Here are 95 books that Everything in Its Place fans have personally recommended if you like
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For most of my life I’ve been both a writer and a swimmer. I’ve engaged in both activities for many decades, but I’ve always kept the two entirely separate. Write about swimming? Why? What would I say? What was there to say about water and the act of moving through it? It seemed to me that it was a case of “you have to be there,” that writing about swimming would be too removed from the immediacy, the tactility, the floating state of mind. It was only when I discovered works by some truly great writers that I began to see that I could write about my own love of being in water, and how I might go about it.
In the opinion of many water-lovers, Roger Deakins basically invented the swim memoir or “swimoir.” In the nineties, he set out on a year-long journey through the waterways of Britain, on a quest to experience life in what he called a “feral state.” His primary drive is to get into the water, to fully experienceit rather than conquer it, to become part of the water and vice versa. His specialty is distance, rather than speed. Competitive swimmers keep their heads down to maximize speed, but not Deakins. His head is up, looking at his surroundings and the abundant wildlife around him. Waterlog was a major inspiration for my own book, as it’s been for many writers – swimmers or not.
"A beautiful ode to the act of swimming outdoors. . . . Deakin’s insistence on wild swimming for all is really an insistence on a better ecosystem for all." ―The Atlantic
A masterpiece of nature writing, Roger Deakin’s Waterlog is a fascinating and inspiring journey into the aquatic world that surrounds us.
In an attempt to discover his island nation from a new perspective, Roger Deakin embarks from his home in Suffolk to swim Britain―the seas, rivers, lakes, ponds, pools, streams, lochs, moats, and quarries. Through the watery capillary network that braids…
For whatever reason, I have always been interested in sad men. Successful men can be boring. It is failure, and how men manage it when success is the primary marker of masculinity, that I find interesting as a subject for fiction. Even when I was in my 20s, I liked reading novels about men suffering mid-life crisis. And now that I am squarely in middle age, novels that were about the future are now novels about the present.
I have returned to many of these stories over and over again through the years—for Cheever’s prose, for his sense of what makes men tick. On one level, I can’t quite relate to white suburban husbands in upstate New York in the 1950s and 60s. And yet, somehow, they seem profoundly familiar.
John Cheever's Collected Stories explores the delicate psychological frameworks of 20th century suburbia.
WITH AN INTRODUCTION BY HANIF KUREISHI
This outstanding collection by Pulitzer Prize-winning novelist John Cheever shows the power and range of one of the finest short story writers of the last century. Stories of love and of squalor, they include masterpieces such as 'The Swimmer' and 'Goodbye, My Brother' and date from the time of his honourable discharge from the Army at the end of the Second World War.
For most of my life I’ve been both a writer and a swimmer. I’ve engaged in both activities for many decades, but I’ve always kept the two entirely separate. Write about swimming? Why? What would I say? What was there to say about water and the act of moving through it? It seemed to me that it was a case of “you have to be there,” that writing about swimming would be too removed from the immediacy, the tactility, the floating state of mind. It was only when I discovered works by some truly great writers that I began to see that I could write about my own love of being in water, and how I might go about it.
Lynne Cox is one of the world’s most extraordinary distance swimmers, and she’s also a remarkable writer. In this, her first book, she writes about her emotional connection to water, her spiritual need to swim, as well as recounting the many challenges she faced in her successful crossing of the Bering Strait – not the least of which was the 38F water temperature. I was truly honored when Lynne agreed to write a testimonial for my book.
NATIONAL BESTSELLER • In this extraordinary book, the world’s most extraordinary distance swimmer writes about her emotional and spiritual need to swim and about the almost mystical act of swimming itself.
Lynne Cox trained hard from age nine, working with an Olympic coach, swimming five to twelve miles each day in the Pacific. At age eleven, she swam even when hail made the water “like cold tapioca pudding” and was told she would one day swim the English Channel. Four years later—not yet out of high school—she broke the men’s and women’s world records for the Channel swim. In 1987,…
Everybody knows that all animals—bats, bears, sharks, ponies, and people—start out as a single cell: the fertilized egg. But how does something no bigger than the period at the end of this sentence give rise to the remarkable complexity of each of these creatures?
For most of my life I’ve been both a writer and a swimmer. I’ve engaged in both activities for many decades, but I’ve always kept the two entirely separate. Write about swimming? Why? What would I say? What was there to say about water and the act of moving through it? It seemed to me that it was a case of “you have to be there,” that writing about swimming would be too removed from the immediacy, the tactility, the floating state of mind. It was only when I discovered works by some truly great writers that I began to see that I could write about my own love of being in water, and how I might go about it.
This book is packed with fascinating, dramatic, and sometimes bizarre tales of swimming lore from history and literature. Sprawson is also fascinated with the swimming world’s legacy to Hollywood in the thirties and forties, exploring the careers of “aquamusical” star Esther Williams and Olympic swimmer Johnny Weissmuller, who starred in a dozen Tarzan movies. Sprawson’s reputation as a literary writer about swimming is second only to that of Roger Deakins. What gives the book a strange fascination for many people is the fact that after the publication of Haunts of the Black Masseur, Sprawson never wrote another one.
In a masterful work of cultural history, Charles Sprawson, himself an obsessional swimmer and fluent diver, explores the meaning that different cultures have attached to water, and the search for the springs of classical antiquity.
In nineteenth-century England bathing was thought to be an instrument of social and moral reform, while in Germany and America swimming came to signify escape. For the Japanese the swimmer became an expression of samurai pride and nationalism. Sprawson gives is fascinating glimpses of the great swimming heroes: Byron leaping dramatically into the surf at Shelley’s beach funeral; Rupert Brooke swimming naked with Virginia Woolf,…
I’m a psychiatry professor, researcher, and author at Stanford University. Besides OCD, my research has focused on the interface between technology and psychology, both in its negative manifestations (e.g., video game addiction, online narcissism, cyberbullying) and positive applications (e.g., telemedicine, virtual reality therapy, AI digital therapeutics). My reading tastes and non-scientific writing topics reflect the same interests—deep and highly personal psychological explorations of individuals on a quest for meaning or facing seemingly insurmountable obstacles, symptoms, or character tests.
What happens when a master of externalized psychological profiles turns his attention inward?
I found this to be a restless account of his journey through medicine, addiction, love, and his own inner brain’s workings. This book proves that Sacks’ ultimate and most interesting subject may have been the man himself.
NATIONAL BESTSELLER • A “wonderful memoir” (Los Angeles Times) about a brilliantly unconventional physician and writer, a man who has illuminated the many ways that the brain makes us human. • “Intimate.... Brim[s] with life and affection.” —The New York Times
When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote: “Sacks will go far, if he does not go too far.” It is now abundantly clear that Sacks has never stopped going. With unbridled honesty and humor, Sacks writes about the passions that have driven his life—from motorcycles and weight lifting to neurology and poetry. He writes about…
After many years of studying the subject and still more writing about it, my mind is still blown away by the fact that pretty much everything around you is a chemical of some kind. Even more impressive to me is that all of the molecules that make up everything you can see, smell, touch, and taste are made from combinations of just a handful of elements. The periodic table is a one-page summary of pretty much everything, the ultimate Lego kit to build a whole universe. I love finding out about and telling the stories of these incredible chemical constructions.
Sack’s biography of his childhood in London is full of chemical curiosity and surrounded by family members who shared his enthusiasm, encouraged his experimentation, and supplied seemingly endless fascinating stories about elements and chemistry. There are stories of Sacks making powerful stinks in the garden shed and the titular Uncle Tungsten who talked about metals as though they were friends.
This memoir from Oliver Sacks is both a departure from and an enhancement of his previous psychologically orientated 'medical' writing. Not only is it a beautifully written account of an English childhood - seasoned by a childish passion for science - but it is told from the intimate and revelatory perspective of one of the most important and humane writers on psychology alive today. Oliver Sacks has the literary artistry of WH Auden and the intellectual rigour and questioning mind of Stephen Jay Gould. The world authority in his field, this is a remarkable insight into the mind and background…
Citizen Scientist begins with this extraordinary statement by the Keeper of Entomology at the London Museum of Natural History, “Study any obscure insect for a week and you will then know more than anyone else on the planet.”
As the author chases the obscure Western red-bellied tiger beetle across New…
I am an author, science journalist, and storyteller. I worked for the PBS science series NOVA for many years, producing documentaries, podcasts, digital video series, and interactive games on everything from asteroids to human origins to art restoration. But I am particularly fascinated by strange brains, which is why I wrote my first book, The Memory Thief. I am currently at work on a second book about a different neurological disorder.
I loaned this pocket-sized gem to a neurologist friend who never gave it back, so I bought myself another copy. Author A.J. Lees is a leading Parkinson’s disease expert who has a bone to pick with the establishment and how medical science is practiced today. This soulful, lyrical, novella-length book explores the inspiration Lees took from the prolific writer William Burroughs, whose book The Naked Lunch is one of the best-known works of the beatnik generation. Lees follows Burroughs’ path into the Amazon, where Lees tries the medicinal plant yage, a drug he hopes could help Parkinson’s sufferers.
A fascinating account by one of the world's leading neurologists of the profound influence of William Burroughs on his medical career. Lees relates how Burroughs, author of Naked Lunch and troubled drug addict, inspired him to discover a ground-breaking treatment for Parkinson's Disease. Lees journeys to the Amazonian rainforest in search of cures for Parkinson's Disease, and through self-experimentation seeks to find the answers his patients crave. He enters a powerful plea for the return of imagination to medical research.
Denise Kiernan is a multiple New York Times bestselling author of narrative nonfiction books including The Girls of Atomic City, the Last Castle, and We Gather Together. Throughout her career as a journalist and an author, she has explored underrepresented stories and characters and the impact they have had on history. These stories of the unsung offer fresh perspectives on historical tales we think we already know. At the heart of many of Kiernan’s nonfiction explorations are women from a variety of different backgrounds and time periods. She has devoted her last three books to the history of Thanksgiving and gratitude, writing separate books for all ages.
The late Oliver Sacks was a neurologist who wrote eloquently about medical topics until he was taken from us by cancer in 2015.
Before he died, he wrote four lovely essays talking about his illness, and the great privilege of being human. Sacks was one of our greatest writers, thoughtful and incisive. Because he was dying as he wrote this, you may wish to wait to digest this book if you have recently experienced the loss of a loved one, and come back to it when you’re in a better place.
Oliver Sacks died in August 2015 at his home in Greenwich Village, surrounded by his close friends and family. He was 82. He spent his final days doing what he loved: playing the piano, swimming, enjoying smoked salmon - and writing . . .
As Dr Sacks looked back over his long, adventurous life his final thoughts were of gratitude. In a series of remarkable, beautifully written and uplifting meditations, in Gratitude Dr Sacks reflects on and gives thanks for a life well lived, and expresses his thoughts on growing old, facing terminal cancer and reaching the end.
As a teenager, I worked on cars and motorcycles in my spare time while apprenticing in an architectural millwork shop, paneling the homes of the rich and famous. Thus I discovered the great joys and satisfactions of working with my hands. After a long stint in graduate school, then four years as an editor at Fine Woodworking magazine and for Taunton Press books, I opened a custom design furniture business in 2000. Travel, writing, and reading are aligned passions, and I’ve lived, taught English, and woodworking here and abroad in France, Slovakia, India, and Japan.
Albert Sack is a riot. He lines up expensive antiques, ranks them from the definitive label “Masterpiece” to the slow-hand insult of “Good”. He describes each in brutally honest and thereby exceptionally insightful terms. One chair is “a brilliant achievement”, while a clock is “relatively crude,” and a table’s legs “end nowhere.” No one comes away with a trophy for participation, making the book exceptionally good to train your eye towards good design. You want people to like the things you make, don’t you? Learn to distinguish good from great with Albert.
An indispensable guide for collectors and dealers who want to compare and evaluate early American antiques. When Albert Sack's Fine Points of Furniture: Early American--Good, Better, Best was published in 1950, it established a new standard for evaluating American antiques. In his new book, Sack applies this standard to furniture pieces that have appeared on the market in more recent years. Full color and black-and-white photographs.
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
I began research as an undergraduate at Harvard College, initially studying the effects of vitamin A deficiency on the photoreceptors in the eye that capture the light and initiate vision. After receiving my PhD and starting my own laboratory, I became fascinated with the other four classes of cells/neurons found in the retina, which begin the analysis of visual information: two being in the outer retina and two in the inner retina. We mapped out the synaptic interactions among the neurons, recorded from them, and began to put together the neural circuitries that underlie the visual messages that are sent to other parts of the brain.
One of Oliver Sack’s delightful books containing stories of individuals with various neurological disorders. I read the first one, The Man Who Mistook His Wife for a Hat, back in the 1980s when it first came out and was hooked, now having read almost all of them.
The one I am recommending is, I believe, more relevant to an understanding of brain mechanisms. One criticism I have had of Sack’s books is that there is little in the way of neurobiological explanations for the conditions described. In my book, most chapters begin with a Sack-like story about a specific neurological condition that is then explained, as far as possible, neurobiologically in the chapter.
As with his previous bestseller, The Man Who Mistook His Wife for a Hat, in An Anthropologist on Mars Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world, and how we relate to those around us.
Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre; patients for whom disorientation and alienation - but also adaptation - are inescapable facts of life.
