100 books like The Trouble with Tribbles

Rod Serling’s fantasy anthology (where he was narrator and chief writer) was a favorite of ours back then and still is. Despite a skimpy production budget, the show’s quality scripts, acting, and imaginative themes usually transcended the sparse settings.

Having seen most episodes several times, we still turn to Zicree’s handy book to refresh our memories of the show. This was one of the first of the “companion” books to document a memorable TV series, presenting each episode with cast and crew information, airdate, sample photo, the text of Serling’s intro and outro narration, plot summary and revealing analysis, and background details. The expanded 3rd edition (from 2018) also covers the various later revivals of the series.

I have no idea why this book was made. Star Trek was a cult show that was nearly canceled after its second season until the first fan campaign helped it earn one more run. So whose genius idea was it—in the midst of production—to create this book detailing how the show was made from soup to nuts? My thanks to the writers, editors, and publishers who made it happen. Because the result is an extraordinary contemporaneous look at a television show from the 1960s that changed the world. And my life, too. I found Star Trek as a child and this book as an early teen. Its insights made me determined that I, too, would somehow become a part of Star Trek production. Even if the show had finished filming before I was even born. Bless my Trekkie English teacher who had this book on her “borrowing” shelf. 

David Gerrold had a lot to say about the experience of writing his first episode of television in The Trouble With Tribbles. But that wasn’t all the insight he had behind the scenes of the Star Trek series. So he wrote another entire book about the show and the fandom that adopted it. Once again filled with wit and wisecracks, this book is another must-have for fans of the Original Series. At the time it came out, it was a book about a show that had only just begun to make its mark on popular culture. So the production and studio “machine” was not yet in control of what could and couldn’t be said about the property. Another raw and fascinating book by someone who was actually in the room where it happened. And one that made my entry into Star Trek fandom more understandable.

If The Twilight Zone Companion was my original bible, then the Deep Space Nine Companion was its extensively expanded new testament. The alpha and omega for what a book about the making of a television show could be, this massive compendium was made possible by the unparalleled access the authors had to everyone as the show was in production. This book blew my mind with all the details it included and all of the aspects examined. Simply a treasure for all Star Trek: Deep Space Nine fans. That said, this is an authorized book, meaning nothing was published without the studio’s oversight, which differentiates it from the earlier books on this list. Nonetheless, it’s the one I strove to match when I compiled my own study on the making of Gene Roddenberry’s Andromeda entitled Sailing the Slipstream (a book I plan to re-format and re-release in an anniversary edition). 

This is the companion book for Des Doyle's acclaimed documentary with the same title (also highly recommended).

Described as “the first ever feature-length documentary to explore the world of U.S. television showrunners and the creative forces they employ”, the documentary is an insightful overview of the TV creative process, featuring interviews with some of the best showrunners in the business.

There is simply nothing that beats this if you want to get a sense of how the industry works and measure the stakes, the energy, the pressure, the creativity, the professionalism, and the humor experienced or displayed by these awe-inspiring storytellers.

The book features a foreword by Hart Hanson (Showrunner of Bones, The Finder, Backstrom), an introduction by Doyle, and expands on the interviews featured in the documentary.

I recommend this book not on the basis of my co-editorship with Lisa but rather on the basis that the essays contained in it speak to the unexceptionality of premodern female power and influence in both the fantasy fiction world and in historiography and how these sometimes reflect one another—without forcing the issue. The germ of the idea for the essay collection came with the screening of the sixth series HBO television cultural phenomenon when all of a sudden the female characters started to emerge as leaders and belligerents in the quest for the Iron Throne and all that that entailed. 

This collection of short stories are designed to be reminiscent of the old Twilight Zone TV series. As a huge fan of the show, I was interested to see how the interpretation to short story would work. It works very well. If you enjoyed the show (and/or the movie) you'll enjoy this book. Rod Serling would be proud.

Murray, the creator of the wonderful shows Rocko's Modern Life and Camp Laslo, details in full the story of his own career in animation while at the same time exploring the mechanics of producing animation for television.

He includes interviews with his colleagues and contemporaries in the field which are revelatory about how many great programs of the 1990s and 2000s were produced, and fills a major research gap in the process.

Williamson was one of the first people (after me) to critique advertising from a feminist point of view. I could have chosen her earlier book, Decoding Advertisements: Ideology and Meaning in Advertising, which also had a big influence on me, but this one is less academic and more readable.

Her discussion of how advertising channels people’s desire for progressive change into a need for products was one of the themes of my doctoral dissertation (written before this book). There are many gems, such as the fact that the ideal body type for women in ads has sometimes been that of a teenage boy!  

If I asked you whether you fancied reading the entire history of British television from its beginnings on the BBC in the 1930s to its position today, you’d probably tell me to get lost.

But the evocative writing of Lez Cooke makes this a far more pleasurable experience than it otherwise ought to be. I guarantee you will be stimulated yet entertained as you are walked through the key creatives, technologies, dramas, and genres that captured the imaginations of millions of avid British telly addicts each decade. You will put down this book as an immediate expert in the field, guaranteed.