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I must be something of a specialist on the impact of conventional and guerrilla warfare on the civilian population. Truth is, leaving school, I never intended to have anything to do with war beyond the books I enjoyed reading. On leaving the military in my 30s I employed the only skills I had and managed organisations and mostly news teams operating in conflict zones all over the world. I matured into a crisis manager, responding and consulting to crisis situations such as kidnap & ransoms, and evacuations from conflict zones. Most of the characters in my books are real, good and bad, taken from the vast theatre of my own experiences.
My first encounter with Israeli soldiers was in Ramallah during the second intifada. I was alone on the road late one night after curfew when a dozen Israeli soldiers, sons of Russian immigrants, dragged me from my vehicle and put a pistol to my head in a mock execution for their entertainment. My impression of Israeli soldiers was never great after that. Years later I met Miko Peled after reading his book about his time in the Israeli defence force and his relationship with his father, a highly decorated Israeli general who turned from hawk to dove in search of peace and reconciliation with the Palestinians. Miko took up the same struggle after his father's death. We have so far, without success, tried to make a movie of that family struggle.
A powerful account, by Israeli peace activist Miko Peled, of his transformation from a young man who'd grown up in the heart of Israel's elite and served proudly in its military into a fearless advocate of nonviolent struggle and equal rights for all Palestinians and Israelis. His journey is mirrored in many ways the transformation his father, a much-decorated Israeli general, had undergone three decades earlier. Alice Walker contributed a foreword to the first edition in which she wrote, "There are few books on the Israel/Palestine issue that seem as hopeful to me as this one." In the new Epilogue…
Arriving in the UK to pursue my PhD after a career in Journalism in my native country Lebanon, a few days before September 11, 2001, set me on a journey to put right the way my region and its people are represented in British and international media. The Middle East, the Arab region, Islam, and Muslims became the focal point of coverage for many years that followed. Most of that coverage had been tainted with negative stereotypes that do not speak true to who we are and what we stand for. Achieving fair representation and portrayal of ethnic and religious minorities have become one of my life passions.
It is based on personal diaries that captures the lives of Palestinians under Israeli occupation in the West Bank with a pinch of humour. It is funny, but deep and the personal narrative takes the reader on a journey from beginning to end. It gave me an insight into how ordinary Palestinians navigate their relationships and family affairs while having to deal with the consequences of military occupation. The book defies the stereotypes and negative representations of Palestinians. They also do love life.
A blackly funny account of everyday life in Ramallah and refreshingly different from most writing on the Palestinian-Israeli conflict, Sharon and My Mother-in-Law describes Suad Amiry's life on the West Bank from the early 1980s to the first decade of the new millennium. Vividly evoking her neighbourhood and her moving family history, Amiry creates a fascinating account of her attempts to live a normal life in an insane situation: from the impossibility of acquiring gas masks during the first Gulf War to her dog acquiring a Jerusalem passport when thousands of Palestinians couldn't. During the Israeli invasion of Ramallah in…
Growing up in New York, the child of New Yorkers, every corner was replete with memories and histories that taught me life values. Walking through these meaningful places, I learned that the multiplicity of people’s stories and struggles to make space for themselves were what made the city and enriched everyone’s lives. The books here echo the essential politics and personal connections of those stories, and all have been deeply meaningful to me. Now, with my firm Buscada, and in my writing and art practice, I explore the way people’s stories of belonging and community, resistance and rebuilding from cities around the globe help us understand our shared humanity.
This book has never been far from my mind since I first read it. I love it because of its incredible thoughtfulness about place, its honest, personal, and political connection to land, and its exquisite storytelling of the embodied and culture-making experience of walking.
This isn’t a book that tells you what to think; it lets you find your way. Raja Shehadeh eloquently focuses on the personal, the physical, the beautiful, and the loved. Following his stories, following his walks, helped me understand one of the most complex and brutalized places on the planet.
To read Shehadeh’s walks and his fears for the lands where he walks is to feel this place very personally. The way his walks become increasingly circumscribed over time as the book progresses broke my heart and made Palestine clear to me as a beloved and embodied place in a way no news report ever could.
Raja Shehadeh is a passionate hill walker. He enjoys nothing more than heading out into the countryside that surrounds his home. But in recent years, his hikes have become less than bucolic and sometimes downright dangerous. That is because his home is Ramallah, on the Palestinian West Bank, and the landscape he traverses is now the site of a tense standoff between his fellow Palestinians and settlers newly arrived from Israel.
In this original and evocative book, we accompany Raja on six walks taken between 1978 and 2006. The earlier forays are peaceful affairs, allowing our guide to meditate at…
The year I spent in Palestine from 2011 to 2012 was the first time in my life that I encountered racism firsthand. Growing up in America, I was aware of my country’s racist history and I knew that my country’s history was indelibly marked by prejudice. But in Palestine I witnessed racism in action. It reminded me of segregation in the American South. Every aspect of daily life in Israel and in the territories it occupied is segregated: buses, roads, lines waiting to pass through checkpoints. After I witnessed a Palestinian man being refused entry into an Israeli tourist site simply because he was Palestinian, I knew this was a book I had to write.
Raja Shehadeh is the author of many important books on Palestine.
He has a unique ability to interweave the personal into the political in his writing. That talent shines through in this recent book, a memoir about his relationship to his father, an influential attorney and defender of Palestinian rights who was murdered outside his home in Ramallah in 1985. In telling the story of this relationship, which was marked by mutual misunderstanding and unarticulated love, Shehadeh also tells a story about the history of the Palestine people.
He shows how the conflicts and displacements inflicted on Palestinians have torn apart millions of lives and destroyed the human connections that many of us take for granted.
A subtle psychological portrait of the author’s relationship with his father during the twentieth-century battle for Palestinian human rights.
Aziz Shehadeh was many things: lawyer, activist, and political detainee, he was also the father of bestselling author and activist Raja. In this new and searingly personal memoir, Raja Shehadeh unpicks the snags and complexities of their relationship.
A vocal and fearless opponent, Aziz resists under the British mandatory period, then under Jordan, and, finally, under Israel. As a young man, Raja fails to recognize his father’s courage and, in turn, his father does not appreciate Raja’s own efforts in campaigning…
I’ve been fascinated by ancient Egypt since I was ten. I started my first project in Luxor, Egypt, when I was 21, and for the last 35+ years, these projects have uncovered the stories of Theban tomb owners and the times in which they lived. For this reason, I’ve chosen some of the most accessible books on ancient Egyptian tombs and their decoration. I hope that these books will excite you about the humanity of those who lived thousands of years ago in ancient Egypt.
Another outstanding book in the Treasures series, this time edited by Kent Weeks. Written by a team of world-acknowledged experts, Treasures of the Valley of the Kings covers the greatest royal tombs, mortuary temples, and private tombs from the New Kingdom in brilliant color accompanied by informative text. Originally published in hardback in 2001 and reprinted in flexibound in 2020, the same text can be found in one of the best guidebooks of the Theban necropolis, The Treasures of Luxor and the Valley of theKings, also published by White Star. I always pack this guidebook when I’m leading tours.
Take a spectacular armchair voyage to one of earth's most magnificent and ancient sites: Egypt's Valley of the Kings. This exquisitely produced guide is lavishly illustrated with more than 800 pictures (including archeological reconstruction drawings); 6 gatefolds; and the finest paper. Conducted by a team of world-acknowledged experts who provide the most up-to-date information, this virtual guidebook to Egypt's greatest treasures is the perfect mix of artistic brilliance and scholarly research. The Valley of the Kings and the tombs of the nobles are, with the pyramids of Giza, among the world's best-known sites. Yet a significant portion of this remarkable…
In books, essays and reportage, I've been writing about Israel and the conflict since moving from the U.S. to Israel in 1982. Even as I write from within my Israeli consciousness, I have tried to understand and convey other perspectives. For Israelis and Palestinians, there is nothing abstract about this conflict; it is, instead, a matter of life and death. My writing is an attempt to simultaneously convey the passions of this conflict and offer an empathic voice for all those caught in this seemingly hopeless situation.
What is the core of the Palestinian-Israeli conflict, and what is the key to its solution? In this groundbreaking work, Adi Schwartz and Einat Wilf argue that the answer is not settlements or holy places or even the absence of a Palestinian state. Instead, the core of the conflict is the Palestinian national movement’s insistence on “right of return” of millions of descendants of Palestinian refugees to what is now the state of Israel – rather than resettlement in a future Palestinian state. What Palestinian leaders have effectively done, argue the authors, is link the end of the conflict to a “solution” that will mean the end of a sovereign Jewish state. The authors, who support the creation of a Palestinian state, argue that its creation depends on the willingness of Palestinian leaders to give up their dream of destroying Israel through a shift in its demographic balance. Until that…
Two prominent Israeli liberals argue that for the conflict between Israel and the Palestinians to end with peace, Palestinians must come to terms with the fact that there will be no "right of return."
In 1948, seven hundred thousand Palestinians were forced out of their homes by the first Arab-Israeli War. More than seventy years later, most of their houses are long gone, but millions of their descendants are still registered as refugees, with many living in refugee camps. This group―unlike countless others that were displaced in the aftermath of World War II and other conflicts―has remained unsettled, demanding to…
I spent much of my twenties traveling, teaching, and writing in Asia, and ever since I’ve passionately searched out good novels that transport me into another culture, often another time. On author visits to schools across the U.S., I’ve talked with hundreds of young readers who are curious about the world but are caught up in the right-now intensity of their own lives. In writing Street of Storytellers,I sought to connect with that intensity—and through that connection to bring readers into a vivid experience that opens a window onto the history, humanity, and shared struggles that are out there to discover in the world.
In this novel by a Palestinian-American poet, Liyana is an observant teenager whose family suddenly relocates from the U.S. to a tense, polarized, injustice-ridden Jerusalem. Habibi gives us Jerusalem and its surroundings from the Palestinian side, bringing to life the community and its traditions, frustrations, and shattering losses. Then the novel introduces a young Israeli to whom Liyana is strongly drawn—and things get complicated, as it seems they inevitably do in this place of complexities that are both age-old and ever-present. As Liyana and Omer grow close, the story opens into one that’s broader, deeper, and honestly challenging. The only real answer, Habibi seems to insist, is our own humanity.
Fourteen-year-old Liyana Abboud would rather not have to change her life...especially now that she has been kissed, for the very first time and quite by surprise, by a boy named Jackson.
But when her parents announce that Liyana's family is moving from St. Louis, Missouri, to Jerusalem -- to the land where her father was born -- Liyana's whole world shifts.
What does Jerusalem hold for Liyana? A grandmother, a Sitti, she has never met, for one. A history much bigger than she is. Visits to the West Bank village where her aunts and uncles live. Mischief. Old stone streets…
My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
Azem takes a premise here and runs with it. How about, she asks, if all the Palestinians just disappeared, what would the reaction be?
The heart of the novel is the grandmother character, who dies as the book opens and the other Palestinians vanish and I wanted more recollections of her, more of her dialogue. Set mainly between Jaffa and Tel Aviv, the fusing of the two names irritates the grandmother, who says it’s "just like someone being up your ass. You don’t see them, and they never let go."
There are sharp cameos here of Israeli-Palestinian relations, from buyers and sellers to torturers and prisoners, pimps and sex workers. I found the conclusion to be too bleak, but the writing is good, and the observations are sharp.
What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem's powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal…
Before W. Somerset Maugham became the most popular writer in the world, he spent five years as a doctor in a London hospital. He says it was perfect training to be a novelist: he learned everything about human behavior from his patients. I’ve been a criminal lawyer for more than 33 years, and every day, someone tells me a story I could never dream up. I meet my clients at the point of crisis and work with them through shock, anger, depression, denial, bargaining, and acceptance. It’s the same for my characters, who are as alive to me and my readers as anyone in my life.
Okay, technically, this is not a book. But it is the greatest work in the English language. When I do public speaking, I like to say my ” favorite mystery is Scandinavian.” Everyone nods. “There’s a questionable murder to begin, then a suicide, an attempted kidnapping, and a big fight when the two main characters die.” People nod again. “It’s called Hamlet. Have you ever heard of it?” And everyone laughs.
I then ask the question: what is the difference between a mystery and a thriller? I believe in a mystery the protagonist is ahead of the reader. (Think classic detective novels such as The Big Sleep). But in a thriller, the audience is ahead of the protagonist. (Think a movie such as Wait Until Dark). In Hamlet, we have both. The first half is a mystery. Was his father really murdered? But in the crucial midpoint,…
In Shakespeare's verbally dazzling and eternally enigmatic exploration of conscience, madness and the nature of humanity, a young prince meets his father's ghost in the middle of the night, who accuses his own brother - now married to his widow - of murdering him. The prince devises a scheme to test the truth of the ghost's accusation, feigning wild insanity while plotting revenge. But his actions soon begin to wreak havoc on innocent and guilty alike.
When I studied Shakespeare’s works as an undergraduate, I became intrigued by the questions of why and how we got to the point where Shakespeare’s name is recognised all over the world, his plays are quoted in everyday conversation, and his works are central to every English Literature course. I’ve pursued these questions in my academic research, where I look at the history of Shakespeare in performance, but also at how these performances are remembered in souvenirs, pictures, and objects.
Alan R. Young’s close focus on an individual play over nearly two centuries shows how far images can shape our ideas of what a play is about. He looks at paintings, illustrations, prints, photographs, and comic burlesques, demonstrating the incredible variety of images which have been inspired by Hamlet. I find Young’s chronological approach incredibly helpful, since it shows how one image influences another, and how representations of a single scene can change over time in line with fashions in the art world.
This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare.
