delighting young children and helping them learn to read for over fifty years. Creator of the wonderfully anarchic Cat in the Hat, and ranking among the UK's…
I am the Illustrator of 45 books for kids, 9 of which I authored as well. I have always been attracted to joyful nonsense. I am drawn to books and writings that turn norms on their heads. From the time I was super young, my favorite poem has been Lewis Carroll’s “Jabberwocky” with its delightful slithy toves gyring and gimbling in the wabe. In fact, of the books I’ve written to date, every one has had some kind of nonsensical element to it.
The catchy sing-song rhyming text is a delight for both tongue and ear. Packed with alliteration, consonance, and nonsensical compound words, this book is a super fun read-aloud. The artwork is just as wild and surreal as the text, showcasing swaying toast trees, tumbling blueberry waterfalls, and bursting strawberry fireworks. Here are some of my favorite nonsense words found inside: Jamble, Canoeberry, Boomberry, Razzamatazzberry, Clickety-clackberry
This bestselling classic features a berry-loving boy and an endearing rhyme-spouting bear. The fun wordplay and bright paintings with lots of details for young readers to explore make Jamberry a perennial favorite, and this board book edition is a great stocking stuffer. A small boy and a big friendly bear embark on a berry-picking extravaganza, looking for blueberries, blackberries, and strawberries. Their fun adventure comes to a razzamatazz finale under a starberry sky. From author-illustrator Bruce Degen, Jamberry is perfect for sharing. "With delightful, rich illustrations and zany wordplay, Jamberry is a must have book for any family with young…
During two decades as a gardening columnist for the Toronto Star, I wrote about hundreds of different plants. I also penned, for various publishers, over half a dozen books with titles ranging from Incredible Edibles: 40 Fun Things to Grow in the City and The Untamed Garden: A Revealing Look at our Love Affair with Plants. And in doing so, I got hooked. Even if you aren’t interested in gardening, the botanical world is chock-a-block with terrific stories. My new novel, for instance, published in 2022, begins with an extraordinary tale about a plant called The Corpse Flower which bloomed for the first time in 70 years at Brooklyn Botanical Garden.
This book is fairly new, by an Aussie environmental historian. I got hooked from the first page because, once again, it’s well written and I learned stuff about plants that I didn’t know already. The Wardian Case was a kind of travelling greenhouse designed by an English amateur naturalist named Nathaniel Bagshaw Ward in Victorian times. His simple invention made it possible to send plants around the world on the decks of sailing ships -and resulted in the huge array of species for sale in garden centres today. Beautiful plants that we now take for granted -like roses, rhododendrons, magnolias, wisteria, countless ferns, and more—travelled thousands of miles from their countries of origin in these unpretentious but surprisingly efficient boxes. A great story, with good photos.
The story of a nineteenth-century invention (essentially a tiny greenhouse) that allowed for the first time the movement of plants around the world, feeding new agricultural industries, the commercial nursery trade, botanic and private gardens, invasive species, imperialism, and more.
Roses, jasmine, fuchsia, chrysanthemums, and rhododendrons bloom in gardens across the world, and yet many of the most common varieties have roots in Asia. How is this global flowering possible? In 1829, surgeon and amateur naturalist Nathaniel Bagshaw Ward placed soil, dried leaves, and the pupa of a sphinx moth into a sealed glass bottle, intending to observe the moth…
If I'm honest, I became a gardener because I like getting dirty. Beatrix Potter's The Tale of Tom Kitten is the story of my childhood (and my adulthood too, only now I don't have to pretend I'm going to stay clean). Of course, high-quality soil leads to high-quality produce, and I deeply adore the flavors of strawberries growing in deep, dark soil. Biting into a juicy, homegrown tomato still warm from the summer sun is bliss.
If you only grow from the last frost to the first frost, your gardening season is extremely short. But a few simple season-extension techniques can mean you harvest fresh food nearly every day of the year. I've used Eliot Coleman's crop suggestions and his quick hoops and can say from experience that they make all the difference during the cold season.
"Brimming with ingenuity, hope, and eminently practical advice, The Winter Harvest Handbook is an indispensable contribution."-Michael Pollan
"Useful, practical, sensible, and enlightening information for the home gardener."-Martha Stewart
With The Winter Harvest Handbook, everyone can have access to organic farming pioneer Elliot Coleman's hard-won experience. Gardeners and farmers can use the innovative, highly successful methods Coleman describes in this comprehensive handbook to raise crops throughout the coldest of winters.
Building on the techniques that hundreds of thousands of farmers and gardeners adopted from Coleman's The New Organic Grower and Four-Season Harvest, this book focuses on growing produce of unparalleled freshness…
I’ve been fascinated by horror since childhood–when Scooby-Doo: Where Are You! and Doctor Who were my favorite TV shows. I specifically remember watching the Doctor Who serial, The Seeds of Doom, and the 1962 film Day of the Triffids–both about killer plants! As I finished graduate school and then took jobs in higher education, I gravitated back to horror and the gothic, which I am now fortunate enough to teach and research. I’ve written academically about all kinds of horror (most recently folk horror)–and in 2015, myself and two others founded a website, Horror Homeroom, where I write about horror for more popular audiences.
Marder’s book is a brilliant exploration of plants in a philosophical (not a botanical) sense. It’s one of the most eye-opening (and accessible) philosophy books I’ve ever read, illuminating a swathe of life on Earth I honestly had never thought much about before.
Marder writes clearly and cogently about how we’ve thought about plants and how we’ve been wrong: we’ve been blind to plants; we’ve shaped them as our absolute opposite; we’ve treated them only instrumentally, exploiting them for what they can do for us. And then he makes a real effort to think through what plants are–what vegetal being actually is. One of the most mind-blowing things, he argues, in my view, is that we are much closer to plants than we think–we have our own buried “vegetal being.”
Marder’s elaboration of plant life–and how we’ve misunderstood and abused it–is literally the theoretical scaffold of all fiction and film…
The margins of philosophy are populated by non-human, non-animal living beings, including plants. While contemporary philosophers tend to refrain from raising ontological and ethical concerns with vegetal life, Michael Marder puts this life at the forefront of the current deconstruction of metaphysics. He identifies the existential features of plant behavior and the vegetal heritage of human thought so as to affirm the potential of vegetation to resist the logic of totalization and to exceed the narrow confines of instrumentality. Reconstructing the life of plants "after metaphysics," Marder focuses on their unique temporality, freedom, and material knowledge or wisdom. In his…
Since 1979 the life of soil and plants, and how they link to our own lives and health, has fascinated me. In the 1980s I was a maverick because as an organic market gardener, my work was mostly seen as irrelevant to society, producing food that was expensive and for only a few people. That changed from 1988 when the BBC filmed my garden, and green consciousness developed. Since then I have gone from being zero to hero and especially with regard to soil because since 1982 I've been gardening with the no dig method. My experience allows me to direct you towards these gems, which I'm sure you will find useful and enjoyable.
Plants feel things. Cleve Backster, an American detective who used lie detectors when interviewing suspects, discovered that plants made his detector needle swing wildly in response to thoughts he was having. Especially bad ones like that he might put boiling water on their leaves. He ran many experiments and found that plants also have memory, and react if people are lying about something in their presence!
Plants grow better for us when we treat them with love and respect. In return, they grow a warm and healthy look to their leaves which looks pleasing. We then appreciate each other in a loop of positive feedback. This book opened my eyes to what is possible when working with clients, and the fun we can have in helping them to express themselves.
Explore the inner world of plants and its fascinating relation to mankind, as uncovered by the latest discoveries of science. A perennial bestseller.
In this truly revolutionary and beloved work, drawn from remarkable research, Peter Tompkins and Christopher Bird cast light on the rich psychic universe of plants. Now available in a new edition, The Secret Life of Plants explores plants' response to human care and nurturing, their ability to communicate with man, plants' surprising reaction to music, their lie-detection abilities, their creative powers, and much more. Tompkins and Bird's classic book affirms the depth of humanity's relationship with nature…
For fifteen years now, I have been exploring the seemingly strange connection between plants and philosophy. The unexpected twists and turns of this theme have taken me to forests and gardens, to collaborations with plant artists and plant scientists, to ancient thought and twenty-first-century experimental design. Once you get over the initial surprise (What can philosophy tell us about plants?), you will be in for the exhilarating ride that is vegetal philosophy, finding plant heritage in human thought, politics, and society; witnessing traditional hierarchies and systems of classification crumble into dust; and discovering the amazing capacities of plants that testify to one important insight—plants are smarter than you think!
Monica Gagliano gives us a enchanting peek at the complexities, consciousness, and subjectivity of plants, as well as at her own story as a woman scientist, who is one of the pioneers in the field of plant intelligence. Weaving together her biography with the life of plants in a creative mix of “phytobiography,” the author shows how working “on” plants is also always working “with” them. We collaborate and communicate, Gagliano suggests, across species and biological kingdom boundaries, and it is on this unknown terrain that her scientific discoveries of plant learning or plant bioacoustics are made. Although Gagliano is not a philosopher by training, the account she offers in Thus Spoke the Plant opens new and exciting vistas in the philosophy of plants.
An accessible and compelling story of a scientist's discovery of plant communication and how it influenced her research and changed her life.
In this "phytobiography"--a collection of stories written in partnership with a plant--research scientist Monica Gagliano reveals the dynamic role plants play in genuine first-hand accounts from her research into plant communication and cognition. By transcending the view of plants as the objects of scientific materialism, Gagliano encourages us to rethink plants as people--beings with subjectivity, consciousness, and volition, and hence having the capacity for their own perspectives and voices. The book draws on up-close-and-personal encounters with the plants…
I’ve always been fascinated by nature, even from a young age. My parents would set up easels for my sister and me to paint outdoors, and I haven’t stopped drawing since. I tend to focus on flora and fauna, making illustrations with subdued colors and intricate details. I love to create illustrations for books, and occasionally, I’ll write them, too. Often reflective of history, mythology, and folklore, my work captures an old-world feeling and a love of nature. In my spare time, you can find me in my garden or out walking my dog, Molly.
So many books with beautifully illustrated florals are aimed at children, but the magic of flora is not just for kids. A wonderful example of this is The Illustrated Herbiary, which focuses on 36 botanicals like rosemary (for remembrance, just like in my book), apple, and clover. Filled with rituals and reflections for each herb, Kate O’Hara’s beautiful and detailed illustrations bring Maia Toll’s words to life.
Rosemary is for remembrance; sage is for wisdom. The symbolism of plants - whether in the ancient Greek doctrine of signatures or the Victorian secret language of flowers - has fascinated us for centuries. Contemporary herbalist Maia Toll adds her distinctive spin to this tradition with profiles of the mysterious personalities of 36 herbs, fruits, and flowers. Combining a passion for plants with imagery reminiscent of tarot, enticing text offers reflections and rituals to tap into each plant's power for healing, self-reflection, and everyday guidance. Smaller versions of the illustrations are featured on 36 cards to help guide your thoughts…
