Here are 85 books that Danny Boy fans have personally recommended if you like
Danny Boy.
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In the Spring of 2006, I went to the south of France searching for troubadours. It was my MA year and my thesis was looking at the influence of the courtly love tradition on Chaucer’s writing. Troubadours (and the female, trobairitz) were nowhere to be found. The closest I came was a café named Le Troubadour. However, evidence of their lyrics was there in the beauty and lushness of Languedoc in spring. I'm always drawn to the poetry, landscapes, and love stories of the past and have experienced how these connections enrich my life. I've completed a PhD in seventeenth-century literature and become an historical fiction novelist and a devotee of history and historical fiction.
With a tight cast of characters, I was intimately drawn into the distressing and mysterious predicament of young heroine, Bess Bright.
Set in Georgian London, Bess has been forced to give up her baby, but when she returns to the home to reclaim her, she discovers she has already been taken. Bleak and tense, this book however resolves into an uplifting tale where characters are treated with compassion and justice is achieved. A mother’s love has the power to transform the bitterest of beginnings. Historical fiction at its best.
The captivating Sunday Times bestseller from the author of The Familiars
Two women, bound by a child, and a secret that will change everything . . .
London, 1754. Six years after leaving her illegitimate daughter Clara at London's Foundling Hospital, Bess Bright returns to reclaim the child she has never known. Dreading the worst, that Clara has died in care, Bess is astonished to be told she has already claimed her. Her life is turned upside down as she tries to find out who has taken her little girl - and why.
I’m Steve Sheppard and I’m arguably the best person in the UK to create this list as I am myself the archetypal funny author whom nobody has heard of, having written three comedy spy thrillers, two out (A Very Important Teapot and Bored to Death in the Baltics) and one on the way (Poor Table Manners), all published by a genuine indie publisher, Claret Press. I would have loved to include a funny thriller in my list, but sadly, they are not to be found–not without resorting to farce and slapstick anyway.
A delightful book, a complete treat, certainly the funniest I’ve read in recent years as well as one of the most original. How it wasn’t picked up by a major publisher is beyond me, especially given Sue Clark’s background in television comedy scriptwriting.
The way Sue manages so realistically to get inside the head of both the aged and yet ageless ex-fashion icon, Eloise, and Bradley, a south London council estate lad with dreams above his station, is astonishing. Writing in the first person is hard enough, but to do it so successfully for two such disparate characters is extraordinarily clever. It is no easy thing to make the reader believe so thoroughly in their highly unlikely, blossoming (business) partnership.
Eloise is an erratic, faded fashionista. Bradley is a glum but wily teenager.
In need of help to write her racy 1960s memoirs, the former 'shock frock' fashion guru tolerates his common ways. Unable to remember his name, she calls him Boy. Desperate to escape a brutal home life, he puts up with her bossiness and confusing notes.
Both guard secrets. How did she lose her fame and fortune? What is he scheming - beyond getting his hands on her bank card? And just what's hidden in that mysterious locked room?
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
This one’s a story of obsessive love, with a heroine who is undoubtedly flawed, but who you can’t help cheering on, even when she’s doing very bad things.
You wouldn’t want her to be your brother’s girlfriend, but she’d be hilarious company on a night out. The story is darkly funny, but ultimately uplifting, which I think is a great combination in a book.
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
Only one night with a handsome stranger in London? This has been my dream forever, and once I read this blurb, I immediately one clicked.
Sandi Lynn made me feel like I was literally living this, and I found it almost impossible to drag my eyes away. I wanted this book to continue forever, and if you haven't read it already, you need to.
Have sex with a stranger in a foreign country. It was on my list. It was something I’d never done before and I wasn’t sure if I could go through with it. But I did. Don’t tell him anything about yourself. No names. No personal information. Nothing. It’s all about the thrill. The mystery man. Keep him a stranger. That one night was the best night of my entire life. He was sexy, intense, and made me feel things I had never felt before. The next morning, the thrill was over and he was gone before I woke up. What…
I’m the sort of person who reads history books for fun. It’s perhaps odd to be a novelist who prefers nonfiction for my personal reading, but then again, I’ve managed to utilize those traits for writing 9 historical novels. The Victorian era has fascinated me since childhood. (The first play I ever saw was Oliver!, inspired by Dickens’ Oliver Twist. I still remember it vividly.) The Victorian era was a time of momentous change, becoming more like the world we know today and yet still within living memory of a very different way of life. The books I’ve chosen here reflect that time of upheaval and how, for better or worse, people dealt with it.
This is the first detailed history I ever read about the Victorians, and it’s still my favorite.
Picard brings mid-Victorian London to life—the sights, smells, and sounds of the city, the lifestyles of the rich and the poor, the changing attitudes in politics, romance, and religion.
She covers the decades when London was making strides in things we think of as “modern,” from running water and better sanitation to the railways, education, and the rising middle class.
Her chapter notes and references provide endless fodder for anyone interested in learning more about this period. Picard’s writing is lively, fluid, and fascinating.
Anyone who thinks history must be dry and dusty need only to read this book to discover otherwise.
Like her previous books, this book is the product of the author's passionate interest in the realities of everyday life - and the conditions in which most people lived - so often left out of history books. This period of mid Victorian London covers a huge span: Victoria's wedding and the place of the royals in popular esteem; how the very poor lived, the underworld, prostitution, crime, prisons and transportation; the public utilities - Bazalgette on sewers and road design, Chadwick on pollution and sanitation; private charities - Peabody, Burdett Coutts - and workhouses; new terraced housing and transport, trains,…
It would be fair to say that the deconstruction has firmly taken hold of the Western genre in movies. But while an appreciation of Sergio Leone is omnipresent to the point of cliché for cinema buffs, in literature, Louis L’Amor, Zane Grey, and William W. Johnstone reign supreme. Cormac McCarthy’s apocalyptic Western horrors being the exception that makes the rule.
But Western books have their own subversion, and I wanted to spotlight those. The men’s adventure, the pulp fiction, the outright smut. These are the books that inspired my own novel, A Man Called Bone, and I hope it does right by its muses.
Much like Italian filmmakers managed to create the spaghetti western by riffing on the genre from an ocean away, English pulp writers created the Piccadilly Western: violent, cynical, sometimes even too edgy for its own good. The Adam Steele books often verge on tastelessness with their violence and insensitivity, but that’s relieved by a sort of dark humor—often groan-inducing. It can be a lot to take, but for those who prefer too much to too little… Adam Steele is definitely not too little. The first book has Civil War hero Steele going outlaw to avenge his murdered father, with his best friend as the lawman hot on his trail.
Abraham Lincoln is assassinated whilst at the theater in Washington. A great and honorable President is mourned by many, but his passing brings rejoicing to those Southerners defeated in the Civil War. Adam Steele finds he has a private grief to mourn, when he discovers the body of his father slowly swinging on a makeshift gallows. This is a sorrow he cannot share with other men. He sets out on a mission with deadly purpose. A vendetta that will turn old friends into enemies, that will bring a slow or sudden death to the marked men.
I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.
I enjoy Ackroyd's novels as well as his biographies, the former almost always being set in London which he, as a noted flaneur, loves. London Under is not fiction, though it often references the literature and mythologies which have grown up around certain places and landmarks within London, from its earliest incarnation before it was even a city to the present day. Ackroyd chronicles how the London of one time reappears and impacts upon the London of another time, one stratum intruding upon another and shows how the world below mirrors and reflects the world above. This is not unlike how I wanted the clandestine and criminal world to mirror and reflect the above ground and above-board world in my novel Plague.
In this vividly descriptive short study, Peter Ackroyd tunnels down through the geological layers of London, meeting the creatures that dwell in darkness and excavating the lore and mythology beneath the surface.
There is a Bronze Age trackway below the Isle of Dogs, Anglo-Saxon graves rest under St. Pauls, and the monastery of Whitefriars lies beneath Fleet Street. To go under London is to penetrate history, and Ackroyd's book is filled with the stories unique to this underworld: the hydraulic device used to lower bodies into the catacombs in Kensal Green cemetery; the door in the plinth of the statue…
Loads of people want to be writers and the dream can come true! It did for me. So, I want to tell people about the books that have helped to turn me into a novelist. Initially, I wrote journalistic pieces about bizarre leisure activities for various British newspapers and magazines: I lay on a bed of nails, walked on red hot coals, met people who collect bricks as a hobby...and even lost my underpants while performing on the flying trapeze! (No kidding!) But my ultimate goal was always to become a novelist. Then, one day, I discovered the subject I just had to turn into a novel. And the result was...Death and Mr. Pickwick.
This novel was a massive influence on me. Rutherfurd takes the city of London as his subject, and follows the life of the city through the centuries, taking in Celts, Romans, Anglo-Saxons, Normans etc…right through to modern times. I don't have quite such a huge canvas in my book, but I do follow a series of historical events in a manner which is somewhat reminiscent of Rutherfurd. Rutherfurd takes you on a wonderful journey.
“A TOUR DE FORCE . . . London tracks the history of the English capital from the days of the Celts until the present time. . . . Breathtaking.”—The Orlando Sentinel
A master of epic historical fiction, Edward Rutherford gives us a sweeping novel of London, a glorious pageant spanning two thousand years. He brings this vibrant city's long and noble history alive through his saga of ever-shifting fortunes, fates, and intrigues of a half-dozen families, from the age of Julius Caesar to the twentieth century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the…
I love historical fiction which brings the past to life and allows us to experience other historical periods. For me, historical crime fiction combines this with dynamic plots and interesting characters. My love of history was first kindled by the books of John Prebble which introduced me to the fascinating world of 17th-century Scotland. I went on to study Scottish History at university and research a PhD in the subject. I have gone on to write a history of the Darien Disaster, The Price of Scotland, and a series of historical crime novels set in the late 17th century featuring investigative advocate John MacKenzie and his sidekick Davie Scougall.
The Seekertakes us through the streets of Cromwellian London in the 1650s, a period rarely considered by historical crime novelists, but one of paranoia as Cromwell’s regime struggles to crush the enemies seeking to overthrow it. The novel introduces the character of Captain Damian Seeker, Cromwell’s mysterious agent who is a force to be reckoned with.
Winner of the 2015 CWA Endeavour Dagger for Historical Fiction
London, 1654. Oliver Cromwell is at the height of his power and has declared himself Lord Protector. Yet he has many enemies, at home and abroad.
London is a complex web of spies and merchants, priests and soldiers, exiles and assassins. One of the web's most fearsome spiders is Damian Seeker, agent of the Lord Protector. No one knows where Seeker comes from, who his family is, or even his real name. All that is known of him for certain is that he is utterly loyal to Cromwell, and that…
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This novel perfectly captures the frenetic pleasure-seeking ethos of the youth of the English upper classes after the horrors of WW1- unsurpsingly, as it is written by one of them.
Evelyn Waugh was one of the Bright Young People, as they became known, who tore round London in sports cars, snatching at policemen’s helmets for the treasure hunts they loved.
Vile Bodies is both a celebration of the hedonism of the young and a warning to those who believe that their license to indulge is infinite, unquestionable and without consequence. A whole host of wonderful characters are introduced throughout Waugh's thought-provoking and satirical story, which follows protagonist Adam from the perils and pitfalls of being a gossip columnist to the trials and tribulations in attempting to secure his marriage to Nine Blount. Roll on an eccentric (verging on senile) potential father-in-law, parties as 10 Downing Street, high times at Shepheard's hotel, where the wine is always flowing (until your bill…
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