Here are 100 books that Forty Miles a Day on Beans and Hay fans have personally recommended if you like
Forty Miles a Day on Beans and Hay.
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I grew up in Boston and New York and currently live in Montreal. I have worked primarily in writing performance texts and plays. I founded the performance company Bluemouth Inc., with whom I have written and staged over a dozen works. In 2018, I completed an MFA in Creative Writing at Concordia University, where I was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing. As for my expertise in compiling this list, I am the daughter of a strong force-of-nature woman who fought for what she had and taught her kids they can get through anything as long as they have humor, music, and books.
This book was recommended to me by my firefighter brother, who often reads what I call “he-man” books. The titles always have words like mutiny, bullets, gangsters, firestorm, etc. So, when he suggested I read this book, I had my reservations. (In fairness, the books he recommends consistently end up on my list of all-time favorites–I guess that’s what I get for pre-judging!) In any case, over the years, I have learned the one thing we both love in a protagonist–and now I have a name for it–is grit. I can’t recommend this book highly enough.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This is the story of Jack Crabbe. Jack was reared by both white and Cheyenne folks.
His story is a masterpiece and describes the destruction of Native Americans along with their way of life (including the bison they relied on). According to Jack, he even participated in the Battle of Little Big Horn and was the only white man who survived.
I recommend this book to anyone who is interested in American history and who wants to read about it in an entertaining way. There’s no way to disguise the hateful way European settlers wiped out native tribes and/or enslaved Natives and Blacks, but at least this is an engaging account thereof.
'I am a white man and never forget it, but I was brought up by the Cheyenne Indians from the age of ten.' So starts the story of Jack Crabb, the 111-year old narrator of Thomas Berger's masterpiece of American fiction. As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.
As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild…
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Mark Twain’s wit somehow manages to transcend time as he infuses this iconic character with the freshness of an innocent who is anything but.
The “road” in this story is the Mississippi River, and the method of transportation is a raft. The journey takes Huck on a transformational journey as he unlearns everything his society has taught him about good and bad and right and wrong. This uneducated boy begins to think for himself.
Once the plot resolves, Huck wants to escape being “sivilized” because he has learned it is anything but. He wants to “light out for the territory”, a metaphorical place that, although impossible as a realistic solution to his problems, still seems a place of freedom worth seeking out.
Growing up, I dreamed of being Margaret Mead. When I realized that Margaret already had that job, I turned my anthropologist’s eye for the defining details of language, dress, and customs to fiction. I love to tell the untold tales--especially about women--who are thrust into difficult, sometimes impossible, circumstances and triumph with the help of humor, friends, perseverance, and their own inspiring ingenuity. I have been able to do this well enough that, in 2021, was honored with the Paul Re Peace Award for Cultural Advocacy for promoting empathy through my work. I’m a bestselling novelist and essayist living in Austin, Texas with my husband, son, and terminally cute Corgi.
Louise S. O'Connor, a fifth-generation descendant of an early settler of Texas has always loved the stories of the "old timers,” the cowboys and hands who worked the ranch where she grew up. O’Connor spent seventeen years collecting oral histories about ranch life on the Coastal Bend and compiled those stories into Cryin' for Daylight. Though published in 1989, the language of O’Connor’s isolated, rural, mostly elderly subjects rings with 19th Century authenticity.
I treasure O’Connor’s labor of love for its emphasis on the tragically neglected black cowboys. One such cowboy supplied the title by swearing, “We loved to work cattle so much, we’d just be sittin’ around cryin’ for daylight to come.”
Cryin for Daylight contains the memories of people deeply involved in a ranching culture transformed by technology, urbanization, mechanization, and other economic and political interventions of modern life. These are real people speaking: men and women, bosses and workers, black and white, Catholic and Protestant, cooks and helicopter pilots... diverse individuals tied together by the land and their labor on it.
Growing
up, I dreamed of being Margaret Mead. When I realized that Margaret already had
that job, I turned my anthropologist’s eye for the defining details of
language, dress, and customs to fiction. I love to tell the untold
tales--especially about women--who are thrust into difficult, sometimes
impossible, circumstances and triumph with the help of humor, friends,
perseverance, and their own inspiring ingenuity. In my eleven bestselling
novels, I have been able to do this well enough that I was nominated for the
International Dublin Literary Prize and in 2021 was honored with the Paul Re
Peace Award for Cultural Advocacy for promoting empathy through my work.
Published more than a hundred years after the first Black regiments were formed during the Civil War, historian William Leckie’s marvel of a book was a landmark achievement. For the first time, the extraordinary contributions of the Buffalo Soldiers were documented and celebrated in exhaustive detail.
The Buffalo Soldiers was the Rosetta Stone I used for translating the few bald facts we have about Cathy’s life into a language vivid and vibrant enough to match her courageous decision to risk everything in pursuit of a life of freedom and dignity.
First published in 1967, the book is still in print. Attesting to the volume’s enduring popularity, nearly a dozen revisions and updates have been released since then.
Originally published in 1967, William H. Leckie's The Buffalo Soldiers was the first book of its kind to recognize the importance of African American units in the conquest of the West. Decades later, with sales of more than 75,000 copies, The Buffalo Soldiers has become a classic. Now, in a newly revised edition, the authors have expanded the original research to explore more deeply the lives of buffalo soldiers in the Ninth and Tenth Cavalry Regiments.
Written in accessible prose that includes a synthesis of recent scholarship, this edition delves further into the life of an African American soldier in…
Growing
up, I dreamed of being Margaret Mead. When I realized that Margaret already had
that job, I turned my anthropologist’s eye for the defining details of
language, dress, and customs to fiction. I love to tell the untold
tales--especially about women--who are thrust into difficult, sometimes
impossible, circumstances and triumph with the help of humor, friends,
perseverance, and their own inspiring ingenuity. In my eleven bestselling
novels, I have been able to do this well enough that I was nominated for the
International Dublin Literary Prize and in 2021 was honored with the Paul Re
Peace Award for Cultural Advocacy for promoting empathy through my work.
Drawing from military records, newspaper articles, personal correspondence, and other source materials, historian Billington shows that despite often extreme prejudice, inferior equipment, and intense bigotry from the citizens they were protecting, the Buffalo Soldiers not just survived but triumphed. I particularly appreciated his focus on New Mexico as Cathy was posted in that state.
Billington has excavated a wealth of detail about the daily life of a Buffalo Soldier. He writes of them storing pickled meats, molasses, pickles, and vegetables, making 25,000 adobe bricks, burning smoky fires to control mosquitoes, and repairing hard to replace shoes. I found this granular examination of daily life invaluable in bringing Cathy to life.
Growing
up, I dreamed of being Margaret Mead. When I realized that Margaret already had
that job, I turned my anthropologist’s eye for the defining details of
language, dress, and customs to fiction. I love to tell the untold
tales--especially about women--who are thrust into difficult, sometimes
impossible, circumstances and triumph with the help of humor, friends,
perseverance, and their own inspiring ingenuity. In my eleven bestselling
novels, I have been able to do this well enough that I was nominated for the
International Dublin Literary Prize and in 2021 was honored with the Paul Re
Peace Award for Cultural Advocacy for promoting empathy through my work.
I based one of the most riveting portions of Daughter on Carlson’s meticulously-researched account of what one newspaper called the “Staked Plains Horror.” And horror it was. In the middle of a dangerously dry summer, forty Buffalo Soldiers led by white officers set off on a routine scouting expedition. Several days later three Black troopers returned to report that all the men of Troop A were missing and presumed dead.
Eventually, all but four of the party made it back to Fort Concho with tales of having survived by drinking the blood of their dead horses and their own urine. Carlson’s careful examination of the records of the court-martial trials that followed reveal what a large role the officers’ bigotry and ineptitude played in triggering this catastrophe.
In the middle of the arid summer of 1877, a drought year in West Texas, a troop of some forty buffalo soldiers (African American cavalry led by white officers) struck out into the Llano Estacado from Double Lakes, south of modern Lubbock, pursuing a band of Kwahada Comanches who had been raiding homesteads and hunting parties. A group of twenty-two buffalo hunters accompanied the soldiers as guides and allies.
Several days later three black soldiers rode into Fort Concho at modern San Angelo and reported that the men and officers of Troop A were missing and presumed dead from thirst.…
Growing
up, I dreamed of being Margaret Mead. When I realized that Margaret already had
that job, I turned my anthropologist’s eye for the defining details of
language, dress, and customs to fiction. I love to tell the untold
tales--especially about women--who are thrust into difficult, sometimes
impossible, circumstances and triumph with the help of humor, friends,
perseverance, and their own inspiring ingenuity. In my eleven bestselling
novels, I have been able to do this well enough that I was nominated for the
International Dublin Literary Prize and in 2021 was honored with the Paul Re
Peace Award for Cultural Advocacy for promoting empathy through my work.
If you’d like to understand why Elmer Kelton was voted the greatest Western writer of all time by the Western Writers of America read The Wolf and the Buffalo. Though every word of the dozens of books he authored are saturated in the authenticity of the Texas cattleman that Kelton was, this novel holds a special place in my heart.
Published in 1980 before there was a widespread appreciation for the achievements of the Buffalo Soldiers against great odds, Kelton presents fully-realized portraits of the formerly enslaved men tasked with protecting white settlers.
All Kelton’s writing is alive with the language of the frontier. I am grateful to the master for helping me feel the rhythm of 19th Century, Western speech. On just one page, Kelton has his characters speak of fires that they “get to goin’,” of someone departing rapidly “skinning out the door,” and of how,…
From the author of "The Far Canyon" and "The Good Old Boys" comes this poignant story of a freed slave who goes west with the army and confronts much more than the hostilities of the Comanche and Kiowa.
The Civil War has ended and Gideon Ledbetter is feed from slavery. Like many, he has no land, no money, and no means to make a living. Gideon is drawn into the army by a recruiter who paints an alluring picture of cavalry life out in the west. The Indians called the black men "Buffalo" soldiers, as their tightly twisted hair reminded…
As a student, the Gilded Age bored me to no end. Since then, I have come to understand that the era’s paradoxes, contingencies, and uncertainties are what has created modern America; they have preoccupied my research and writing since. I undertook Pioneering Death as a meditation on how one of the darkest and most intensely personal events—parricide—is both an expected and unexpected outcome of the interconnectedness between place, region, and nation during the Gilded Age. I hope my very select booklist about death, violence, and brutal killings assists you to recognize how these are central to the human condition and how they are foundational to modern America.
Cothran’s beautifully written chronicle tells a sad and all-too-common story from the 19th century, the effects of which continue to haunt America today. While he focuses on the Modoc people of southern Oregon and Northern California and one of the most famous “Indian Wars” that is largely forgotten today, this tale is relevant to any place in the world where indigenous people have suffered the brutalities of colonization, are blamed for the very brutalities that they have suffered, and then become further victimized in histories that paint the colonizers and their murderous acts as innocent.
On October 3, 1873, the U.S. Army hanged four Modoc headmen at Oregon's Fort Klamath. The condemned had supposedly murdered the only U.S. Army general to die during the Indian wars of the nineteenth century. Their much-anticipated execution marked the end of the Modoc War of 1872-73. But as Boyd Cothran demonstrates, the conflict's close marked the beginning of a new struggle over the memory of the war. Examining representations of the Modoc War in the context of rapidly expanding cultural and commercial marketplaces, Cothran shows how settlers created and sold narratives of the conflict that blamed the Modocs. These…
I am a retired Foreign Service Officer with the U. S. Department of State and, more to the point for the purpose of the topic at hand, the author or editor of eighteen books on the Indian Wars and the Civil War. Among them is the bestselling, multiple award-winning The Earth is Weeping: The Indian Wars for the American West.
The Lance and the Shield is a model biography of a native leader; in this case, one of the most storied figures in American Indian history. Utley immerses the reader in Lakota (Sioux) culture and evokes all the pathos of the enigmatic Sitting Bull’s struggle to preserve the Plains Indian way of life. Utley is the dean of Western Historians, and all his books are well worth reading.
Chronicles the life of the famous warrior, Sitting Bull, correcting many common misconceptions about the legendary native American. By the author of The Last Days of the Sioux. 35,000 first printing. $35,000 ad/promo. History Bk Club Main. BOMC. QPB.
