Here are 84 books that Fortunately, the Milk fans have personally recommended if you like
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I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
Any list like this needs to include a Hitchhiker’sbook, and this is my personal favourite. These books skirt even further into the surreal and silly than the Discworld books, but somehow Douglas Adams saves them from falling into pointlessness. I can’t quite see how he does it. The settings are so diverse and mind-boggling, and the plot is thin enough that it would probably collapse if I tried to describe it, like a beautiful bubble popping in your palm. The characters are vividly memorable, but in these books, it is the languagethat really shines, the spectacular, witty, wonderful use of words and phrases, which somehow elevate the book, making us care about the journey despite its utter silliness.
Following the smash-hit sci-fi comedy The Hitchhiker's Guide to the Galaxy, The Restaurant at the End of the Universe is the second part in Douglas Adams' multi-media phenomenon and cult classic series.
This edition includes exclusive bonus material from the Douglas Adams archives, and an introduction by Monty Python star, Terry Jones.
If you've done six impossible things this morning, why not round it off with breakfast at Milliways, the Restaurant at the end of the Universe?
Which is exactly what Arthur Dent and the crew of the Heart of Gold plan to do. There's just the small matter of…
My love and passion for embracing a cozy and romantic view of life is so strong that I built my entire business around it! I am a recipe developer, cookbook author, and content creator. My unique take on cooking and baking is by adding touches of fantasy, cottagecore, and history into my recipes and other creative work. This has led me to write all about living a more cozy lifestyle for the last 10 years! Romanticizing my life with the cottagecore aesthetic is how I find joy and comfort in a chaotic world, and I hope that can inspire others to embrace living their own magical lives!
The world of Howl’s Moving Castle immediately invites you into a place that feels cozy and magical. This book is easily one of my favorites because of its low-stakes plot and wonderfully quirky characters.
Jones takes you on a leisurely stroll through the world of the book’s protagonist, Sophie, a rather awkward 18-year-old girl who believes she is doomed to fail at life because she was born the eldest of three.
This story is refreshingly original and has inspired me time and again to love living a life built around so many of the lovely cottagecore aesthetics featured inside its pages.
Now an animated movie from Studio Ghibli and Hayao Miyazaki, the oscar-winning director of Spirited Away
In this beloved modern classic, young Sophie Hatter from the land of Ingary catches the unwelcome attention of the Witch of the Waste and is put under a spell...
Deciding she has nothing more to lose, Sophie makes her way to the moving castle that hovers on the hills above her town, Market Chipping. But the castle belongs to the dreaded Wizard Howl, whose appetite, they say, is satisfied only by the souls of young girls...
There Sophie meets Michael, Howl's apprentice, and Calcifer…
Middle grade always takes a big portion of my TBR pile. I love the hopefulness that kids this age have. And for a child reader, a book can be a way to work out big emotions in a place far removed from their own life. I love the function of a portal in taking the reader that much further away from their reality. As a child, the fantasy A Wrinkle in Time got me through a difficult period. This love of fantasy and children’s literature is the reason I started writing in the first place. And why I got an MFA in writing specifically for children and young adults.
As in Philip Pullman’s The Subtle Knife, our protagonist in Tristan Strong has the ability to create his own portal, versus stumbling upon one already in existence (as in the wardrobe in The Lion, the Witch and the Wardrobe).
I love the empowerment implicit in that and haven’t seen it very often in portal fantasies. I also am from the U.S. South and lived for over a decade in Chicago so I connected with a lot of things in this novel.
Best-selling author Rick Riordan presents Kwame Mbalia's epic fantasy, a middle grade American Gods set in a richly-imagined world populated with African American folk heroes and West African gods.
*"Mbalia expertly weaves a meaningful portrayal of family and community with folklore, myth, and history―including the legacy of the slave trade―creating a fast-paced, heroic series starter."--Publishers Weekly (starred review)
Seventh grader Tristan Strong feels anything but strong ever since he failed to save his best friend when they were in a bus accident together. All he has left of Eddie is the journal his friend wrote stories in. Tristan is dreading…
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers he’s the only human being who can prevent the end of the world, and not just on his planet! In the multiverse, infinite Earths will be destroyed.
★★★★★ "Funny, yet deep, this is definitely worth venturing into the multiverse for."
Amazing Stories says: "Snarky as Pratchet, insightful as Stephenson, as full of scathing social commentary as Swift or Voltaire, and weirdly reminiscent of LeGuin, Alpha Max is the only multiverse novel you need this month, or maybe ever."
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers…
I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
I first read this when I was a teenager because I loved the TV show. But though the book has a lot of cleverly mad humour, there is more of a melancholy undercurrent here. The science fiction ideas are creatively insane, but they are always brought down to Earth by the palpably flawed characters, which give the whole book a reality it would otherwise lack. This elevates it from whimsical science fantasy to something solid and substantial. For smeg’s sake, give it a read!
Awakening from a drunken spree in a London pub to find himself on one of Saturn's moons, Lister joins the Space Corps and boards the Red Dwarf, determined to return to Earth
After a lifetime of reading fantasy, I have a career professionally writing fantasy! Whether it’s for animation, video games, or children’s books, crafting adventures in worlds of whimsy and wonder is a treat. Writing has sharpened my senses to recognize and appreciate well-crafted stories in all their forms, and the books on this list are some of the very finest romps.
While this is technically a science fiction book, Korean mythology is front and center in this space opera.
Min is from a long line of fox spirits and yearns to join her brother in the Space Forces. When Jun is reported missing, Min sets out to find him. I love the Korean mythology woven into every part of this sci-fi tale, making this a standout adventure.
Rick Riordan Presents Yoon Ha Lee's space opera about thirteen-year-old Min, who comes from a long line of fox spirits.
But you'd never know it by looking at her. To keep the family safe, Min's mother insists that none of them use any fox-magic, such as Charm or shape-shifting. They must appear human at all times.
Min feels hemmed in by the household rules and resents the endless chores, the cousins who crowd her, and the aunties who judge her. She would like nothing more than to escape Jinju, her neglected, dust-ridden, and impoverished planet. She's counting the days until…
I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
This is the second book in the Guards sequence, but it’s easy enough to start here. This detective story set in the sprawling, smelly metropolis of Ankh-Morpork, featuring dwarves, werewolves, and (occasionally) humans, is a laugh-out-loud and anarchic book, managing to be hugely joyous and page-turningly compelling at the same time. Insanely silly and utterly real, with characters so solid you can see (or in some cases, smell) them long after you turn the last page.
There's evil in the air and murder afoot. The City Watch needs all the help it can get, as Captain Vimes is about to hang up his badge. From the author of "Small Gods" and "Lords and Ladies", this book is part of the "Discworld" humorous fantasy series.
I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
I said I would limit myself to two Discworld books, so here we have my other favourite. This is quite an early one, before the world is fully formed, but the portrayal of the wizards and their University is beginning to emerge, full of chaos and joy and demented energy. But again, this madcap, surreal mania is corralled masterfully, the characters feeling like real people with real agency, moving through a world that—while full of vivid colours and impossible, surreal things—is also somehow solid and real. It is a testament to Pratchett’s incredible storytelling powers that Ankh Morpork is more real to me than several cities I have actually, physically visited. It is unreal and yet hyper-real at the same time. You should go visit. It is wonderful.
'May well be considered his masterpiece . . . Humour such as his is an endangered species' The Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .
All this books and stuff, that isn't what it should all be about. What we need is real wizardry.
Once there was an eighth son of an eighth son, a wizard squared, a source of magic. A Sourcerer.
After a lifetime of reading fantasy, I have a career professionally writing fantasy! Whether it’s for animation, video games, or children’s books, crafting adventures in worlds of whimsy and wonder is a treat. Writing has sharpened my senses to recognize and appreciate well-crafted stories in all their forms, and the books on this list are some of the very finest romps.
Hilary Westfield has always dreamed of being a pirate, but the Very Nearly Honorable League of Pirates doesn’t allow girls to join them.
I know a thing or two about being the only girl in the room, so Hilary’s refusal to accept this is both relatable and aspirational. She takes rollicking adventure into her own hands as she sets sail on a journey with magic, pirates, and an endearing talking gargoyle.
Hilary Westfield has always dreamed of being a pirate. But the Very Nearly Honourable League of Pirates rejects Hilary's application because she's a girl, and her father ships her off to Miss Pimm's Finishing School for Delicate Ladies instead.
Expected to wear woollen dresses (petticoats not provided) and enthusiastically throw herself into activities such as Viennese Waltzing for the Eager Novice, Miss Pimm's is every bit as horrid as Hilary feared. However, a true pirate never lets dire circumstances stand in her way, and after a mostly dreadful first week, Hilary escapes and applies for a job with a freelance…
I discovered the San Francisco library when I was seven and fell in love. When I was ten, I would spread my armload of books out on the floor and decide which to read first. I can still recall that feeling of wonder, of both anticipation and homecoming as I surveyed the array – not of books – but of worlds that awaited me. Children’s books are not just for children, although we will never again experience the world with the raw clarity and power of childhood. Now, I write books for the child in everyone. I’ve won some awards, but it’s still taking the journey that makes my heart sing.
First published in 1962, I read this book in the late 70s when I was about ten years old. Not quite as iconic as The House with the Clock in its Walls (another favorite), this novel is equally evocative and strange, with its rambling, Victorian house, mysteries unfolding in the attic, and just the right hint of menace. Secrets lurk behind doors and in dreams, but the daylight world of the book is just as compelling. I recall as a child being swept away by the charm and pedigree of historic Massachusetts with all its transcendental mystique (replete with busts in the hallway of Emerson and Thoreau). Filled to the brim with what we might now call magical realism, this book is seared into my DNA – a must-read.
The Halls' house stood out like an exotic plant amidst all the neat, square houses in Concord. It had porches, domes and towers and a tiny window in the attic whose raised center pane shone out like a brilliant diamond.
There had been jewels once in the house, the gift of an Indian prince to two children, Ned and Nora. The prince had devised ingenious games so that the hidden jewels could be found. And then, suddenly, mysteriously the children and then Prince Krishna disappeared...
Years later, Eleanor and Eddy, niece and nephew of the lost…
I am a philosopher of science who has an obsession with time. People think this interest is a case of patronymic destiny, that it’s due to my last name being Callender. But the origins of “Callender” have nothing to do with time. Instead, I’m fascinated by time because it is one of the last fundamental mysteries, right up there with consciousness. Like consciousness, time is connected to our place in the universe (our sense of freedom, identity, meaning). Yet we don’t really understand it because there remains a gulf between our experience of time and the science of time. Saint Augustine really put his finger on the problem in the fifth century when he pointed out that it is both the most familiar and unfamiliar thing.
Most academics have played the game David Lodge calls “Humiliations” in his novel Changing Places: you have to list books that you should have read but didn’t, the more scandalous the better. For a while, Reichenbach’s book was my go-to. I was writing my PhD on the direction of time but hadn’t read Reichenbach. Because it was old I figured I indirectly knew everything in it. Holy moly was I wrong! Not only is The Direction of Time the first serious blend of good philosophy and physics tackling the direction of time — plus a great example of the type of philosophy I deeply value — but it is still packed with insights. No question, I should have read it earlier in my life.
Ever a source of philosophical conjecture and debate, the concept of time represents the beating heart of physics. This final work by the distinguished physicist Hans Reichenbach represents the culmination and integration of a lifetime's philosophical contributions and inquiries into the analysis of time. The result is an outstanding overview of such qualitative, or topological, attributes of time as order and direction. Beginning with a discussion of the emotive significance of time, Reichenbach turns to an examination of the time order of mechanics, the time direction of thermodynamics and microstatistics, the time direction of macrostatistics, and the time of quantum…
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