Here are 100 books that Exploratory Writing fans have personally recommended if you like
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In my journey, I've sought to blend my interest in ancient wisdoms into a coherent, accessible philosophy I call "Nowism." My aim has been to simplify and share complex teachings in a way that resonates and helps. Through my writing, performing, and speaking, I try to bring these concepts to life, hoping to ignite a spark of understanding and self-discovery in others. More than anything, before I leave this world, I want to contribute something (no matter how small) to the legacy of personal empowerment. I aspire to help people see the world more clearly, to understand themselves more deeply, and to find joy in the present moment.
Greg McKeown's Essentialism: The Disciplined Pursuit of Less is more than a book; it's a life-altering philosophy.
As someone brimming with creative energy and ideas, I found myself often lost in a sea of projects, losing sight of my true goals. This book was a revelation. It adeptly distinguishes between essentialist and non-essentialist mindsets, compelling you to evaluate your intentions and commitments.
Through its teachings, I've learned to eliminate non-essential projects, focusing only on what truly aligns with my core objectives. It's a must-read for anyone looking to declutter their life and mind, ensuring that every action taken is a step towards what genuinely matters.
The journey of trimming the unnecessary from my life is ongoing, but it's liberating to have fewer, more meaningful irons in the fire.
The life-changing international bestseller that started a global movement - now updated with the new 21-Day Essentialism Challenge and an exclusive excerpt from EFFORTLESS
Have you ever found yourself struggling with information overload?
Have you ever felt both overworked and underutilised?
Do you ever feel busy but not productive?
If you answered yes to any of these, the way out is to become an Essentialist.
In Essentialism, Greg McKeown, CEO of a Leadership and Strategy agency in Silicon Valley who has run courses at Apple, Google and Facebook, shows you how to achieve what he calls the disciplined pursuit of…
The future is the one thing in which we are all invested. In order to shape the future we must be able to visualise possibilities, prepare for consequences, and take action. My job is to help companies, charities, and governments to see and prepare for the future. But so many of the lessons that I find myself trying to teach to leaders have their parallels in our personal and working lives - including mine. In a time of great uncertainty about the future, we all must take time out to picture where we’re going, make choices about our direction, and invest in ourselves to achieve our dreams.
This is the book that made me a futurist! And I know many other people it has inspired as well.
The Book of the Future offered a vision of life in the year 2000 and beyond, covering cities, space, robots, medicine, farming, energy, and more, with incredible illustrations and rich information. It was my favourite book from the age of three and it has stayed with me ever since.
When I became a professional futurist I wrote to Usborne to tell them how important this book was to me, and ten years later, they agreed to reissue it.
Read it for an optimistic view of the future from the 1970s.
First published in 1979, the Usborne Book of the Future is a fondly-remembered book from a time when people dreamed of the future as a place filled with wonder and amazing new technology. After more than 40 years of science fiction focussing on dystopias and doom, it's time to remind readers young and old that, in fact, the Future is STILL a place that holds hope and excitement.
The book is built in three sections. The first explores all kinds of robots, the jobs they will do on land, sea and in space, and where they will get power from.…
The future is the one thing in which we are all invested. In order to shape the future we must be able to visualise possibilities, prepare for consequences, and take action. My job is to help companies, charities, and governments to see and prepare for the future. But so many of the lessons that I find myself trying to teach to leaders have their parallels in our personal and working lives - including mine. In a time of great uncertainty about the future, we all must take time out to picture where we’re going, make choices about our direction, and invest in ourselves to achieve our dreams.
**WINNER OF THE STARTUP INSPIRATION CATEGORY OF THE 2020 BUSINESS BOOK AWARDS**
'It's impossible to read this book without being inspired and energised ... Essential reading for any start-up or entrepreneur, at any stage of the journey.' - Alison Jones, Host of The Extraordinary Business Book Club podcast and author of This Book Means Business
'Genuinely fresh and jargon-free' - Financial Times
How to Have a Happy Hustle shares the secrets of innovation experts and startup founders to help you make your ideas happen.
If you're looking for fulfilment outside the day job, have an idea but don't know where…
The future is the one thing in which we are all invested. In order to shape the future we must be able to visualise possibilities, prepare for consequences, and take action. My job is to help companies, charities, and governments to see and prepare for the future. But so many of the lessons that I find myself trying to teach to leaders have their parallels in our personal and working lives - including mine. In a time of great uncertainty about the future, we all must take time out to picture where we’re going, make choices about our direction, and invest in ourselves to achieve our dreams.
Sometimes as a futurist, my challenge is to make people imagine a world that is very different from today. To help them look beyond the horizon.
Science Fiction is great for that but novels take us into a whole other world: we replace one set of blinkers for another, descending - however pleasurably - into a fictional universe.
It’s unlikely I can get my clients to read many novels to imagine many different futures. Which is where short and micro stories come in. Sometimes my clients commission me to write them, but sometimes it’s a pleasure to read them from other people.
I can’t pay Adrian Hon’s collection any greater compliment than to say it reminds me of reading Asimov’s short stories and opens my mind in the same ways.
I can’t pay Adrian Hon’s collection any greater compliment than to say it reminds me of reading Asimov’s short stories…
Imagining the history of the twenty-first century through its artifacts, from silent messaging systems to artificial worlds on asteroids.
In the year 2082, a curator looks back at the twenty-first century, offering a history of the era through a series of objects and artifacts. He reminisces about the power of connectivity, which was reinforced by such technologies as silent messaging—wearable computers that relay subvocal communication; recalls the Fourth Great Awakening, when a regimen of pills could make someone virtuous; and notes disapprovingly the use of locked interrogation, which delivers “enhanced interrogation” simulations via virtual reality. The unnamed curator quotes from…
I started making movies at age 13; to make a movie, you need a script, so I became a screenwriter by default. A dozen low-budget movies (and a couple of TV scripts) later, I started writing fiction: Two mystery series, (The Eli Marks mysteries and The Como Lake Players mysteries), four stand-alone novels, plus a couple of filmmaking “How To” books followed. Over the years, I’ve always searched out the best ideas on how to write, and how to write well. If I were to teach a course on writing, the five books I’ve listed would comprise the reading list.
To be honest, I sort of threw a dart at Lawrence Block’s books on writing and hit this one. You’d benefit from the others just as much (Write for YourLif Life, Telling Lies for Fun & Profit, The Liar’s Bible).
Or read any of his fiction. I started down the Block path with his Matthew Scudder series, but it’s his “Burglar” books that had the greatest influence on my Eli Marks mystery series. But don’t overlook his darkly funny Keller series, about a hitman with a heart (and a love of stamp collecting). And, if you’re into audiobooks, grab any of his books that Block narrates himself. He’s pretty good at it!
"WRITING THE NOVEL FROM PLOT TO PRINT TO PIXEL is like having a pocket-sized mentor you can consult any time. Do yourself a favor and pick up a copy.”—Alex Kourvo, Writing Slices
Lawrence Block is almost as well known for his instructional books for writers and his 14 years as a monthly contributor to "Writers Digest," as he is as a bestselling author and MWA Grand Master. WRITING THE NOVEL, his first book for writers, has remained continuously in print since its original appearance in 1978. Recently revised and expanded, each chapter has been updated, and Block has included essential…
I have been a published indie author since 2011, and I enjoy reading and studying the craft to make my work the best it can be. I have a passion for indie authors and indie publishing, and I love the flexibility this type of authorship gives me while I homeschool my two young boys, run a non-profit organization, and volunteer at my church.
This book teaches the secrets of storytelling and story structure from a popular screenplayperspective. When I start a new novel, this is the first book I reach for every time. It teaches howto keep your story engaging to readers and how to best structure the overall plot so your storyflows beautifully throughout and ends with satisfaction.
The first novel-writing guide from the best-selling Save the Cat! story-structure series, which reveals the 15 essential plot points needed to make any novel a success.
Novelist Jessica Brody presents a comprehensive story-structure guide for novelists that applies the famed Save the Cat! screenwriting methodology to the world of novel writing. Revealing the 15 "beats" (plot points) that comprise a successful story--from the opening image to the finale--this book lays out the Ten Story Genres (Monster in the House; Whydunit; Dude with a Problem) alongside quirky, original insights (Save the Cat; Shard of Glass) to help novelists craft a plot…
My introduction to mystery writing was a competition for a first crime novel. I was lucky enough to win with Wobble to Death, about a Victorian long-distance race. When I went to collect the prize, I was startled to be asked if I was already at work on the next one. The publishers Macmillan had started a crime list and were looking for a career writer. I knew practically nothing about the genre and had to give myself a crash course. How I needed the support of books like these! After five years, I had the confidence to give up the day job and have made my living from mystery writing for almost fifty years.
No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.
Named by The Times as the all-time number one crime writer, Patricia Highsmith was an author who broke new ground and defied genre cliches with novels such as The Talented Mr Ripley and Strangers on a Train. In the classic creative writing guide Plotting and Writing Suspense Fiction, Highsmith reveals her secrets for producing world-class crime and thrillers, from imaginative tips for generating ideas to useful ways of turning them into stunning stories.
I have been a published indie author since 2011, and I enjoy reading and studying the craft to make my work the best it can be. I have a passion for indie authors and indie publishing, and I love the flexibility this type of authorship gives me while I homeschool my two young boys, run a non-profit organization, and volunteer at my church.
I can never read too many books about how to structure the overall plot of a novel because I’m a by-the-book plotter. K.M. Weiland brilliantly explains in a down-to-earth way how to make your story work so you are never confused about which plot points should go where in your story, no
matter if you plot to the nth degree or like to see where the story takes you with minimal planning.
Is Structure the Hidden Foundation of All Successful Stories?
Why do some stories work and others don’t? The answer is structure. In this award-winning guide from the author of the acclaimed Outlining Your Novel, you will learn the universal underpinnings that guarantee powerful plot and character arcs. An understanding of proper story and scene structure will show you how to perfectly time your story’s major events and will provide you with an unerring standard against which to evaluate your novel’s pacing and progression. Structuring Your Novel will show you:
How to determine the best techniques for empowering your unique and…
Dinty W. Moore is the author of the writing guides The Story Cure,Crafting the Personal Essay, and The Mindful Writer, among many other books. He has published essays and stories in Harper’s, The New York Times Magazine, The Southern Review, Creative Nonfiction, and elsewhere, and has taught master classes and workshops on memoir and essay writing across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico.
Gutkind founded the journal Creative Nonfiction and has been a tireless advocate of the CNF genre for decades, as a writer, teacher, public speaker, and publisher. His nuts and bolts guidebook, You Can't Make This Stuff Up, offers a wide-ranging examination of the craft of writing true stories – dialogue, description, beginnings, endings, intimate detail, reflection, point-of-view, framing – as well as clear and helpful chapters about forming a writing habit and learning to live one’s life as a writer. Gutkind has generously packed decades of wisdom and knowledge into perhaps the most comprehensive nonfiction guide available.
From rags-to-riches-to-rags tell-alls to personal health sagas to literary journalism everyone seems to want to try their hand at creative nonfiction. Now, Lee Gutkind, the go-to expert for all things creative nonfiction, taps into one of the fastest-growing genres with this new writing guide. Frank and to-the-point, with depth and clarity, Gutkind describes and illustrates each and every aspect of the genre, from defining a concept and establishing a writing process to the final product. Offering new ways of understanding genre and invaluable tools for writers to learn and experiment with, You Can't Make This Stuff Up allows writers of…
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
This is an excellent textbook to get readers and comic makers of all experience levels to loosen up, think deeply and personally, and make better, more confident comics. It’s warm but practical, smart but approachable, deep but unpretentious. This is a comics veteran generously sharing both her knowledge of comics and teaching, as well as her own methods for drawing, brainstorming, and writing. It’s an incredible resource and one I often find myself quoting and recommending to my own students.
Hello students, meet Professor Skeletor. Be on time, don t miss class, and turn off your phones. No time for introductions, we start drawing right away. The goal is more rock, less talk, and we communicate only through images. For more than five years the cartoonist Lynda Barry has been an associate professor in the University of Wisconsin Madison art department and at the Wisconsin Institute for Discovery, teaching students from all majors, both graduate and undergraduate, how to make comics, how to be creative, how to not think. There is no academic lecture in this classroom. Doodling is enthusiastically…
