99 books like Deep Space Nine Companion

I remember the moment I walked into a bookstore and saw this book sitting face out on the shelf and thought; “Wait, they make books about every episode of a TV show?” Not just that but for the show that to this day I maintain was the greatest TV show ever made: The Twilight Zone. Marc Scott Zicree’s book was my beginner’s guide into the making of a TV production with an emphasis on my greatest love: the writers. From the day I bought this, I never sat down to watch the show again without it beside me for reference. My copy is worn and tattered but eternally loved. This was the book that made me want to work for and write about television.

I have no idea why this book was made. Star Trek was a cult show that was nearly canceled after its second season until the first fan campaign helped it earn one more run. So whose genius idea was it—in the midst of production—to create this book detailing how the show was made from soup to nuts? My thanks to the writers, editors, and publishers who made it happen. Because the result is an extraordinary contemporaneous look at a television show from the 1960s that changed the world. And my life, too. I found Star Trek as a child and this book as an early teen. Its insights made me determined that I, too, would somehow become a part of Star Trek production. Even if the show had finished filming before I was even born. Bless my Trekkie English teacher who had this book on her “borrowing” shelf. 

While The Making of Star Trek was a miraculous and uncalled-for contemporaneous title focused on the creation and production of the series overall, David Gerrold’s subsequent release, The Trouble With Tribbles, took one script and broke it down from beginning to end on exactly how the sausage—or rather a television show—was made. Filled with his witty observations combined with a writer’s frustrations of dealing with production limitations, it’s a fascinating insight for aspiring writers and Star Trek fans alike. This book, based on one of the most popular television episodes ever made, was originally published just a few years after production ended so all the stories were still fresh in his head. This one made me want to write for television but warned me why I shouldn’t.

David Gerrold had a lot to say about the experience of writing his first episode of television in The Trouble With Tribbles. But that wasn’t all the insight he had behind the scenes of the Star Trek series. So he wrote another entire book about the show and the fandom that adopted it. Once again filled with wit and wisecracks, this book is another must-have for fans of the Original Series. At the time it came out, it was a book about a show that had only just begun to make its mark on popular culture. So the production and studio “machine” was not yet in control of what could and couldn’t be said about the property. Another raw and fascinating book by someone who was actually in the room where it happened. And one that made my entry into Star Trek fandom more understandable.

This is the companion book for Des Doyle's acclaimed documentary with the same title (also highly recommended).

Described as “the first ever feature-length documentary to explore the world of U.S. television showrunners and the creative forces they employ”, the documentary is an insightful overview of the TV creative process, featuring interviews with some of the best showrunners in the business.

There is simply nothing that beats this if you want to get a sense of how the industry works and measure the stakes, the energy, the pressure, the creativity, the professionalism, and the humor experienced or displayed by these awe-inspiring storytellers.

The book features a foreword by Hart Hanson (Showrunner of Bones, The Finder, Backstrom), an introduction by Doyle, and expands on the interviews featured in the documentary.

I recommend this book not on the basis of my co-editorship with Lisa but rather on the basis that the essays contained in it speak to the unexceptionality of premodern female power and influence in both the fantasy fiction world and in historiography and how these sometimes reflect one another—without forcing the issue. The germ of the idea for the essay collection came with the screening of the sixth series HBO television cultural phenomenon when all of a sudden the female characters started to emerge as leaders and belligerents in the quest for the Iron Throne and all that that entailed. 

Patricia Briggs is a true weaver of stories, whose complex characters and intriguing world-building make it easy to get lost in her books.

Cry Wolf, the first in her Alpha and Omega series is no different. As someone who loves female characters with a core of grit, Anna, an Omega wolf who’s survived a brutal attack that threw her into a world of monsters, is one such heroine. When she and her new mate, Charles, stumble upon a wicked witch, it’s Anna’s strength that gives the nascent couple the edge they need to triumph over evil.

Fair warning, Anna’s history is painful and could be triggering for some, but what rises from the ashes is stunning to behold and gives testament to the strength of survivors.

Williamson was one of the first people (after me) to critique advertising from a feminist point of view. I could have chosen her earlier book, Decoding Advertisements: Ideology and Meaning in Advertising, which also had a big influence on me, but this one is less academic and more readable.

Her discussion of how advertising channels people’s desire for progressive change into a need for products was one of the themes of my doctoral dissertation (written before this book). There are many gems, such as the fact that the ideal body type for women in ads has sometimes been that of a teenage boy!  

This book came out a few months after the first edition of my book, and I remember being really frustrated because it added so many important ideas.

I still find its interrogation of interfaces and how they interact, open as different tabs, intriguing. Johnson focusses on how online TV functions within an internet ecosystem. This leads to interesting ideas about what TV distributed via the internet means.

Along with Kathryn Montgomery’s book Target: Primetime, this book is a fascinating peek into the furious fights over sex and violence on television.

It shines a light on a mostly-invisible struggle between creators, executives, censors, and the public. I love how vividly this book is written; it really feels like you’re right there on the front lines.

And the fact that it was published in 1978 means that it’s possible now to see the repercussions of this fight, nearly fifty years later.